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Performed by Catbird Theatre at On the Boards Theatre Company during the Anywhere Festival, 'Stark Raven Mad' took the audience on a whimsical journey through poetry. The merry crowd of little rascals and their grown-ups enjoyed a delightful fusion of gothic and goofy antics that captivated both the young and the young at heart.   'Stark Raven Mad' is a poetic kaleidoscope, featuring 30 poems from literary legends like Edgar Allan Poe, Emily Dickinson, and Lewis Carroll. These poems weren't just recited - they were transformed into a spectacle with puppets, costumes, and lively movement. The trio of children's performers—Alice Beaver Clapham, Mary Eggleston, and Aimee Gray—brought an infectious energy that had the kids riveted. They animated these classic poems (often written to frighten children into good behaviour) in a manner that was accessible and fun for young viewers. One of the show's most engaging features was its interactive element. Children were invited to join in the fun, dressing up in silly costumes, and acting out brief scenes. It was heartwarming to see their faces light up as they participated and took their bows. The clever use of sound effects and songs like "Monster Mash," "Time Warp", "Thriller," and "Spooky Scary Skeletons" kept the energy high. The performers easily transformed into characters like creepy goblins, cackling witches, swashbuckling pirates, or sneaky spiders. They even got to showcase puppetry skills with skeletons, snakes, birds, and more. Their fun physicality ensured that even the more lengthy poems were engaging and enthralling for the kids. And despite the complexity of some poems' vocabulary, the performers' animated voice work guaranteed that each piece was vibrant. The hilarious depiction of Romeo and Juliet's tragic end was especially memorable. With a runtime of just 60 minutes, the show successfully catered to the short attention spans of its young audience by presenting poems ranging from 30 seconds to a few minutes each. Closing with "The Raven," the show ended on a fitting and memorable note. The post-show activities, including a Q&A session, worksheet, lucky dip, costume try-ons, and photo opportunities with the cast, added a nice touch to the overall experience.   Stark Raven Mad  offers a unique way to introduce children to classic poetry. With its combination of puppetry, play, and participation, it’s a fantastic choice for families and school groups looking for a fun and enriching theatrical experience. This show is a testament to the power of theatre in making literature accessible and enjoyable for all ages.

Title:  Auditions for Fright Nights 2024 Presented By:  Evolution Entertainment Genre:  Scare Acting/Performance Synopsis: Fright Nights at Warner Bros. Movie World is back for October 2024! This annual event features terrifying mazes, spooky scare precincts, and thrilling rides. We’re looking for enthusiastic and talented individuals to join our team of Scare Actors and Maze Presenters. If you have a flair for horror and performance, we want you! Audition Dates:  15th, 16th, and 17th August 2024 Audition Time:  Various slots available Audition Location and Address:  29/3 Dalton Street, Upper Coomera, QLD 4209 Application Link:   Register Here Callback and Fitting Dates:  20th to 23rd August 2024 Orientation and Training Dates:  2nd to 11th September 2024 Event Dates:  5th October; 11th-12th October; 18th-19th October; 25th-26th October; 31st October Requirements: Age:  16+ Availability:  Must be available for all event dates and required orientation/training. Roles Available: Scare Actors:  Engage and frighten guests in various scare zones and mazes. Maze Presenters:  Guide guests through terrifying mazes and add to the immersive experience.

