Search Results

Title:  Firebringer Presented By:  PIP Theatre Genre:  Musical Comedy Synopsis: Firebringer  follows a prehistoric tribe as they navigate the discovery of fire, questioning tradition and leadership while dealing with modern-day humour and timeless emotions. Zazzalil, a clever and ambitious member, inadvertently disrupts the tribe's way of life with her daring ideas, ultimately sparking (literally) a new age. Through comedy, intimacy, and musical numbers, the show explores themes of progress, unity, and the power of the individual. Music and Lyrics By: Meredith Stepien & Mark Swiderski Book By: Nick Lang, Matt Lang, & Brian Holden Arrangements By: Clark Baxtresser & Pierce Siebers Audition Requirements: Audition Dates: 24 November:  Group Dance Call, 2:00 pm - 3:00 pm 25 November:  Individual Auditions 26 November:  Individual Auditions 3 December:  Callbacks Audition Location and Address: Pip Theatre, Savoir Faire, 20 Park Rd, Milton QLD 4064 Audition Self-Tape Due (if applicable):  Video auditions are accepted; please email hello@firebringer.com.au Individual Auditions:  15-minute booked session for 25 & 26 November. Prepare two 1-minute songs, one showing your comedic side (preferably modern musical theatre style). Be prepared for cold reads and improv exercises. Bring a CV and headshot. No piano accompaniment; bring a backing track with Bluetooth or AUX cord device. If needed, bring an adapter. Group Dance Call:  Compulsory on 24 November from 2:00 pm to 3:00 pm. A short dance routine will be taught on the day, with auditions in groups. Wear dance-appropriate footwear and clothing. Audition Registration: Register for both individual and group sessions here . Audition Pack: Access the full audition pack here . Performance Dates: 3 - 12 April 2024 Thursdays & Fridays: 7:30 pm Saturdays: 2:00 pm & 7:30 pm Performance Location: Pip Theatre, Savoir Faire, 20 Park Rd, Milton QLD 4064 Rehearsal Dates: Rehearsals begin on 18 January. Mondays & Wednesdays: 7:00 pm - 10:00 pm and Sundays: 1:00 pm - 6:00 pm Key dates: Costume fitting (14 January), photoshoot/table read (18 January), group vocals (21 & 28 January). Production Website Creative Team: Director:  Louella Baldwin Assistant Director/Choreographer:  Isabelle Quayle Musical Director:  Benjamin Richards Other information: Firebringer  offers remuneration starting at a base $500 per performer, with additional payment based on ticket sales and potential additional shows. Details are outlined in the audition pack. Rehearsal materials will be provided by mid-December, with an expectation that cast members be nearly off-book by February. This is an 18+ production with some intimacy scenes involving both queer and heterosexual relationships. Physical intimacy includes brief kisses in certain roles, managed with the guidance of an intimacy coordinator. For further questions about the production, rehearsal details, or remuneration, contact us at hello@firebringer.com.au Available Roles: Zazzalil Vocal Range: E3 - E5 (mix) Stage Age: 18-25 Presenting Gender: Female Character: Ambitious, clever, a resourceful freethinker. Physical intimacy required with Jemilla. Jemilla Vocal Range: E3 - C#5 (strong mix) Stage Age: 20-30 Presenting Gender: Female Character: Kind and diplomatic leader. Physical intimacy required with Zazzalil. Molag Vocal Range: Ensemble singing only Stage Age: Open Presenting Gender: Any Character: Eccentric narrator, retired chief, comic timing essential. Emberly Vocal Range: G3 - Bb4 (strong mix) Bb4 - D5 (head voice) Stage Age: 18-30 Presenting Gender: Female Character: Empathetic, quirky, falls for Grunt. Physical intimacy required with Grunt. Grunt Vocal Range: D3 - F#4 Stage Age: 18-30 Presenting Gender: Male Character: Artistic and sweet outsider. Physical intimacy required with Emberly. Keeri Vocal Range: C#4 - A4 Stage Age: 20-30 Presenting Gender: Female Character: Zazzalil's friend, optimistic and agreeable. Ducker Vocal Range: Bb2 - F#4 Stage Age: 20-30 Presenting Gender: Male Character: Tribe’s shaman, self-serving and manipulative. Schwoopsie Vocal Range: Bb3 - G4 Stage Age: 20-30 Presenting Gender: Female Character: Stand-up comic with existential crisis, corny and earnest. Tiblyn Vocal Range: C#4 - D5 (strong mix) B4 - D5 (head voice) Stage Age: 20-30 Presenting Gender: Female Character: Hard-working tribe member, shoulders heavy responsibilities. Smelly-Balls Vocal Range: A2 - E3 Stage Age: 20-30 Presenting Gender: Male Character: Brave warrior with a poetic side. Chorn Vocal Range: G3 - D5 (strong mix) C#5 - F5 (head voice) Stage Age: 20-30 Presenting Gender: Any Character: Primitive yet intelligent being, comic and feral. Neanderthal Vocal Range: F#3 - C#4 Stage Age: 20-30 Presenting Gender: Male Character: Charismatic cameo role, operates puppets throughout the show.

