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Title:   The Shawshank Redemption Presented By:  Ipswich Little Theatre (ILT) Genre:  Drama / Adaptation Synopsis: When Andy Dufresne is wrongfully convicted of murder and sentenced to life in the notorious Shawshank Prison, he must find a way to survive—and keep his hope alive—amid corruption, violence, and despair. Through resilience, intelligence, and the unlikely friendship of fellow inmate Red, Andy discovers redemption in the darkest of places. Based on Stephen King’s 1982 novella and made famous by the acclaimed 1994 film, The Shawshank Redemption  is a powerful story of friendship, endurance, and the unbreakable human spirit. Audition Date: Monday 10 November 2025 – 7:30pm Audition Location and Address: Ipswich Little Theatre (ILT) Burley Griffin Drive, Ipswich QLD Audition Requirements: Prepare a 1-minute dramatic monologue showcasing emotional depth and character range. Familiarise yourself with the provided audition sides on website. Be ready for cold readings during the audition. Complete the online audition form before attending. Audition Registration: Register Here via ILT’s Website Performance Dates: 25 February – 14 March 2026 Performance Times: Evenings: 7:30pm | Matinees: 2:00pm Performance Location: Ipswich Little Theatre (ILT) Burley Griffin Drive, Ipswich QLD Rehearsal Dates & Times: Monday, Tuesday & Friday evenings – 7:30pm onwards Additional weekend rehearsals as required Warnings: Contains strong adult themes, violence, and coarse language Performer Age: 18+ Creative Team: Director – Shane Mallory – 0403 175 702 AD - Amanda Harrison – 0449 595 458 info@ilt.org.au Production Website: https://www.ilt.org.au/getinvolved/auditions/ Other Information: Actors must be able to perform with authentic American dialects as noted. All auditionees are encouraged to indicate availability for backstage or front-of-house support if not cast. ILT encourages diverse casting and welcomes performers of all backgrounds. ILT membership is required for insurance and participation purposes. Available Roles / Character Breakdown: Andy Dufresne  (20–40, Male) – Intelligent, quiet, and resourceful. Wrongfully convicted banker who maintains hope through intellect and resilience. Must be physically dexterous (capable of climbing down a pipe). General American accent required. Red (Ellis Boyd Redding)  (20–50, Male, Person of Colour) – Charismatic and streetwise inmate. The voice of experience and humanity. General American accent required. Warden Norton  (30–50, Male) – A self-righteous preacher-type hiding corruption and cruelty beneath piety. Southern American accent preferred. Bryan Hadley  (20–50, Male) – Head guard. Loyal to Norton, blunt, and power-hungry. Boston accent required. Bogs Diamond  (20–40, Male) – The prison’s feared “Sister” leader; a charming yet violent predator. General American accent. Brooks Hatlen  (50–75, Male) – Elderly librarian and long-term inmate. Kind and institutionalised, unable to cope with freedom. General American accent. Entwistle  (20–50, Male) – A gentle, well-meaning prison guard who tries to appear tough. General American accent. Rooster  (20–50, Male) – Southern “Sister” who thrives on dominance and routine. Southern American accent required. Rico  (20–50, Male, Person of Colour preferred) – Born-again Christian with bipolar disorder. Puerto Rican accent preferred. Tommy Williams  (18–30, Male) – Young, impressionable inmate. A good-hearted “pretty boy” who looks up to Andy. General American accent. Dawkins  (20–50, Male) – Charismatic inmate addicted to gambling. General American accent. Pinky  (18–40, Male) – A self-serving opportunist who shifts alliances easily. General American accent.

Title:   Jesus Christ Superstar Presented By:  Redcliffe Musical Theatre (RMT) Genre:  Rock Opera / Musical Theatre / Drama Synopsis: Jesus Christ Superstar  is the iconic rock opera by Andrew Lloyd Webber and Tim Rice, reimagining the final days of Jesus Christ through the eyes of Judas Iscariot. A timeless fusion of rock music and biblical storytelling, it captures the emotional and political turmoil of Jesus’ last week on Earth, exploring fame, betrayal, and faith in a modern context.Originally debuting as a concept album before taking Broadway and the West End by storm, Superstar  remains one of the most powerful and provocative musicals ever written — raw, human, and electrifying from start to finish. Audition Dates: Saturday 25 October 2025 (by request) Tuesday 4 November 2025 Wednesday 5 November 2025 Sunday 9 November 2025 Audition Time: Sat 25 Oct – 11:00am to 12:30pm, 12:30pm to 2:00pm (by request) Tue 4 Nov – 7:30pm to 9:00pm Wed 5 Nov – 7:00pm to 8:30pm, 8:00pm to 9:30pm Sun 9 Nov – 12:00pm to 1:30pm, 1:30pm to 3:00pm, 3:00pm to 4:30pm Audition Location and Address: Theatre 102, 102 Anzac Avenue, Redcliffe QLD Audition Self-Tape Due (if applicable): Video submissions accepted for vocal auditions only (dance calls must be in person). Audition Requirements: Prepare: A 1-minute cut of a song from   Jesus Christ Superstar and a 1-minute song in a similar style to Jesus Christ Superstar Each session includes a group dance call (at start or finish). Wear clothing suitable for movement. Bring your own sheet music or backing track. Must be 16 years or older (unless currently a ROAR Academy student). Attach a CV and headshot when registering. Audition Registration: Complete the registration form via Redcliffe Musical Theatre – Jesus Christ Superstar or email info@redcliffemusicaltheatre.com  with your preferred session, CV, and headshot. Audition Pack: Download the Full Audition Pack (PDF) Performance Dates: Thursday 5 March 2026 – 7:30pm Friday 6 March 2026 – 7:30pm Saturday 7 March 2026 – 2:00pm & 7:30pm Sunday 8 March 2026 – 1:00pm & 6:00pm Performance Location: Redcliffe Entertainment Centre, Downs Street, Redcliffe QLD Rehearsal Dates: TBA – rehearsals will take place at Theatre 102, Redcliffe. Warnings: Religious themes, adult subject matter, and strong emotional intensity. Performer Age: 16+ (unless ROAR Academy student) Creative Team: Producer/Director – Madeleine Johns Music Director – Rhonda Davidson-Irwin Choreographer – Jill Rowlands Band Leader – Lachy Stewart Production Website: www.redcliffemusicaltheatre.com Available Roles / Character Breakdown: Jesus Christ  – Male, 20–35, Tenor (A2–G5) Leader of the disciples; struggles with destiny and divinity. Strong emotional and vocal range. Judas Iscariot  – Male, 20–40, Tenor (D3–D5) Tragic antihero torn between faith and fear. Powerful, expressive vocals required. Mary Magdalene  – Female, 20–35, Mezzo-Soprano (F3–E5) Gentle, compassionate follower of Jesus. Performs “I Don’t Know How to Love Him.” Pontius Pilate  – Male, 30–50, Tenor (A2–B4) Governor conflicted between duty and conscience. Commanding presence. Caiaphas  – Male, 30–50, Bass (C2–F4) High priest threatened by Jesus’s influence; deep, resonant voice. Annas  – Male, 20–40, Countertenor (G2–D5) Caiaphas’s scheming ally. Smooth yet sinister. Simon Peter  – Male, 20–40, Baritone (A2–G4) Loyal disciple who falters under pressure; sincere and human. Simon Zealotes  – Male, 20–30, Tenor (G3–B4) Fiery revolutionary; passionate and energetic. King Herod  – Male, Any Age, Baritone (C3–G4) Showman with comic flair and decadence. Apostles  – All genders, 16+, all vocal rangesFollowers representing diverse backgrounds and beliefs. Ensemble  – All genders, 16+, all vocal ranges. Portray various characters including priests, citizens, lepers, and Herod’s court. Strong vocal and physical performers encouraged.

