AUDITION NOTICE: Titanic the Musical - Gold Coast Little Theatre

Title: Titanic the Musical

Presented By: Gold Coast Little Theatre

Genre: Musical Theatre

Synopsis: Titanic the Musical is a dramatic retelling of the infamous maiden voyage of the RMS Titanic, which tragically sank on April 15, 1912. This powerful Broadway musical — written before the release of the 1997 James Cameron film — focuses on the real-life crew and passengers of all classes aboard the ill-fated ship. With a sweeping, poignant score by Maury Yeston and a compelling book by Peter Stone, the musical explores the aspirations, dreams, and destinies of those aboard, weaving together historical detail and human emotion. This ensemble version requires only 20 performers who bring to life a multitude of characters, from stokers and stewards to first-class passengers and officers.

Audition Date: Saturday 3 May, 2025

Audition Time: 10-minute vocal audition slots throughout the day

Audition Location and Address: Gold Coast Little Theatre, 21a Scarborough Street, Southport

If you are unable to attend audition day please email at titanic@gclt.com.au to arrange a video audition.

AUDITION REQUIREMENTS:

Prepare 2 contrasting songs (no movement or dance audition required).

1. A Golden Age / Classic Broadway piece – You may select a song from Titanic.

2. A contrasting piece – Preferably from a musical (stage or film), showcasing characterisation and vocal range.

Required Audition Songs (for select characters):

• Mr Andrews – Mr Andrews’ Vision

• Fleet, Bride & Barrett – The Proposal / The Night Was Alive

Audition Registration: Register here

Audition Pack: Download here (PDF)

SCHEDULING:

Performance Dates: 22 August – 13 September 2025

Performance Times:

• Thursdays, Fridays, Saturdays at 7:30pm

• Sundays at 2:00pm

Performance Location: Gold Coast Little Theatre, Southport QLD

Rehearsal Dates: Starting 13 May 2025

Rehearsal Times:

• Tuesday & Thursday nights

• Sunday afternoons/evenings (full days closer to opening)

Creative Team:

• Director: Stuart Morgan

• Assistant Director: Ricky Moss

• Music Directors: Ben Harris, Shari Willner & Matt Pearson

• Choreographer: Sophie Wilmot

• Stage Manager: Di Morgan

Production Website: https://gclt.com.au/auditions/

Other information:

• The version being staged is the acclaimed 2012 ensemble revision, available to watch on BroadwayHD (subscription required)

• All cast and crew will need to be members. Membership is for 12months from the date membership is paid.

• For enquiries, email: titanic@gclt.com.au

AVAILABLE ROLES:

This version of Titanic the Musical features a compact, multi-role cast of 20, with the exception of three principal roles (Mr Andrews, Mr Ismay, and Captain Smith). All other performers will portray a range of passengers and crew across the ship's social strata. Here’s a breakdown of the featured roles:

• Thomas Andrews

  • Shipbuilder & Titanic Designer The moral compass of the show. He's thoughtful, observant, and filled with quiet integrity.

  • Tenor (A2–G4) | Stage Age: 30s–40s | Slight Irish Accent | Perished

• J. Bruce Ismay

  • Owner of White Star Line Ambitious and status-driven, Ismay pushes for speed to make headlines. He’s high-strung, formal, and carries the weight of leadership, making questionable decisions under pressure.

  • Baritone (A2–G4) | Stage Age: 40s–50s | British | Survived

• Captain E.J. Smith

  • Ship’s Captain A fatherly, dignified figure nearing retirement. Deeply cares for his crew and passengers, but struggles under Ismay’s pressure. His sense of duty keeps him on board until the end.

  • Baritone (Bb2–F4) | Stage Age: 50s–60s | British (RP accent) | Perished

• William Murdoch

  • 1st Officer Experienced but humble, Murdoch is a capable leader and right-hand to the Captain. On duty during the iceberg strike.

