Annie – QPAC Lyric Theatre Produced by: John Frost for Crossroads Live Australia with Fowles Entertainment and Power Arts Book : Thomas Meehan Music : Charles Strouse Lyrics : Martin Charnin Director : Karen Johnson Mortimer Choreography : Mitchell Woodcock Music Director : David Piper Scenery : Kenneth Foy Costumes : Kristian Fredrikson Lighting : Gavan Swift Projections : Craig Wilkinson Sound : Michael Waters Anthony Warlow as Oliver Warbucks Debora Krizak as Miss Hannigan Mackenzie Dunn as Lily St. Regis Keanu Gonzalez as Rooster Hannigan Amanda Lea Lavergne as Grace Farrell Greg Page as Franklin D. Roosevelt Cameron Boxall as Bert Healy Tom New as Drake Blue Team Orphans: Dakota Chanel (Annie), Indigo Ohlin (Molly), Jessica Kime (Kate), Zara Boldery (Tessie), Violet Knight (Duffy), Tilly Love (July), Stella Shiels-Winters (Pepper), Dakota Bolt (Friday)   “Never work with children or animals,” they say. And yet here we were. A stage full of children. One extremely fluffy dog. I have a soft spot for Annie . I once stood in Grace Farrell’s sensible heels myself, so I know how much heart lives inside this show. Underneath the red curls and tap breaks is something sturdier. It is a story about belonging. About wanting to be chosen. Annie  follows a fiery orphan in 1930s New York who dreams of finding her parents. When she is invited to spend Christmas at the mansion of billionaire Oliver Warbucks, what begins as a publicity stunt becomes something far more meaningful. Along the way there are con artists, radio stars, poverty, President FDR, and a dog who inevitably steals hearts… This production honoured what has made this musical endure for decades. Big choreography. A sweeping orchestra. And that unmistakable swell of optimism that somehow still lands with full force in 2026. It insists on hope, even when the world looks bleak. The overture set the tone with projections of New York splashed across a scrim. The orphanage scenes sat in greys and worn textures; life under Miss Hannigan’s rule looking bleak and repetitive. When colour finally burst onto the stage, it felt like sunshine breaking through. I saw the Blue Team of orphan actresses, and they were outstanding. “ Hard Knock Life ” was disciplined, punchy, and vocally tight. The choreography moved insanely quickly, and they met it head on with impressive stamina. They understood the comic rhythm of the combative orphanage scenes beautifully. “ Never Fully Dressed Without a Smile ” also sparkled with crisp harmonies, bright faces and mischief; performed with the kind of commitment that makes you forget how young they actually are. Dakota Chanel as Annie delivered a clear, confident belt well beyond her years. Standing centre stage to sing “ Tomorrow ” solo to a packed house, while wrangling a dog who had other plans, took lots of courage. Her Annie was sassy and spirited, though at times the more emotional moments felt carefully rehearsed rather than fully lived. That is a refinement that will deepen naturally with experience. Anthony Warlow (reprising Warbucks for the hundredth time), provided the production’s centre of gravity. Gruff on the outside. Gooey in the middle. We were all completely invested in his evolving bond with Annie. The challenge within Annie  has always been the speed of that relationship. The script jumps a week forward, and the emotional shift can feel abrupt. That remains true here. The warmth between Annie and Warbucks was evident, but the structure rarely gives their bond the breathing room it deserves. Debora Krizak’s Miss Hannigan leaned heavily into the bleary, fed-up drunk absurdity of the role. She was vocally steady and humorously committed. “Little Girls ” did not quite snap with the venom it can carry, but “ Easy Street ” exploded with energy. Krizak, Keanu Gonzalez, and Mackenzie Dunn chewed the scenery, and the choreography gave them plenty to play with. Amanda Lea Lavergne’s Grace Farrell radiated polish and warmth. She slipped into the elegance of the Warbucks household well, balancing professionalism with kindness beautifully. Greg Page as President Roosevelt was one of the show's most intriguing casting choices. For many Australians, his voice carries decades of childhood memory. Here, he delivered calm authority with a convincing 1930s accent and reassuring sincerity. “New Deal for Christmas” radiated communal joy and optimism. Visually, the production thrived on choreography and projections. “ NYC ” used video design and lighting to conjure bustling streets and Times Square. The pacing stayed brisk throughout. Possibly too brisk at times. Some relationships and stakes passed by in a blur, particularly in “Something Was Missing” and “I Don’t Need Anything But You,” which longed for a little more space to bloom. Costuming retained strong period identity. Lily and Grace’s wigs suited their polish. Annie’s initial straight bob wig was too tidy for a scrappy orphan in my opinion and often obscured her expression, as it was never tucked behind her ears. A bit more wildness or curl would have suited her. The orchestra sounded rich and buoyant, giving Strouse’s score the sweep it deserved. “ We’ve Got Annie ” was an emotional high point. The Christmas décor, Annie’s entrance, and the ensemble wrapped the moment in warmth. This was a polished revival of a beloved classic. It did not attempt to reinvent Annie . It celebrated it. It delivered spectacle, heart, and a full-length classic that families could share. Listening to “ Tomorrow ” echo around a theatre, I understand why this show refuses to fade. In a world that often feels grey, Annie still insists that tomorrow will be better. And judging by the smiles leaving QPAC, audiences are more than willing to believe her.