Title:  WICKED: The Musical Spectacular  – School Holiday Workshop & Show 💚 Presented By:  J&Co. Productions, JAL Dance Studios Genre:  Musical Theatre / Workshop / Youth Production Synopsis: Step into the world of WICKED: The Musical Spectacular  and experience four magical days of singing, dancing, acting, and performing! Guided by industry professionals, this intensive school holiday workshop gives young performers the chance to build confidence, form friendships, and shine in a real theatre-style production inspired by the iconic Broadway hit. With music from one of the most beloved musicals of all time, participants will learn choreography, songs, and scenes — culminating in a spectacular performance on stage for family and friends. Audition Date: Sunday 16 November 2025 Audition Time: 10:30am – 1:30pm Audition Location and Address: JAL Dance Studios, Corner of Devon Street & Ipswich Road, Annerley QLD 4103 Audition Requirements: Open to dancers, singers, and actors aged 8–17 years Auditions are for placement only (lead, featured, or ensemble) — all registered participants are accepted! Participants will learn a short routine and song from WICKED  during the audition Come ready to move, sing, and have fun Audition Registration: Register via TryBooking Audition Pack: Audition details and materials will be emailed to all registered participants by 1 November 2025 Performance Dates: Thursday 22 January 2026 – 6:00pm to 7:30pm Performance Location: JAL Dance Studios, Corner of Devon Street & Ipswich Road, Annerley QLD 4103 Rehearsal Dates: Monday 19 – Wednesday 21 January 2026: 9:00am – 3:00pm Thursday 22 January 2026: 11:00am – 6:00pm (includes performance) Warnings: Family-friendly production Performer Age: 8–17 years Other Information: Cost: $395 (includes four full days of professional training, rehearsals, and performance) Supervised environment with experienced teachers. supervision available 3:00–5:00pm for $5 per day Available Roles / Character Breakdown: Elphaba  – The misunderstood green girl with a powerful voice and heart of gold Glinda  – The bubbly, confident, and lovable “Good Witch” The Wizard  – Charismatic leader with secrets to hide Fiyero  – The charming prince caught between two worlds Madame Morrible  – Powerful and persuasive headmistress Munchkins, Ozians, Flying Monkeys, and Ensemble  – Energetic and expressive performers who bring the Land of Oz to life

Title:  Taming of the Shrew Presented By:  Outdoor Theatre Community Genre:  Comedy / Shakespeare / Gender-Bent Theatre Synopsis: William Shakespeare’s Taming of the Shrew  returns — louder, prouder, and more chaotic than ever! This new OTC adaptation flips tradition on its head with an irreverent, cross-dressing twist that amplifies the play’s absurdity and wit. Follow Katherine, Petruchio, Bianca, Lucentio, and a host of mischievous schemers as love, disguise, and deception collide in a hilarious battle of wills. Expect camp energy, bold performances, and a whole lot of attitude in this wildly entertaining reimagining of the classic comedy. Audition Date: Saturday 6 December 2025 Audition Time: 2:00pm Audition Location and Address:Dragonfly Park , Warner QLD Audition Requirements: Prepare a 1–2 minute comedic monologue (does not  need to be Shakespearean). Be ready for cold reads from the script. Bring energy, bold choices, and a sense of humour — the production embraces chaotic fun and playful gender-bending performances. All female roles will be played by male-presenting actors, and all male roles will be played by female-presenting actors. Audition Registration: Register Here (Google Form) Performance Dates: Friday 13 March 2026 Saturday 14 March 2026 Sunday 15 March 2026 Friday 20 March 2026 Saturday 21 March 2026 Sunday 22 March 2026 Performance Times: Evenings 7:30pm | Sundays 6:30pm Rehearsal Dates: Commencing Monday 5 January 2026 Rehearsal Times: Mondays – 6:30pm to 9:30pm, Wednesdays – 6:30pm to 9:30pm (Saturday rehearsals may be added if required) Warnings: Mild adult humour and innuendo Performer Age: 16+ only Creative Team: Written by William Shakespeare, Directed & Adapted by Lachlan Boyes Available Roles / Character Breakdown: (All roles are gender-swapped; flexibility and comedic instinct essential.) Chris  – The narrator and improv artist guiding the story; quick-witted and meta. Katherine  – The fiery “shrew” with attitude and intelligence to match. Petruchio  – The confident suitor determined to “tame” Katherine; commanding and mischievous. Baptista Minola  – Katherine and Bianca’s parent; exasperated yet endearing. Bianca  – Sweet, charming, and cunning in her own way. Lucentio  – Love-struck academic who goes to great lengths for Bianca. Tranio  – Lucentio’s clever servant, always scheming with flair. Gremio  – Older suitor; overdramatic and delightfully ridiculous. Hortensio  – Another would-be lover of Bianca, full of charm and bluster. Grumio  – Petruchio’s loyal servant, master of physical comedy. Biondello  – Quick-thinking assistant to Lucentio. Ensemble Roles  – Various characters, servants, and comedic additions.

