Search Results

Experiencing BG Performing Arts' production of ' Legally Blonde JR. ' felt like diving into a world bursting with pink, fun, and nonstop energy. With a strong creative team led by director Sam Caruana, choreographer Bella Gordon (who impressively worked her magic while in a moonboot!), and music director Kate Baxter, I knew I was in for a great time. What I didn’t expect was just how downright wonderful, polished, and hilarious this junior production would be. From powerhouse vocals and comedic timing to incredible dance numbers, this cast absolutely nailed it. Legally Blonde  is a high-energy, feel-good musical based on the beloved 2001 film. It follows Elle Woods, a pink-loving, perky sorority queen whose world is turned upside down when her boyfriend, Warner, dumps her for someone “more serious.” Determined to win him back, Elle trades Malibu for Harvard Law School, only to discover she’s far more capable than anyone—including herself—ever gave her credit for. With the help of her quirky new friends and her unshakable optimism, Elle proves that being true to yourself never goes out of style. The show burst to life with ' Omigod You Guys' , and oh my god, those Delta Nu sisters were on fire! Talk about extra—they had the energy of an entire cheer squad (no exaggeration) even after already performing a show that same day. Pilar (Mabel Tamone), Margot (Holly Anderson), and Serena (Jemma O’Donnell) were a total riot, with Holly standing out so much that she scored the well-deserved 'Rising Star' award at the end. I also loved how the sorority girls entered through the audience, immediately pulling us into their vibrant world. At the heart of it all was Raine Barr as Elle Woods. Talk about star quality! Raine embodied Elle's signature perkiness while delivering stunning vocal performances with effortless control. Her belting abilities in ' So Much Better'  was a showstopper, and I was genuinely blown away by how she made such a notoriously difficult vocal role look easy. She also managed an impressive number of costume changes. I lost track of the number of fabulous outfits she pulled off—each one cuter than the last.   Zander Hutson as Emmett Forrest brought warmth and sincerity to his role, with a lovely voice that shone in ' Chip on My Shoulder' . His chemistry with Raine felt genuine and sweet, particularly during their duet ' Legally Blonde' . And then there was Ebony Baird as Paulette—oh my gosh, what a voice! I am so glad 'Ireland' is included in the junior version, albeit with the lyrics altered. Her comedic timing was gold in ' Bend and Snap' and her scenes with Hamish Treweeke as Kyle (aka the UPS guy) were golden. Hamish's 15 seconds of fame were everything—he owned that stage for as long as he could. Warner Huntington III was brought to life by Jack Grey, who nailed the suave (but shallow) boyfriend vibe, complete with a silky smooth voice in ' Serious' . Chloe Mortimer’s portrayal of Brooke Wyndham was a masterclass in stamina and skill as she sang and skipped rope during ' Whipped Into Shape' . And the dancers in that number? Absolute killers—pun intended.   Ben Smith as Professor Callahan exuded authority so convincingly that I almost forgot he was a teenager and not an actual Harvard professor. Rose Hancock as Vivienne Kensington delivered top-tier vocals that blew the roof off in her few but impactful moments—her belt is absolutely incredible. Erin Hung as Enid Hoopes was utterly convincing and fully committed to her role. Minnie O’Rourke as Chutney was deliciously dramatic, and William Piper as Dewey, complete with his epic mullet wig, had the audience cracking up. And I can't forget Bruiser/Rufus, the furry star of the show, who was a hit every time they appeared on stage.   The ensemble was fully committed from start to finish, acting even when they knew the focus wasn’t directly on them (though I was definitely watching!). In the big numbers ' What You Want'  and ' Positive' , their high-energy choreography was matched by strong vocals—a tough feat they pulled off well.   The set was vibrant and full of pinks, using levels cleverly to accommodate the large cast. The back curtains kept the action downstage for more intimate scenes, which worked beautifully. The costumes remained true to the characters, with all of Elle's outfits being flattering and perfectly on-brand for her. One of my absolute favourite moments was the 'Ireland Reprise' —I'm completely obsessed. And seeing the entire cast decked out in pink for the ' Legally Blonde Reprise'  was pure joy. The Delta Nu trio was undoubtedly the glue that held the show together, and their performances were consistently strong, hilarious, and captivating. BG Performing Arts’ ' Legally Blonde JR.'  was an absolute blast—funny, heartwarming, and packed with talent. The cast's passion was infectious, and I left with a huge smile on my face. What more could you want?