Title: Brisbane Presented By: Ad Astra Theatre Company Genre: Australian Drama Synopsis: A dynamic and genre-blending new play that shifts from family drama and farce to historical documentary, slapstick and cabaret, ultimately offering a moving coming-of-age journey. Audition Date: To be advised (anticipated around 10–12 January) Audition Time: To be advised Audition Location and Address: Galaxy Theatre, Ad Astra, 210 Petrie Terrace, Brisbane QLD Audition Requirements: Prepare two (2) suitable monologues - one comedic and one dramatic; audition will include cold reads from the script Applicants must email CV (Word/Google Doc) and a recent headshot, and specify desired role(s) Audition Registration: Email creatives@adastracreativity.com with required materials Audition Pack: Audition Notice Performance Dates: March 19 – April 11, 2026 Performance Times: Thursday & Friday nights 8:00pm, Saturday 7:30pm, Sunday 2:00pm Performance Location: Galaxy Theatre, Ad Astra, 210 Petrie Terrace, Brisbane QLD Rehearsal Dates: To be advised (typically two weeknights & one weekend day) Rehearsal Times: To be advised Rehearsal Location: Ad Astra rehearsal spaces Performer Age: Varies by role (e.g., 18s–40s+) Creative Team: Director - Fiona Kennedy Executive Producer - Gregory Wilken Production Website: Ad Astra Other Information: This production is co-op style; creatives share ticket sales after expenses. Available Roles / Character Breakdown: Danny Fisher (14) - ideally actor in late teens/early 20s Patty/Young Woman (14) - same age as Danny Frank Fisher / American Pilot / Andy West (18+) Rose / Woman (18+) Annie Fisher (Mother) - 40s John Fisher (Father) - 40s Ensemble Roles (various): Stanley, Robbie, Justin, General John Monash, Rose’s father, Prime Minister John Curtin, Winston Churchill, Radio Announcer, Franklin Roosevelt, Douglas Macarthur, Newsreel Commentator, Shop Owner, Publican, American soldiers, Australian soldier.

Title: The Miscast Musical Cabaret Presented By: Sun and Wine Arts Company Genre: Musical Cabaret Synopsis: The Miscast Musical Cabaret is a playful, celebratory evening of musical theatre with a twist. Performers are invited to sing songs they would never usually be cast in — whether due to age, gender, nationality, or type. Expect adults belting out children’s classics, unexpected casting choices, and familiar musical favourites turned on their head. This cabaret is about freedom, fun, and joyful subversion of traditional casting. Audition Self-Tape Due: Saturday 31 January 2026, 6:00pm Audition Requirements: Perform one full song from a musical The song must be a miscast choice (opposite of what you would normally be cast as due to age, gender, or nationality) Examples include adults singing children’s roles or performers tackling roles traditionally written for a different gender Audition Registration: Email self-tape to sun.wine.arts@gmail.com Performance Dates: 23–24 April 2026 Performance Location: Ron Hurley Theatre, Seven Hills Performer Age: Adult performers (18+) Other information: This is an unpaid volunteer-only production

Title: Romeo & Juliet (Shakespeare in Bloom) – Vocalists (Workshop & Performance) Presented By: Vox Theatre Arts Genre: Theatre / Shakespeare (with original music) Synopsis: Vox is creating a Shakespeare in Bloom reimagining of Romeo & Juliet, featuring original music with the Roman astrological gods narrating and “pulling the strings of fate.” Vocalists will help devise/compose the score through workshops, with an option to continue into the rehearsal/performance season. Audition Details: Audition Date : Virtual audition due 5:00pm, Thursday 15 January 2026  Vox Theatre 2026 Audition Requirements: Submit video audition links (YouTube/Google Drive – ensure sharing permissions