Title:  Shining Bright: A Second Star Christmas Presented By:  Second Star Youth Theatre Genre:  Christmas Concert / Musical Theatre / Family Synopsis: Shining Bright: A Second Star Christmas  is a festive celebration showcasing some of Brisbane’s most talented young performers! Featuring a glittering mix of traditional carols, contemporary Christmas favourites, and uplifting musical theatre numbers, this heartwarming concert embodies joy, hope, and community. Tailor-designed to highlight each performer’s individuality, the show promises a night of sparkling voices and holiday magic — all in the true spirit of Christmas. Audition Date: Video submissions due Saturday 22 November 2025 Audition Requirements: Open to young performers aged 10–18 (as of 19 December 2025) Submit two contrasting 40–60 second songs that fit one or more of the show’s themes: Traditional Christmas carol Modern/pop Christmas song Musical theatre number related to hope, joy, shining, or community Perform with full performance energy — there is no separate dance or acting audition. Songs may be sung a cappella or with an accompaniment/instrumental track. Optional audition song suggestions include: A Million Dreams  ( The Greatest Showman ) I See Stars  ( Mean Girls ) It’s Beginning to Look a Lot Like Christmas Let It Go  ( Frozen ) SparkleJollyTwinkleJingley  ( Elf: The Musical ) We Need a Little Christmas  ( Mame ) Audition Registration: Pre-Register Here (Google Form) Audition Pack: Full Information via Linktree Performance Date: Friday 19 December 2025 (7:00 pm) Additional 5:00 pm show may be added if needed Performance Location: Faith Works Uniting Church, 177 Bennetts Road, Norman Park, QLD Rehearsal Dates: Wednesday 17 – Friday 19 December 2025 Rehearsal Times: 9:00 am – 4:00 pm daily Some performers may not be required for the full rehearsal period; a detailed schedule will be shared after casting. Performer Age: 10–18 years (as of 19 December 2025) Production Website: Second Star Youth Theatre Linktree Other Information: Participation is completely FREE! This includes all performance and skill development opportunities. Performers are to BYO performance outfit — semi-formal/cocktail attire in blue, green, silver, white, or black (please avoid all-black outfits). Due to space limitations, casting is selective; not all auditionees will be cast. Selected performers will receive materials and tracks in advance to prepare solos prior to rehearsals. Available Roles / Character Breakdown: This is a showcase-style concert — no fixed characters or roles. Soloists  – singers selected for key songs Small groups / duets Ensemble

Title:  The Cliffnotes of Insanity: The Princess Bride in Under an Hour Presented By:  Brisbane Arts Theatre Genre:  Comedy / Parody / Dinner Theatre Synopsis: The Cliffnotes of Insanity  is an uproarious, lightning-fast retelling of The Princess Bride  — the beloved fairytale of fencing, fighting, true love, and high adventure — all performed in under an hour! Expect cabaret-style hilarity, daring duels, miracle cures, and witty one-liners as this cult classic is reimagined through madcap performances and absurd theatrical flair. Featuring a live three-course “Feast of Florin,” trivia challenges, and a costume competition, this dinner theatre experience is truly inconceivable! Audition Date: Sunday 26 October 2025 Audition Time: 11:00am – 4:00pm (one-hour slots) Audition Location and Address: Lavalla Centre, Paddington QLD Audition Requirements: Open to all actors aged 18+ Prepare a one-minute comedic monologue (familiarity with The Princess Bride  humour is an advantage) Group workshop-style audition with up to 10 participants per session Expect improv and movement exercises during the audition Actors may be cast in multiple roles or ensemble parts Audition Registration: Register Here Audition Pack: Download PDF Performance Dates: Wednesday 17 December 2025 Thursday 18 December 2025 Friday 19 December 2025  Performance Times: 7:00pm nightly (plus possible 1:00pm matinee on 19 Dec) Performance Location: Arcana – Empress Theatre, 46 Evesham Street, Moorooka QLD Rehearsal Dates: Commence Tuesday 4 November 2025 Rehearsal Times: Tuesdays & Thursdays – 7:00pm–9:30pm, Sundays – 3:00pm–8:00pm Warnings: Mild adult humour, parody violence, and audience interaction. Performer Age: 18+ only Creative Team: Director – Adelle O’Connell, Assistant Director – Amanda Lay, Production Manager – Siobhan Delgado Production Website: www.artstheatre.com.au/the-cliffnotes-of-insanity Other Information: This is a dinner theatre event, including a 3-course themed meal and live cabaret. Cast must be available for tech week (15–16 December) and all performance dates. Rehearsals held at the Lavalla Centre (Paddington); performances at Arcana (Moorooka). Open to performers of all genders, ethnicities, and backgrounds. Available Roles / Character Breakdown: (All roles are flexible; doubling may occur. Ages listed are playing range.) Narrator/Grandfather (M, older)  – Wry, commanding storyteller guiding the audience through the chaos. P.A. / Mother (F, any age, agile)  – Quick, witty, and ready to pivot between nurturing and chaotic. Son (M, younger, 18+)  – Modern, sarcastic foil to the story’s madness. Westley / Dread Pirate Roberts (M, 20s–30s)  – Heroic, charming, and endlessly quotable. Princess Buttercup (F, 20s–30s)  – Romantic and regal, with a flair for comedy. Vizzini (M, any age, agile)  – Over-the-top criminal mastermind; expert in being inconceivable. Fezzik (M, any age, agile)  – Giant-hearted gentle giant; comedic physicality encouraged. Inigo Montoya (M, any age, agile)  – Passionate swordsman seeking revenge — and punchlines. Prince Humperdinck (M, 20s–30s or older)  – Villainous, melodramatic, and self-important. Count Rugen (M, any age)  – The sinister six-fingered man. Miracle Max (M, older)  – Eccentric and hilarious; master of chaotic magic. Valerie / Clergy (F, older)  – Sharp-tongued and quick-witted comic powerhouse. Albino (M/F, any age)  – Creepy yet oddly endearing dungeon dweller. Redshirt (M/F, any age)  – Flexible ensemble role; comic timing and versatility key.