Ensemble Member Casting Call Presented By:  Mayhem Theatre AuGenre: Theatre (Comedy & Drama) About: Mayhem Theatre Au is casting for two actors to join its ensemble. Ensemble members will be part of a profit-share core group, contributing to exciting projects already in development. Successful applicants must be versatile performers capable of playing multiple roles in both comedic and dramatic settings. Audition Details: Audition Date:  Saturday, 22nd February Audition Time:  9:30 AM Audition Location and Address : Ipswich (exact location provided upon successful application) Audition Requirements: Cold readings and minor improv activities Wear comfortable clothing and bring water Submit a headshot and CV via email for consideration Successful applicants will receive audition invitations with further instructions Available Roles: Femme or Non-binary Actor (under 35, with theatre experience) Masc or Non-binary Actor (under 35, with theatre experience) Rehearsal & Performance Details: Rehearsal & Performance Dates: Fridays & Saturdays from 28th March to 9th May Rehearsal & Performance Locations: Ipswich, with possible locations in Brisbane and surrounding areas Audition Registration: To apply, email your headshot and CV to mayhemtheatreau@gmail.com . Due to a high volume of applications, only shortlisted applicants will receive an audition invitation with further details.

Attending RMT Youth and Roar Academy's production of Mary Poppins Junior  was like stepping into a spoonful of sugar—sweet, uplifting, and full of youthful energy. This beloved tale of magic and mischief was brought to life by a talented cast of young performers who poured their hearts into every moment. I was lucky enough to witness both casts perform, which gave me a greater appreciation for the unique interpretations each group brought to their characters. Even though they had to squeeze such a big story into a junior-sized package, the show kept up its sprightly pace, and the magic never flew away with the wind. For those who may have been living under a rock, ' Mary Poppins the Musical' brings fresh layers to the beloved 1964 film. While the heart of the story remains—Mary Poppins flies into Cherry Tree Lane to bring order and magic to the Banks family—there are notable differences. Mrs. Banks struggles to find her place in high society rather than as a suffragette, and Mr. Banks' stern outlook is shaped by his own strict childhood nanny, Miss Andrew, who makes an unexpected return. Jane and Michael are much more defiant than their film counterparts. Plus, with new songs the stage adaptation adds fresh magic to this timeless tale. Taking on the iconic role of Mary Poppins is no small task—practically perfect is a high standard to meet! But both Zoe Hitchcock and Tamsyn Doyle rose to the occasion with grace. Zoe’s vocals were a delight, particularly in ' Feed the Birds'  and ' Practically Perfect' . Meanwhile, Tamsyn’s voice was warm and expressive in ' Chim Chim Cheree'  and ' Anything Can Happen' . Both actresses mastered Mary’s signature poise, wit, and cheek while handling a role that keeps them on stage almost constantly. Jane Banks is a feisty little spitfire, and both actresses who played her nailed that spark. Saana Chang looked like she’d walked straight out of the storybook, delivering Jane’s sass with confidence and showcasing a stunning singing voice. Beyond her solo work, Saana’s dance skills—when she wasn’t playing Jane—were equally impressive. Alessia Monteverde, having previously played the role, was also a natural as Jane. Her gorgeous singing voice and assured stage presence shone through and her bond with Michael (played by Felix Jordan) was particularly sweet. She subtly guided him throughout, ensuring he always knew where to be in a way that felt like true sibling support. Speaking of Michael—the other actor, Riordan Francis, looked dapper in his suit, delivering his lines with comedic timing well beyond his years. Both his and Felix's natural humour made some of the funniest moments in the show shine. Toby Bailey was excellent as Bert. His Cockney accent, expressive gestures, and confident stage presence made him a charismatic narrator, guiding us through the whimsical twists and turns of the tale. His physicality was particularly impressive—after all, you don’t want a Bert who stands still while delivering his lines! Plus, Toby doubled up as Von Hussler, who was equally entertaining, with over-the-top theatrics that had the audience in stitches. The Banks family dynamics were beautifully played. Ruby Marriott and Mia Dacey were both wonderful as Winifred Banks. They looked the part with elegant period-appropriate costumes and hairstyles, and despite being teenagers, they gracefully embodied the role of a mother with sweet singing voices and poised performances. Their elegant costumes and composed stage presence made them entirely believable. Joshua Darcey’s George Banks was equally solid—he carried himself with authority but knew when to let the cracks show in his character’s journey. Then, of course, there was Miss Andrew—the terrifying opposite of Mary Poppins. Zahlee Brackstone and Tylah-Jay Foster made sure this strict disciplinarian left her mark. Tylah-Jay’s ' Brimstone and Treacle' in particular was a showstopper, demonstrating her impressive vocal control and commanding stage presence. She’s someone I can absolutely imagine taking on this role in a full-scale production. Among the other featured roles, Lauren Gittins and Emily Winwood brought a memorable dramatic flair to Mrs. Corry, while Layla Al Samaraie and Zola Bulan gave