Title:  Sip & Sing: A Miscast Singalong Presented By:  Javeenbah Theatre Genre:  Musical Theatre Cabaret Synopsis: A unique opportunity for performers to showcase their versatility by exploring roles and characters outside their usual typecasting. Performers will reinvent iconic roles with their distinctive flair, allowing them to break free from typical casting constraints. AUDITION DETAILS: Audition Date: 9th November 2024 Audition Time: From 11am Audition Location: Javeenbah Theatre, Rehearsal Room Download the Audition Pack Register for Your Audition Audition Requirements: Prepare a song (max duration: 3 minutes and 30 seconds). Individual auditions will last approximately 10 minutes. Video auditions accepted for those unable to attend; submit via email to miscast@javeenbah.org.au  by 5pm on November 3rd. Roles Available: A diverse group of exceptionally talented performers is sought for solos, duets, trios, and large ensemble pieces. This show invites performers to explore and reinvent iconic roles beyond their typical typecasting. REHEARSAL DETAILS: Rehearsals to be determined, typically up to 2 nights per week and 1 weekend day. A rehearsal break will occur over Christmas/New Year. Attendance at every rehearsal is not required, but missing specific rehearsals may result in removal from a song/number. PRODUCTION DETAILS: Producer: Niamh Smith Performance Date: Saturday, 18th January 2025 at 7:30pm (Call time typically 1-1.5 hours before curtain)

Title:   Mary Poppins Jr. Presented By:  ROAR Academy Genre:  Youth Musical Theatre Synopsis: Join Mary Poppins as she sweeps into the Banks household, helping Jane, Michael, and their family learn the importance of family and kindness in this timeless tale. Set in early 20th-century England, this classic story brings the iconic, practically perfect nanny to life in a musical filled with magic, unforgettable songs, and adventure. This production offers young performers the chance to step into a magical world with the charming chimney sweep, Bert, and witness Mary Poppins' impact on everyone she meets. Audition Dates: Friday, November 1st: 4:00 pm - 6:30 pm Sunday, November 3rd: 9:30 am - 12:00pm Audition Location and Address: Theatre 102, Redcliffe Audition Registration:   Register Here Audition Pack:   Download the Audition Pack Rehearsal Dates: November 13: 5 pm - 7 pm (Read Through) November 17 & 24, December 1: 9 am - 12 noon (Choreography) November 20 & 27: 5 pm - 7 pm (Music) January 16 - 18, 21 - 23: 9 am - 5 pm (Workshop Days) January 28: 4 pm - 8 pm (Dress Rehearsal) January 30 & February 1: 4 pm - 8 pm (Final Rehearsals at Redcliffe Entertainment Centre) Performance Dates: Saturday, February 1: 11:00 am & 3:00 pm Sunday, February 2: 11:00 am & 3:00 pm Performance Location:  Redcliffe Entertainment Centre Fees: Performance fees are $420, covering training, costumes, scripts, a show shirt, and a professional headshot. Payment options are available, including scholarships for those needing financial assistance. Production Website:   Learn more about ROAR Academy Creative Team: Director:  Madeleine Johns Music Director:  Rhonda Davidson-Irwin Character Breakdown Mary Poppins  (female-identifying, Top F5/Bottom G3): The magical, practically perfect nanny. She is self-assured, imaginative, and gentle yet commanding. Requires a strong singer and actor who can captivate and control the stage. Bert  (male-identifying, Top F4/Bottom B2): The charming jack-of-all-trades who guides the audience through the story. A warm, fun-loving character, Bert has a twinkle in his eye and a sense of wonder. Strong acting, singing, and dancing abilities are essential. George Banks  (male-identifying, Top F4/Bottom Bb2): The father of Jane and Michael and a strict banker who demands order. His stoicism conceals a sensitive soul. Looking for a strong baritone with acting experience. Winifred Banks  (female-identifying, Top Eb5/Bottom A3): George’s caring, optimistic wife and mother to Jane and Michael. She is a devoted homemaker who navigates societal pressures with grace. Requires a pure vocal tone and depth in acting. Jane Banks  (female-identifying, Top Eb5/Bottom A3): The spirited, curious, and often snobbish daughter of the Banks. She evolves through the story, showing her vulnerabilities and strengths. Strong acting and singing ability required. Michael Banks  (male-identifying, Top E5/Bottom A3): The mischievous, lovable son of the Banks family. He looks up to his father and vies for his attention. This role requires a strong young actor and singer who reads as younger than Jane. Mrs. Brill  (female-identifying): The Banks' somewhat irritable yet warm-hearted housekeeper. This character requires a strong actor who can carry comedic moments; singing skills are a plus but not essential. Robertson Ay  (male-identifying): The forgetful, endearing houseboy of the Banks family. A comedic role that requires a strong sense of timing and character. No singing is necessary, but he should be a solid actor. Ensemble & Featured Roles: These include various roles, each requiring a blend of group singing and acting. Some may have solo lines or featured singing moments. Ensemble roles include: Katie Nanna, Miss Smythe, Chairman, Von Hussler, John Northbrook, Mrs. Corry, Miss Andrew, Park Strollers, Statues, Honeybees, Clerks, and Chimney Sweeps

'String Revolution,' presented by Honour Productions, showcased a mesmerising fusion of classical elegance and rock-and-roll energy. Act One: Classical Quartet The first act of ' String Revolution' opened with a classical performance by the talented quartet of Joshua Smith, Nyssa Corney, Courtney Sanders, and Hyewon Chang. The synchronicity between these musicians was undeniable, while each one delivered their solo lines with incredible texture and an almost visual storytelling, as though they could see the music itself. The lighting matched the mood of each piece so perfectly, often illuminating the musicians from behind and bathing the stage in an ambient glow. During the moody tone of Rachmaninoff's ' Allegro Moderato' , the atmosphere was enhanced by fog and red lighting, creating a striking silhouette of the quartet. Each note was amplified well, filling the intimate venue where around 80 attendees had gathered to witness these musicians up close. And this intimate setting created a closeness that made the performance all the more powerful. It is a stark contrast to the detached experience of sitting far away from an orchestra in a vast concert hall. A highlight of this act was an original composition titled ' Fair Winds and Following Seas'  by 22-year-old composer Imogen Ferdinando. This composition depicted the non-linear journey of grief and healing in a breathtaking way. The rich, deep sounds of the cello paired harmoniously with the interplay of the other instruments, resembling the clash of waves - each element unpredictable yet perfectly synchronised. At one point, the chaotic dissonance of the melodies created the illusion of separate songs being played, only to come together into a satisfying resolution. It was a stunning moment, easily the most compelling composition of the act.   