are set) including: 1 x Classical/choir-style piece (max ~1 minute) 1 x Contemporary / folk / indie / lyrical piece (max ~1 minute) Upload Artist CV/Resume Upload Headshot (for socials/program if successful) Audition Registration: Submit the Google Form (includes uploading CV/headshot and providing video links) Audition Pack: https://www.voxtheatrearts.com/audition   Performance Dates: 17 – 26 September 2026 Rehearsal Dates: Workshopping / composition workshops: Sun 18 Jan (3:00pm–6:00pm) Sun 8 Feb (3:00pm–6:00pm) Thu 12 Mar (7:00pm–10:00pm) Thu 9 Apr (7:00pm–10:00pm) Thu 14 May (7:00pm–10:00pm) Rehearsal period (if continuing to performance): June – September 2026 (Tues/Thurs/Sun) Creative Team: Composer & Musical Director: Mark James Production Website: https://www.voxtheatrearts.com/audition   Other information: Vox Theatre location listed generally as Upper Mount Gravatt This is an amateur / volunteer opportunity (no paid roles) Vox annual membership fee: $25 (payable by close of first workshop/rehearsal) Must agree to Media Agreement + Code of Conduct (and willingness to share promo on socials is expected) Available Roles/Character Breakdown: Vocalist feature roles portraying Roman astrological gods: Luna – Soprano, femme-presenting, range ~C4–C6 (Goddess of the Moon; House Montague) Venus – Mezzo Soprano, femme-presenting, range ~A3–A5 (Goddess of love/beauty, etc.) Mercury – Alto, any gender, range ~F3–F5 (Messenger/underworld guide/trickster) Sol – Tenor/Baritone, masc-presenting, range ~A2–F4 (God of Sun; House Capulet) Mars – Baritone, masc-presenting, range ~G2–G4 (God of war/strategy) Jupiter – Tenor/Alto, masc-presenting, range ~D3–D5 (King of gods; sky/thunder) Saturn – Tenor/Baritone, masc-presenting, range ~A2–F4 (God of time/agriculture/wealth)

Title: Alice by Heart Presented By: Phoenix Ensemble Genre: Musical Theatre / Contemporary Pop-Rock / Ensemble Drama Synopsis: Wonderland isn’t what you remember. As war rages above ground, Alice Spencer and her childhood friend Alfred Hallam are trapped beneath the city in a tube station. Their shared escape is the story they once knew by heart, but as Alice guides Alfred through Wonderland, the tale shifts and deepens with them.From the creators of Spring Awakening, Alice by Heart is a haunting, imaginative ensemble musical about friendship, love, loss, and the resilience of the human spirit — and the courage it takes to let a story go. Audition Details: Individual Auditions: Friday 30 January 2026 (from 6:00pm) Saturday 31 January 2026 (from 3:00pm) Group Dance Audition: Saturday 31 January 2026 (choose one session): 11:00am–12:15pm OR 12:30pm–1:45pm Callbacks: Sunday 8 February 2026 (by invitation only, from 7:00pm) Audition Location and Address: Phoenix Ensemble (The Tin Shed / Pavilion Theatre), Beenleigh Showgrounds, James Street, Beenleigh QLD 4207 Group Dance Audition Venue: Beenleigh Neighbourhood Centre Hall Audition Self-Tape Due (if applicable): Video auditions accepted (email auditions@phoenixensemble.com.au for requirements) Audition Requirements: Dance (all auditionees except Young Alice & Young Alfred): Must attend a group dance audition on Saturday 31 January (11:00am OR 12:30pm session) You’ll learn two short routines and perform in small groups Wear dance-appropriate footwear (sneakers or jazz shoes) and clothes you can move in No thongs/crocs/open-toed shoes/jeans Individual Audition (Adult cast): Prepare two contrasting songs, max 1 minute each One folk style song One pop-rock style song Only one selection may be musical theatre repertoire Do not sing a song from the show No piano provided — bring backing tracks on an AUX-compatible device (speakers/cables/adaptors provided) Prepare one provided monologue (does not need to be