lovely performances as the Bird Woman. Zola, in particular, delivered ' Feed the Birds'  with a haunting beauty. Tyler Haynes and Riordan Francis were a scene-stealers as Robertson Ay, milking every moment for laughs. The set design was simple but effective, using projections, twinkling star lights, and moving set pieces to create the illusion of London. The tricks with Mary’s carpet bag and the kite were cleverly executed, adding a touch of theatre magic to the experience. While this production couldn't include the iconic Mary Poppins flight, the use of projections kept the illusion intact. Choreographically, the production was bursting with energy. ' Step in Time'  was a tap-dancing, tumbling-filled highlight, while ' Supercalifragilisticexpialidocious'  featured the original complex choreography that even the youngest cast members tackled with enthusiasm and mastered. The youngest cast members, dressed as bees during ' A Spoonful of Sugar',  were particularly adorable—earning their fair share of “aww” moments from the audience. The technical aspects were well-managed, with clear sound, effective lighting, and costumes that perfectly suited the time period. Special mention to music maestro Rhonda Davidson-Irwin for crafting vocal magic in 'Anything Can Happen' and 'Let’s Go Fly a Kite,' with the powerful voices of the entire ensemble. The direction by Madeleine Johns was well thought out, but it was clear that some cast members were more focused on making sure they were in the right spots for scenes rather than fully immersing themselves in the moment. There were also a few lulls due to forgotten lines, but considering the complexity of the show and the young age of the performers, these were completely understandable and didn’t detract from the overall experience. In short, 'Mary Poppins Junior' was a smash! The cast and crew's passion and meticulous preparation brought this classic tale to life with warmth and enchantment. Roar Academy has once again proven its ability to cultivate young talent, and they left me feeling inspired and uplifted. Mary Poppins:  Tamsyn Doyle / Zoe Hitchcock Bert:  Toby Bailey George Banks:  Joshua Darcey Winifred Banks:  Ruby Marriott / Mia Dacey Jane Banks:  Alessia Monteverde / Saana Chang Michael Banks:  Felix Jordan / Riordan Francis Miss Andrew:  Tylah-Jay Foster / Zahlee Brackstone Bird Woman:  Layla Al Samaraie / Zola Bulan Mrs. Corry:  Emily Winwood / Lauren Gittins Mrs. Brill:  Eleanor Bailey / Zoe George Robertson Ay:  Riordan Francis / Tyler Haynes Director / Producer:  Madeleine Johns Musical Director:  Rhonda Davidson-Irwin Vocal Coach:  Anthony Van Stam Choreographer:  Meredith Johns and Mike Lapot

Title:  She Kills Monsters Presented By:  Villanova Players Genre:  Dramatic Comedy Synopsis: She Kills Monsters tells the story of Agnes Evans, a high school teacher who leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes discovers Tilly’s Dungeons & Dragons notebook, she embarks on an action-packed journey in a fantastical world filled with homicidal fairies, nasty ogres, and 90s pop culture references. This high-octane play by acclaimed playwright Qui Nguyen explores themes of sexuality, grief, and identity, paying tribute to the geek and warrior within us all. Audition Dates: Sunday, 16 February 2025 Monday, 17 February 2025 Audition Times: Sunday: 11:00 AM – 1:00 PM Monday: 6:00 PM – 8:00 PM Audition Location and Address: The Hut, 10 Jean Howie Dr, Morningside Callbacks : Wednesday 19 February 2025 Audition Requirements: Complete the Expression of Interest form. Prepare a Monologue: A 1 - 2 minute monologue from a contemporary play. Can be comedic or dramatic. Please use neutral/your own accent. Special Talent: Something special you want to show us! In past auditions, people have whipped out all sorts of tricks from singing songs to making balloon animals to simply showing off how far back they can bend their thumbs. This is just a fun way to get to know a little more about you - so please don’t overthink it or stress Auditions will be conducted in 15 minute blocks. You may also be required to ‘cold read’ a scene from the play which will be presented to you on the day. If you’re unable to make it to in-person auditions, submit an audition tape before February 18th. Audition Registration: Complete the Expression of Interest form via Villanova Players Audition Pack:   Download Here Available Roles: Agnes Evans:  Female, 20s, a high school teacher navigating grief. Tilly Evans:  Female, late teens, a geeky teenager who transforms into a powerful paladin in the game. Chuck:  Male, late teens, a Dungeon Master and guide to Agnes in the game. Miles:  Male, 20s, Agnes’ sweet but unsure boyfriend. Lilith/Lilly:  Female, late teens, a demon queen in the game and Tilly's secret girlfriend in real life. Kaliope/Kelly:  Female, late teens, a strong and beautiful Dark Elf Ranger. Orcus/Ronnie:  Male, late teens, a demon overlord obsessed with TV. Vera:  Female, 20s, Agnes’s witty best friend and high school guidance counsellor. Evil Gabbi & Evil Tina:  Female, late teens, cheerleader succubi who bully Tilly. Ensemble:  Various roles, including wraiths, bugbears, dragons, and other monsters. Performance Dates: 2, 3, and 4 May 2025 (Friday evening, Saturday matinee & evening, Sunday matinee) Rehearsal Dates: From 24 February 2025 (Mondays, Wednesdays, and Sundays) Warnings:  Themes of grief, sexuality, and fantasy violence. Director : Brenna Corben Production Website:   Villanova Players Website Other information: Contact Brenna Corben at brenna.corben@gmail.com  for additional information.