Title:  Shrek The Musical JR. Presented By:  BG Performing Arts Genre:  Musical Theatre Synopsis: Once upon a time, in a far away swamp, there lived an ogre named Shrek. One day, Shrek finds his swamp invaded by banished fairytale misfits who have been cast off by Lord Farquaad, a tiny terror with big ambitions. When Shrek sets off with a wisecracking donkey to confront Farquaad, he's handed a task – if he rescues feisty princess Fiona, his swamp will be righted. Shrek tries to win Fiona’s love and vanquish Lord Farquaad, but a fairytale wouldn't be complete without a few twists and turns along the way. Workshop Dates: Monday 23rd September - Saturday 28th September, 2024 Workshop Times: Monday 23rd September: 9:00am-5:00pm Tuesday 24th September: 9:00am-5:00pm Wednesday 25th September: 9:00am-5:00pm Thursday 26th September: 9:00am-5:00pm Friday 27th September: 9:00am-8:30pm (with pizza party dinner break!) Saturday 28th September: 10:00am-9:30pm Workshop Location:  Mitchelton SHS Performing Arts Centre, 754 Samford Road, Mitchelton QLD Workshop Cost:  $385.00 Workshop Information: The workshop will provide a nurturing and constructive environment for young performers aged 12-18 to develop their performance skills, boost confidence, and have fun. Participants will work with professional theatre makers and get the chance to perform on stage. The registration fee covers the costs of rights, royalties, insurances, technical and creative staff, set and props, venue hire, and a pizza party. An additional costume hire fee may apply once the cast is finalised. Required Age: 12-18 years Audition Dates: Sunday 1st of September 2024 Audition Times: 12:30pm-5:30pm Audition Location: Brisbane Academy of Dance, 15 Harvton St, Stafford QLD 4053 Audition Pack:   Audition Pack Registration Link:   Register Here Performance Dates: Saturday 28th September 2024 Performance Times: 2:30pm & 7:30pm Performance Location and Address: Mitchelton SHS Performing Arts Centre, 754 Samford Road, Mitchelton QLD Ticket Costs: $25.00 per ticket (Ages 3+) $30.00 at the door Ticket Link:   Performance Tickets Creative Team: Director: Sam Caruana Choreographer: Bella Gordon Music Director: Kate Baxter Production Manager: Tallulah Baird Production Website:   Shrek JR. Production Website Other information: Auditions are required for lead, minor roles, featured dancers, or soloists. Auditions for ensemble roles are highly recommended to get to know the creative team. If unable to attend in person, an online video submission can be arranged by emailing info@bgperformingarts.com . All music and dance components will be taught on the day. Prepare one monologue for the acting component and bring appropriate attire and materials.

Title: Frozen KIDS Presented By: BG Performing Arts Genre: Musical Theatre Workshop Workshop Dates: Monday 16 – Saturday 21 September 2024 Workshop Times: Monday 16 September: 9:00am-3:30pm Tuesday 17 September: 9:00am-3:30pm Wednesday 18 September: 9:00am-3:30pm Thursday 19 September: 9:00am-3:30pm Friday 20 September: 9:00am-5:30pm (with pizza party dinner break) Saturday 21 September: 10:00am-6:45pm Workshop Location: Mitchelton SHS Performing Arts Centre, 754 Samford Road, Mitchelton QLD Required Age: 6-11 years Workshop Cost: $385.00 Workshop Information: Disney’s Frozen KIDS is a 30-minute musical adaptation of the beloved Disney film, featuring memorable songs with music and lyrics by Kristen Anderson-Lopez and Robert Lopez, plus five new songs written for the Broadway production. The story focuses on the emotional journey of Princesses Anna and Elsa as they discover their hidden potential and the powerful bond of sisterhood. This workshop provides a nurturing, constructive, and safe environment for young performers, focusing on performance skills, confidence, and fun. The registration fee covers rights, royalties, insurances, technical and creative staff, set and props, venue hire, and a pizza party. An additional costume hire fee may apply after the cast is finalised. Audition Date: Sunday 1 September 2024 Audition Time: 9:00am-12:00pm Audition Location: Brisbane Academy of Dance, 15 Harvton St, Stafford QLD 4053 Audition Pack: Click here Registration : Click here Performance Date: Saturday 21 September 2024 Performance Time: 6:00pm Performance Location and Address: Mitchelton SHS Performing Arts Centre, 754 Samford Road, Mitchelton QLD Ticket Costs: Ages 3+:  $20.00 At the door:  $25.00 Ticket Link: Purchase Tickets Creative Team: Director: Bella Gordon Choreographer: Rhiannon Baird Music Director: Kate Baxter Production Manager: Sam Caruana Production Website: More Info Other information: Auditions for speaking/featured roles are not compulsory but are encouraged. Free after-hours care is available from 3:30pm-5:00pm (Monday-Thursday). All participants must be at least 6 years old by the date of performance. Character Descriptions: Young Anna, Middle Anna & Anna:  The young Princess of Arendelle at different ages, filled with optimism and a longing for connection. Young Elsa, Middle Elsa & Elsa:  The elder Princess with magical powers, who learns to control and be confident in her abilities. Hans:  The ambitious Prince with a charming facade hiding a darker side. Kristoff:  A hardworking ice harvester with a big heart. Olaf:  A magical snowman who loves summer. Sven:  Kristoff's loyal reindeer friend with a strong movement vocabulary. King Agnarr:  The warm-hearted ruler of Arendelle. Queen Iduna:  A protective queen with a deep understanding of Elsa’s powers. Bishop:  Officiates the coronation with a serious manner. Weselton:  An overbearing duke with an inferiority complex. Pabbie & Bulda:  Warm-hearted mystical leaders of the Hidden Folk. Ensemble:  Includes storytellers, townspeople, snow chorus, and various roles.