The classical quartet also explored the haunting melodies of ' Oppenheimer' and ' Knives Out' , with the latter’s tricky timing and glissandos creating an auditory experience that itched my brain just right. The Mozart number, on the other hand, transported the audience to 1772, evoking the whimsical elegance reminiscent of a Jane Austen novel. The entire act was filled with layered melodies and dynamic choices that kept us enthralled. Act Two: The Rock Set The second half of the evening was a complete 180, in the best possible way. The rock act, featuring Kat Augustakis and Asa Deacon on electric fiddles, Nicholas Tam on electric cello, Elias Kokkoris on double bass, and supported by Sam Hewerdine (keys), Marius Angelo (bass), Nathanael Clyde Tadle (drums), and Mitchell Patullo (electric guitar), opened with an electrifying rendition of ' Smooth Criminal' . Right from the start, the atmosphere was charged with energy, and it didn’t let up for the rest of the night. By the second song, Fall Out Boy's ' Thnks fr th Mmrs' , the bow strings were already snapping from the intensity of the performance. The stadium-level lighting had me feeling like I was at a rock concert, not a string ensemble show. The standout number of this act was ' Smells Like Teen Spirit' . Kat Augustakis, the mastermind behind the arrangement of these rock songs, deserves massive credit—what a talent!   'Crazy Train' allowed the electric guitar to shine, and Mitchell Patullo absolutely slayed the solo. The emotional pull of ' Nothing Else Matters' was enhanced by Elias' powerful double bass resonating so deeply you could feel it in your bones. Marius seduced the audience with a bass solo that paved the way for a mashup of ' Seven Nation Army' and ' Sweet Dreams' . A playful nod to ' Bluey ' preceded Bon Jovi’s ' You Give Love a Bad Name' , and by the time that number hit I found myself fully wanting to headbang! The entire band was clearly having the time of their lives, and their enthusiasm was infectious. They closed with some INSANE finger work by Kat and Asa in ' Afterlife' , but the encore—where all 12 musicians from both acts returned to perform the ' Pirates of the Caribbean'  theme together—was the most memorable moment of the night. The collective power of all those instruments created an epic finale that radiated an undeniable sense of joy. It’s a rare treat to see such versatility in a single music performance, and Honour Productions has certainly delivered an experience that I won’t soon forget.

'Something Said,' a production by Sun and Wine Arts Company, written and directed by Claire Yorston and staged at Backdock Arts, explored the emotional complexities of sisterhood, childhood trauma, and the struggle to reconcile with a painful past. The plot centres on two sisters, Lorelai and Sabrina, who have been estranged for a decade. Lorelai (27), played by Yorston herself, is a psychologist coping with her traumatic upbringing. She is abruptly reconnected to her 17-year-old sister Sabrina, played by Avalokita Hoffman, when Sabrina initiates contact by writing her letters. The play opens with Yorston delivering a monologue about multiverses and sisterhood. Her performance as Lorelai is deeply introspective, portraying a woman who seems simultaneously self-protective and self-destructive. The interplay of strength and vulnerability in her performance is gripping, especially during the "what if" monologue, where she grapples with the realisation that she is letting her sister slip away once again. Avalokita Hoffman's portrayal of Sabrina is natural and sweet, embodying youthful innocence. Sabrina’s initial letters are filled with hope and curiosity, delivered by Hoffman without any hint of anger or resentment, but rather with a sincere desire to reconnect. This juxtaposition with Lorelai’s bitter and anxious attitude is striking—Sabrina appears to symbolise all that Lorelai has lost, including her ability to trust and show vulnerability. Emma King and Carter Firmager provide strong supporting performances, with King particularly standing out in the flashback sequences where Lorelai confides in her teenage best friend Sarah about her abusive parents. These flashback moments are carefully woven into the script to draw attention to the parallels between Lorelai’s neglect and feeling of abandonment in her youth and Sabrina’s current search for explanations as to why her sister left. Yorston’s script skilfully unravels layers of the sisters’ past through letters and flashbacks, with each sequence revealing new insights into their relationship, including Lorelai's pivotal choice to contact CPS, leave home at 16, and ultimately adopt Sabrina; a decision that remains unfulfilled. The stage design includes a split-stage layout that mirrors the inner worlds of the sisters and emphasises the age and emotional gap between them. Lorelai's side is minimal and clinical, including a desk and chairs for her therapy office, whereas Sabrina's side is cozy and disorderly like a teenager's room. The music in the play serves as a subtle backdrop during scenes where the sisters silently go about their daily routines side by side, which only further emphasise the isolation that each one experiences. The lighting design helps to differentiate the sisters' emotional states: bright, warm lighting for Sabrina's hopeful letters and harsh, focused lighting for Lorelai's tense monologues. Tensions reach a climax as the sisters express their innermost feelings through overlapping monologues. Lorelai's pent-up frustrations and anguish are laid bare, while Sabrina fears abandonment once more. Despite her youth, Sabrina comes across as the more emotionally mature of the two, trying to break through the walls her sister has built between them. One of the play’s most powerful lines, "I'm glad you got the healed version of the people who should have been my parents," encapsulates the bittersweetness of Lorelai’s journey. Yorston has captured the weight of unresolved trauma and the resentment that festers when one feels abandoned. Lorelai's complex relationship with her parents—recovered alcoholics who sought rehab and redemption after she left home and her sister was placed in foster care—prompts reflection on forgiveness and whether true healing is ever possible.   The play concludes with a bittersweet tone as the sisters have their first in-person meeting. Despite the awkwardness and unspoken tension, a glimmer of hope shines through. Sabrina's curiosity and efforts persist, while Lorelai maintains her guarded demeanour, unsure whether she can open up to her little sister after being alone for so long. The line, "In another universe, I hope we get another chance at being sisters," prompts the audience to contemplate the fragility of family ties and the courage it takes to confront the past. 'Something Said ' is a deeply moving theatre piece, driven by beautiful performances and Yorston’s poignant writing. The story of Lorelai and Sabrina is both heart-wrenching and hopeful, remind us that while we cannot change the past, we can choose how to move forward. This production showcases the strength of intimate, character-driven storytelling, and it's clear that Sun and Wine Arts Company have brought something truly special to the stage.