Photography by Creative Street “Cause life is short and life is hard, so I don't care how… no more wasted time.” What if one tiny decision -- a subway stop, a phone call, a yes or a no -- could send your life hurtling down a completely different path? That’s the central question of If/Then , the moving and musically masterful Broadway musical, brought to life by VOX Theatre Arts at Arcana’s Empress Theatre. Isaac Brown (Lucas), Sam Sherrin (Elizabeth), Lisa Alsop (Kate) Through two intertwining storylines, If/Then  explores how one woman’s choices can shape not just her own future but the lives of everyone around her. Recently divorced and back in New York City to start over, Elizabeth’s life splits in two directions: Liz finds love with an army doctor named Josh, while Beth builds a high-flying career alongside her old friends Stephen and Lucas. The show follows both timelines simultaneously, each equally moving, messy and utterly human. Samantha Sherrin (Beth), Dom Bradley (Stephen) So grab a drink and some food at the bar beforehand, settle in and prepare to question all your life choices!   Brisbane Talent at Its Best VOX Theatre Arts has struck gold with this cast, led by the incomparable Samantha Sherrin . I don’t know how they managed to gather this group, but Brisbane should count itself lucky. Front and centre is Sam, giving a masterclass in endurance, emotion and a voice that just doesn’t quit. She takes on one of the most demanding roles in contemporary musical theatre — Elizabeth (or Liz… or Beth) — and does it almost entirely without leaving the stage. Physically and emotionally, she is constantly shifting gears, flipping between two parallel lives. One moment she’s the hopeful, romantic Liz; the next, the driven, pragmatic Beth. Samantha Sherrin (Liz) Sam makes us chuckle through ' What the F * ck' , devastates us during ' I Hate You' , and has us openly weeping by Act 2. Her rendition of ' Learn to Live Without'  is aching. She’s crying, we’re crying, the band is probably crying... it's the kind of performance where you can hear the audience (and the producer) sniffling into their programs. Then she roars into ' Always Starting Over' , a five-minute power ballad that demands every ounce of breath and bravery. Even when overcome with real tears and fury, every note rings out with immense precision and power, and Sam's acting is overwhelmingly real. It’s a fearless, emotionally charged performance and easily one of the finest you’ll see on a Brisbane stage this year. Cameron Rollo (Josh), Samantha Sherrin (Liz) Cameron Rollo  is the yin to her yang as Josh, the adorably awkward army medic whose chance encounter changes everything. Endlessly likeable, he’s sweet, sincere and quietly magnetic; the perfect counterbalance to Sam’s whirlwind energy and a steady anchor for Liz’s story. There’s a natural ease to his performance, grounded in honesty and never overplayed, his acting is full of small, truthful moments that draw you in. Every scene feels spontaneous, every glance full of intent, every reaction genuine. It’s hard not to melt a little during his solo ' You Never Know' , while ' Hey Kid'  delivers one of the night’s sweetest moments. Watching Josh grow from bashful flirt to devoted partner is genuinely moving, and his relationship with Sam is pure magic. When the two duet ' Here I Go' , it’s chemistry in its purest form: two people trusting the leap. Samantha Sherrin (Liz), Cameron Rollo (Josh) Isaac Brown (Lucas), Samantha Sherrin (Beth) Isaac Brown  brings both spark and soul to Lucas, the gossip-loving activist with a heart of gold and a knack for saying the wrong thing at the wrong time. He lights up every scene he’s in, slaying the cheeky ' Ain’t No Man Manhattan'  with sass and charisma before pulling the rug out from under us with the heartbreakingly tender ' You Don’t Have to Love Me' . His comic timing is razor-sharp, and the audience laps up every quip and side-eye. Paired with Jackson Muir  as David, the gentle and grounding doctor, their chemistry is beautiful to watch. ' Best Worst Mistake'  is one of the show’s loveliest duets, capturing the thrill and risk of new love. And Jackson’s solo ' What Would You Do'  absolutely floored me. It’s a fragile pause in the noise, aching with the kind of empathy that lets you feel every ounce of loss between the notes. Isaac Brown (Lucas), Jackson Muir (David) Micheal Enright (Anne), Lisa Alsop (Kate) Lisa Alsop  shines as Kate, Elizabeth’s fiery, loyal, and quick-witted best friend, finding the perfect balance between comedy and compassion. In ' It’s a Sign' , she gleefully embarrasses Liz on the subway with a performance bursting with mischief and killer vocals. Opposite her, Micheal Enright  matches that energy beautifully as Anne, Kate’s partner. They deliver some of the best one-liners of the night and radiate an easy energy that’s impossible not to adore. Together, Lisa and Micheal shine in ' Love While You Can' ; a beautiful ode to everyday love that’s messy, imperfect, and entirely heartfelt. The two even manage to belt through tears, a testament to their emotional commitment and vocal control. Ryan Bascle, Isaac Brown (Lucas), Dominic Bradley (Stephen) Sam Sherrin (Beth), Dom Bradley (Stephen) Dominic Bradley  as Stephen walks the fine line between charming and infuriating as Elizabeth’s boss... the kind of character you love to hate. There’s a confidence and humour to his performance that makes Stephen endlessly entertaining. He leads ' A Map of New York'  with passionate vocals, steering the chaos with a wink and a grin. Amiel Morris  shines in her debut as Elena, the eager intern who enters halfway through and quickly becomes Beth’s moral compass and mirror. Their scenes together are quietly touching; you can sense Beth recognising herself in her — all that idealism, curiosity, and conviction — and it’s a lovely, bittersweet reminder of how time changes us. Amiel Morris (Elena), Lisa Alsop (Kate), Sam Sherrin (Beth) The ensemble — Mark James, Molly Parker, Casper Haringcaspel, Ryan Bascle, Alicia Brite,  and Sam Hancock  — breathe life into New York City. They become subway commuters, wedding guests, parkgoers, baseball fans, you name it! Sometimes wistful, always purposeful, they keep the city’s pulse alive from start to finish as the background blur always in motion. Special mention to Mark James as the overzealous Deputy Mayor, Molly Parker as the tender-hearted Cathy, and Casper Haringcaspel for delivering the unforgettable “Today a pigeon