Title:  Steel Magnolias Presented By:  Gold Coast Little Theatre Genre:  Heartwarming Drama Synopsis: Set in the small town of Chinquapin Parish, Louisiana, Steel Magnolias  follows six strong-willed women who form deep bonds within a local beauty salon. Despite their differences, these remarkable friends—Shelby, M'Lynn, Truvy, Clairee, Ouiser, and Annelle—share laughter, tears, and resilience as they navigate life's triumphs and tragedies together. Through witty banter and heartfelt exchanges, this bittersweet story highlights the power of friendship, family, and strength in adversity Written By:  Robert Harling Audition Date:  Saturday, 1 March Audition Time:  From 9:00 am Audition Location and Address:  Gold Coast Little Theatre, 21A Scarborough St, Southport , QLD Audition Requirements: Prepare a monologue or scene based on the character for which you are auditioning (2-3 minutes in length). Refer to the audition pack for detailed character requirements. Be prepared for possible cold reads and group scenes during the audition process. Actors of all identities and backgrounds are encouraged to audition. Must demonstrate a Southern American accent. Strong ability to balance humour with emotional depth is essential. If required, callbacks will be scheduled for Tuesday 4th March at 7:30 pm. All auditionees must be 18 years or older at the time of the audition. Please complete the audition registration form no later than Friday 28th February to secure an audition time. Audition Registration:   Register for Your Audition Audition Pack:   Download Audition Pack Performance Dates:  Friday 23rd May – Saturday 14th June 2024 Performance Location:  Gold Coast Little Theatre, Rehearsal Dates:  Commencing Sunday 9th March 2024 Rehearsal Times: Tuesdays and Thursdays (evening) Sundays (daytime and some evenings) A comprehensive rehearsal schedule will be provided at the first rehearsal. BUMP-IN: From Monday 14th April A NIGHT WITH STEEL MAGNOLIAS: Saturday 3rd May Available Roles: M’Lynn Eatenton (40s-50s):  A strong, compassionate mother who provides emotional stability. Requires subtlety in portraying dry humour and grief. Shelby Eatenton-Latcherie (Mid 20s to early 30s):  M’Lynn’s vibrant, independent daughter, filled with life despite her health struggles. Requires charm and emotional vulnerability. Truvy Jones (40s-50s):  Charismatic and witty salon owner. Must have strong comedic timing and warmth. Ouiser Boudreaux (60s-70s):  Wealthy, sharp-tongued, and independent with a heart of gold. Must have excellent comic timing and convey moments of tenderness. Clairee Belcher (60s-70s):  Former first lady of the town, witty, and socially aware. Requires charm, comedic timing, and a Southern accent. Annelle Dupuy-Desoto (Early 20s):  Shy, sweet newcomer who gains confidence throughout the play. Must demonstrate growth and vulnerability. Production Website:   GCLT Auditions Other Information: Director : Tony Campbell Warnings:  Contains themes of illness and loss. Required Age:  18+ Physical Requirements:  Comfortable with light physical activity (sitting, standing, moving around the salon space, and engaging in hair treatment activities, including contact with and dampening of hair). Performers and artists volunteer their time for the production.

Title:  Parade – The Musical Presented By:  Bump In Productions Genre:  Musical Theatre Synopsis: "Parade" is a powerful and emotionally charged musical by Jason Robert Brown and Alfred Uhry. Set in early 20th-century Georgia, it tells the true story of Leo Frank, a Jewish factory manager wrongly accused of the murder of a 13-year-old girl. The trial exposes the region's deep-seated antisemitism and systemic injustices, ultimately leading to tragic consequences. With a powerful score by Jason Robert Brown and a compelling book by Alfred Uhry, the musical serves as a haunting reflection on prejudice and justice. Audition Details: Audition Dates: Saturday, 3rd May 2025 Sunday, 4th May 2025 Audition Time: Individual audition slots (10-minute max) Audition Location and Address: The Rehearsal Room, Seven Hills Arts Hub, 28 Tallowwood St, Seven Hills, QLD 4170 Callbacks: Wednesday, 7th May 2025 Audition Registration:   Register here  by 29th April 2025 Audition Pack:   Download Audition Pack Audition Requirements: Prepare two contrasting musical theatre songs (maximum 2 minutes each). One song must be performed in an American accent (Southern preferred; General American also acceptable). Songs should demonstrate both musical ability and