Title: Love-Lies-Bleeding  by Don DeLillo Presented By:  Ad Astra Theatre Company Genre:  Drama Synopsis: Love-Lies-Bleeding  is a powerful meditation on mercy and mortality. It follows artist Alex Macklin in the last years of his life, exploring the emotional and ethical dilemmas faced by his family as they navigate the question of life and death in the age of advanced medical technology. Audition Date:  Monday, 19 August 2024 Audition Time:  9:30 AM – 3:30 PM Call Backs:  Thursday, 22 August 2024 Audition Location and Address:  210 Petrie Terrace, QLD Available Roles: Alex:  A man in his 70s (2 roles available) Lia:  A woman in her early 30s Sean:  A man, aged 35 Toinette:  (Already cast) Audition Requirements: Please prepare two monologues (up to 3 minutes each): one classical and one contemporary. Be prepared for cold reads from the script. Audition Registration:  Email your CV (Word or Google Doc only) and a recent headshot to creatives@adastracreativity.com Specify the role(s) you're auditioning for and any times you're unavailable. Performance Dates:  31 October – 23 November 2024 Performance Location:  210 Petrie Terrace, QLD 4000 Rehearsal Dates:  September–October 2024 (part-time, schedule TBC based on availability) Creative Team: Director:  Michael Futcher Assistant Director:  Tom Pocilujko Creative Director:  Fiona Kennedy Executive Producer:  Gregory Wilken Production Website:   Ad Astra Theatre Company Other information:  This is a co-op production; cast members will receive a share of ticket sales after expenses.

Title:  Failure: A Love Story Presented By:  Villanova Players Genre:  Ensemble Play/Musical, Comedy/Drama Synopsis: "Failure: A Love Story" by Philip Dawkins tells the whimsical and poignant story of the Fail family, clockmakers in 1920s Chicago. The play weaves together love, loss, and the passage of time, exploring the lives of the Fail sisters—Gerty, Jenny June, and Nelly—as they navigate their destinies. With a blend of humour and heartache, the play's ensemble cast, including a chorus of clocks, animals, and even a gramophone, brings to life the vibrant world of the Fails. Audition Date:  Sunday, 25 August 2024 Audition Time:  11:00 am Audition Location and Address:  Ron Hurley Theatre, 28 Tallowwood St, Seven Hills, QLD Audition Requirements: Please prepare a short monologue (1-2 minutes) that showcases your ability to blend comedy and drama. Be ready to demonstrate any special skills relevant to the character descriptions (e.g., accents, singing). Cold readings from the script may be required. Available Roles: Henry Fail:  A respected clockmaker, age about 36, with a slight Eastern European accent. Marietta Fail:  A clockmaker, age about 36, with a slight Eastern European accent. Gertrude (Gerty) Fail:  The eldest daughter, age 28, feisty and determined. Jenny June Fail:  The middlest daughter, age 22, an excellent swimmer and diver. Nelly Fail:  The youngest daughter, age 20, a singer and dancer. John N Fail:  The only son, age about 22, a vet who’s more at home with animals. Mortimer Mortimer:  Age 26, wealthy by luck, kind-hearted. Gramophone:  An all-singing role, no lines, just songs. Old Dog:  A significant speaking role, delivering the play’s most poignant line. Art Dodd:  A bartender and clock shop customer. Grantland Rice:  A radio journalist reporting on Jenny June’s swim. Moses:  A large python with an important speaking role. Various Clocks:  Speaking and ticking roles. Mae and December:  Feral Monk Parakeets with speaking roles. Chorus Roles:  Commentators, sound effects, narrators—all characters join the chorus. Audition Registration: Let us know you're interested by completing the Expression of Interest  form, even if you can't make it to the audition. Audition Pack: Download Audition Pack Performance Dates: 8 - 10 November 2024 Performance Location: Ron Hurley Theatre, 28 Tallowwood St, Seven Hills, QLD Rehearsal Dates: Starting 2nd September, two nights per week and a weekend daytime rehearsal as needed. The schedule may increase closer to performance