shit right on my head” with perfect comic timing. This supporting ensemble — joined by Amiel, Jackson, Dom,  and Micheal  — juggle multiple characters, accents and quick changes (often literally swapping hats). Their adaptability and energy give the show its heartbeat, ensuring every transition feels alive and every moment, however fleeting, feels full. Worlds collide as Elizabeth turns 39 in 'Surprise' Lisa Alsop (Kate)   Musical Firepower This is not a score that could ever be done justice with tracks, and Alex Angus  (Music Director) and Erin Power  (Assistant MD) deserve medals for shaping its intricate layers. The 13-piece orchestra is a star in itself, navigating wild rhythms, relentless key changes and eight-part harmonies with near-perfect command. Front-staged and fully visible, the band feels woven into the storytelling; a part of the heartbeat of the city rather than hidden behind it. The microphones hold up surprisingly well, letting (most) of the vocals soar without being lost under the orchestra’s drive. The harmonies in ' No More Wasted Time'  (Samantha, Lisa, Micheal, and Amiel) are jaw-dropping! Four powerhouse voices blending like thunder and silk; I could listen to it over and over again. ' Surprise'  and ' Map of New York'  are masterclasses in organised chaos, while the gospel-infused ' This Day / Walking by a Wedding'  will have you fighting the urge to stand and clap along. While a few songs sat slightly under tempo and the timing wavered here and there, that’s just the growing pains of a preview. Honestly, this is a no-skip cast album come to life! Directing with Heart In a story built on duality, Hayley Gervais  finds the thread that ties it all together: heart. Her direction keeps both timelines distinct yet emotionally intertwined, allowing audiences to follow the complexity without ever feeling too lost. Ruby Thompson’s  choreography and Hayley’s blocking shine in the ensemble scenes, capturing the bustle and rhythm of Manhattan life. It’s thoughtful, cohesive storytelling from a creative team who clearly understand the heart of the show. George Pitt’s  lighting design (shifting between red and blue) is the unsung hero, giving instant timeline clarity without ever feeling gimmicky. Costume choices further define the split realities (Liz’s maroon cardigan and glasses, Beth’s navy blazer) to make each version of Elizabeth instantly recognisable. Costumes were largely sourced by the cast themselves, and it shows; everyone looks comfortable and natural in their roles. I also love that half the cast wear warm tones and the other half cool -- a subtle visual cue that pops beautifully in numbers like the opening ' What If' . And a special shoutout to Wendy Makin Bridal Designs for donating the gorgeous wedding dress! Cameron Rollo (Josh), Sam Sherrin (Liz) Given Arcana’s compact space, the minimalist set is the obvious choice, keeping the focus where it belongs: on the characters and their lives. Scene transitions are generally slick, maintaining the story's agility, which is precisely what’s needed in a show that continually shifts and reshapes itself. Finally, a huge shoutout to the behind-the-scenes helpers who quietly came to the rescue whenever needed — sourcing props, building makeshift wings, providing sound gear, and asking nothing in return. That spirit of generosity and teamwork is exactly what makes this production, and this community, so special. Full ensemble in 'Aint No Man Manhattan' The Choices That Shape Us This isn’t your average boy-meets-girl musical. If/Then  is about everything: marriage and divorce, friendship and careers, chance meetings, lucky breaks, bad dates, the pressure of time, the cruelty of loss, and the comfort of chosen family. As one song reminds us: “See each choice you make, it’s a kind of a loss, Each turn that you take and each coin that you toss. You lose all the choices you don’t get to make, You wonder about all the turns you don’t take…” Cameron Rollo (Josh), Samantha Sherrin (Liz) This show that leaves you reflecting on your own what-ifs and the bittersweet truth that while we can’t live both timelines, we always have the power to choose how we live this one. With powerhouse vocals, emotional storytelling, and a score that demands to be heard live, If/Then  is the kind of rare Broadway gem Brisbane audiences don’t often get to see. VOX Theatre Arts delivers a show that’ll have you laughing and crying, while gently reminding us that life has a way of leading us exactly where we’re meant to go. Yes, there may be plenty of shows in Brisbane this October, but let me make this decision easy for you: If/Then  is a choice you won’t regret. TICKETS : Performances:  October 10–11, Arcana Empress Theatre, Moorooka.   Photography by Creative Street Photography Full ensemble in 'Walking By a Wedding/This Day' Lisa Alsop (Kate), Samantha Sherrin (Elizabeth), Isaac Brown (Lucas)

Title:  GLOW Cabaret: Duos and Trios Presented By:  Phoenix Ensemble Genre:  Cabaret / Variety / Musical Theatre Synopsis: Are you part of a dazzling duo or a talented trio? GLOW Cabaret: Duos and Trios  celebrates the magic of collaboration — showcasing performers who shine together through harmony, humour, and heart. Whether you’re bringing powerhouse vocals, comedic timing, or creative flair, this cabaret invites you to team up and take the spotlight on the Phoenix Ensemble stage. Audition Requirements: Application now open to duos and trios of all styles and genres. Performers must complete the online application form. Prepare two songs — list title and show for each. Upload a headshot for marketing purposes. Provide a video audition link (can be any previous performance; not necessarily the chosen piece). Returning GLOW performers do not need to resubmit a video. Select preferred sound check times prior to the 7:30pm performance. Audition Registration: Performer Application Form Performance Dates: 25th October Performance Times: 7:30pm Performance Location: Phoenix Ensemble, Beenleigh Showgrounds QLD Rehearsal Dates: Self-organised Warnings: Family-friendly cabaret; content should be appropriate for a general audience. Production Website: www.phoenixensemble.com.au Other information: Open to all performance styles: musical theatre, pop, comedy, jazz, contemporary, and more. Collaboration encouraged — create an act that showcases chemistry, creativity, and stage presence. Sound check and tech support provided prior to showtime. Available Roles: Open casting — all genders and vocal types welcome.