narrative delivery. Cold reads from the script may be required on the audition day. A pianist will be provided or bring backing tracks if preferred. Movement call will only occur during callbacks. Production Information: Rehearsal Dates: Monday, 13th May 2025, to Sunday, 13th July 2025 Rehearsal Times: Tuesdays and Thursdays: 7:00 PM to 10:00 PM Sundays: 10:00 AM to 6:00 PM Performance Dates:  19th July – 3rd August 2025 Performance Location and Address: Ron Hurley Theatre, Seven Hills Arts Precinct Creative Team: Director:  Johnny Peek Musical Director:  Michael Keen Choreographer:  Maureen Bowra Production Website:   Bump In Productions Warnings: This production deals with themes of prejudice, racism, antisemitism, and capital punishment. Required Age: 16+ years Available Roles: Angela / Minola McKnight: African American maids in Georgia who represent Black sentiment in the South during the trial. They live in a segregated society and endure systemic racism. Gender: Female Playing Age: 18+ Vocal Range: Eb3-G5 Britt Craig / Young Soldier: A washed-up reporter who is often drunk and desperate for a big break. Also doubles as Young Soldier. Gender: Male Playing Age: 20-35 Vocal Range: Eb3-A4 Factory Girls (Essie & Lola): Young, playful workers at the National Pencil Factory. Gender: Female Playing Age: 14-25 Vocal Range: Eb4-D5 Frankie Epps: Mary Phagan's charming and devoted friend. Playful, flirtatious, and deeply affected by her death. Gender: Male Playing Age: 14-20 Vocal Range: Bb4 (mix/belt) Governor John Slaton: Governor of Georgia, concerned with public perception but strives to maintain his values. Flirtatious and fun, embodying Southern stereotypes. Also doubles as Mr. Peavey. Gender: Male Playing Age: 30-45 Vocal Range: Bb2-F4 Hugh Dorsey: Atlanta's District Attorney. A devout Christian who is manipulative and often brutal in his pursuit of political success and recognition. Gender: Male Playing Age: 35-45 Vocal Range: B2-F4 Jim Conley: An African American cleaning supervisor at the National Pencil Factory who is secretly a convict on the run. A showman with a strong build. Gender: Male Playing Age: 20-30 Vocal Range: D3-Bb4 (mix/falsetto) Judge Roan: The presiding judge of Leo Frank's trial. Motivated by bigotry and racism, he is deeply committed to Confederate ideals. Also doubles as Old Soldier. Gender: Male Playing Age: 60-70 Vocal Range: B2-D4 Leo Frank: A nervous, introverted Jewish factory superintendent from Brooklyn. He is intelligent, principled, and earnest but struggles to connect with the Southern community he now resides in. Gender: Male Playing Age: 25-35 Vocal Range: High baritone/tenor (B2 to F4) Lucille Frank: Leo's strong, determined, and compassionate wife. A Southern Jewish woman who evolves from a supportive spouse to a courageous advocate fighting for justice and her husband's innocence. Gender: Female Playing Age: 25-35 Vocal Range: Mezzo-soprano (F3 to D5) Mary Phagan: A young factory worker at the National Pencil Factory who is murdered. Innocent, with moments of sassiness and playfulness. Gender: Female Playing Age: 13 Vocal Range: Eb4-D5 Newt Lee: An African American night watchman at the National Pencil Factory. Gentle and kind-hearted, though a bit too old for the job. Also doubles as Riley. Gender: Male Playing Age: 40-60 Vocal Range: Bb2-Db4 Sally Slaton / Mrs. Phagan: Wife of Governor Slaton and also portrays Mary Phagan's mother, a factory worker who testifies against Leo Frank. Gender: Female Playing Age: 20-40 Vocal Range: G3-Eb5 Tom Watson: A conservative politician and publisher who fuels the witch hunt against Leo Frank. Also doubles as Officer Starnes. Gender: Male Playing Age: 30-50 Vocal Range: Bb2-Db4 Other Information: Producers Note: The producers and creative team of "Parade" are dedicated to promoting diversity and inclusivity throughout the casting, rehearsal, and production processes. This production is based on a true story, and character requirements reflect its historical context. Representative casting is prioritised for Leo Frank, Lucille Frank, Jim Conley, Newt Lee, and Minola McKnight. Bump In Productions is committed to authentic representation by casting BIPOC actors in these roles. Casting Note:  The roles of Leo and Lucille Frank will be played at evening performances by Michael Lewis and Belinda Morris. We are casting alternate performers as understudies for the two leads, who will also perform the roles Saturday matinees. All cast and creatives must be eligible for or willing to apply for a Blue Card.

