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Title:  The Virgin-Mobile Presented By:  Passion Productions Genre:  Contemporary Comedy / New Australian Work Synopsis: Fresh, razor-sharp, and dripping with twenty-something chaos — The Virgin-Mobile  dives into a night of friendship, fractured relationships, and questionable decisions. When Vienna hosts a party to finally confront her long-term situationship with Mark, cracks in the group begin to show. Secrets spill, tempers flare, and awkward confessions unfold — culminating in a booze-fuelled trip home in her beat-up car, now christened the “Virgin-Mobile.” Written by Amiel Simpson and directed by Jack Winrow, this premiere production is as honest as it is hilarious. Audition Date:  Saturday 30 August 2025 Audition Time:  By appointment (individual auditions) Audition Location and Address:  Building Z9, QUT Kelvin Grove Campus Audition Requirements: Prepare a monologue that best showcases your performance style (from plays, films, TV, or other sources) Creative interpretations and bold choices encouraged Be prepared for possible cold reads on the day Wear comfortable clothing suitable for movement Arrive 10 minutes early for your scheduled time Audition Registration:   Book your slot here Audition Pack: Download Here Performance Dates: Season runs Saturdays & Sundays from 15–30 November 2025 (6 shows total) Performance Location:  Venue TBA (Brisbane) Rehearsal Dates & Times: Rehearsals start 9 September 2025 Tuesdays 5:00pm–8:00pm Sundays 10:00am–4:00pm Possible additional evenings closer to opening Warnings:  Mature themes, coarse language, alcohol references Creative Team: Playwright: Amiel Simpson Director: Jack Winrow Production Website:   Passion Productions Other Information: No production fees; unpaid community theatre Optional Passion Productions membership Cast must promote the production on social media and be script off-book by 14 October Available Roles/Character Breakdown: Vienna  – University graduate-to-be, people-pleaser, reluctant host trying to fix everyone’s problems Mark  – Easy-going but blunt, Vienna’s situationship, distracted by matchmaking attempts Morgan  – Music student, overtly honest, recovering from a messy breakup with Shoe Shoe (Harrison)  – Prideful, confident, and a self-styled womaniser with a messy history Asaiah  – Vienna’s church friend, awkwardly set up with Kake, battling insecurity Kake (Kate)  – Sharp-witted newcomer to the group, skilled baker with a trail of messy exes

Queensland Academy of Excellence in Musical Theatre (QAEMT) Third Year Cohort, QLD Conservatorium Griffith University Queensland Conservatorium Theatre – Directed by Alister Smith, Choreography by Dan Venz, Musical Direction by Nigel Ubrihien There are some shows you can see over and over again and still leave breathless. A Chorus Line  is one of those for me.  QAEMT’s third-year cohort at Queensland Conservatorium Theatre cemented it yet again as a highlight of 2025’s already stacked season.   This production, directed by Alister Smith, was much more than just another student showcase. It was a perfect marriage of material and performers – a show about young artists baring their souls, performed by emerging triple-threats who were, in many ways, telling their own truths too. With the Conservatorium celebrating its 50th year, QAEMT its 15th, and A Chorus Line  turning 50 itself, the production felt like a milestone moment of synchronicity.   A Chorus Line  is unique in its DNA. Set on the bare stage of a Broadway theatre, the musical follows seventeen Broadway dancers auditioning for eights spots in a chorus line. It was built from real-life interviews with dancers. It gave voice to the anonymous chorus… no fictional characters, but working-class performers of New York City telling their stories. At its core, it celebrates resilience, desire, and the dream of being seen. And what better vehicle for a graduating cohort to step into than this? The opening number exploded with energy as the entire cast (with small and welcome appearances from the first and second year students) leapt into Dan Venz’s demanding choreography. It wasn’t quite the choreography I was expecting, but it was every bit as precise, exhausting, and impressive. As the line was taped across the bare stage and the spotlights lowered, the audition truly began. Penny Challen’s design – mirrors and a line, just like a rehearsal studio – gave the performers nowhere to hide, a perfect metaphor for reflection and exposure. Steve Thornely’s sound design was highly effective, letting the music of Nigel Ubrihien’s orchestra soar without drowning out the voices.   