Presented By:  Scouts Queensland Genre:  Musical Theatre Revue Synopsis: Brisbane Gang Show is excited to welcome new and returning cast members for its 74th season in 2025! A dynamic musical revue packed with singing, acting, and dancing, the Brisbane Gang Show offers an incredible opportunity for Scouts and Guides across Queensland to showcase their talents. Whether you're a seasoned performer or new to the stage, this is your chance to shine and be part of something special. Eligibility: Must be an active member of Scouts Queensland or Girl Guides Queensland. Cub Scouts:  Must be at least 9 years old by opening night (June/July 2025). Guides:  Must be at least 15 years old, and all youth must be under 25 years by the closing night. CLICK HERE TO APPLY:   Apply for 2025 Cast Rehearsal and Performance Details: Rehearsals: Weekly rehearsals starting early 2025, including Tuesday night rehearsals for those over 15. Attendance at camps is mandatory. Performance Dates: June/July 2025 (exact dates to be confirmed) Additional Information: Cast members must be able to commit to all rehearsals and promote the show to friends and family. A cast activity fee of $165 (first instalment due by January 31, 2025). Minimum requirement of 20 ticket sales per cast member. Over 18s must hold a valid Blue Card and attend an Over 18’s activity in February 2025.

Title:  Come From Away Presented By:  Empire Theatre Genre:  Musical Theatre Synopsis: Come From Away  is a heartwarming musical that tells the true story of what transpired when 38 planes were ordered to land unexpectedly in the small town of Gander, Newfoundland, during the events of September 11, 2001. The musical highlights the compassion and kindness of the townsfolk as they welcomed 7,000 stranded passengers into their community. Audition Details Audition Dates: Friday 22nd November:  5:30 pm – 9:30 pm Saturday 23rd November:  9:00 am – 5:00 pm Sunday 24th November:  9:00 am – 6:00 pm Monday 25th November:  5:30 pm – 9:30 pm Audition Location: Empire Theatre Precinct, 54 - 56 Neil Street, Toowoomba. Call Backs: All auditionees must be available for call backs on Friday 29th and Saturday 30th November 2024. Audition Pack Link:   Come From Away Audition Information Pack Audition Registration: Complete the online registration form by 9 am, Monday 11th November 2024 . Register for your audition via our website: Empire Theatre Audition Registration . Due to time constraints, you will only be able to audition for a maximum of two roles. Audition Requirements Age Requirement:  Roles are open to individuals aged 16 years and up (must be 16 by 1st January 2025; no children/youth roles available). Onstage Roles: Songs:  Prepare two own-choice songs in the style of the show (musical or pop). Do not choose songs from Come From Away . Approximately 32 bars  (1 minute per song). Live accompanist is encouraged or use digital backing track. Acting: The panel may provide you with a short acting excerpt(s). If you do not wish to audition for a particular role, you may still be required to present one excerpt. Dance:  A movement/dance audition will occur in small groups and taught to you by the choreographer on the day. Wear appropriate clothing and footwear. Backstage Singers: Group audition on Sunday 24th November at 4 pm . No prior song preparation needed. Creative Team Director & Choreographer:  David Wynen Musical Director:  Owen Clarke Rehearsals and Performances Rehearsal Schedule: Starting Saturday 18th January ; detailed schedule to follow. Tech and Dress Rehearsals: Scheduled from Saturday 8th to Thursday 13th March 2025 ; attendance required. Performance Dates: Performance #1:  14th March 2025 at 7:30pm Performance #2:  15th March 2025 at 7:30pm Performance #3:  16th March 2025 at 2:00pm Performance #4:  21st March 2025 at 7:30pm Performance #5:  22nd March 2025 at 7:30pm Performance #6:  23rd March 2025 at 2:00pm Additional performances may be added based on demand. Roles Available PRIMARY CHARACTERS - LOCALS Claude Role:  Mayor of Gander, loves his community but faces this crisis. Age:  40s – 60s Vocal Type:  Gruff baritone with strong G4. Bonnie Role:  Head of the Gander SPCA, fiercely protective of animals. Age:  30s – 40s Vocal Type:  Mezzo with belt up to B4. Beulah Role:  Head of the Gander Legion, caring and supportive. Age:  40s – 60s Vocal Type:  Mezzo with belt up to B4. Oz Role:  Quirky constable in Gander's police force. Age:  30s – 50s Vocal Type:  Contemporary tenor up to G4. Doug Role:  Air Traffic Controller, helps his wife and animals. Age:  30s – 40s Vocal Type:  Warm baritone with easy E4. Janice Role:  New local TV reporter, eager and naive. Age:  20 Vocal Type:  Contemporary soprano with strong pop belt up to E5. Annette Role:  Local teacher and mother. Age:  40s – 60s Vocal Type:  Strong mezzo with belted C#5. Garth Role:  Head of the local union for bus drivers. Age:  30s – 40s Vocal Type:  Contemporary tenor up to G4. PRIMARY CHARACTERS – COME FROM AWAYS Beverley Role:  First female American Airlines captain. Age:  50s