memorised, but be familiar) Monologues must be performed in a General British accent Young Alice & Young Alfred: Only required to attend an individual singing and acting audition (no group dance call) Audition Registration: Book your audition online here Help / issues booking: auditions@phoenixensemble.com.au Audition Pack: Download here Monologues PDF: Download here Scheduling: Performance Dates: Performances commence Friday 1 May 2026 (4-week performance period) Performance Times: Friday & Saturday evenings Saturday matinees Performance Location: Phoenix Ensemble (Pavilion Theatre / “The Tin Shed”) Beenleigh Showgrounds, James Street, Beenleigh QLD 4207 Rehearsal Dates: Rehearsals commence Sunday 15 February 2026 Rehearsal Times: Monday 7:00pm–10:00pm Wednesday 7:00pm–10:00pm Sunday 1:00pm–6:00pm Warnings: Themes include death, loss, war, and trauma. Physical touch is required as part of choreography. Phoenix Ensemble will engage an intimacy coordinator and is committed to safe intimacy practices. Performer Age: Adults: must be 18+ by first rehearsal Young roles: 8–12 (stage age) Creative Team: Director – Hayley Gervais Musical Director – Rae Rose Choreographer – Hannah Macri Assistant Director – Sarah Bennett Production Website: https://phoenixensemble.com.au/audition/ Other information: Casting outcomes sent by Thursday 12 February 2026 Commitment expectations emphasise punctuality, professionalism, and declaring all conflicts upfront Successful cast must become a financial member of Phoenix Ensemble and hold (or be willing to obtain) a Blue Card This is an unpaid amateur production. Available Roles/Character Breakdown: ALICE SPENCER / ALICE Presenting gender: Female | Stage age: 18–25 Vocal range: G3–D5 Full of questions and stubborn determination, surviving displacement with imagination. Strong contemporary pop/rock voice. ALFRED HALLAM / WHITE RABBIT / MARCH HARE Presenting gender: Male | Stage age: 18–25 Vocal range: B2–A4 Alice’s ailing childhood friend; obsessive-compulsive; emotionally raw. Strong contemporary pop/rock voice. TABATHA / CHESHIRE CAT Presenting gender: Female | Stage age: 18–25 Vocal range: B♭3–D5 Street-smart leader in both worlds, guiding Alice toward acceptance and grief. RED CROSS NURSE / QUEEN OF HEARTS Presenting gender: Female | Stage age: 30–50 Vocal range: F#3–D5 Strict nurse in the real world; domineering Queen of Hearts in Wonderland. Tough, funny, sultry. HAROLD PUDDING / MAD HATTER / KNAVE OF SPADES / MOCK TURTLE Presenting gender: Male | Stage age: 18–25 Vocal range: C3–F4 Shell-shocked young soldier; manic charm. Demanding, riddle-filled Mad Hatter in Wonderland. DODGY / DUCHESS / MOCK TURTLE Presenting gender: Male | Stage age: 25–35 Vocal range: C3–E4 Flamboyant street urchin with “sticky fingers”; overdramatic, comedic Duchess. NIGEL / DORMOUSE / KNAVE OF CLUBS Presenting gender: Male | Stage age: 18–25 Vocal range: E3–B♭4 Frightened teen traumatised by bombings; sleepy Dormouse in Wonderland. ANGUS / CATERPILLAR / KNAVE OF HEARTS Presenting gender: Male | Stage age: 25–35 Vocal range: F3–B4 Working-class opium escapist; seductive, charming Caterpillar. DR. BUTRIDGE / KING OF HEARTS / JABBERWOCKY Presenting gender: Male | Stage age: 30–50 Vocal range: C3–G4 Nervous but threatening doctor; weak-willed King; terrifying Jabberwocky embodying Alice’s fears. CLARISSA / QUEEN OF DIAMONDS / MOCK TURTLE Presenting gender: Female | Stage age: 25–35 Vocal range: B3–D5 Once-wealthy, mean, and haughty; clings to class status amid war. YOUNG ALICE Presenting gender: Female | Stage age: 8–12 Vocal range: F#4–A#4 Appears in flashbacks; some singing lines. YOUNG ALFRED Presenting gender: Male | Stage age: 8–12 Vocal range: C#4 Playful and present; appears in flashbacks; some singing lines.