One of the joys of A Chorus Line  is meeting each character through their stories and numbers, and this cast delivered them with colour, humour, and heartbreak. Croft Phillips as Mike bounded through “I Can Do That” with splits and leaps, already impressive so soon after the frenetic opener. Chloe Flanagan brought delightful chaotic energy as Judy, while Kate Hudson-James (Bebe) and Charlie Preston (Maggie) joined Brydie Faith Hall’s pitch-perfect Sheila in a hauntingly beautiful “At the Ballet,” a number that captures the pain of the past and the salvation of the stage. Their voices blended with sweet vulnerability, enhanced by ballet lifts from Mateja Sardelis (Diana) and Ella Rose Harding (Cassie). Brydie embodied Sheila’s alluring attitude perfectly: confident yet uncertain about exposing her soul.   Cooper Swain (Bobby) had the audience in stitches with his monologue, his sharp delivery balancing comedy with honesty. Christina Keen was charming as the delightfully tone-deaf Kristine, her comedic “Sing!” duet with Saul Kavenagh’s standout Al landing perfectly. Watching Christina screech off-key with such control (never easy to do as a trained singer!) was fantastic, while Saul’s charisma and smooth vocals marked him as a highlight among the men. Max Baldock led the cheeky “Hello Twelve, Hello Thirteen, Hello Love” – the TMI anthem of puberty – with outstanding choreography and an ensemble that leaned into every awkward moment brought on by adolescence.   Mateja Sardelis’s Diana shone in “Nothing,” her effortless belt and charisma making the number unforgettable. Niamh Cadoo-Dagley (Richie) tore up the stage with vocal runs so high and effortless it was almost dizzying. Ned Kelly (Greg) and Olivia Horne (Val) milked every laugh in their saucier moments. Olivia’s “Dance Ten, Looks Three” was particularly striking, switching seamlessly between belt and falsetto before topping it off with a knockout opt-up.   Sage Del Carmen’s Paul gave the show its most poignant moment. With a chocolaty vocal tone, natural delivery, and exquisite storytelling ability, their monologue held the room in utter stillness. Meanwhile, Samuel Henderson’s Zach boomed from behind us, the unseen yet omnipresent director commanding the stage even in absence. Ella Rose Harding’s Cassie was luminous: a true triple threat. Her monologue-duologue with Zach was electrifying: a tense exchange about ambition, dreams, and past love. Her performance of “The Music and the Mirror” was a complete tour de force; a blend of lyrical arms, bouncy jazz choreography, and dazzling vocal power. She pulled off a back-bend to die for, some mesmerising mirror moments, and still managed to sing with crystal clarity. Her long lines, her bouncy curls, her hypnotic presence… she was impossible to look away from. The orchestra, made up of Conservatorium musicians under Nigel Ubrihien’s baton, went wild for this number. And honestly, so did I.   The ensemble impressed me endlessly, working as a tight unit then always returning to their “character pose.” They never broke from character, sustaining excellent dialect work that reflected dancers from every corner of the U.S. Of course, the emotional core of A Chorus Line  lies in its existential questions: what happens when the dream ends? What do you do when you can’t dance anymore? “Dreams don’t pay the rent. Bodies don’t last forever, ” Zach reminds them, as starkly as only a director can. And then that line: “Am I copping out? Am I growing up?”  – the character considering teaching as a backup plan. I felt that one in my bones...  As the cast sang “What I Did for Love,” I was riveted. It remains one of my favourite ensemble numbers in all of musical theatre, and this group delivered it with aching sincerity. And like Greg says, sometimes it’s about taking it one day at a time, enjoying your youth while you have it.   The finale was everything you want it to be: gold sparkles, full-power vocals, impossibly tight choreography, and the famous kickline that seemed to stretch on forever. Seeing the orchestra revealed upstage only heightened the thrill of the final image: a unified, dazzling company of performers, each one a star in their own right, coming together as “One.”   This production of A Chorus Line  was the perfect vehicle to showcase the depth, range, and resilience of QAEMT’s graduating class. Each student bared not just their character’s story, but a glimpse of their own artistry and future. Under Alister Smith’s direction, Dan Venz’s choreography, and Nigel Ubrihien’s meticulous musical direction, it became a masterclass in commitment and passion. With design by Penny Challen, and the polish of Keith Clark’s lighting and Steve Thornely’s sound, the show was as technically strong as it was emotionally resonant. With passion pouring out of every beat, it was clear: these dancers, singers, and storytellers have something vital to say and a long line of stages ahead of them.