Vocal Type:  Strong mezzo with belted C#5. Diane Role:  Divorcee from Texas, finds new joy. Age:  50s Vocal Type:  Contemporary soprano with strong mix up to D5. Nick Role:  English oil engineer, falls for Diane. Age:  50s Vocal Type:  Warm baritone with easy E4. Kevin T Role:  Head of an energy company, inspired by Gander. Age:  30s – 50s Vocal Type:  Contemporary tenor up to G4. Kevin J Role:  Kevin T’s boyfriend, sarcastic and unhappy. Age:  30s – 50s Vocal Type:  Tenor or baritone. Bob Role:  New Yorker, initially suspicious but grows through the experience. Age:  20s – 40s Vocal Type:  Baritone. Hannah Role:  Mother of a firefighter, anxious for news. Age:  40s – 60s Vocal Type:  Contemporary soprano with strong belt up to E5. ENSEMBLE Town staff, passengers, children, air traffic controllers, and animals. Orchestra Participation Instruments:  Whistle, drums, mandolin, bass, guitar, bodhran, fiddle. To express interest in joining the orchestra, email outlining your instrumental and ensemble experience to: orchestra@empiretheatre.com.au Build and Crew Involvement If you wish to volunteer for sewing, cutting, painting, lighting, or other crew roles, please email productions@empiretheatre.com.au

Title:  The Boy From Oz Presented By:  Beenleigh Theatre Group Genre:  Musical Synopsis: The Boy From Oz is a highly acclaimed biomusical celebrating the life of Australian entertainer and songwriter Peter Allen. It narrates his rise from humble beginnings singing in country pubs to becoming a global superstar, intertwining themes of family tragedy, love, and loss. Featuring his beloved hits like "I Honestly Love You" and "Not The Boy Next Door," the musical captures the essence of an extraordinary life and career. Audition Details Audition Dates: Saturday 9 November 2024 Sunday 10 November 2024 Audition Time: 10:00 AM (Group Dance Call) Private slots available throughout the days Audition Location and Address: Crete Street Theatre,Crete Street, Beenleigh QLD 4207 Audition Registration: BOOK Audition Pack: Download Audition Pack Audition Requirements: Auditionees must be 16+ (unless auditioning for specified child roles) Prepare two songs (1 - 1.5 minutes each) that showcase vocal range and are similar in style to the show’s music Provide your own backing; attachments for phones will be available in the audition room Actors auditioning for character roles should prepare a script extract Rehearsal Dates: Rehearsals will commence on 17 November 2024. Rehearsal Times: Mondays and Wednesdays (7 PM - 10 PM) Sundays (4 PM - 9 PM) Performance Dates: 7th - 22nd February 2025 Performance Times: Friday and Saturday evenings at 6:30 PM Saturday afternoons at 2 PM Creative Team: Director: Lachlan Dodd Music Director: Nate Stevenson Choreographer: Jennifer B Ashley Production Website: Beenleigh Theatre Group Other Information: A membership fee of $20 is required for all successful auditionees prior to the first rehearsal. Beenleigh Theatre Group is committed to inclusive and diverse casting practices. Character Breakdown Peter Allen Age: 25-45 Description: The great Australian entertainer, singer, songwriter, and dancer. A dynamic, exhaustingly energetic performer who works the audience through flashbacks, narration, humour, and drama. Tap experience is a plus. Judy Garland Age: 40+ Description: An iconic singing star of the Hollywood Golden Era, exuding star power, attitude, sarcasm, and wit. She carries a balance of troubled history, experience, and exhaustion. Liza Minelli Age: 20-40 Description: A strong triple threat performer living in the shadow of her famous mother until her own career takes off. Quirky, energetic, stylish, and a true theatre beast. Marion Woolnough Age: 40+ Description: Peter’s mother, a solid and supportive figure. Played mostly through flashbacks, she has a strong bond with Peter and provides insights into his childhood. Greg Connell Age: 20s-30s Description: Peter’s partner, a sexy Texan cowboy-type. He is sincere, realistic, loving, and cheeky, requiring a Texas accent. Young Peter Age: 10 Description: Energetic and optimistic, representing hope and innocence, contrasting with older Peter’s experiences. Karen, Shena & Linelle Ages: 20+ Description: Amazing pop singers with great range, sharing the stage with Peter as backing singers. Dee Anthony Age: 40+ Description: Peter’s US agent who doubles as Dick Woolnough. Valerie Anthony Age: 40+ Description: Dee’s wife and a Peter Allen fan, doubling as assorted female roles. Dick Woolnough Age: 40+ Description: Peter’s abusive, alcoholic father, also doubling as Dee Anthony. Wally Bell Age: 30+ Description: Peter’s first manager who doubles as Andy Warhol. Brian Henderson Age: 20+ Description: A young TV host who doubles as assorted male roles. Chris Bell Age: 20+ Description: A young songwriter and member of the Allen Brothers. Ensemble: Additional supporting roles and cameos will be drawn from the ensemble, including characters Josie, Rich Woman, Producer, Choreographer, Director, Director’s Assistant, and various reporters.

