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Guest Writer: Sophie Mason During a particularly rainy weekend, the sun definitely came out in Warner for Brisbane Musical Theatre’s production of ' Annie .' Featuring performers young, old and even the dog variety, ‘ Annie ’ tells the story of a young orphan and her journey to rise above her circumstances. Annie and her friends are under the thumb of the tyrannical Miss Hannigan (Meg Kiddle). However, when billionaire Oliver Warbucks (Andrew Dark) invites Annie to his home, her situation is quickly transformed. ‘ Annie ’ is a story of hope, optimism and believing that even the darkest clouds will clear. Hosted at Emerge Church, the simple yet effective technical elements effectively centred the audience’s attention and shifted time and place throughout the production. Backgrounds were projected onto the back wall of the stage and worked wonders in adding atmosphere and context. A particular highlight was the New York City sunset which created silhouettes of the bridge and basted the beggars in a warm light as if they were on the streets of New York. Lighting design by Spencer Mitchell, firmly supported the locations of each scene and mimicked the colours within the backgrounds. Actors were well lit at all times and the use of the spotlight - operated by Jhaelein Le Moyne - ensured that the audience’s eye was led to the action on stage. Set design and construction by Jose De Andrade and Jesse Bradford ensured scenes transitioned swiftly and effectively. There were enough elements on stage to delineate time and place, however, not too many to create lengthy change overs. Double sided trusses and small tables and props were all on wheels to seamlessly get items on and off the stage. Stage manager Sara Reynolds Thomas and her team were a well oiled machine and pulled off every set change with ease - a feat often not achieved on opening night performances! Costuming by Sandie Mitchell and Andrea Halter was detailed and generally historically accurate. The class divide was clearly delineated with costuming, with the ensemble transforming from beggars on the street to the well-polished servants of Daddy Warbucks. The comedic caricatures of Miss Hannigan, Rooster (Jesse Bradford) and Lily St Regis (Tamsyn Doyle) were reflected in their clothing. From the bejeweled Miss Hannigan to the larger-than-life stylings of Rooster and Lily, all characters were well represented. Direction by Jack Bradford and Jose De Andrade was considered and effective. For a production that’s known for its show-stopper numbers, it was lovely to see moments of tenderness throughout the production. Mark Beillby nailed the iconic Annie soundtrack with his nine-piece orchestra. It was a powerful moment to hear the iconic song ‘Tomorrow’ with such strong backing. All songs were elevated under the direction of Bielby with ensemble vocals having layered harmonies and all leads solid in their vocal tracks and dynamics. Sound by Stephen and Neil Moodie was well-balanced and clear. Choreography by Jada Parsons was perfectly tailored to the skill level of those  in the cast and allowed everyone to shine. A particular highlight was ‘You’re Never Fully Dressed Without a Smile’ where the orphans broke out their tap shoes and were able to show off the incredible talents in the youth ensemble. Whoever said never work with children or animals clearly hadn’t seen this production of ‘ Annie ’! The orphans were switched on and in character at all times with gorgeous vocals and acting choices to boot. It was so lovely to see the rapport that has clearly been built amongst this group of young stars. There were great moments of comedy, particularly during the scenes where the orphans are interacting with Miss Hannigan. Olivia Cowdrey as Molly was particularly magnetic and brought the perfect level of sass, heart and humour to the role. Many of the