Title:  The Lightning Thief: Theatre for Young Audiences Edition Presented By:  Second Star Youth Theatre Genre:  Youth Musical Theatre Synopsis: Half-blood teen Percy Jackson has powers he can’t control, a prophecy he doesn’t want, and a quest he never asked for. When Zeus’s master lightning bolt is stolen, Percy becomes the prime suspect. To clear his name and stop a war between the gods, he must journey across America with his friends — facing monsters, gods, and the truth about himself. Adapted from Rick Riordan’s best-selling novel, The Lightning Thief  features a thrilling rock score in an action-packed mythical adventure “worthy of the gods” (Time Out New York). Audition Date:  Saturday 30 &/or Sunday 31 August 2025 (afternoon workshops) Audition Location and Address:  Faith Works Uniting Church, 177 Bennetts Road, Norman Park QLD Audition Self-Tape Due:  If unavailable for in-person auditions, note this on your registration and you’ll be sent video submission instructions. Audition Requirements: Ages 10–18 (as at 27 September 2025) All who audition will be cast Auditions are run as iTheatrics-style group workshops — no preparation required Learn an ensemble song from the show and perform it for the creative team Skills assessed include singing, dancing, acting, connection, and adaptability Audition Registration:   Register Here Audition Pack: Download here Performance Dates & Times: Saturday 27 September 2025 – 3:00pm & 6:00pm Performance Location:  Marjorie Godfrey Theatre, Cavendish Road State High School, Cnr Cavendish Rd & Holland Rd, Holland Park QLD Rehearsal Dates:  Monday 22 – Friday 26 September 2025, 9:00am–4:00pm Rehearsal Location:  Faith Works Uniting Church, Norman Park Participation Fee:  $320 (includes rights, royalties, creative/technical staff, venue hire, sets, props, costumes, script, production t-shirt, dinner on show day) Warnings:  PG – includes battle scenes and themes of parental abandonment. Performer Age:  10–18 (as at 27 September 2025) Creative Team: Director/Music Director: Lauren McNamara Choreographer: Sonya Wyer Contact:   secondstaryouththeatre@outlook.com Available Roles/Character Breakdown: Percy Jackson  – Male, G2–G4, sarcastic, brave, comedic timing, emotional depth Annabeth  – Female, A3–Eb5, confident, logical, powerhouse vocals Grover  – Male, B2–A4, comedic, loyal, heartfelt Sally Jackson  – Female, G3–C5, warm, maternal Luke  – Male, B2–G4, charming, dynamic vocals Clarisse  – Female, A3–C5, fierce, competitive Mr Brunner/Chiron  – Male, C3–F4, wise, mentor figure Mr D/Dionysus  – Male, C3–G4, comedic, snarky Ares  – Male, C3–E4, commanding, rock swagger Poseidon  – Male, C3–E4, laid-back but powerful The Oracle  – Female, G3–C5, mystical presence Ensemble  – Multiple roles: gods, monsters, campers, Gabe, Minotaur, Charon, Medusa, Hades, Thalia, Bianca, Chimera, Kronos voice

Title:  Murdered in the Mansion Presented By:  Embrace Programs Genre:  Murder Mystery / Theatre Synopsis: A night of celebrations turns deadly when Summer is found poisoned in the mansion — and everyone is a suspect. Detective Burgess and Sergeant Jones must unravel the mystery before more bodies hit the floor. With tension rising and time running out, this thrilling whodunit will keep audiences guessing until the very end. Audition Dates: Saturday 30 August 2025 – 9:15am, 10:15am, 11:15am Sunday 31 