JDProCo's cabaret, ' The Broadway Jam Vol II ', was an exhilarating night of musical theatre curated by the amazing Josh Daveta. The venue was packed to the brim and the cast was teeming with insane talent, with each song handpicked by the performers to showcase their versatility. So versatile, in fact, that I found myself faced with a delightful challenge: many of the songs were unfamiliar to me! I mean, how can one be expected to know all these obscure songs, right? But hey, I wasn't the only one lost in this sea of musical surprises. The eclectic mix of tunes kept us all on our toes, eagerly anticipating the next unexpected gem to hit our eardrums.   As Josh, our charismatic MC, explains early on, this show is a celebration of versatility, with selections spanning across decades and genres—from Singin' in the Rain to Rocky Horror to Spring Awakening . Every performer is a natural storyteller... and likely professionally trained, but who's counting? They transported us through different stories, delivering heartfelt ballads and electrifying showstoppers as an array of diverse characters, albeit detached from their original contexts, because that's how JDProCo rolls. Act 1: Stories in Song The show opened with Heidi Enchelmaier leading the ensemble in a soulful and stirring rendition of "Mama Who Bore Me" from Spring Awakening . Stumbling out with a gin bottle in hand, Fiona Buchanan completely morphed into Miss Hannigan for her comedic rendition of "Little Girls" from Annie —one of many laugh-out-loud moments throughout the night.   Nathaniel Savy mesmerised the crowd with "Simply Second Nature" from Charlie and the Chocolate Factory . Sitting front row, I can tell you this: there was a literal twinkle in this man's eyes—a magical quality that, combined with his divine voice, made it clear he would make an incredible Willy Wonka. You could feel his love for the role pouring out, embodying the eccentricity of the character flawlessly. Josh Daveta's elegant rendition of "Stars and Moon" from Songs for a New World was an unexpected yet beautiful choice that perfectly complemented the reflective tone of Act 1. It was clear that storytelling was at the heart of this act, with each artist pouring their soul into their chosen ballad. I found myself clinging to every lyric in a way I don't normally do with mainstream music. Kristin Sparks performing "Sexy" from Mean Girls was a standout crowd favourite, absolutely nailing it with her full commitment to the character. She was adorable, hilarious, and, well... sexy! Although I have always loved this song, experiencing it live for the first time was a special treat, thanks to Kristin's portrayal of Karen's ditzy charm. Another highlight of the evening came from Grace Royle, whose rendition of "Sweet Transvestite" from The Rocky Horror Picture Show had the audience shivering with antici.............pation. They channeled the iconic character's spirit while adding their own soulful touch and fabulous flair! The full ensemble number "For Now" from Avenue Q exploded with energy and sheer joy that the cast experienced on stage. Aysa Garcia Wong's beautiful rendition of "The River" - from the brand new Alicia Keys musical Hell’s Kitchen - captivated the crowd, while Sam Caruana stepped into the shoes of Frankie Valli to deliver "I’m in the Mood for Love" from Jersey Boys . His incredible vocal range, seamless register switching, and falsetto left the audience in awe. Heidi offered up another jaw-dropper with "Another Life" from The Bridges of Madison County . Although I had never heard this song before, I find myself itching to learn it now. Heidi captivates with the beauty of her storytelling by painting a vivid picture through her voice and expression. Kyla Price shone brightly with "Wishing You Were Somehow Here Again" from The Phantom of the Opera , infusing the classic ballad with even more emotional resonance than I thought possible. Hayden Rodgers wowed everyone with their performance of "Snow Angel," popularised by Renee Rapp, showcasing impressive melismas that had the audience gaping and nodding in appreciation. Chelsea Sales sang "Quiet" from Thirteen Stories Down , displaying an astonishing grace and beautiful voice that never fails to shock me, no matter how many times I see her on the stage. Act 2: The Younger Years   Act 2 took a playful turn, with the seasoned performers embracing younger, often teenage, characters. It was both nostalgic and refreshing to see these familiar characters reimagined by this cast. Heidi, complete with fairy wings and tiara, portrayed a very young girl while performing “My Party Dress” from Henry and Mudge . Her talent was on full display as she nailed the persona of a hyperactive child. It was hilarious, adorable, and had the entire audience in fits of laughter. Kristin Sparks took on the tough solo of "Home" as the spunky Lydia from Beetlejuice , absolutely nailing the performance with her strong vocals. Plus, "Candy Store" from Heathers by Kristin, Chelsea, and Aysa, was every bit as good as you would expect it to be. Nathaniel returned to the stage and soared with "Giants in the Sky" from Into the Woods as the adventurous Jack. This is no easy song to sing—it’s fast, intricate, and packed with lyrics—but Nathaniel was up for the challenge. Sure he stumbled over some tricky sections (who hasn't struggled with Sondheim?), but he recovered brilliantly, charming the audience with his genuine and playful approach to the song. Hayden Rodgers waved their wand and transformed into Elphaba for a powerful rendition of "The Wizard and I" from Wicked . This song holds a special place in my heart, and Hayden did not disappoint. Their vocal acrobatics and sustains were simply astounding. You could feel the passion radiating from them, creating a truly magical performance. Adding to the charm, Georgie Taylor delivered a sugary sweet, acoustic rendition of "Singin’ in the Rain," bringing smiles to all our faces. In a sweet surprise, Aysa Garcia Wong and Hayden joined forces for a duet of "Tonight" from West Side Story , and it was spine-tingling. The sparks were flying as they channeled their inner teen lovers Tony and Maria, their voices harmonising beautifully. Sam Caruana took on "No Turning Back Now", made famous by Jeremy Jordan, a poignant song about a 17-year-old's hopes and fears about becoming a dad. His vocal performance was top-tier (obviously), and the emotional depth he brought to the song was incredibly sincere.   Fiona delivered a hauntingly beautiful rendition of "The Man That Got Away" from A Star Is Born , and Grace followed up with a powerful performance of "Midnight Radio" from Hedwig and the Angry Inch , both commanding the stage with their presence. Then, Josh channeled Fairy Godmother from Shrek 2 and brought massive energy with "Holding Out for a Hero," even allowing the audience to sing along—something I’d been hoping for all night! In a humorous and unexpected twist to the setlist, Chelsea transformed into Pearl alongside Sam as Mr. Krabs for a delightful performance of "Daddy Knows Best" from SpongeBob The Musical . Josh and Kyla's memorable duet of "No One" from Hell's Kitchen displayed their harmonious blend, forming a stunning moment of connection as Kyla accompanied on the piano. The night ended with a bang as the cast joined forces for a powerful and polished performance of "You Will Be Found" from Dear Evan Hansen . The harmonies were tight, the emotion was felt, and it became a genuine celebration of belonging and community. You could see how much this moment meant to the performers and I walked away feeling completely uplifted.   Jakey Bristow provided musical accompaniment for all the songs during the evening, elevating the performances with his exceptional piano skills, and seamlessly incorporating tracks to enhance standout pieces like Heathers  and Dear Evan Hansen . Under the leadership of Josh Daveta, the atmosphere within this production company is undeniably filled with joy. The sense of belonging was felt by every single audience member, and I, for one, can't wait to return for the next installment in 2025. The Broadway Jam is clearly a labour of love, and you can feel it in every note sung and every lyric shared.