adult ensemble doubled as named characters within the production. Highlights included Kiana Tann’s flawless vocals as the Star to Be, Kaelan Tann’s shoe tap routine, Robyn Lupton’s exchanges at the white house and Mark Westaway as the ever-present and always helpful Drake. The adult ensemble worked well as a group to bring dimension to the production. A highlight was the gritty number, 'We’d Like to Thank You, Herbert Hoover.' Their dynamic energy and sharp character work was a joy to watch. Stuart Fisher delivered a standout performance as both the booming President Roosevelt and the charismatic Bert Healy. His ability to distinctly separate the two characters through nuanced characterisation was impressive, and his comedic timing added depth and humour to each role. Jesse Bradford as Rooster and Tamsyn Doyle as Lily St. Regis brought charm and mischief to their roles as two-thirds of the greedy trio, rounded out by Meg Kiddle's commanding and hilariously brash Miss Hannigan. These three comedic powerhouses blended sharp physical comedy with their vocal performances, creating a dynamic portrayal of the bumbling villains. Samantha Hancock was perfectly cast as Grace Farrell, bringing crystal-clear vocals and beautiful balance of gentleness and strength to the role. It was a delight to watch her relationships with both Annie and Warbucks blossom on stage. Playing alongside her, Andrew Dark delivered a captivating performance as Daddy Warbucks, combining powerful yet tender vocals with touching vulnerability. His portrayal conveyed the emotional journey of a man grappling with the complexities of his newfound relationship with Annie. Saana Chang Saana Chang delivered a magnetic and charismatic performance as Annie (shared with Asher Tweddell), captivating the audience with her charm and natural stage presence. She infused the role with humour and warmth, and hit the iconic high notes with ease. Her interactions with Sandy the dog, played by Saffie the golden retriever, were particularly heartwarming and definitely melted more than a few hearts in the audience. Chang brought a fresh vibrancy to the iconic character and easily connected with others on stage. Asher Tweddell The heartwarming message of love, resilience, and hope shone brightly in Brisbane Musical Theatre’s first production of 2025. ‘ Annie ’ reminded audiences of the power of optimism and the importance of family—whether chosen or found.

Title:  Legally Blonde JR Presented By:  Second Star Youth Theatre Genre:  Musical Theatre Synopsis: Based on the award-winning Broadway musical and the smash-hit motion picture, Legally Blonde JR.  is a fabulously fun journey of self-empowerment and expanding horizons. The show follows Elle Woods as she tackles stereotypes, snobbery, and scandal in pursuit of her dreams. When Elle's high school boyfriend, Warner, dumps her for not being "serious" enough, she takes matters into her own hands and follows him to Harvard Law. Along the way, with help from classmate Emmett, hairdresser Paulette, and her Delta Nu sisters, Elle realises that law may be her natural calling after all. Audition Date:  Saturday 22 and/or Sunday 23 March (Afternoon) Audition Location and Address: Faith Works Uniting Church, 177 Bennetts Road, Norman Park Audition Self-Tape Due (if applicable):  If unavailable for auditions, video submissions will be accepted. Indicate unavailability on the registration form. Audition Requirements: Auditions will be conducted as a workshop using the iTheatrics method. Participants will learn an ensemble song from the show and perform for the creative team and fellow castmates. No preparation required—just come along, be yourself, and give it your best shot! Audition Registration:   Register Here Audition Pack:   Download Here Available Roles: Elle Woods  – Confident, bubbly, and intelligent, Elle proves that she's more than just a blonde sorority