August 2025 – 1:15pm, 2:15pm, 3:15pm, 4:15pm Audition Time:  By booked session Audition Location and Address:  60 Cecil Road, Bardon QLD Audition Requirements: Learn a short dance in the audition Read for an acting scene (materials provided on the day) Optional: prepare a song if you wish to sing In your audition, indicate which performance skills (acting, singing, dancing) you’d like to work on Designed as a supportive, skill-building environment for performers Audition Registration:  Book your preferred time via Embrace Programs Audition Page Performance Dates:  20th and 21st June 2026 Rehearsal Dates: Every Sunday from March to June, plus occassional Saturday rehearsal. Available Roles/Character Breakdown: Detective Burgess Sergeant Jones Summer (poisoned victim) Multiple suspects and supporting roles

Title:  Heartwarming Productions – Male Performers Auditions Presented By:  Heartwarming Productions Genre:  Musical Theatre About: Heartwarming Productions is seeking talented male singers and actors for exciting upcoming productions in the 2025/2026 season. Paid performance opportunities are available for versatile musical theatre performers who can bring strong acting skills and dynamic vocal ability to the stage. Audition Dates: Wednesday 6 August 2025 Monday 11 August 2025 Wednesday 13 August 2025 (Alternative dates available on request) Audition Time:  By appointment (approx. 15–20 minutes per audition) Audition Location and Address:  Heartwarming Productions HQ, 2/366 Sandgate Road, Albion QLD Audition Self-Tape Due:  Available by arrangement if unable to attend in person Audition Requirements: Prepare two contrasting musical theatre songs Email headshot and CV to heartwarmingproductions@gmail.com  to book a time Email mp3 files or links to your backing tracks at least two days before your audition Performance Dates:  2025–2026 season (show details TBA) Performer Age:  Adult male performers (age range open; casting based on suitability)

Title:  Brisbane Ballet – 2026 Season Auditions Presented By:  Brisbane Ballet Genre:  Professional Ballet / Dance About: Brisbane Ballet invites passionate and dedicated dancers to audition for our 2026 season. With opportunities across soloist, corps de ballet, trainee, and secondment positions, this is your chance to join an acclaimed company committed to excellence, artistry, and innovation. Seasonal contracts are available for successful candidates. Audition Date:  Thursday 11 September 2025 Audition Requirements: Submit a CV and showreel (if available) to Artistic Director Emrys Goldsworthy at admin@brisbaneballet.org.au Candidates who have previously auditioned will be contacted directly in the coming weeks. Production Website:   Brisbane Ballet Available Positions: Soloist Corps de Ballet Trainee Secondment

Title:  Wyrd Sisters Presented By:  Maleny Players Genre:  Comedy / Fantasy (Terry Pratchett Discworld Adaptation) Synopsis: Terry Pratchett’s Wyrd Sisters  takes Shakespeare’s Macbeth, adds a splash of Hamlet , a twist of political intrigue, and serves it all up with the signature wit of Discworld. When a wicked Duke murders the King of Lancre, three witches — Granny Weatherwax, Nanny Ogg, and Magrat Garlick — set out to put things right. But restoring the rightful heir to the throne isn’t easy when magic, theatre, and politics collide in a hilariously chaotic adventure. Audition Date:  Saturday 30 August 2025 Audition Time:  2:00pm Audition Location and Address:  The Maleny Playhouse, Maleny Showgrounds, Maleny QLD Audition Requirements: Play reading format — participants will read from the script to explore the story and discover casting possibilities. 