  • Baritone (C3–F#4) | Stage Age: 30s–40s | Perished

• Charles Lightoller

  • 2nd Officer Strong speaker with some solo moments. The highest-ranking officer to survive, and a key source of Titanic’s historical record.

  • Baritone | Stage Age: 30s–40s | Survived

• Herbert Pitman / Henry Etches

  • 3rd Officer & 1st Class Steward Pitman is loyal and reliable, surviving in command of a lifeboat. Etches is attentive and seasoned in first-class service.

  • Tenor (B2–G4) | Stage Age: 30s | Both Survived

• Joseph Boxhall / Edgar Beane

  • 4th Officer & 2nd Class Passenger Boxhall launches distress signals as the ship sinks. Edgar is practical and witty, trying to keep his wife Alice grounded.

  • Bari/Bass (G2–D4) | Stage Age: 40s–60s | Boxhall Survived, Edgar Perished

• Quartermaster Hitchens / Isador Straus

  • Crew & Passenger Hitchens was at the wheel during the collision and later manned a lifeboat. Straus is a wealthy, older man whose love story with his wife Ida becomes one of Titanic’s most touching.

  • Bass/Baritone (F2–F4) | Stage Age: 50s–70s | Hitchens Survived, Straus Perished

• Bellboy Edward / Waiter / Stoker

  • A young crew member who shares a poignant final moment with Captain Smith.

  • Light Tenor or Youthful Voice | Stage Age: 14 (Casting 15+) | Perished

• Frederick Barrett

  • A strong and capable stoker; the character is based on two real individuals named Barrett. His fate is left ambiguous.

  • Tenor (A2–G4) | Stage Age: 20s–30s | Unclear if Survives

• Harold Bride / Wallace Hartley

  • Bride is the young, awkward wireless operator. Hartley is the bandleader who plays until the very end.

  • Tenor (C3–G4) | Stage Age: 20s–30s | Bride Survived, Hartley Perished

• Frederick Fleet / Frank Carlson

  • Fleet is the lookout who first sees the iceberg. Carlson missed the ship entirely.

  • Tenor (C3–G4) | Stage Age: 20s–30s | Fleet Survived

• Ida Straus

  • Ida refuses to leave Isador on the ship, with the phrase “Where you go, I go.”

  • Alto (G3-D5) | Stage: 50s-70s | Perished

• Alice Beane

  • Alice is a homemaker who wishes she was a socialite. Requires an actress who can make us laugh by revealing the depths of Alice’s heart, rather than by playing her for comedy. She is like a child playing dress-up; the reality seems absurd but the fantasy is earnest.

  • Mezzo (G2-D4) | Stage Age: 40s-50s | Survived

• Charles Clarke

  • Charles aspires to be a journalist in New York City, and has every reason to believe he can succeed.

  • Tenor (B2–F#4) | Stage Age: 20s–30s | Perished

• Caroline Neville

  • Caroline is classy and kind - actually born to first class, but eloping to America with her love; she wants nothing more than to be with him, and is more than willing to sacrifice status for love.

  • Mezzo or Soprano | Stage Age: 20s–30s | Survived

• Kate McGowen

  • Strong-willed, spirited Irish immigrant travelling to a new life. Has a romantic storyline with Jim Farrell.

  • Soprano/Mezzo (A3–F#5) | Stage Age: 20s | Survived | Strong Irish Accent

• Kate Mullins

  • One of eight children, travelling with friends to America.

  • Alto | Stage Age: 20s | Perished | Strong Irish Accent

• Kate Murphey

  • Young, resilient, grew up fast due to family hardship.

  • Alto | Stage Age: 20s | Perished | Strong Irish Accent

• Jim Farrell / Mr Bell / Mr Latimer

  • Irishman and love interest to Kate McGowen. He’s earnest, grounded, and has a charming presence. He survives in the show (though not in real life).

  • Baritone (B2–F#4) | Stage Age: 18–30 | Strong Irish Accent

    
    

AUDITION PACK