girl. A triple-threat performer role. Gender:  Female. Vocal range:  F#3 - C#5 Emmett Forrest  – Hardworking and determined law student who believes in Elle and falls for her. Gender:  Male. Vocal range:  B2 - A4 Paulette Buonafonte  – Outspoken and warm-hearted hair salon owner, Elle’s close friend. Gender:  Female. Vocal range:  A3 - A5 Warner Huntington III  – Elle’s ex-boyfriend, good-looking and charming but self-absorbed. Gender:  Male. Vocal range:  Eb3 - Ab4 Vivienne Kensington  – Uptight and serious law student who initially looks down on Elle but later supports her. Gender:  Female. Vocal range:  A3 - F5 Brooke Wyndham  – Energetic fitness queen on trial for her husband’s murder, Elle’s sorority alum. Gender:  Female. Vocal range:  A3 - G5 Professor Callahan  – Ruthless and manipulative law professor. Gender:  Male Margot, Serena, Pilar  – Elle’s energetic and loyal best friends and sorority sisters. Gender:  Female. Vocal range:  C#5 - F#3 Featured Roles: Kate  – Delta Nu sister. Winthrop, Lowell, Pforzheimer  – Harvard admissions officers. Aaron, Sundeep, Enid  – Law students. Whitney  – Law student. Dewey  – Paulette’s ex-boyfriend. Chutney Wyndham  – Brooke’s stepdaughter. Kyle  – UPS delivery man. Kiki  – Salon colorist. Grandmaster Chad  – College party boy. Ensemble Roles: Waiters, Delta Nu sorority sisters, Frat Boys, Greek Chorus, Law Students, Prison Inmates, Salon employees/clients, and more. Every performer will be featured on stage! Note : Genders listed pertain to the gender identity of the character, and performers of all genders may be considered for all roles. Performance Dates:  Saturday 12 April 2025 Performance Times:  3:00 PM & 6:00 PM Performance Location: Marjorie Godfrey Theatre, Cavendish Road State High School Cnr Cavendish Rd & Holland Rd, Holland Park Rehearsal Dates:  Monday 7 – Friday 11 April 2025 Rehearsal Times:  9:00 AM – 4:00 PM daily Rehearsal Location:  Faith Works Uniting Church, 177 Bennetts Road, Norman Park Other Information: Required Age:  10-18 years (as of 12 April 2025) Creative Team: Director/Music Director:  Lauren McNamara Choreographer:  Isabella Maric Warnings:  This show acknowledges themes of prejudice, sexism, and sexual harassment. Rated PG. Participation Fee: $320 per participant (inc. GST). Participation includes rights, royalties, creative and technical professionals, venue hire, sets, props, costumes, marketing, and more. Each participant will receive a script, production t-shirt, and dinner on performance day. All who audition will be cast in the show. Participants may be asked to provide some costume pieces from their wardrobe.

Title : Ride the Cyclone Presented By : Vox Theatre Arts & Phoenix Ensemble After Dark Genre : Musical Synopsis : In this hilarious and exhilarating story, the lives of six teenagers from a Canadian chamber choir are cut short in a freak accident aboard a roller coaster. When they awake in limbo, a mechanical fortune teller invites each to tell a story to win a prize like no other—the chance to return to life. Bursting with witty, memorable songs and featuring some of the most compelling characters in modern musical theatre, this remarkable show makes a uniquely uplifting and deeply funny case for what makes a life worth living. This bold, genre-spanning production will debut as the Queensland premiere. Audition Details Audition Date: Submissions Due:  Friday, 21 February 2025 (by 5pm) In-Person Auditions:  Saturday 22 & Sunday 23 February 2025 Dance Call: Saturday 22nd February at 11:30 AM or Sunday 23rd February at 10:30 AM Callback Workshop: Tuesday, 25 February 2025 Audition Locations: 29 Cremin Street, Upper Mount Gravatt Phoenix Ensemble, Beenleigh Showgrounds Note : Video auditions are not currently available but may be opened if in-person spaces reach capacity. Audition Requirements: All auditions are by appointment only; auditionees MUST