dates. Rehearsal Times: To be negotiated based on availability. Creative Team: Director:  Rod Thompson Stage Manager:  Needed Costumier:  Needed for 1920s attire and specialty costumes. Props:  Weird and wonderful items needed. Set:  Moveable pieces required. Lighting Design:  Delicate focus, including specials for individual actors. Lighting Operation:  Mainly specials and basic cues. Video Operation:  Critical role, requiring attendance at some rehearsals. Sound Operation:  Not needed—no pre-recorded sound effects or music. Production Website: Villanova Players Auditions Other information: This is an ensemble-driven production with opportunities for creative input. The show will feature unique techniques and styles, including songs and dances without instruments. All roles are part of the chorus and engage directly with the audience.

Title: Disney’s Finding Nemo KIDS Presented By: Fame Performing Arts Genre: Musical Theatre Workshop Workshop Dates: Monday 23 – Saturday 28 September Workshop Times: Monday 23 – Thursday 26 September: 9am-3pm (supervision available until 5pm) Friday 27 September: 9am-6pm Saturday 28 September: 10:30am-4pm Workshop Location: Fame Performing Arts HQ, Burke St, Woolloongabba Registration Link: Register Now Workshop Cost: An early-bird discount of $345 is available until Friday 9 August. After this date, the full workshop fee of $395 applies. The workshop fee is all-inclusive. Workshop Information: Disney’s Finding Nemo KIDS is a 30-minute musical adaptation of the beloved Pixar movie. Marlin, an anxious clownfish, lives in the Great Barrier Reef with his curious son Nemo. When Nemo is captured and taken to Sydney, Marlin sets off on an epic ocean adventure. With help from characters like Dory, Crush, and the Tank Gang, Marlin and Nemo overcome challenges to find each other and themselves. Audition Date: Sunday 25 August Audition Location: Fame Performing Arts HQ, Burke St, Woolloongabba Performance Dates: Saturday 28 September Performance Times: 10:30am-4pm Performance Location and Address: Fame Performing Arts HQ, Burke St, Woolloongabba Ticket Costs: Adults:  $20 Concession/Child:  $15 Required Age: 6-12 years Production Website: More Info Other information: Auditions for lead or featured roles are not compulsory but are encouraged. Places are limited, so early registration is recommended.

Title: Heathers The Musical: High School Edition Presented By: Fame Performing Arts Genre: Musical Theatre Workshop Workshop Dates: Monday 16 – Saturday 21 September Workshop Times: Monday 16 – Thursday 19 September: 9am-4.45pm Friday 20 September: 9am-7.30pm Saturday 21 September: 11am-2pm Workshop Location: Fame Performing Arts HQ, Burke St, Woolloongabba Registration Link: Register Now Workshop Cost: An early-bird discount of $345 is available until Friday 9 August. After this date, the full workshop fee of $395 applies. The workshop fee is all-inclusive. Workshop Information: Heathers The Musical: High School Edition is the story of Veronica Sawyer, a brainy, beautiful teenage misfit who hustles her way into the most powerful and ruthless clique at Westerberg High: the Heathers. Just as Veronica starts to get comfortable atop the high school food chain, she falls in love with the dangerously handsome new kid J.D. When Heather Chandler, the Almighty, kicks her out of the group, Veronica decides to take drastic measures… but J.D. has a different plan in mind. Heathers The Musical: High School Edition has been adapted by the writers specifically for high school-age students. Audition Date: Sunday 25th August Audition Location: Fame Performing Arts HQ, Burke St, Wooloongabba Performance Date: Saturday 21 September Performance Times: 11am-2pm Performance Location and Address: Fame Performing Arts HQ, Burke St, Woolloongabba Ticket Costs: Adults:  $25 Concession/Child:  $20 Required Age: 13-18 years Production Website: More Info Other information: Auditions for lead or featured roles are not compulsory but are encouraged. Places are limited, so early registration is recommended.