Title:  Tarzan – The Musical Presented By:  Spotlight Theatrical Company Genre:  Family / Adventure Musical Synopsis: Based on Edgar Rice Burroughs’ classic story and Disney’s animated film, Tarzan  follows a young boy who is orphaned on the West African coast and raised by a family of gorillas. As he grows, Tarzan struggles to find his place between two worlds—animal and human—until the arrival of Jane Porter changes everything. With a powerful score by Phil Collins and stunning choreography blending acrobatics and jungle-inspired movement, this musical explores love, identity, and belonging in a breathtaking, high-energy production. Audition Date: Video submissions due Friday 17 October 2025, 11:59pm Dance Call & Callbacks: Monday 20 October 2025 Dance Call: 6:30pm – 8:30pm Callbacks: 8:30pm – 10:00pm Audition Location and Address: Southport Community Centre, Gold Coast QLD Audition Requirements: Vocal Video submission  required for all applicants. Upload via YouTube, Google Drive or Dropbox (ensure visibility). Tarzan:  “Everything That I Am” (from 1:56 “Is this my family?” to end) Jane:  “Waiting For This Moment” (from 1:57 “There’s something strangely…” to end) Kala:  “You’ll Be In My Heart” (full song) Young Tarzan:  “I Need to Know” (start to 2:05) Clayton:  1–2 minute Disney villain monologue or villain song (max 2 mins) All other roles/ensemble:  Any Disney Broadway song (max 2 mins) that showcases range and personality. Dance Call: All auditionees for Tarzan, Jane (callbacks), Terk, Young Tarzan, Leopard and Ensemble must attend. 6:30–7:30pm: Tarzan, Terk, Young Tarzan, Leopard, Ensemble 7:30–8:00pm: Leopard tricks and advanced movement 8:00–8:30pm: Jane callback dance Grounded contemporary jazz style with funk and acrobatic influence. Wear flexible clothing and dance shoes; bring water. Please note any injuries (particularly knees or back). Audition Registration: Email completed audition form (on website) and video links to TarzanSpotlight@gmail.com Audition Pack: Tarzan Audition Pack (PDF) Scheduling : Performance Dates: 6 February to 28 February 2026 Performance Times: Thursdays, Fridays & Saturdays – 7:30pm Sundays – 2:00pm Additional matinees or Wednesday shows may be added as required. Performance Location: Spotlight Theatre, Benowa, Gold Coast QLD Rehearsal Dates: Commence Monday 27 October 2025  Rehearsal Times: Mondays & Wednesdays: 6:30pm – 9:30pm Sundays: Various times (schedule provided after casting) Other Information: Warnings: Mild action sequences, stage combat, physicality, and implied death. Suitable for general audiences. Performer Age: 16+ (Young Tarzan double-cast, 8–12 years old) Creative Team: Director – Stuart Morgan Music Director – Matt Pearson Choreographer – Jennifer Gilbert Co-Choreographer – Perrin Gilbert Production Website: www.spotlighttheatre.com.au Other Information: All cast and crew must be financial members of Spotlight Theatrical Company. You will need to supply your own makeup, personal garments and shoes. This is a community production – unpaid. Available Roles / Character Breakdown: Tarzan   Male-presenting Stage age: late teens–early 30s Vocal range: B2–Bb4 Raised by gorillas, athletic and emotional, searching for belonging. Physically strong and vocally dynamic. Jane Porter   Female-presenting Stage age: late teens–20s Vocal range: F#3–F5 Curious, intelligent, and kind-hearted English naturalist; adventurous and witty with strong acting and vocal skills. Kala   Female-presenting Stage age: 20s–40s Vocal range: E3–Eb5 Tarzan’s nurturing gorilla mother; warm, maternal and protective with emotional range. Kerchak   Male-presenting Stage age: 30s–50s Vocal range: Ab2–Gb4 Authoritative leader of the gorilla troop; stern but caring; commanding baritone voice. Terk   Male-presenting Stage age: late teens–30s Vocal range: Eb3–B4 Energetic, comedic and loyal; Tarzan’s best friend with a pop/rock edge. Young Tarzan   Male-presenting Stage age: 8–12 Vocal range: unchanged voice C3–E4 Curious, playful, eager to belong; strong singer/actor with physical energy. Professor Porter   Male-presenting Stage age: 40s–60s Vocal range: B2–C4 Jane’s father; eccentric, warm, and absent-mindedly funny. Clayton   Male-presenting, Stage age: 20s–40s Non-singing role Charming but ruthless antagonist; physically confident with strong stage presence. Leopard   Male-presenting Stage age: 17+ Jungle predator; strong movement and fight skills. Acrobatics or flips advantageous. (Ensemble double) Ensemble  – 16+ (all vocal types) Portray gorillas, jungle explorers, and featured humans (Father, Mother, Snipes). Must sustain gorilla posture and movement.

Title:  17 Again – The Musical Presented By:  Beenleigh Theatre Group Genre:  Pop/Rock Contemporary Musical Comedy Synopsis: Based on the hit 2009 film starring Zac Efron and Matthew Perry, 17 Again  follows Mike O’Donnell — a 35-year-old father who thinks his best days are behind him. A former high-school basketball star with big dreams, Mike’s life didn’t turn out as planned: his marriage is failing, his kids don’t respect him, and his job is going nowhere. When he magically transforms back into his 17-year-old self, Mike sees a chance to rewrite his past — but in doing so, he discovers the deeper beauty of the life he already has.With a contemporary pop-rock score from Alan Zachary & Michael Weiner ( First Date ) and a heartfelt book by Marco Pennette ( Ugly Betty, Mom ), this uplifting musical explores love, family, and the timeless question: “What would you do if you could do it all over again?” Audition Date:  Sunday 2 November 2025 Audition Time:  9:00am – 6:00pm (dance + individual slots throughout the day) Audition Location and Address:  Crete Street Theatre, Beenleigh QLD 4207 Audition Self-Tape Due:  Accepted for those unable to attend in person — due by Friday 31 October.Include both prepared songs, your side read, and the dance routine (choreo video will be emailed to you). Callbacks:  Monday 3 November 2025, from 6:00pm Audition Outcomes:  By Friday 7 November 2025 Audition Requirements: Dance Call Sunday 2 November, 9:00am Everyone must attend. The dance call will include a short routine to assess movement, stage presence, and storytelling through performance. Focus is on energy, character, and connection — not just technique. Individual Audition (singing/acting) Begins 10:00am onwards (10-minute slots). Register for a 1-on-1 session with the audition panel. Prepare two contrasting songs (approx. 