register for an individual private session and a group dance call. Prepare two contrasting songs in the style of the show that showcase your vocal ability (16-32 bars / 30-60 seconds each). No songs from the show. Prepare the monologue(s) provided in the audition pack for your chosen character(s). If auditioning for multiple characters, select contrasting styles that highlight their traits: Jane: One coloratura and one contemporary ballad (soprano focus) Ocean: One pop style and one musical theatre style demonstrating melisma, pop techniques, and mixed belt (mezzo focus) Constance: One pop style and one musical theatre style (alto/mezzo focus) Mischa: One R&B/rap style and one musical theatre ballad (baritone/tenor focus) Ricky: One pop upbeat and one ballad (musical theatre or pop) demonstrating "Bowie" elements (tenor focus) Noel: One musical theatre upbeat and one jazz/pop musical theatre ballad with tenor/high tenor elements (tenor focus) No piano accompaniment will be provided. Bring a backing track on a device with Bluetooth or AUX connectivity (bring an adapter if needed). All auditionees must participate in a group dance call. Choreography will be taught on the day and presented in small groups. Arrive warmed up both vocally and physically. Audition Registration & Pack Audition Registration :  Click Here Audition Pack:  Download Here For assistance or questions, contact: info@voxtheatrearts.com Key Dates: Callbacks : Tuesday, 25 February 2025 Offers & Outcomes:  Wednesday 26 & Thursday 27 February 2025 First Rehearsal:  Sunday, 2 March 2025 Rehearsal Schedule: Tuesdays: 7:00pm – 10:00pm Thursdays: 7:00pm – 10:00pm Sundays: 10:00am – 2:00pm Photoshoot 1:  Sunday, 9 March 2025 Photoshoot 2:  Sunday, 16 March 2025 Start of Tech Process:  Saturday, 24 May 2025 (Full cast & crew required; additional rehearsals may be scheduled during this period) Performance Dates: Friday, 6 June - Saturday, 14 June 2025 at Phoenix Ensemble Additional Information Required Age:  18+ (All performers must be 18 by performance dates) Content Notes:  Contains mature themes, onstage intimacy, and strong language. Casting Policy:  Vox Theatre Arts encourages applications from performers of all cultural, ethnic, and linguistic backgrounds, gender identities, sexual orientations, abilities, and neurodivergences. While character gender identities are fixed, we advocate for non-traditional casting. Production Website:  Vox Theatre Arts Auditions Available Roles Ocean O’Connell Rosenberg Vocal Range: Soprano (B3–E5) Presenting Gender: Female The "Most Successful Girl in Town"—a brilliant go-getter (or chronic over-achiever, depending on who you ask). Noel Gruber Vocal Range: Baritone/Tenor (G2–G4) Presenting Gender: Male The "Most Romantic Boy in Town," longing for a life of glamour beyond Saskatchewan. Note: Onstage kiss with Mischa. Mischa Bachinski Vocal Range: Baritone/Rap (A2–G4) Presenting Gender: Male The "Angriest Boy in Town," a Ukrainian adoptee with a reputation for angry outbursts. Note: Onstage kiss with Noel. Ricky Potts Vocal Range: Tenor (A2–A4) Presenting Gender: Male The "Most Imaginative Boy in Town," coping with childhood trauma through an elaborate fantasy world. Constance Blackwood Vocal Range: Mezzo-Soprano (G3–E5) Presenting Gender: Female The "Nicest Girl in Town," whose affection for her hometown puts her at odds with her peers. Jane Doe Vocal Range: Soprano (C4–E6) Presenting Gender: Female A mysterious, emotionless, deeply eerie headless girl who appears in limbo. The Amazing Karnak Vocal Range: Spoken Presenting Gender: Any This role has been pre-cast. Swing (Femme) Vocal Range: Mezzo-Soprano (G3–E5) Presenting Gender: Female Covers Ocean, Constance, and Jane with guaranteed performances and booth singing. Swing (Masc) Vocal Range: Tenor (G2–A4) Presenting Gender: Male Covers Noel, Mischa, and Ricky with guaranteed performances and booth singing.