Stepping into ' Guilty'  feels like looking into a mirror that reflects both the gritty reality and the profound struggles faced by women in today's society. This bold cabaret, presented by Inscape Assembly at Anywhere Festival, takes the audience on an intensely emotional, yet often hilarious journey, weaving together scenes, songs, interviews, and commentary. With the inclusion of impactful statistics and first-hand quotes, the show effectively amplifies the voices of women and sheds light on our shared experiences.   The story includes four distinct female characters, plus two male characters who play various roles. Abigail Ellerton takes on the role of Jane, our primary narrator, who introduces us to: - Flirty Florence (Maegan Weir): A fashion influencer who loves dressing up, posting sexy outfits, and conducting nude art workshops. She is described as the "token straight character". - Sexy Sadie (Gillian Thompson): Florence’s fun-loving and fiercely loyal flatmate, who enjoys casual relations with both men and women. - Moaning Myrtle (Isabella Kirkwood): A uni student from a conservative religious background, working at the bookstore and secretly passionate about smutty fiction. - Plain Jane (Abigail Ellerton): Last but not least, our lovely lesbian Jane. When she's not busy studying or working at the bookstore, you can find her tearing up the dance floor and sipping on a drink or two. - Noah (Joshua Price) and Ethan (JJ Jones), are a whirlwind of energy, portraying Sadie’s best bros as they engage in debates about feminist topics and share their wild dating stories and sexual escapades. What stands out immediately is the authenticity of the dialogue. I learned that 250 individuals from QUT were surveyed, and all the quotes featured in the production are real and anonymous. This direct connection to real-life experiences adds a visceral depth to the show, engaging the audience as active participants in a broader discussion. Held at Bloodhound - a bar in Fortitude Valley - this choice of venue adds legitimacy to the story, placing these Aussie girls in a relatable environment. The cast uses the entire space, transforming the upper level of Bloodhound Bar into a dynamic stage with a runway through the audience that creates an intimate experience. Plus, by enjoying their signature cocktails "The Smut Queen" and "The J Name," audience members can fully immerse themselves in the 'wild night'. The show kicks off with an energetic performance of "Wild Nights," a playful take on Cyndi Lauper's "Girls Just Wanna Have Fun." The cast all give excellent performances, with standout comedic work by Kirkwood, Weir, and Jones, injecting some humorous relief into the show. Gillian Thompson shines as Sadie, impressing with her vocal battle against the boys in a comedic number titled "Anything You Can Do I Can Do Bleeding". The costumes, presumably chosen by the cast themselves, reflect their characters’ unique styles beautifully. A standout moment unfolds as Isabella Kirkwood leads "Smut Queen," a spoof of Rihanna's "S&M," unveiling Myrtle's hidden passion for spicy literature. Maegan Weir gives a touching performance of "Your Best Kept Secret," to the tune of Taylor Swift's "Love Story." This heartfelt interpretation delves into Florence's feelings of being used or concealed by her boyfriends, when all she desires is a fairytale romance. Weir's stunning vocals, brimming with emotion, resonated with me on a deeper level than I care to admit. The emotional shifts throughout ' Guilty'  are almost dizzying—one moment, I was laughing like a maniac; the next, I was on the verge of a meltdown from anger. Throughout the performance, cast members present quotes and statistics to segue into the next scene, touching on topics like virginity, catcalling, harassment, masturbation, and assault - e.g. “Despite the statistics, I never thought it would happen to me.” These interspersed moments of reality serve to anchor the cabaret in genuine human experiences and prompt deep contemplation from the audience. The second act marks a significant tonal shift as the show delves into heavier material. Beginning with "Cell Block Tango" - or rather "She Had It Coming" - where the four women divulge their traumatic and harrowing experiences that they have kept hidden. These revelations, ranging from leaked nudes and coerced sexual encounters to near-assaults and drugged drinks, are unfiltered and gut-wrenching, bringing a palpable tension to the room. Abigail Ellerton as Jane delivers a heart-wrenching monologue that culminates in the original song “Guilty,” composed by Alex Wilson and Haley Meekan, with lyrics by Mak Harris. This solo is a powerful expression of the shame, confusion, and anger that many survivors feel, and it’s one of the most moving moments in the show. The second act also features several other intense