Title:  The Jungle Book Kids Presented By:  Brisbane Junior Theatre Genre:  Musical Synopsis:   Jungle Book  follows the adventures of Mowgli, a young boy raised by wolves in the heart of the jungle. As he grows up, he encounters a host of unforgettable characters, including Baloo the carefree bear, Bagheera the wise panther, and the fearsome tiger Shere Khan, who sees Mowgli as a threat. As Mowgli learns the ways of the jungle, he grapples with his identity and the struggle between his animal family and the human world. AUDITION DETAILS: Audition Intensive:  Saturday 16th November 2024 Audition Date:  Saturday 23rd November 2024 Performance Week:  16th - 21st December Ages:  5-12 AUDITION STEPS: Memorise Monologue:  Memorise a monologue with the required characterisation and accents. Research the musical and be familiar with the characters, particularly the role you are auditioning for. Monologue and Song Link Learn a Song: At the bottom of the monologue sheet will be a song and a link to a YouTube video. You will need to sing this song and dance during the audition. The choreography is taught on the day, and it’s suggested to be familiar with other songs from the show. Booking:  Book an audition time by sending an SMS to Debbie at 0438 896 436. Registration Form:  Download and complete the Production Registration Form and email it to brisbanejuniortheatre@gmail.com . Order T-Shirt (Optional):  BJT produces a T-shirt for all productions. If you would like one, complete the T-shirt Order Form and bring it to your audition along with payment. Character Breakdown Mowgli Gender: Male Vocal Range: C3 - D4 Role: Likable boy with a joyful, curious nature; captivating spark and feisty spirit; talented in acting and singing. Bagheera Gender: Any Vocal Range: D3 - Bb3 Role: Agile panther, older sibling figure to Mowgli; strong acting, singing, and storytelling abilities. Baloo Gender: Male Vocal Range: C3 - D4 Role: Exuberant bear providing comedic relief; physically uninhibited and enjoys the spotlight; strong rhythm needed for “I Wan'na Be Like You.” Kaa Gender: Any Vocal Range: D3 - B3 Role: Snake representing threat to Mowgli; strong vocal and movement skills required; cast includes five others for body. Shere Khan Gender: Male Vocal Range: E3 - C4 Role: Physically imposing tiger and villain; stronger actor preferred over singer. Colonel Hathi Gender: Male Vocal Range: D3 - A3 Role: Forgetful leader of the elephant brigade; good singing ability, acts like a drill sergeant; ideal for less experienced talent. Elephant Troupe Gender: Any Vocal Range: D3 - C#4 Role: Brigade of elephants; good movers/dancers, not necessarily strong singers; minimum of eight cast. Baby Elephant Gender: Any Vocal Range: A3 - E3 Role: Smallest or youngest child; features a solo line; should possess musical sense and movement skills. King Louie Gender: Male Vocal Range: C3 - C4 Role: Comedic king of the monkeys; strong singing ability and flair for acting like a monkey. Old Monkey Gender: Any Role: Strong actor over singer; comfortable with physical monkey traits. Monkeys Gender: Any Vocal Range: C3 - D4 Role: Strong dancers; involved in “I Wan'na Be Like You” with great choreography; consult choreographer for casting. Jungle Chorus Gender: Any Vocal Range: C3 - E4 Role: Ensemble of singers, actors, and dancers; should include natural leaders; flexible casting to involve everyone. Coconut Tree / Shanti Gender: Any Vocal Range: C4 - C5 Role: Sweet girl who takes Mowgli to the village; exudes kindness; features a couple of solos as the Coconut Tree. Shanti's Family Gender: Any Role: Represented by offstage voices; could be fun to involve teachers or principal for added effect.