Title:  Lady Macbeth Uncut Presented By:  VOX Productions Genre:  Drama Synopsis: Lady Macbeth has had a bad rap down through the years—known as the 'fiend-like queen' and a byword for evil manipulation. Inspired by the real Lady Macbeth (Gruoch), Lady Macbeth  (written by Catriona Clancy) seeks to redress this, telling the story from Lady Macbeth's point of view. The play sheds new light on her motivation to seize the throne and builds empathy for a powerful woman striving for control over her life. The 'Witches' get a complete reboot as well, and together they challenge the structures and prejudices that seek to hold them back. Audition Details: Audition Date:  Saturday, 22nd February, 2025 Audition Time:  1:00 PM – 3:00 PM Audition Location and Address: Lavalla Centre – Marian Room, 58 Fernberg Rd, Paddington QLD 4064 Audition Requirements: All characters must be able to deliver and sustain an authentic natural English accent. All characters have a stage playing age of 35 years and above. Audition Registration: Register for auditions by completing the form: Audition Registration Form If you encounter issues with the form, email nicky@nickywvoices.com for assistance. Audition Pack:   Audition Pack Audition Process: Part One: 1:00 PM – 1:45 PM Group audition session. Present one of two supplied speeches (1-minute) upon registration. Cold read between two allocated characters. Part Two: 2:00 PM – 3:00 PM (Callbacks) Selected individuals will be asked to stay for a callback session. Cold reads with other actors from the callback group (no preparation needed). Available Roles: Lady Macbeth (Gruoch):  A powerful, intelligent woman driven by grief and ambition. Manipulative yet deeply human, she struggles with guilt as she pursues the throne. Lady Macduff:  A devoted mother and symbol of innocence. Her tragic fate highlights the brutal consequences of power struggles. Macbeth:  A warrior-turned-tyrant, torn between ambition and morality. The Three Witches:  Reimagined as strong, worldly women who challenge fate and society. Banquo:  Macbeth’s loyal friend, later a ghostly figure haunting him. Duncan:  The noble King of Scotland, whose murder sets everything in motion. Macduff:  A fierce opponent to Macbeth, driven by vengeance and justice. Malcolm:  Duncan’s son, who matures into a wise and just leader. Fleance:  Banquo’s young son, a symbol of future hope. Lennox, Ross & Other Nobles:  Scottish thanes caught in the shifting tides of power. Performance Dates: PIP Theatre: Thursday, 4th September – 7:00 PM (Preview Night) Friday, 5th September – 7:00 PM Saturday, 6th September – 2:00 PM & 7:00 PM Sunday, 7th September – 12:00 PM Sandgate Theatre: Friday, 12th September – 7:00 PM Saturday, 13th September – 2:00 PM & 7:00 PM Rehearsal Dates: Table Read 1 & Intro to Shakespeare’s Language:  Saturday, 1st March (12:00 PM – 3:00 PM) Table Read 2 & Script Analysis:  Saturday, 29th March (12:00 PM – 3:00 PM) Line Learning:  April – May (Actors expected to be 80% off-book by first rehearsal in June) Full Rehearsals:  Sundays from 1st June – 31st August (12:00 PM – 4:00 PM) Final Rehearsals & Tech Week: Wednesday, 3rd September – Full Dress & Tech Thursday, 4th September – Final Dress & Tech (if needed) Other Information: Costumes will be provided. Actors must bring basic blacks. Successful cast members will be notified by 5:00 PM on Sunday, 23rd February. Cast members must confirm acceptance within one hour of receiving the offer (via text and email). Facebook event page for audition

Title : Love, Loss and What I Wore Presented By : Tugun Theatre Company Genre : Comedic Play Synopsis : Written by the fabulous Nora and Delia Ephron (writers of You’ve Got Mail and Sleepless in Seattle), Love, Loss and What I Wore is a funny and poignant journey into women’s relationship with clothes, accessories, memories, and mothers. All women (and men) will laugh and relate to this show! Director : Judy Neumann Audition Details: Audition Date:  Sunday 9th February 2025 Audition Time : 6:45 PM Audition Location and Address:  Tugun Village Community Centre, 414 Coolangatta Road, Tugun 4224 Audition Requirements: Standard American accent preferred (though not required for all characters). Auditionees should be ready for a cold read from the script. The production features over 20 different characters, all played by a cast of five women. Strong ensemble acting and comedic timing are key. Performance Dates : May 9th – May 31st, 2025 Performance Times: Evening Shows: Fridays & Saturdays at 7:30 PM, plus Thursday 29th May at 7:30 PM Matinee Shows: Saturdays 10th, 17th & 24th May at 2:00 PM Audition Registration : To express interest in auditioning, visit Tugun Theatre’s Audition Page . For any further questions, contact Judy Neumann at director.tuguntheatre@outlook.com . Production Website :  www.tuguntheatre.org