Title: Ophelia Chooses Presented By: Ipswich Little Theatre Society Inc. Genre: Comedy/Drama Synopsis: Ophelia Chooses is a playful reimagining of Shakespeare’s Hamlet in which Ophelia, aided by a modern-day playwright and feminist, gains agency and challenges the male-centric world and even Shakespeare himself to take control of her destiny. Actors move between Shakespearean language and contemporary text as the story unfolds. Audition Date: February 2nd, 2026 Audition Time: 7:30PM Audition Location and Address: Audition address provided upon registration Audition Requirements: Prepare a Shakespearean soliloquy (comedy, tragedy, or history) Cold reads from the script will be required Actors must be comfortable switching between Shakespearean and contemporary language No accent requirements Audition Registration: Via the ILT audition form or by contacting the Director. Audition Pack: Available on request from the Director. Performance Dates: May 14th - 31st, 2026 Performance Times: Evening performances with possible matinees (to be confirmed) Performance Location: Ipswich Little Theatre, Burley Griffin Drive, Ipswich QLD Rehearsal Dates: TBA (generally weekly from late February) Rehearsal Times: Evenings and/or weekends Rehearsal Location: Ipswich Little Theatre rehearsal spaces Warnings: Adult themes and language; Shakespearean text Performer Age: Roles range from late teens/20s through mature adults Creative Team: Director – Alison Lees Assistant Director – Robyn Flashman Production Website: ILT - Ophelia Chooses Other Information: ILT membership may be required to partake in the play Available Roles / Character Breakdown: Ophelia – Dutiful young woman (18+) who discovers her own agency Fay – Modern feminist and playwright (40–60) Hamlet – Prince of Denmark (20s+) Laertes – Ophelia’s protective older brother (20s+) Polonius – Ophelia’s traditional father (60s+) Claudius – King of Denmark (40s+) Gertrude – Queen of Denmark (40s+) William Shakespeare – The playwright himself (40s+) Additional ensemble/support roles as required

Title: 2026 ROCKIT Musical Theatre Summer School – High School Musical Jr Presented By: ROCKIT Productions Genre: Musical Theatre / Theatre Workshop & Performance Program Synopsis: A week‐long musical theatre intensive culminating in a performance of High School Musical Jr, inspired by the Disney Channel movie and High School Musical: The Musical: The Series. Participants train, rehearse, and perform in singing, dancing, and acting workshops. Audition Date: 10 January 10th, 2026 Audition Time: Approximate group times (subject to change): Group 1: 10:00 – 11:30 am Group 2: 11:45 am – 1:15 pm Group 3: 1:30 – 3:00 pm Callbacks (if invited): 3:30 – 7:30 pm Audition Location and Address: Launchpad Theatre & ROCKIT Productions, 36 Old Cleveland Road, Capalaba QLD 4157 Audition Self-Tape Due (if applicable): Video auditions accepted if unavailable on the audition day Audition Requirements: Auditions are optional for featured roles — participants can audition for roles including lead, supporting, featured vocalist/dancer, or ensemble. Audition pack emailed upon registration. Audition Registration: Enrol via the ROCKIT Productions website & RMTSS26 enrolment form (registration required to receive audition pack and audition info) Audition Pack: Sent by email upon registration (contains specific materials and details) Performance Dates: Performance(s) as part of the week-long Summer School: likely Saturday 17 January 2026 (details provided upon enrolment) Performance Times: Provided in audition pack / enrolment confirmation) Performance Location: Launchpad Theatre, 36 Old Cleveland Road, Capalaba QLD 4157 Rehearsal Dates: Monday 12 January – Saturday 17 January 2026 (week-long intensive rehearsal schedule) Rehearsal Times: 9AM – 5PM daily (drop-off from 8:30AM, pick-up until 5:30PM) Rehearsal Location: ROCKIT Productions / Launchpad Theatre, Capalaba QLD 4157 Performer Age: Open to students in Grade 5 to Grade 12 plus ages 17-19 (streamed into appropriate age groups) Creative Team: Company Director / Choreographer – George Canham Vocal Director – Aysa Garcia Wong Design / Producer – Shaun Kohlman Production Website: ROCKIT Productions - High School Musical Jr Other Information: Full week musical theatre intensive with performance at the end of the program. Early bird discounts available on enrolment fees. Suitable for multiple experience levels.

