The Thrill of Love, presented by Centenary Theatre Group, explores the real-life story of Ruth Ellis. If, like me, you are have no idea who that is, she was the last woman to be executed in Britain. With Amanda Whittington's insightful script and Ashleigh Cates' thoughtful direction, this play invites its audience to ponder the blurred lines between victim and perpetrator.
Set against the backdrop of 1950s London, the stage is adorned with period-appropriate furnishings and a well-equipped bar that not only sets the scene but also subtly reflects the characters' social milieu. The play opens with a dramatic bang—literally—as Ruth, played by Shelby Renton-McCarthy, fatally shoots her lover David with calm detachment. Note: I think it's important to familiarise oneself with basic details of Ruth Ellis' case beforehand to better understand the storyline.
The cast delivers their performances with natural ease and authentic British accents, crafting a convincing and captivating depiction of this turbulent era. Renton-McCarthy brings Ruth Ellis to life with an unfiltered portrayal of a woman (and mother of two) torn apart by passion, violence, and societal struggles. Her performance captures Ruth's tough exterior and inner vulnerability to paint a vivid picture of a complex and enigmatic individual.
Isaac Tibbs as Inspector Jack Gale distinguishes himself with his purposeful and measured delivery, grounding the narrative with his engaging presence. He narrates the investigation's interludes through eloquent dialogue, engaging the audience with eye contact and attentively watching the unfolding flashbacks with us as an outside observer.
Annie Filion brings a magnetic charm to Vicki Martin, Ruth's colleague turned close friend whose tragic end significantly affects Ruth's mental state. With her ambition, quirky demeanour, and allure, Filion crafts a memorable character.
Hannah Davies plays Sylvia Shaw, the proprietor of the gentlemen's club where Ruth and Vicki are employed. She grapples with the dilemma of whether to offer support or enforce a firm hand with Ruth, truly embodying Sylvia's loyal but direct personality.
The introduction of Doris, a character in the story thought to be based on Ruth's mother or a close friend, serves as a compassionate contrast to Ruth's unpredictable behaviour. Doris consistently stands by Ruth, offering her unwavering support and protection, even at the expense of her own well-being. Genevieve Whittred portrays Doris with a kind and nurturing attitude, providing a sense of comfort, particularly in the intense scenes discussing domestic violence. The disclosure of Ruth's miscarriage following an argument where David punched her in the stomach is a confronting moment that underscores the harsh realities of Ruth's life and her dependence on abusive men to avoid poverty.
The costumes and wigs are generally elegant and appropriate for the period, with the exception of a strikingly bright red wig that prompted a humorous comment from an elderly audience member about the improbability of such a sight in 1955 London.
The timeline of the play shifts frequently, moving between the present and the past, which might pose a challenge for some viewers. Nevertheless, this fragmented format allows for a deeper exploration of Ruth's psyche and the events that led up to her crime. We witness Ruth's descent into despair, driven by her multiple tumultuous relationships. David and Desmond, two significant lovers of hers, are not physically present in the narrative but their influence on the story is undeniable.
In the climactic scenes of the trial, Ruth's lack of remorse and her 'dolled-up' appearance perplexes everyone. In Holloway Prison, Sylvia and Doris visit Ruth and reveal the widespread controversy her case has ignited. The play concludes on a sombre note, a haunting reminder of the case's influence on British society and the subsequent abolishment of the death penalty. Renton-McCarthy portrays Ruth's stoic acceptance of her fate, her lack of regret, and her preference for a swift death rather than a lifetime of imprisonment in a chilling but empathetic manner.
The Thrill of Love is a compelling and emotionally impactful show that challenges its audience to confront tough questions concerning justice and morality. It serves as a reminder of the fragility of life and the devastating consequences of love gone awry.
Now playing at Chelmer Community Hall until August 11th, 2024.
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