Title:  Calendar Girls Presented By:  North Brisbane Theatre Company Genre:  Comedy-Drama Play Synopsis: When Annie's husband John dies of leukaemia, she and best friend Chris resolve to raise money for a new settee in the local hospital waiting room. They persuade four fellow Women's Institute (WI) members to pose nude for an "alternative" calendar, with the help of hospital porter and amateur photographer Lawrence. As their venture gains unexpected fame, the women's lives are turned upside down, and friendships are tested in heartwarming and hilarious ways. Based on a true story, Calendar Girls is a powerful and funny play that celebrates friendship, resilience, and community spirit. Audition Date:  Sunday 6 April 2025 Audition Time:  1:00 pm Audition Location and Address: Burpengary State Secondary College Audition Requirements: Prepare a 1–2-minute monologue performed in a general English accent. Cold readings from the script will also be part of the audition process. Audition Registration: Register Here Available Roles: CHRIS (50s):  Outgoing and confident, Chris thrives in the spotlight. She brings energy and fun to any group and has a mischievous, adventurous spirit. ANNIE (50s):  Compassionate and grounded, Annie balances Chris's boisterous nature. She is thoughtful, with a mischievous streak when encouraged. CORA (40s):  Resilient and witty, Cora has faced challenges with strength and humour. She must be able to sing confidently and, ideally, play basic piano chords. JESSIE (late 60s/70s):  Brave and bold, Jessie is a retired teacher with a fierce spirit. She is opinionated, grammar-conscious, and full of life. CELIA (35-50):  Stylish and confident, Celia appears glamorous but has a rebellious side that sets her apart from materialistic peers. RUTH (40s):  Initially timid and eager to please, Ruth transforms into a confident, self-assured woman throughout the play. MARIE (50s):  Controlling and defensive, Marie hides vulnerability beneath her structured, trophy-driven exterior. JOHN (50s):  A kind-hearted and positive man who brings warmth and light to those around him. ROD (50s):  Chris's husband, who has a dry sense of humour and a deep bond with her despite her fiery nature. LAWRENCE (late 20s):  A shy but spirited photographer who helps the WI women with their daring calendar shoot. LADY CRAVENSHIRE (60s):  A well-meaning but patronising woman from a higher social class. ELAINE (20s):  A patronising young woman who unintentionally comes across as dismissive. LIAM (late 20s):  A professional photographer with a patient but resigned demeanour. Performance Dates: 4 July 2025 – 7:30 pm 5 July 2025 – 2:00 pm & 7:30 pm 6 July 2025 – 2:00 pm 11 July 2025 – 7:30 pm 12 July 2025 – 2:00 pm & 7:30 pm 13 July 2025 – 2:00 pm Performance Location:  Burpengary State Secondary College Rehearsal Dates: Tuesdays & Thursdays: 6:00 pm – 9:00 pm Sundays: 1:00 pm – 4:00 pm Rehearsal Location:  Burpengary State Secondary College Warnings: This production contains partial nudity and mature themes. Participants must be 18 years or older. UNPAID COMMUNITY THEATRE Other Information: Additional crew roles are available for those interested.

Title:  Grand Horizons Presented By:  Nash Theatre Genre:  Contemporary Comedy Synopsis: Fifty years into her marriage to Bill, Nancy unexpectedly announces that she wants a divorce. While Bill appears unfazed, their two adult sons are shaken to their core, forced to confront everything they believed about their parents' seemingly happy lives. As the family navigates this seismic shift, each member must reckon with their own imperfect past and discover new, unexpected ways to express love. Audition Date:  Sunday, 23 February 2025 Audition Time:  2:00 PM Audition Location and Address: New Farm Nash Theatre Play Shed, 4 Amity Street, New Farm Audition Requirements: Cold read of excerpts from the script Good comedic timing Must be capable of playing above your age Available Roles: Nancy (70+ years) Bill (70+ years) Ben (Son, 40-45 years) Brian (Son, 35-40 years) Jess (Daughter-in-law, 30-35 years) Tommy (One-night stand, 25-30 years) Carla (Girlfriend, 65-70 years) Performance Dates:  9-31 May 2025 Performance Location: The Brunswick Room, Merthyr Road Uniting Church, 52 Merthyr Road, New Farm Production Website:   Nash Theatre Website Other Information: For additional enquiries, contact Director Phil Carney at 0418 719 300.