Title: Maria the Musical Presented By: Introspect Theatre Company Inc. Genre: Musical Theatre (Original Australian musical in development) Synopsis:Maria the Musical is an original Australian work inspired by the true story of Maria, a Chilean immigrant whose journey is marked by resilience, hope, and determination. Through music and storytelling, the show explores immigration, family, survival, and identity, set against a strong Latin American cultural backdrop. Audition Dates: February 8th & 15th, 2026 Audition Times: 9AM – 11AM (15-minute individual slots) Audition Location and Address: Gate 5, Drama Room, Northpine Christian College, 29 Hughes Road East, Dakabin QLD 4503 Audition Self-Tape: Video auditions accepted via online submission here Audition Requirements: One musical theatre song (with character/emotion) One short monologue (maximum 1 minute) Movement or dance may be requested for ensemble roles Audition Registration: Via Humanitix Audition Pack: Details provided through Humanitix registration and correspondence with Introspect Theatre Company Performance Dates: May 24th, 2026 Performance Times: 5:30 pm Performance Location: Redcliffe Entertainment Centre, QLD (Anywhere Festival 2026) Rehearsal Dates: March – May 2026 Virtual rehearsals in March In-person rehearsals April–May Tech week 16–23 May 2026 Rehearsal Times: Sundays 12:00 pm – 4:00 pm Wednesdays 6:00 pm – 9:00 pm Rehearsal Location: Venues advised by Introspect Theatre Company Warnings: Themes include domestic violence, trauma, and immigration challenges Performer Age: Principals: 20–35 Supporting roles: 40–60s Ensemble: 16+ Creative Team: Producer & Librettist – Cindy Sykes Composer & Lyricist – Matthew Rabbas Orchestrator & Musical Arranger – Dr Daniel Rojas Production Website: Introspect Theatre Co - Maria the Musical Other Information: Bilingual performers (Spanish/English) encouraged Latin dance or movement skills beneficial Public liability insurance or company membership required Available Roles/Character Breakdown: Maria – Female lead, strong actor and singer Marcos – Male lead, emotionally complex Sergio – Male supporting role, warm and paternal Latin Ensemble – Various ages and genders Australian Ensemble – Various ages and genders

Title: Come From Away Presented By: Spotlight Theatre Genre: Musical Theatre Synopsis: Come From Away tells the true story of the small town of Gander, Newfoundland, and the extraordinary kindness shown to thousands of stranded airline passengers when U.S. airspace was shut down on September 11, 2001. Told through an ensemble cast playing multiple roles, the musical celebrates humanity, compassion, and community. Audition Date: First Round - January 5th - 6th, 2026 Dance Call/Callbacks - January 8th, 2026 Audition Time: Individual times Audition Location and Address: Johnson Street Studio, 4/50 Johnston Street, Southport Audition Requirements: 60 - 90 second monologue from a published play or musical 60 - 90 second song. Please email backing track ahead of time or bought in on personal device. Audition material should reflect the character you are auditioning for Audition Registration: Please email spotlightoncomefromaway@gmail.com with your availability to book your individual 15 minute audition timeslot Audition Pack: Spotlight Theatre - Come From Away Audition Pack Performance Dates: April 30th - May 23rd, 2026 Performance Location: Spotlight Theatre, Benowa QLD Rehearsal Dates: Mondays, Wednesdays and Sundays from January 19th, 2026 onwards Rehearsal Location: Spotlight Theatre, Benowa QLD Warnings: Themes related to September 11, 2001 Performer Age: 18+ Production Website: Spotlight Theatre - Come From Away Other information: This is an ensemble-driven musical where performers play multiple roles. Strong acting, vocal blend, accent work and storytelling skills are essential. Available Roles/Character Breakdown: Claude and others 50 – 60s Baritone (top G4) - This character is based on real-life Mayor of Gander, Claude Elliott. The gregarious character opens the show and steers the ship when the crisis takes hold. Oz and others 30s – 50s Tenor (top G4) - This character is based on Oz Fudge, real-life constable of Gander. Ever the quirky, small-town cop, he is always close by to lend a hand. Nick and others 40s – 60s Baritone (top E4) - Inspired by a real-life person, Nick is a stuffy, British oil executive, flying to Texas on business. While the world is upended by the events in NYC, Nick’s is turned upside down when he falls for a warm and sociable Texan woman, named Diane. Bob and others 20s - 40s Baritone - A hardened New Yorker, Bob starts out jaded and suspicious but soon falls under spell of the charming people, and the whiskey, that he finds in Gander. This role must be played by a POC performer. Kevin J and others 30s – 40s Tenor or Baritone - Inspired by a real-line person, Kevin J is diverted to gander while flying with his partner, Kevin T. He is most disgruntled with the situation, which manifests as sarcasm. This role doubles as a middle-eastern character. Kevin T and others 30s – 40s Tenor (top G4) - This character is based on the real-life person who wrote the original story that the show is based upon. While Kevin T’s partner struggles to cope with the situation, he could not be happier or more grateful to have found himself in Gander and to meet the Newfoundlanders. Beverley and others 50s Mezzo (top C5) - This character is based on real-life Captain Beverly Bass, the first female captain for American Airline and trailblazer for women in aviation. She needs to be gutsy and since. This role also plays the contrasting, excitable Gander primary school teacher, Annette. Hannah and others 40s – 60s Contemporary Soprano (top E5) - A native New Yorker, Hannah spends her time in Gander desperately awaiting news of her fire-fighter son. While trying not to imagine the worst, she finds a friend in Beulah. This role must be played by a POC performer. Diane and others 40s – 60s Contemporary Soprano (top D5) - A warm and sociable Texan woman, who, when she finds herself diverted to Gander, and finally learns that her family are safe, unveils her carefree side and finds herself falling for the stuffy, British oil exec, Nick. Janice and others 20s – 30s Contemporary Soprano (top E5) - This character is an amalgamation of several real-life Gander residents. An eager, local TV reporter, she is thrown in the deep end on her first day. Initially naive, she must not only face the pain and confusion around her, but report on it to people all around the world. Bonnie and others 30s – 40s Mezzo (top B4) - This bold and feisty character is based on the real-life Bonnie Harris, who blatantly defies FAA orders not to enter the planes’ cargo holds, in order to ensure the safety of countless animals. Beulah and others 40s – 60s Mezzo (top B4) - This character is an amalgamation of real-life Gander locals. As head of the Gander Academy, in many ways Buelah is the glue that holds the town together. Her nononsense, matriarchal approach to managing the crisis ensures that Gander is ready to almost double its population in an instant, and house feed and clothe the “come from aways.” SWINGS – to ensure the smooth running of the production, the creative team strive to cast 2-4 actors to act as swings for multiple roles. The distribution of these roles will depend on the casting of the swings. While, the swings will not be guaranteed a show, they will become our vocal booth singers so they are available as emergencies during each performance, should they be required. This will be a challenging, but great fun undertaking for these performers!

Title: Joseph and the Amazing Technicolor Dreamcoat Presented By: Lockyer Regional Performing Arts Inc Genre: Musical Theatre Synopsis: The biblical saga of Joseph and his coat of many colours comes to vibrant life in this delightful musical parable. After being sold into slavery by his jealous brothers, Joseph endures a series of adventures and ultimately rises to prominence in Egypt, leading his family to reconciliation and triumph, all set to a lively mix of musical styles including pop, rock, country-western, and calypso. Audition Date: Saturday 24th January 2026 Audition Times: 10:00am–12:00pm – Main & Supporting Character Auditions 1:00pm–3:00pm – Group Sing & Dance Call (all participants must attend) 3:30pm–5:30pm – Main & Supporting Character Auditions Additional session times available on request on Sun 25 Jan Audition Location and Address: Gatton Shire Hall, Gatton QLD, Australia Audition Requirements: Prepare two contrasting songs (~1 minute each) showing vocal strength Main & supporting character auditions include singing and may include a short storytelling or read-aloud component Group sing & dance call mandatory for all auditionees Audition Registration: Email your name, phone, email, and roles you are interested in to auditions.lrpa@gmail.com Audition Pack: LRPA - Joseph and the Amazing Technicolor Dreamcoat Performance Dates: 14th - 16th May, 2026 Performance Times: Thu & Fri - 7PM Sat - 1PM & 7PM Performance Location: Gatton Shire Hall, Gatton QLD, Australia Rehearsal Dates: Rehearsals commence Saturday 31 January 2026, then weekly on Saturdays through April. Rehearsal Times: 9:30am–5:30pm on Saturdays (schedule subject to final confirmation) Rehearsal Location: Lockyer District High School, Gatton QLD Warnings: LRPA is committed to health & safety; do not attend if unwell. Adult content in Joseph may require cast awareness (e.g., innuendo portrayed by some characters) Performer Age: All ages welcome - roles for ages 4+ (minimum age 4 for ensemble), with recommended age guidelines for leads and supporting roles Creative Team: Director: Tammy Sarah Linde Music Director: Danika Colquhoun Director: Luke O’Hagan Production Website: LRPA Other Information: Main character roles require stronger vocal skills; ensemble is open to all experience levels. Weekly parent briefings during rehearsals for younger performers. Available Roles / Character Breakdown: Joseph - Tenor. A strong singer with warmth and charisma. Joseph narrates much of the story through song and carries the emotional arc of the show. Narrator -Strong female or male vocalist (often soprano/mezzo). Acts as storyteller, guiding the audience and driving the action vocally. Jacob - Baritone. Joseph’s father. Warm, dignified presence. Joseph’s Brothers (11 roles) - Various voice types. Includes Reuben, Simeon, Levi, Judah, Naphtali, Issachar, Asher, Dan, Zebulun, Gad, and Benjamin. Require strong ensemble singing and characterisation. Potiphar - Baritone. Egyptian official. Confident and comedic. Mrs Potiphar - Mezzo-soprano or alto. Strong character role with comedic and seductive elements. Pharaoh - Baritone/Tenor. Elvis-style rock-and-roll character with strong stage presence. Butler - Tenor. Comic role; featured in “Go, Go, Go Joseph”. Baker - Baritone. Comic role alongside the Butler. Ensemble / Chorus - All ages (minimum age 4). Includes Israelites, Egyptians, Canaanites, and storytellers. Strong movement and ensemble singing required. Children’s Chorus - Younger performers featured throughout the show, integrated into ensemble numbers.

Title: The Little Mermaid Jr (Camp Neverland 2026) Presented By: Valmy Academy Genre: Musical Theatre Theatre Education / Holiday Camp Synopsis: Camp Neverland immerses children aged 7–17 in professional musical theatre training and adventure, culminating in a full-scale production of The Little Mermaid Jr. Campers rehearse and perform under industry professionals while building confidence, teamwork, and lifelong memories. Audition Self-Tape Due: Friday 19th December, 2025 Audition Requirements: Please prepare a 1 -2 minute musical theatre song with backing track (not from the show) Please prepare and film a short piece of choreography (tutorial here) Record and submit audition tape, following all required details Please see Audition Brief for further details Workshop Registration: The Little Mermaid Jr - Valmy Academy Audition Registration: Audition - The Little Mermaid Jr Performance Dates: 17th January, 2026 Performance Times: 11AM & 2:30PM Performance Location: Hope Centre, 35 Thompson St, Bowen Hills QLD 4006 Workshop Dates: 10th - 17th January, 2026 Workshop Times: 2PM - 9PM Monday - Friday Workshop Location: Alchemy Studios, 127 Sandgate Rd, Albion QLD 4010, Australia Performer Age: Ages 10 - 17 Production Website: Valmy Academy - The Little Mermaid Jr

Title: Snow White Presented By: Ballet Theatre Queensland (BTQ) Genre: Classical Ballet / Family Production Synopsis: Ballet Theatre Queensland invites passionate young dancers to audition for the 2026 season of Snow White. This annual company program offers dancers the chance to experience a professional rehearsal and performance environment, collaborate with industry creatives, and perform across two major venues — The Star Theatre (Gold Coast) and the Concert Hall, QPAC.Applicants will be placed in audition classes based on age and training level, with opportunities to be considered for alternate or higher levels depending on ability. Audition Date: Sunday 8 February 2026 Audition Time: Dancers must be available 9:00am–5:00pm Audition Location and Address: BTQ Studios, 12A Windorah Street, Stafford QLD Audition Self-Tape Due (if applicable): Video submissions due 5pm, 1 February 2026 (Late submissions will not be considered.) Audition Requirements: Dancers aged 8–22 Audition fee: $50 Applicants assessed on technique, artistry, and training level Intermediate dancers require minimum 1 year pointe training Senior dancers require minimum 2 years pointe training Dancers may be moved to a higher level audition class if recommended Mandatory attendance for full 2026 rehearsal and performance calendar Applicants may be featured on BTQ social media unless opted out via email Audition Registration: Register via the BTQ website:https://www.btq.com.au/events/snow-white-2026-auditions Performance Dates: Two performance weeks in July 2026 Performance Location: The Star Theatre, Gold Coast and Concert Hall, QPAC Rehearsal Dates: Mandatory attendance, including: September holiday week, January rehearsal weeks. Performer Age: 8–22 Production Website: https://www.btq.com.au/events/snow-white-2026-auditions Other information: Offers will be issued within one week of the audition. Some dancers may be placed on a waiting list.