scenes, including a cruel argument between Florence and Sadie, a failed kiss attempt between Myrtle and Jane, and a painful confrontation between Ethan and Sadie. These moments are interspersed with lighter, more humorous scenes, like the boys versus girls swiping through Tinder, providing a well-balanced narrative that never feels overwhelming despite the heavy subject matter. The performances by JJ Jones and Joshua Price add a brilliant layer of both comedy and discomfort to ' Guilty' . Their portrayal of multiple male characters offers a perspective that flip-flops between being hilarious and infuriating. JJ Jones shines with his impeccable improv and sharp comedic timing. Whether he's playing the role of a gym bro, debating the best pick-up lines, or conducting a probing interview, Jones has a knack for connecting with the audience. His ability to switch gears between being a charming joker to a source of discomfort is truly impressive. Joshua Price complements Jones perfectly. His portrayal of Noah, the mate who 'jokingly' suggests a threesome with Sadie, treads a fine line between jest and sincerity. Price's performance ensures that Noah remains a character who, despite his flaws, is trying to navigate the complexities of modern masculinity. One of the show's most powerful aspects is when, towards the end, the women step out of their roles to speak directly to the audience. At this moment, the actors, visibly emotionally drained, remind us that although they are playing fictional characters, they represent very real women whose stories deserve to be heard. It’s a powerful call to action, urging the audience to reflect on the issues presented and to engage in meaningful conversations about feminism and the treatment of women in society.   The production team, led by writer and director Madeleine Keeble, writers Scarlett Hughes, Jaide Camilleri, and their skilled crew, have crafted an important, timely piece of theatre that holds up a mirror to society and forces us to confront uncomfortable truths. I feel privileged to have experienced it as part of the audience. As I left the venue, the reality of the show’s message hit me hard. Just today, as I sat at a bus stop at 11am, I was subjected to catcalling by a man driving by, leaving me feeling enraged all over again. This show is not just a performance; it’s a reflection of the world we live in — a world where women are still fighting to be heard, to be respected, and to live without feeling guilty for their mere existence.

‘Legally Blonde the Musical’ has long been a beloved staple of modern musical theatre, and the latest production by the Academy of Excellence in Musical Theatre at Griffith University only solidifies its charm. Directed by Alistair Smith, with musical direction by Heidi Loveland and choreography by Dan Venz, this production features an ensemble of talented third-year musical theatre students, alongside the fresh-faced first and second-year students. The performance, held at the state-of-the-art QLD Conservatorium Theatre, showcases not only the skills of these burgeoning performers but also the dedicated creative team. The story follows Elle Woods, portrayed beautifully by Alyssa Mastromanno, as she evolves from a seemingly superficial sorority girl to a determined Harvard Law student. Mastromanno, who shares the role with Ally Long and Ashley McLaren, brings a quirky and unique energy to the role, delivering famous lines from the film with a new spark. Her performance is both impressive and empowering, embodying Elle’s resilience and rejection of societal norms. Mastromanno’s vocal performance, particularly her solos "So Much Better" and "Legally Blonde" showcase her impressive range and stage presence. James Macaulay as Emmett (sharing the role with Nick Smith), delivers impressive technical control of his voice that truly stands out in the song "Chip on My Shoulder." His chemistry with Mastromanno is like a perfectly made cocktail - sweet, comforting, and leaves you wanting more! Oliver Palamara, who plays Warner, convincingly embodies the self-absorbed nature of his character, displaying his vocal talent in the song “Serious” while fully embracing the show's campy spirit.   