Title:  The Trail to Oregon! Presented By:  Emma Hanson Genre:  Musical Comedy Synopsis: Join an all-American family as they embark on a journey down The Oregon Trail. Full of hilarity, historical figures, and unexpected twists, The Trail to Oregon!  is a delightfully irreverent musical featuring educational songs and a historically accurate portrayal of the iconic trail adventure. Audition Dates: 27 March 2025 (Individual Auditions) 28 March 2025 (Individual Auditions & Dance Call at 3:30pm) 29 March 2025 (Individual Auditions & Dance Call at 3:30pm) 31 March 2025 (Callbacks) Audition Time:  15-minute individual sessions and a group dance call from 3:30 pm to 5:00 pm Audition Location and Address: Backbone, 28 Tallowwood Street, Seven Hills, QLD Audition Registration:   Click Here to Book Audition Audition Pack:   Monologues & Resources Audition Requirements: Individual Auditions:  Prepare two songs (one musical theatre piece, preferably contemporary/modern, and one that highlights your comedic ability). Bring a CV and headshot. Participate in cold reads and improv exercises. Bring a backing track on a device compatible with Bluetooth or AUX. If your phone requires an adapter, please bring it along. Group Dance Call: Learn choreography for " Gone to Oregon " (mandatory) and " Speedrun " (optional but encouraged) from the provided video resources. Wear appropriate dance attire and shoes. Monologue Requirement:  Select one from the provided document for acting. Available Roles: Father:  Tenor, presenting as male. Overconfident and cheerful leader. Mother:  Alto, presenting as female. Nurturing figure with a sassy side. Daughter:  Mezzo-Soprano, presenting as female. Rebellious teenager. Son:  Mezzo-Soprano, presenting as any gender. Ditzy 7-year-old with a curious spirit. Grandpa/Cletus Jones:  Baritone with strong falsetto and country twang, presenting as male. Unhinged old man and dedicated bandit accomplice. The Bandit King ‘McDoon’:  Baritone, presenting as any gender. Obliviously evil, gruff, and open about his sexuality. Ensemble Track (GENERAL STORE GUY, HORNY OX, LOBSTER):  Baritone, presenting as any gender. Versatile performer for comedic roles. Performance Dates: Preview:  26 June 2025 (Matinee - Relaxed Performance) Show Dates:  26-28 June 2025 Performance Times: Thursday: 7:00 pm Friday/Saturday: 1:00 pm & 7:00 pm Performance Location:  BackDock Arts, 103 Brunswick St, Fortitude Valley, QLD 4006 Rehearsal Dates:  From 5 May 2025 Rehearsal Times: Mondays & Thursdays 4:00 pm - 9:00 pm Sat 14 June (Rehearsal & Headshots) Recommended Age:  Open to 16+ Creative Team:  Directed by Emma Hanson Production Website:   Emma Hanson Website Other Information:  Not all performers will be required at every rehearsal. Schedules will be designed to minimise time commitment. Please provide any personal or work-related conflicts in your audition application. If you have any questions or concerns about dates or requirements, please get in touch via Emma Hanson's website.

Title:   Elvis Has Left the Building Presented By:  Village Green Theatre Group Genre:  Comedy Synopsis: It's December 20th, 1970, and Elvis Presley has vanished. Even his wily manager, "The Colonel," has no clue where he is. Desperate to pay off a secret debt, the Colonel embarks on a frantic quest to find an Elvis impersonator within 24 hours. Chaos, comedy, and mistaken identities ensue as the Colonel tries to pull off the impossible while dodging a nosy reporter and figuring out what happened to the real King of Rock and Roll. Audition Details: Audition Date:  Sunday 6th April 2025 Audition Time:  12:00 pm - 3:00 pm (all auditionees must remain for the full 3 hours) Audition Location and Address:  Performing Arts Centre (PAC) of Yarrabilba State Secondary College Audition Requirements: Group auditions with script excerpts provided for character interactions. Roscoe  must prepare and perform an upbeat Elvis song of their choosing. Register for Your Audition Download Audition Pack Available Roles: The Colonel  (Male, 40 - 60) – Elvis’ Manager: An older gentleman with a big personality who is charming and cunning. American southern accent required. Lead role on stage for most of the play. Trudy  (Female, 30 - 45) – The Colonel's German Secretary: Highly capable, speaks with a German accent, and requires great comic timing. Roscoe / Elvis  (Male, 20 - 25): A nerdish office worker hypnotised by the Colonel into believing he is Elvis and occasionally a dog. Requires excellent comic timing and the ability to switch between multiple personas. Must lip-sync a medley of Elvis songs. Candy / Elvis  (Male, 30 - 45): A friend of the Colonel hypnotised into believing he is Elvis. Must switch between characters quickly. Opens the play dressed as Elvis. Jill Tanner  (Female, 20 - 30): A determined, nosy newspaper reporter seeking a big "Elvis" scoop. Performance Dates and Times: Friday 4th July at 7:30 pm Saturday 5th July at 2:00 pm & 7:30 pm Friday 11th July at 7:30 pm Saturday 12th July at 2:00 pm & 7:30 pm Performance Location:  Performing Arts Centre, Yarrabilba State Secondary College Rehearsal Dates: Tuesday and Thursday evenings: 7:30 pm - 9:30 pm Sundays: 12:00 pm - 4:00 pm Creative Team: Director: Nicolette McMahon Stage Manager: Stephen Morris Set/Technical Design: Stephen Morris Lighting: Andrew Swansson Production Website:   VGTG Auditions Page Other Information: Successful cast members must become members of Village Green Theatre Group at a cost of $25 per adult. Membership includes Public Liability Insurance. Parking available near the Sports Hall.