35 characters to be cast, with many opportunities for comic cameos. ALL roles are open No preparation required — just bring your enthusiasm. Crew and production team positions also open. Audition Registration:  No formal registration required — attend on the day. For more info, contact Director Andrew Robjohns on 0437 671 887 . Rehearsal Dates:  Two evenings + one weekend day per week throughout September and October 2025 Performance Dates & Times: Opening: Friday 28 November 2025 Runs for three weekends (Friday, Saturday, Sunday performances) Performance Location:  The Maleny Playhouse, Maleny Showgrounds

Title:  Agatha Christie's The Mousetrap Presented By:  Nash Theatre Genre:  Mystery / Crime Thriller Synopsis: In Agatha Christie’s legendary murder mystery, a group of strangers are stranded at Monkswell Manor during a snowstorm — and one of them is a murderer. As tensions rise, secrets unravel, and suspicions threaten to destroy relationships, a relentless detective races to unmask the killer before another victim falls. This timeless classic has been keeping audiences guessing for over 70 years, with a twist ending that’s famously kept secret. Audition Date:  Sunday 7 September 2025 Audition Location:  Nash Theatre New Farm Audition Requirements: Cold read from the script (provided on the day) Contact director Sharon White to register: sharon_white_@hotmail.com Performance Dates: Preview: 14 November 2025 Opening Night: 15 November 2025 Evenings: 21, 22, 28, 29 November; 5, 6 December 2025 (Fridays & Saturdays) Matinees: 22 & 29 November 2025 Performance Location:  Nash Theatre New Farm Creative Team: Director: Sharon White Production Website:   Nash Theatre Auditions Available Roles / Character Breakdown: Mollie Ralston  – Female, 30s; Young owner of Monkswell Manor, recently married to Giles. Giles Ralston  – Male, 30s; Mollie’s husband, attractive, arrogant. Christopher Wren  – Male, 30s; Flighty, neurotic, guest at the Manor. Mrs. Boyle  – Female, 50s; Stern, bad-tempered guest who complains constantly. Major Metcalf  – Male, 60s; Retired British military officer. Miss Casewell  – Female, 30s; Masculine demeanour, aloof and mysterious guest. Mr. Paravicini  – Male, 50–60s; Foreign gentleman stranded by the snowstorm, eccentric. Detective Sergeant Trotter  – Male, late 30s; Arrives on skis to investigate a prior murder’s connection to the guests.

Title:  Frozen Jr. Presented By:  Phoenix Arts Academy (Phoenix Ensemble) Genre:  Youth Musical Theatre Synopsis: In the kingdom of Arendelle, Princess Elsa’s magical powers to create ice and snow are a gift… but also a danger. After an accident causes her to hide away, her younger sister Anna sets out on an epic journey to bring her home. Along the way, Anna teams up with a rugged ice harvester, a loyal reindeer, and a talking snowman in a story of love, courage, and sisterhood. Frozen JR  brings the beloved Disney film to the stage with unforgettable songs, magic, and heart. Audition Date:  Saturday 30 August 2025 Audition Times & Sessions: 9:00am–10:00am  – Young Elsa & Young Anna auditions 