Juliette Coates excels as Paulette, delivering a mix of heart and hilarity in their rendition of "Ireland." They are basically the long-lost twin of Sutton Foster, rocking the most fabulous costumes, accent, dorkiness, and a killer powerhouse voice. Finlay Underwood as Professor Callahan brings a commanding presence with his deep, stunning voice, especially in "Blood in the Water." Sophie Moman’s Vivien is fierce and determined, though her performance could have benefitted from a slightly louder mic level to unleash the full force of her vocal prowess in the epic “Legally Blonde Reprise”. The Greek chorus girls, led by the fabulous trio of Kaylen de Gersigny, Charlotte Sligar, and Faith Oosthuizen, bring boundless energy and enthusiasm with their quirky choreography. Madelene Kirkwood as Brooke impresses with her stamina and precision in "Whipped Into Shape," maintaining her incredible vocals while performing a complex jump rope routine. Jack Ryan and Jay Monck also deserve special mention for their versatile performances in multiple roles, with Monck's Kyle (the UPS guy) standing out as a comedic highlight of Act Two. Their physicality and comedic timing had everyone cackling, especially during the unexpected riverdance routine. This production is not only a showcase of talent but also an educational milestone for the students involved. The students' commitment to mastering the text, music, and choreography is evident in their slick performances. Standout numbers by the ensemble include "What You Want," featuring intricate cheerleader choreography; plus a hilarious performance by a particular member of the admissions board in a sweatervest (whose name I do not know but he left an impression). The timeless classic "Bend and Snap" is as fun and iconic as ever, while "There! Right There!" (aka "Gay or European?") serves up some creative footwork and comedic brilliance. The technical aspects of the show are equally impressive. Penny Challen’s set design and Desley MacPherson’s costume coordination are top-notch, with the use of tech to project captions and hashtags to the top of the set, adding a modern twist. Keith Clark's lighting design and Steve Thornely's sound design enhance the performance to a highly professional standard. However, a slight increase in microphone levels during singing moments for Elle and Emmett would have improved the performance I witnessed. The costumes deserve special mention for their vibrancy, with Elle's numerous quick changes into various pink ensembles being particularly noteworthy. The attention to detail in her wardrobe tells a story of its own, perfectly reflecting the character's journey while adding a visual treat to the performance.   The dogs, handled by Lisa Alsop and Rachel Hunt, steal the spotlight with their pawsitively adorable outfits and well-trained appearances (Bella as Rufus and Peggotty/McGinty as Bruiser). The orchestra, comprised of talented Bachelor of Music students, provides an excellent musical foundation that contributes to the overall high quality of the production. All in all, “Legally Blonde" is a triumph of student talent and professional direction. From the electrifying performances of the lead actors to the collective energy and obvious passion of the ensemble and creative team, this production is a joyous celebration of musical theatre and girlhood. The Academy’s commitment to excellence is evident in every aspect of the performance, making it a must-see for fans of the genre. So step right up to experience this fabulously pink-hued journey, filled with humour, heart and high energy! Now playing until 10th August 2024 at QLD Conservatorium., South Brisbane. Tickets available here Photo credit to Kenn Santos.

In the heart of Brisbane's indie theatre scene, "Scenes With Girls" was a raw, riveting exploration of female friendships. Directed by Ava Rusch, this play is a poignant, often hilarious look at the complexities and intensities of girlhood. The talented team at Salad Days Collective brought this production to life over last weekend, marking it as their second successful theatrical endeavour. This story unfolds through 22 scenes depicting the lives of Tosh (Jasmine Prasser) and Lou (Hannah Ward); best friends navigating their early twenties. Together, they have dodged the pitfalls of romantic entanglements with men and worked hard to "deprogram themselves from societal expectations for male affection". From the second it kicks off with the girls busting moves to Charli XCX on Just Dance Wii, and throwing out Friends quotes – it hits home for other young adults who have lived with our besties, like myself. The set at PIP Theatre, designed by the versatile Jasmine Prasser, captures the aesthetic of a millennial flat-share. From the couch and swivel chair to the clutter everywhere, and even a bathroom, it's a spot-on portrayal of that cozy, lived-in vibe that is instantly recognisable. Even their outfits – comfy trackies, overalls, and slippers - grounds the play firmly in reality. We learn that Tosh appears to be going through a period of complete disinterest in men, while Lou is actively engaging in casual flings, keeping count of her conquests and proudly sharing details of each encounter with Tosh. The remarkable chemistry between the actresses showcases the deep, almost symbiotic bond of their characters' relationship. They constantly finish each other's sentences and thoughts, often helping the other find the right word in the middle of a conversation. It's