Title:  Eurobeat: Moldova 2025 Presented By:  KSP Theatre Genre:  Interactive Musical Comedy Synopsis: Welcome to Moldova, a proud but small Eastern European country defying all odds (and common sense) to host this year’s Eurovision Song Contest. As ten nations battle it out for the ultimate prize, the host nation promises a spectacular and hilarious entertainment extravaganza. With audience votes deciding the winner, Eurobeat: Moldova  delivers thrilling new songs, show-stopping numbers, and irresistible fun, capturing the chaos and glitz of Eurovision. Audition Date:  Sunday, 2nd March 2025 Audition Time:  6:00 pm Audition Location and Address:  KSP Theatre Audition Requirements: Vocal roles: Perform a song from the real Eurovision, focusing on performance as well as vocals. Costumes and dance routines are encouraged. Please bring backing tracks on a phone, iPad, or tablet for Bluetooth connection. Dance roles: A prepared dance number will be taught during the audition to assess movement capabilities. All cast members will be required to do some dancing. Available Roles: Contestants from Sweden, Ireland, Morocco, Spain, UK, Italy, Poland, Vatican City, Norway, and the Netherlands MC and Assistant roles Audition Registration:   Register Here Audition Pack:   View Here Performance Dates: Friday 16th May 2025 at 7:30 pm Saturday 17th May 2025 at 7:30 pm Sunday 18th May 2025 at 2:30 pm Friday 23rd May 2025 at 7:30 pm Saturday 24th May 2025 at 7:30 pm Sunday 25th May 2025 at 2:30 pm Friday 30th May 2025 at 7:30 pm Saturday 31st May 2025 at 7:30 pm Performance Location:  KSP Theatre Rehearsal Dates: Tuesdays: 7:15 pm - 10:30 pm Thursdays: 7:15 pm - 10:30 pm Sundays: 4:00 pm - 9:00 pm Rehearsal times are subject to change based on the schedule. Creative Team: Director/Producer: Janelle Kerr Choreographers: Alarna Harris & Chantelle Currie (with the possibility of a Special Guest Choreographer) Technical Co-ordinator: Russell Jensen Other Information: Must be aged 16 or above to audition Must become a financial member of KSP Theatre ($10 per person for this production) This is a vocally and visually demanding show requiring commitment and hard work. For questions or concerns, please contact Janelle at ksptheatreinc@gmail.com

Title:  The Addams Family Presented By:  Toowoomba Choral Society Genre:  Musical Theatre Synopsis: Wednesday Addams, the ultimate princess of darkness, has fallen in love with a sweet, intelligent young man from a respectable family—a man her parents have never met. When Wednesday confides in her father, Gomez, and pleads with him to keep the secret from her mother, Morticia, chaos ensues. The Addams family’s world turns upside down on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents. Audition Dates: Audition Registration by 3 March 2025 Auditions: Friday 28 March 2025 (Toowoomba Show Holiday) Auditions: Saturday 29 March 2025 Audition Time:  Allocated one-hour sessions Audition Location and Address:  Toowoomba Anglican School, 2 Campbell St, East Toowoomba Audition Pack:   Download Here Audition Registration: Click here Audition Requirements: Song:  Prepare one song (up to two minutes) in a music theatre style (not from the show). Bring a professional backing track or use the show accompanist (details required in the audition form). Dialogue:  Familiarise yourself with at least two script excerpts provided in the audition pack. Group Harmony:  "When You’re An Addams" (sheet music included in the audition pack). Group Movement:  Choreography will be taught on the day. Wear appropriate clothes and shoes for dancing. Available Roles: Gomez Addams (Lead, Male, Stage Age 35–55, Vocal Range: Bb2–G4) Morticia Addams (Lead, Female, Stage Age 35–55, Vocal Range: G3–Bb5) Wednesday Addams (Lead, Female, Stage Age 18–26, Vocal Range: A3–E5) Fester Addams (Lead, Male, Stage Age 30–50, Vocal Range: C3–G4 (optional C5) Pugsley Addams (Minor, Male, Stage Age 14–20, Vocal Range: A3–F5) Grandma Addams (Minor, Female, Stage Age 102, Vocal Range: G4–F5) Lurch (Minor, Male, Stage Age 25–50, Vocal Range: Eb2–E4) Lucas Beineke (Minor, Male, Stage Age 18–26, Vocal Range: C3–C5) Alice Beineke (Minor, Female, Stage Age 35–55, Vocal Range: Ab3–G#5) Mal Beineke (Minor, Male, Stage Age 35–55, Vocal Range: C3–A4) Addams Ancestors (Ensemble, Any Gender, Age 16+, All Vocal Ranges) Backstage Singers (Any Gender, Age 16+, All Vocal Ranges) Performance Dates:  21-23 August 2025 Performance Times: Thursday 21 August at 7:30 pm Friday 22 August at 7:30 pm Saturday 23 August at 2:00 pm and 7:30 pm Performance Location:  Empire Theatre, Toowoomba Rehearsal Dates:  Beginning Monday 12 May 2025 Rehearsal Times: Mondays and Thursdays (Evening) Sundays (Full Day) Recommended Age:  16+ (Applicants aged 15 and under may audition at the creative team's discretion) Crew:  Opportunities for set construction, painting, costumes, props, and crew support. Interested volunteers may email production@tcschoral.com.au . Production Website:   Toowoomba Choral Society Other Information: Membership is required to participate in the production ($280 for adults, $270 for concessions/students, or $200 for current 2025 members). Fees are due before the Meet & Greet on Sunday 27 April 2025. Orchestra members are welcome to send an EOI to production@tcschoral.com.au .