Title:  Into The Woods Presented By:  Brisbane Junior Theatre Genre:  Musical Synopsis:   Into the Woods Jr. intertwines the tales of beloved fairy-tale characters as they embark on a quest to fulfil their wishes. From Cinderella's longing to attend the royal ball to Jack's adventure in the giant's castle, each character faces challenges and moral dilemmas in a magical forest. As they pursue their dreams, they discover that getting what you want isn't always what it seems. AUDITION DETAILS: Audition Intensive:  Saturday 16th November 2024 Audition Date:  Saturday 23rd November 2024 Performance Week: 16th - 21st December Ages:  13-19 AUDITION STEPS: Memorise Monologue: Memorise a monologue with the required characterisation and accents. Research the musical and be familiar with the characters, particularly the role you are auditioning for. Monologue and Song Link Learn a Song: At the bottom of the monologue sheet will be a song and a link to a YouTube video. You will need to sing this song and dance during the audition. The choreography is taught on the day, and it’s suggested to be familiar with other songs from the show. Booking: Book an audition time by sending an SMS to Debbie at 0438 896 436. Registration Form: Download and complete the Production Registration Form and email it to brisbanejuniortheatre@gmail.com . Order T-Shirt (Optional): BJT produces a T-shirt for all productions. If you would like one, complete the T-shirt Order Form and bring it to your audition along with payment. Character Breakdown Narrator Gender: Any Vocal Range: Bb3 - D4 Role: Charismatic storyteller, minimal singing. Jack Gender: Male Vocal Range: A3 - E5 Role: Adventurous young man learning valuable lessons. Jack's Mother Vocal Range: Bb3 - D5 Role: Frazzled, overworked woman with comic timing. Baker Gender: Male Role: Likable man determined to break the Witch's curse. Baker's Wife Vocal Range: A3 - E5 Role: Strong woman whose desire for a child drives the story. Little Red Ridinghood Gender: Female Vocal Range: Bb3 - Eb5 Role: Loud, bratty girl who learns important lessons. Witch Gender: Female Vocal Range: C4 - C5 Role: Manipulative woman seeking to regain her beauty. Florinda and Lucinda Gender: Female Vocal Range: C4 - G4 Role: Spoiled stepsisters of Cinderella. Mysterious Man Gender: Male Role: Puzzling character aiding the Baker, non-singing. Wolf Gender: Male Vocal Range: Bb3 - D5 Role: Sly character focused on attacking Little Red. Granny Gender: Female Role: Feisty woman confronting the Wolf. Steward Gender: Male Role: Cinderella's Prince's dependable servant. Milky-White Gender: Any Role: Jack's cow; can be portrayed by a child. Cinderella's Father Gender: Male Role: Neglectful father figure, non-singing role. Cinderella's Prince Gender: Male Vocal Range: B3 - D5 Role: Conceited man pursuing Cinderella. Cinderella's Mother Gender: Female Vocal Range: D4 - D5 Role: Comforts Cinderella in one short song. Rapunzel's Prince Gender: Male Vocal Range: B3 - D5 Role: Pompous brother involved in sibling rivalry. Cinderella's Stepmother Gender: Female Role: Mean woman prioritising her daughters. Cinderella Gender: Female Vocal Range: A3 - G5 Role: Peasant girl learning about wish consequences. Rapunzel Gender: Female Vocal Range: G4 - F#5 Role: Young woman in a tower standing up to the Witch.

Title:   Annie   Presented By:  National Academy of Performing Arts (NAPA) Genre:  Musical Theatre JUNIOR AUDITIONS Annie and Lead Orphans - Round 1 - Video Submission Seniors and Orphan Dancers Audition:  Sunday, 8 December 2024 at 11:00 AM - 12:00 PM Location:  NAPA Studios, Burleigh Heads Please note: all children will be accepted into summer school - auditions are to be placed into roles and ensemble groups. COST $475  includes all rehearsals, performances, costumes, and cast t-shirt. SUMMER SCHOOL REHEARSAL DATES January 13th:  10:00 AM - 2:00 PM January 14th:  10:00 AM - 2:00 PM January 15th:  10:00 AM - 2:00 PM January 16th:  10:00 AM - 2:00 PM January 17th:  10:00 AM - 2:00 PM JUNIOR ROLES AVAILABLE Ages 5+: Annie Molly Kate Tessie Pepper Duffy Orphans Ages 13+: Boylan Sisters Star to Be Hooverville Citizens NYC Citizens Warbucks Staff ADULT AUDITIONS Adult Audition Call:  October 28, 2024 - 6:00 PM Location:  NAPA Studios, Burleigh Heads ADULT ROLES AVAILABLE: Rooster Hannigan: Miss Hannigan's no-good brother looking for a quick buck. Rooster is flashy and self-assured. Strong dancer preferred. Age:  20+ Vocal Range:  G5 - B3 Lily St Regis: Rooster's girlfriend, who is also out for a quick buck. Requires natural comedic timing and strong singing and dancing skills. Age:  20+ Vocal Range:  G5 - B3 Lead Warbucks Household Staff: The servants at the Warbucks mansion, including Drake, Mrs. Pugh, Mrs. Greer, Cecille, and Annette. Age:  18+ Bert Healy: The ultimate radio personality who helps Annie in her search for her birth parents. Age:  30+ Vocal Range:  G5 - E4 President Roosevelt: The 32nd President of the United States and friend of Warbucks. Age:  40 to 60 Vocal Range:  F4 - Eb3 Ensemble: Servants, Boylan Sisters, Cabinet Members, Hooverville Citizens. Looking for strong triple threat performers with the ability to learn quickly. Please note, these are unpaid positions. ADULT REHEARSAL DATES December 8th: 10:00 AM - 4:00 PM January 4th: 10:00 AM - 6:00 PM January 5th: 10:00 AM - 6:00 PM January 6th: 6:00 PM - 10:00 PM January 8th: 6:00 PM - 10:00 PM January 11th: 10:00 AM - 4:00 PM January 12th: 10:00 AM - 4:00 PM January 13th: 6:00 PM - 10:00 PM January 14th: 6:00 PM - 10:00 PM January 15th: 6:00 PM - 10:00 PM January 17th: 10:00 AM - 2:00 PM January 18th: 11:00 AM & 6:00 PM January 19th: 11:00 AM & 6:00 PM January 24th: 6:00 PM January 25th: 11:00 AM & 6:00 PM Possible Extra Rehearsals: January 13th: 10:00 AM - 2:00 PM January 14th: 10:00 AM - 2:00 PM January 15th: 10:00 AM - 2:00 PM January 16th: 10:00 AM - 2:00 PM PERFORMANCES DATES January 18th:  11:00 AM & 6:00 PM January 19th:  11:00 AM & 6:00 PM January 24th:  6:00 PM January 25th:  11:00 AM APPLICATION LINKS Adults apply here:   https://napa.com.au/annieaudition Kids apply here:   https://napa.com.au/summerschool