like they have a secret language only they understand. Oftentimes, scenes will begin with hilariously out-of-context lines like "He tasted like omelette," illustrating the zany and unpredictable nature of their chats. Memorising all that dialogue would be quite the task, but these girls performed it exceptionally well, embodying two very authentic characters that made it seem as if they were truly gossiping right in front of you. The play's dialogue, penned by Miriam Battye, is sharp and vibrant, capturing the language of best friends with startling accuracy. Battye's writing also delves into deeper themes, questioning societal norms and the pressures women face to conform to certain narratives. For instance, both girls fake enthusiasm when their friend Fran (Georgina Sawyer) announces her engagement. But Lou then proceeds to go on a wild rant, spilling all her unfiltered thoughts about Fran's impending nuptials to Tosh in a savage yet brutally honest reflection. Fran joins their circle as their friend who is seemingly out of step with Tosh and Lou's anti-romantic philosophy. Sawyer plays this character like a mix of a grandma, a rock, and a confused pigeon. Fran's attempts to fit in with Tosh and Lou's intricate jokes are both adorable and hilarious. She exudes awkward and overly formal body language, while her far-off look of discomfort had everyone cackling. Most likely, we all have encountered a friend who resembles one of these three girls. Tosh is eccentric and tends to be excessively possessive. Lou is the truth-teller, the life of the party, and relies on Fran as a buffer for their flatmate drama. And then there's Fran, bless her heart. The loveable third wheel of the group, the epitome of predictability and a pro at long-term relationships. As the play progresses, the strains in Tosh and Lou's relationship become more apparent. Tosh’s harsh plea for Lou to stop seeking male validation highlights the toxicity that has seeped into their friendship. Their arguments, filled with miscommunication and intense emotion, are a testament to the complexity of female friendships. The peak of their conflict – a cruel argument where hurtful words are exchanged – is a stark reminder of just how fragile these bonds can be. The play captures the pain of friendship break-ups, which can often be more devastating than romantic ones. As the heartbreak unfolds, Ward's cries of anguish, Sawyer's comforting presence, and their shared tears set against the sounds of Chapell Roan created a scene similar to that of a Netflix drama. The audience was riveted, some even moved to tears. Director Ava Rusch, along with the creative team consisting of sound designer and dramaturg Ziggy Enoch, and lighting designer Claire Yorston, have crafted a production that captivates both visually and intellectually. The effective use of lighting and sound to shift between the 22 distinct scenes made a significant impact. "Scenes With Girls" is a play that will make you laugh, cry, and then reflect on the nature of friendships. It leaves you with a renewed appreciation for the friends who stand by you through thick and thin. It's a messy, unpredictable, yet beautifully authentic depiction of girlhood. The takeaway is crystal clear: friendships require effort, understanding, and forgiveness. So lean on your besties, cherish them, and remember that these bonds are just as significant as any romantic relationship.

Title:  GLOW: A Cabaret Series Presented By:  Phoenix Ensemble Genre:  Cabaret Synopsis: Introducing GLOW, our newest 'After Dark' cabaret series where performers in our community have the opportunity to shine on stage. Each production in the series will have a unique theme, and for our inaugural show, we’ve chosen the theme “HEAT!”. We are looking for performers to submit proposals for two songs that creatively interpret this theme, whether taken literally or thought of in an out-of-the-box way. This is a fantastic chance for performers to showcase their talent and bring a variety of interpretations to our audience. Audition Self-Tape Due:  Submissions close on 18th August 2024 Audition Requirements: Submit a proposal for two songs within the theme “HEAT!” Provide a description linking your performance to the theme Include a 30-second clip from each song Acts must be solo performances and PG 13+ appropriate Submit a headshot and any supporting documentation (e.g., CV) Available Roles: 8 performer slots available Audition Registration: Submit your proposal via the submission form Notification of selection by 20th August 2024 Performance Date: Friday, 20th September 2024 Performance Time: 7:30 PM Performance Location: Phoenix Ensemble, Beenleigh Showgrounds Rehearsal Date: 19th September 2024 Rehearsal Time: 7:00 PM Other information: Tickets are $20 All proceeds go towards maintaining the Phoenix Ensemble Tin Shed