A Dance Theatre Exploration of Human Evolution In this infinite cosmos, our world is a small but beautiful fragment. We humans are said to represent a mere 14 seconds of its condensed cosmic existence. We humans have expanded and reinvented ourselves at a startling rate—exploring the mystical, building the impossible, and taking the greatest leaps of faith to arrive at this point. Phluxus2 Dance Collective’s ' The Next 14 Seconds'  was a mesmerising, thought-provoking collision of dance, theatre, sound, and visual artistry that delved into the essence of human existence. Performed at QPAC’s Cremorne Theatre, this avant-garde piece challenged audiences to reflect on our rapid evolution and what we’re sacrificing along the way. The choreography, crafted by the award-winning Nerida Matthaei, transitioned between fluid, organic motion and jagged, erratic sequences, to reflect the beauty and chaos of human development. The Physical Language of Storytelling The five dancers—Jade Brider, Hsin-Ju Ely, Georgia Peirce, Asher Bowen Saunders, and Jacob Watton—were a force of nature on stage. Their physicality and athleticism were both fluid and primal, embodying the evolution of humankind through an intricate blend of contemporary and experimental movement. The choreography was complex and demanding, often requiring them to climb over each other like a human jungle gym, manipulate each other’s limbs like ragdolls, or puppet one another in animalistic sequences. One particularly compelling moment saw the dancers engage in seizure-like convulsions—an intense, almost violent representation of struggle and transformation. The sheer endurance required to sustain these levels of movement for a continuous 60 minutes, without a single water break, was nothing short of astounding. A Breath, A Beginning Sound was crucial in establishing the atmosphere right from the start of the performance. The dancers' deliberate audible gasps, layered with subtle pulsing sounds, and their distinctly individual movements, created a sense of isolation. During the first ten minutes, there was no accompanying music, so the dancers relied solely on each other's rhythm and energy to keep time. This raw, unfiltered beginning established an intimate connection between each performer and the audience, pulling us into their world of movement and expression. A Multisensory Experience The soundscape evolved as the performance unfolded—jingling coins, crashing waves, humming voices, and haunting laughter. At one point, the female dancers lifted and carried Watton across the stage as he laughed maniacally, a surreal and striking moment that felt both absurd and profound. Lighting design by Keith Clark enhanced the show’s sci-fi aesthetic. Sharp, futuristic beams of light guided the audience’s gaze, directing focus within otherwise chaotic scenes. Costume design by Lisa Fa’alafi added yet another dimension to the storytelling. The dancers began in thick, layered garments, peeling away each piece as the performance progressed. This slow removal revealed a final costume: bodysuits covered in scribbled lines and shapes, as if they had been drawn into existence. As they introduced matching fabrics and secured them to hooks for elevation into the space, the stage became an evolving canvas. This interplay of materials, along with the dancers' lifts and contortions, reinforced the concept of interconnectedness-how we shape and are shaped by the world around us. Unexpected, Unpredictable, Unforgettable What made ' The Next 14 Seconds'  so exhilarating was its unpredictability. Just when you thought you understood the direction, the performance shifted. One moment it will be deeply contemplative, the