10:00am–11:30am  – Junior Ensemble group audition 12:00pm–1:30pm  – Leads & Senior Ensemble group audition 2:00pm–5:00pm  – Leads & Senior Ensemble individual audition Audition Location:  Phoenix Ensemble, Beenleigh Showgrounds (enter via 60 James Street, Beenleigh QLD) Audition Requirements: Junior Ensemble:  Group dance & song workshop (no preparation required). Young Anna & Young Elsa:  Prepare 30–60 seconds of a Disney song with a backing track (no lead vocals). Bring playback device or USB. Lead Roles & Senior Ensemble:  Group singing/dance workshop + individual audition (30–60 seconds of a Disney song with backing track, plus acting scenes – cold read in pairs). Audition Registration:   Register Here Audition Pack: Download Here Rehearsal Dates: Monday 22 September – Friday 3 October 2025, 9:00am–3:00pm daily (Junior Ensemble not required for all sessions; full schedule provided after casting) Performance Dates & Times: Friday 3 October 2025 – 7:00pm Saturday 4 October 2025 – 2:00pm & 7:00pm Performance Location:  Phoenix Ensemble, Beenleigh Showgrounds Warnings:  Family-friendly Performer Age:  School-aged performers (Prep–Year 12) Creative Team: Directors – Tammy Sarah Linde & Luke O’Hagan Vocal Director – Julianne Clinch Choreographer – Elana Piggott Producer – Kym Brown Production Assistant – Sisi Barney Production Fees: $300 – Lead Roles & Senior Ensemble $200 – Junior Ensemble (Fee includes scripts, backing tracks, most costumes, show t-shirt; students supply own lunch/snacks and some costume basics) Production Website:   Phoenix Ensemble Available Roles / Character Breakdown: Lead Roles: All lead roles will sing solos and have dialogue to memorise. ELSA – Princess, and later, Queen of Arendelle, with magical powers; initially a doting sister to Anna, but becomes isolated due to fear of her powers. ANNA – Princess of Arendelle, a spirited troublemaker who is lonely and longing for connection, especially with her sister. KRISTOFF – an ice harvester with a prickly exterior but a big heart. HANS – the charming Prince of the Southern Isles who craves a sense of belonging and power and proves that first impressions can be wrong. OLAF – a goofy and loving magical snowman who dreams of experiencing summer. SVEN – Kristoff’s loyal reindeer best friend who can only be understood by Kristoff. YOUNG ANNA and YOUNG ELSA – solo singing and dialogue. Senior Ensemble : The senior ensemble will participate in group singing, dancing and scenes as well as being leaders in the Junior Ensemble scenes. KING AGNARR – King of Arendelle and protective father to Anna and Elsa. QUEEN IDUNA – Queen of Arendelle and descendant of the Northern Nomads; loving mother to Anna and Elsa. MIDDLE ANNA and MIDDLE ELSA – solo singing and dialogue. WESELTON – an impolite and judgmental Duke from a neighbouring kingdom. PABBIE and BULDA – the mystical and magical leaders of the Hidden Folk; Kristoff’s adoptive parents. BISHOP – The Bishop of Arendelle, tasked with overseeing the succession of the monarchy. OAKEN – an amiable wandering salesperson and advocate of hygge. ENSEMBLE: Townspeople, Hidden Folk, Castle Staff (including Housekeeper, Butler, Handmaiden, Cook, Steward), Oaken’s Family, Snow Chorus, Summer Chorus. Junior Ensemble - There may be some solo singing or dialogue lines for these performers. ENSEMBLE: Snow Chorus, Summer Chorus, Hidden Folk.