32 bars / 1 minute each) in the style of the show. One may be from 17 Again . Songs should show range, character, and emotional flexibility. Bring your own backing track, cued and ready. A speaker and adaptors (AUX, USB-C, Apple) will be provided. Each audition will be filmed. Side Read:   Choose an excerpt for the character(s) you connect with (from BTG website). Perform with an American accent. Audition Information:   Beenleigh Theatre Group Audition Registration:   Book Here Audition Pack:   Download Here Scheduling: Performance Dates: Fri 6, 13 & 20 February 2026  – 7:30pm Sat 7, 14 & 21 February 2026  – 2:00pm & 7:30pm Rehearsal Schedule: Tuesdays & Thursdays:  7:00–10:00pm Sundays:  5:00–9:00pm Rehearsals begin Sunday 9 November 2025. Warnings: Mild adult language, family tension, teen relationships. Performer Age:  15+ Creative Team: Director:  Lachlan Dodd Musical Director:  Mark Mirhan Vocal Director:  Ruby Tate Choreographer:  Meggie Ryder Assistant Choreographer:  Kaitlyn Burton Production Manager:  Bryce Berrell Production Website:   https://beenleightheatregroup.com Other information: This is a community theatre production – all roles are voluntary. Cast must hold Beenleigh Theatre Group membership ($10 per calendar year). Membership required for 2025 and 2026. Bring a picture of yourself to use for identifying Available Roles / Character Breakdown: Mark / Young Mike 15–25, male Vocal range: Bb2–Bb4 Mike’s 17-year-old self. Charismatic, athletic, and still full of teenage energy. Must balance youthful charm with emotional maturity beneath the surface. Strong singer/actor and confident mover. Older Mike   35–45, male Vocal range: G2–G4 The adult version of Mike. Disillusioned and bitter; a man who’s lost sight of what matters. Emotional depth essential. Scarlet 35–45, female Vocal range: F3–E5 Mike’s estranged wife. Warm, grounded, independent, rediscovering her own happiness. Strong belt and emotional vulnerability. Alex   15–25, male Vocal range: A2–G#4 Mike and Scarlet’s awkward son; insecure but lovable. Doubles as Young Ned. Maggie   15–25, female Vocal range: A3–D5 Mike and Scarlet’s daughter. Straight-A student who’s fallen for the wrong guy. Smart, strong-willed, with a pop mix. Ned   25–35, male Vocal range: Bb2–G4 Mike’s best friend — a loveable geek-turned-tech-millionaire. Comic timing required. Naomi   30–45, female Vocal range: Bb3–Db5 Scarlet’s sassy best friend. Upbeat, confident, and full of advice. Principal Masterson   30–45, female Vocal range: Bb3–G5 Authoritative, no-nonsense principal. Coach Murphy   50–60, male Vocal range: Eb3–A4 Gruff basketball coach who doubles as the mystical janitor who gives Mike his second chance. Stan   15–25, male Vocal range: D3–A4 Maggie’s handsome, cocky, dim-witted boyfriend. Must have comedic chops and swagger. Chelsea / Young Scarlet   15–25, female Vocal range: Bb3–C5 Sweet, innocent teenage girl. Doubles as Young Scarlet The Brittanys   15–25, female Vocal range: Bb3–F#5 A trio of high school “it girls” — sharp, sassy, and funny. Pop vocal blend preferred. Additional Ensemble (15–50, all genders) Students, parents, teachers, and townsfolk.

“Well hello, Dolly… it’s so nice to have you back where you belong.” Step aside, modern revivals! Savoyards are here to remind Brisbane why the Golden Age classics endure. Their glittering new production of Hello, Dolly!  is a tribute to big hats, bigger feathers, and grand personalities. Under the warm, witty direction of Kristen Barros , the show feels both timeless and freshly polished, a brilliant finale to Savoyards’ 2025 season. Known to many through Barbra Streisand’s 1969 film adaptation, Hello, Dolly!  is set in 1890s New York and follows professional matchmaker, meddler, and all-round businesswoman Dolly Gallagher Levi as she skilfully weaves her way into the life (and wallet) of wealthy store owner Horace Vandergelder. Along the way, she plays cupid for a string of mismatched lovers: clerks Cornelius and Barnaby, the hat-makers Irene Molloy and Minnie Fay, and the hopelessly-in-love Ermengarde and Ambrose. The wigs, costumes, and accents are perfectly fitting to immerse us in this bygone world without ever feeling dated. Miranda Selwood  strides in as Dolly Levi, resplendent in an apricot-coloured frock, feathers in her hat, and a knowing glint that says, “I’ve already made up your mind for you.” She perfectly embodies Dolly as the mischievous and endearing busybody, yet beneath the sparkle reveals a woman of real depth; a confident façade concealing flashes of loneliness for her late husband. Watching the young lovers dance, she reflects, “I’m like an oak leaf… without colour, without life.” Her Act I showstopper Before the Parade Passes By  is a triumph of spirit and sincerity, as Dolly resolves to “rejoin human life,” her voice soaring while a literal parade moves through the aisles. Kat Suschinsky  delivers a glowing performance as Irene Molloy, captivating the audience with her old-Hollywood voice, smooth as velvet in the enchanting Ribbons Down My Back . Her interpretation is a heartfelt expression of longing as she flips between delicate notes and passionate belts like it's no big deal. Katyia Wills brings bright, exuberant energy as Minnie Fay with her comic charm and natural spontaneity, prompting laughter with lines like, “That hat is far too provocative for a widow!” Warryn James  gives a grounded performance as Horace Vandergelder, revealing the man beneath the bluster. His number It Takes a Woman  becomes an unexpected highlight thanks to the male ensemble’s rich harmonies and silly swagger. Conor Ensor  and Zach Price  as Cornelius and Barnaby are the show’s embodiment of youth and optimism. As they lead us into the exuberant Put On Your Sunday Clothes , the simple yet striking ensemble blocking lets the audience share their excitement as they prepare for a day of adventure (and I was left humming its infectious refrain for days on end!). Conor Ensor  and Kat Suschinsky  later share the tender It Only Takes a Moment , a duet so full of hope and romance it almost makes you weep. Speaking of tears, Stephanie Lee-Steere’s  perpetually sobbing Ermengarde is a delightful treasure. Then there's that iconic staircase moment: Dolly’s grand entrance, cutting quite the figure in her red sparkling gown, framed by a string of golden light and crowned with a feather plume big enough to make a peacock jealous. She commands the room and everyone in it with complete authority. Kristen Barros’s  direction leans into the comedy in all the right places, ensuring every laugh is well-timed and every moment of slapstick shines. Add the delightful chaos of Motherhood March , the laugh-out-loud dinner disaster of The Polka , and the tap-dancing whirlwind of Hello, Dolly!  (complete with a kickline, of course), and you have a show that never stops delighting. From the opening vocals of Call on Dolly , you know you’re in safe hands. Under the music direction of Jacob Cavanough , the orchestra sounds lush and full, with rich brass and soaring strings that instantly transport you to turn-of-the-century New York. The sound design by Ethan Houley  and David Sowdon  is impeccable, perfectly balanced in those full ensemble harmonies that lift the entire theatre. Savoyards always excel at the classics, but this Hello, Dolly!  might be their most visually sumptuous yet. The costume team, Cody Newnham  and Kim Heslewood , with wigs by Lynne Swain , deliver a true feast for the eyes. Every fabric, parasol, hoop skirt, glove, and bustle sings with period perfection. (Side note: can men please start dressing like this again?) The set design by Glenn Anderson  and Greg Heslewood  is cleverly dynamic, with moveable pieces, multiple levels, and swift transitions that keep the action flowing. Gabrielle Burton’s  lighting bathes each scene in a golden cinematic glow, and I didn’t spot a single mishap all night. Bec Swain’s  choreography sparkles, particularly in Dancing , where the featured dancers twirl and glide like porcelain dolls come to life. And I do love a good dancing-waiters moment: The Waiters’ Galop  delivers dazzling, over-the-top joy that had me grinning the whole way through. Hello, Dolly!  is grand, funny, heartfelt, and old-fashioned in the best possible way. It’s the kind of show that reminds you why musical theatre endures, because sometimes a little colour and joy are exactly what we need to rejoin human life. The detail, the discipline, the evident love, it all radiates from the Savoyards stage. I feel genuinely privileged that Miranda Selwood was my introduction to Dolly, and that Savoyards was my introduction to this musical. If I could hire Dolly Levi to sort out my love life, I absolutely would. Until then, I’ll happily settle for this dazzling dose of musical matchmaking. Don’t let the parade pass you by; catch it before 11 October. Tickets here. Photography by Sharyn Hall

Title:  Matilda JR. (Workshop + Performances) Presented By:  The Dance and Theatre Factory Genre:  Family Musical (JR. Edition) Synopsis: Rebellion is nigh! Matilda Wormwood is brilliant, brave, book-obsessed—and armed with a touch of magic. With the kind Miss Honey in her corner and a school full of “revolting children,” Matilda stands up to the tyrannical Miss Trunchbull in this funny, fast-paced musical about courage, imagination, and choosing your own story. Audition Date:  Thu 4, Fri 5, Sat 6 December (individual slots) Audition Time: Thu 4 Dec: 3:15–4:15pm Fri 5 Dec: 4:00–6:30pm Sat 6 Dec: 12:00–3:00pm Audition Location and Address:  On the Boards Theatre Company, Unit 1/433 Wondall Rd, Tingalpa QLD Audition Requirements: Performer age: 8+ Prepare two contrasting musical theatre songs (approx. 32 bars each). Panel may not hear both. Bring a backing track on an AUX/Bluetooth-capable device Acting side: Familiarise one excerpt from the audition pack to read in the room. Notes: Only audition if you want a speaking/lead role. No audition required for ensemble participation. Audition Registration:   Register Here Audition Pack:   Download Here Performance Dates:  Sat 17 – Sun 18 January Rehearsal Dates: Workshop block:  Fri 9 Jan – Fri 16 Jan (January school holidays) Rehearsal Times:  9:00am–5:00pm daily during the workshop Participation Fees: 10-day program (9–18 Jan): $495 (principal roles) 6-day program (12–18 Jan): $375 (ensemble roles) Payment plans available on request. Fees include: costumes, rights/royalties/scripts, insurance, technical & creative staff, sets/props, venue hire. Available Roles/Character Breakdown: Matilda Wormwood  (D5–Bb3) – Brilliant, fiercely independent, and compassionate; escapes into books and discovers surprising powers to outsmart injustice. Miss Honey  (D6–Bb3) – Gentle, brave teacher who champions Matilda’s gift despite her own difficult past; warm mix/soprano with heart. Agatha Trunchbull  (F#5–C4) – Comic villain; the iron-fisted headmistress who relishes rules and punishments; commanding presence and timing essential. Mr. Wormwood  – Blustering, small-time schemer; dismissive of Matilda and hilariously deluded by his “business genius.” Strong comedic patter. Mrs. Wormwood  – Vain, self-absorbed dance devotee; prioritises looks and TV over parenting; larger-than-life comedy with dance flair. Michael  – Matilda’s monosyllabic brother; minimal lines, deadpan comedy. Mrs. Phelps  – Kindly librarian who delights in Matilda’s storytelling; warm, supportive presence. Escapologist  (F3–E3) – Heroic, grand figure from Matilda’s tale; bold, theatrical delivery. Acrobat  (A4–D4) – Graceful counterpart to the Escapologist within Matilda’s story; lyrical performance quality. Bruce  (F#4–C3) – Good-natured classmate who faces Trunchbull’s infamous chocolate-cake trial; requires comedic stamina and featured vocals. Lavender  (D5–C4) – Matilda’s upbeat bestie; resourceful and loyal; featured lines and song moments. Nigel  (D4–C3) – Sweet, anxious classmate who gets flustered but pulls through; comic beats and small solos. Amanda  (Eb5–C4) – Spirited classmate with the iconic pigtail-toss moment; featured solo lines. Hortensia  (D5–C4) – Confident truth-teller among the kids; solos and dialogue. Alice  (D5–C4) – Classmate with featured vocal lines. Tommy  (Eb4–C3) – Classmate with featured vocal lines. Rudolpho  – Mrs. Wormwood’s flamboyant dance partner; movement/dance feature and comic swagger. Sergei  – Intimidating but ultimately pragmatic client; brief featured scene with Matilda. Ensemble  – Russians, Little Kids, Big Kids  (incl. Big Kid 1–3), Kids, Mums, Dads, the Cook, the Mechanic . Ensemble sings, moves, and creates the show’s world; plenty of featured moments.