next it is chaotic and nonsensical. There was an undeniable humour woven throughout—the exaggerated facial expressions and mimed sequences frequently elicited giggles from the audience. As the performers drew the audience into their world, they extended the experience beyond the stage. They made eye contact, guided our movements, and even pulled some audience members onto the stage. The final affirmations—starting with “I,” then “You,” then “We”—fostered an intense sense of unity, culminating in the entire theatre joining hands like we were at a kumbaya campfire. This surprising ending transformed the audience from passive observers into active participants in the performance’s message. 'The Next 14 Seconds'  is not a conventional dance performance—it is a visceral, immersive experience that challenges perceptions of movement, theatre, and human existence itself. While the abstract storytelling may leave some feeling lost, the talent displayed on stage and the sensory impact are undeniably compelling. This is dance theatre at its boldest—an exploration of our identity, our past, and our potential future. Photography by Jade Ellis

Title:  Seussical The Musical Presented By:  Stage School Australia Genre:  Musical Theatre Synopsis: Seussical The Musical is a whimsical adaptation of the beloved works of Dr. Seuss. This vibrant production celebrates iconic stories and characters, bringing together elements from Horton Hears a Who! , Green Eggs and Ham , and The Cat in the Hat . With hilarious characters, colourful costumes, and enchanting musical numbers, Seussical  promises to delight audiences of all ages. Audition Process: Self-tape submissions due: Sunday, 2 February 2025 In-person auditions: Sunday, 9 February 2025 Callback submissions due: Friday, 14 February 2025 Audition Location and Address: Brisbane State High School, Gate M5 on Ernest Street, South Brisbane Audition Requirements: Open to performers aged 10-19 years . Performers must prepare and submit a 16-bar musical theatre excerpt from the provided selections , using a neutral Australian accent. Ages 10-13:  Sing from the ‘ younger voice ’ selection. Ages 14+:  Sing from the ‘ older voice ’ selection. Self-tapes should be filmed in a medium shot (waist up) with clear audio and lighting. Perform your audition as you would on stage - it’s not a singing exam, so don’t concentrate solely on your voice. Use expression, and entertain us! Videos must be uploaded to YouTube or Vimeo (as 'Unlisted') with the performer’s full name in the description. No editing, mixing, or pitch correction allowed. Submit audition videos via email, including name, date of birth, performing experience, measurements, and video link. Audition Submission: casting@stageschool.com.au Audition Pack:   Available here Production Website:   www.seussicalmusical.com.au Production Details: Performance Dates:  15 - 17 April 2025 Performance Times: Tuesday, 15 April:  2:30pm & 7:00pm Wednesday, 16 April:  11:00am, 2:30pm & 7:00pm Thursday, 17 April:  11:00am, 2:30pm & 7:00pm Performance Location:  Draney Theatre, Marist College, Ashgrove Rehearsal Dates & Times: Friday, 21 March:  5:00pm - 9:00pm (Principals) Sunday, 23 March:  9:00am - 5:00pm (Full Company) Sunday, 30 March:  9:00am - 5:00pm (Full Company) Monday, 7 April - Friday, 11 April:  9:00am - 5:00pm (Full Company) Monday, 14 April:  11:00am - 7:00pm (Full Company - Draney Theatre) Rehearsal Location:  Brisbane State High School, Gate M5 on Ernest Street, South Brisbane Additional Information: Required Age:  10-19 years for performers Show Fee: Participation Fee:  $170 (GST inclusive) Souvenir Cast T-Shirt:  $30 (mandatory) Total Cost:  $200 Ticket Sales Commitment:  Each performer must sell at least 20 tickets  to contribute to production costs. Ticket Prices: Weekday Matinees:  $30 Evening Performances:  $35 Creative Team: Director - Robert Coates Music Director - Lucy Ross Choreography - Rebecca Djapovic Other Information: Successful auditionees will be notified via email after final auditions. Video and sound recording may be made of auditionees during auditions for internal use only. Performers are expected to attend all rehearsals and performances. Final performance (17 April) requires mandatory bump-out assistance until 9:30pm.