Title:  Anastasia: Youth Edition Presented By:  Brisbane Junior Theatre Genre:  Youth Musical Theatre Synopsis: Step into a world of mystery and adventure in Anastasia: The Musical . This dazzling production follows Anya, a brave young woman determined to uncover the truth of her past. Set against the fall of the Russian Empire and the vibrant streets of 1920s Paris, she teams up with a charming con man and a warm-hearted ex-aristocrat, all while being pursued by a relentless Soviet officer. Anastasia  is a heartwarming story of identity, courage, and belonging — a journey to find home, love, and family. Audition Intensive: Date:  Saturday 6 September 2025 Time:  12:00pm–3:00pm Location:  Emerge Church Upstairs Studio, 1 Coorparoo Road, Warner QLD 4500 Cost:  $50 Details:  This workshop will prepare actors for auditioning — covering monologue delivery, characterisation, physicality, projection, accents, and style, plus acting while singing and telling a story through song. Each participant will receive individual feedback from the directors. Audition Date:  Saturday 13 September 2025 Audition Time:  1:00pm–5:00pm Audition Location and Address:  Emerge Church, 1 Coorparoo Road, Warner QLD 4500 Audition Self-Tape Due:  Contact BJT if unable to attend in person Audition Requirements: Open to all young performers — everyone who auditions will be cast Auditions required for lead roles, minor roles, featured dancers, or soloists Prepare and memorise the required monologue (younger children may do a shorter excerpt) Prepare the required song to perform, with characterisation and acting while singing Dance component included Audition materials available here: Audition Pack Audition Registration:   Register Here Rehearsal Dates:  Monday 22 – Friday 26 September 2025, 8:30am–5:00pm daily Rehearsal Location:  Emerge Church, 1 Coorparoo Road, Warner QLD Performance Dates & Times: Friday 26 September 2025 – 6:00pm & 8:00pm Saturday 27 September 2025 – 12:00pm & 2:00pm Performance Location:  Emerge Church, 1 Coorparoo Road, Warner QLD 4500 Production Website:   Brisbane Junior Theatre

Title:  Dare to Dream Jr. Presented By:  Loic Valmy Broadway Academy Genre:  Youth Musical Revue Synopsis: Dare to Dream Jr.  is a 60-minute musical revue that follows an eager group of trainees on their first day at a fictional Walt Disney Imagineering Studio. As they help each other discover their dreams, they explore how imagination can unite, inspire, and make anything possible. Featuring songs from The Princess and the Frog , Coco , Encanto , Frozen II  and more, this dazzling revue blends contemporary hits, timeless classics, and brand-new medleys into a theatrical celebration of Disney magic. Audition Dates:  Wednesday 3 September & Saturday 6 September 2025 Audition Location and Address:  Loic Valmy Broadway Academy, 127 Sandgate Rd, Albion QLD 4030 Audition Requirements: Ages 7–18 Prepare to sing, dance, and act as part of a short workshop audition No prior experience necessary Wear comfortable movement clothing and closed shoes Bring water bottle and any audition materials provided after registration Audition Registration:   Register Here Performance Dates: Friday 26 September 2025 – 5:00pm & 7:00pm Performance Location:  Hope Centre Theatre, Bowen Hills QLD Rehearsal Dates & Location: Monday 22 – Friday 26 September 2025, 9:00am–4:00pm daily Rehearsals at Alchemy Studios, 127 Sandgate Rd, Albion QLD Participation Fee: Early Bird: $395 (limited to first 10 bookings) Standard: $420 Includes full rehearsal week, professional theatre experience, light dinner on show day Optional Extras: Cast T-shirt $40, Photo/Video package $40, Souvenir Program $10 Warnings:  Family friendly Performer Age:  7–18 years Production Website:   LVBA Holiday Workshop Other Information: Maximum 50 participants – expected to sell out early Costumes and meals (except light dinner on performance day) not provided

Title:  Spring Remixed – Double Bill: Fame and Mean Girls Presented By:  Fame Performing Arts Genre:  Youth Musical Theatre Synopsis: Spring into your next show with Spring Remixed  — an original Fame Performing Arts production featuring hit songs from Fame  and Mean Girls . Over five high-energy days, senior performers will sharpen their singing, acting, and dancing skills, working with industry professionals to deliver an unforgettable end-of-week showcase. Audition Date:  Saturday 6 September 2025 at 11am - 1pm Audition Location and Address:  Fame Studios, Bowen Hills QLD Audition Requirements: Ages 13–18 (at time of workshop) Lead role auditions held on audition day Ensemble participation does not require audition but attendance is encouraged All audition materials provided on the day Audition Registration:   Register Here Performance Date:  Friday 3 October 2025 (in-studio showcase) Rehearsal/Workshop Dates:  Monday 29 September – Friday 3 October 2025, 9:00am–3:00pm Performance and Rehearsal Location:  Fame Studios, Bowen Hills QLD Participation Fee:  $495 (includes audition day, costumes, and pizza party) Warnings:  Family friendly Performer Age:  13–18 years Production Website:   Fame Performing Arts