Title:   Encore! A CIA Variety Show Presented By:  Communication in Action (CIA) Genre:  Variety Show / Musical / Performance Synopsis: Encore!  is a dynamic variety show that showcases the incredible talents of CIA students in their Semester 1 production for 2025. This exciting production celebrates the survival of live theatre in a post-pandemic world and offers something for every performer. From bold monologues and duologues for the acting enthusiasts to show-stopping solos for singers and captivating choreography for dancers, the show promises to keep everyone on their toes. With a script that draws inspiration from plays, musicals, movies, and original material tailored for CIA performers, this is a unique opportunity to shine. Each student will feature in at least two segments, and the cast will be divided into junior and senior age groups, ensuring the right mix of peers and experience. Audition Date:  Sunday, 9th February 2025 Audition Times: Option 1: 9.00 – 10.30 am (Years 2 – 6) Option 2: 10.30 am – 12.00 pm (Years 7 and up) Option 3: 12.00 – 1.30 pm (Years 2 – 6) Option 4: 1.30 – 3.00 pm (Years 7 and up) Audition Location and Address: Thomas Dixon Centre, West End, Brisbane Audition Requirements: Performers should be ready to showcase their talents in singing, acting, and/or dancing. Students will be placed in segments based on their strengths and experience. Audition Registration: Register Here Rehearsal Dates and Times: All rehearsals will take place at Thomas Dixon Centre, West End Sunday 16th February: 9.00 am – 12.00 pm: Years 2 – 6 12.00 – 3.00 pm: Years 7 and up Sunday 23rd February: 9.00 am – 12.00 pm: Years 2 – 6 12.00 – 3.00 pm: Years 7 and up Sunday 2nd March: 9.00 am – 1.00 pm: Years 2 – 6 11.00 am – 3.00 pm: Years 7 and up Sunday 9th March: 9.00 am – 1.00 pm: Years 2 – 6 11.00 am – 3.00 pm: Years 7 and up Sunday 15th March (Dress Rehearsal & Tech Run): 9.00 am – 1.00 pm: Years 2 – 6 12.00 – 5.00 pm: Years 7 and up Sunday 16th March (Performance Day): 9.00 am – 12.00 pm: All cast Performance Dates: Sunday, 16th March 2025 1.00 pm 3.30 pm Performance Location: Talbot Theatre, Thomas Dixon Centre, West End, Brisbane Cost: $350 + GST = $385 This fee covers 21+ hours of expert tuition, rehearsals, and the opportunity to perform in a professional theatre with state-of-the-art facilities. Warnings: Some segments may contain bold performances that challenge students to push their boundaries, but all material will be age-appropriate. High energy and preparation required. Required Age: Year 2 and above Production Website: Communication in Action

Title:   The Mayne Inheritance Presented By:  Bent Productions Genre:  Drama / Mystery / Historical Thriller Synopsis: The Mayne Inheritance  by Errol O'Neill tells the captivating true story of Patrick Mayne, a poor Irishman who emigrated to Australia in the 1840s and rose to become one of Brisbane’s wealthiest men. As a butcher, landowner, and councillor, he left behind a complicated legacy marked by a deathbed confession of murder. This Gothic Australian play delves into the chilling repercussions of Mayne’s actions on his family, as his descendants grapple with the haunting truth and the social consequences of their patriarch’s dark legacy. Inspired by Rosamond Siemon’s book, The Mayne Inheritance  explores themes of history, murder, and colonial society through a psychological thriller that spans generations. Audition Date:  Sunday, February 2nd, 2025 Audition Location and Address:  Paddington, Brisbane (Address to be confirmed upon registration) Audition Requirements: Details will be provided in the audition pack Ability to portray multiple characters, as each actor will play both main and smaller roles Audition Registration: Email bentproductions24@gmail.com  to request an audition pack and register for your spot Warnings:  Contains mature themes related to murder, family secrets, and psychological tension.

Title : Broadway Rising Stars Open Mic Presented By : Broadway Rising Stars Genre : Open Mic / Musical Theatre About : Broadway Rising Stars is an open platform for young talent to shine on stage! This event provides aspiring musical theatre performers (aged 17 and under) the opportunity to showcase their talent in a professional setting. This free performance experience celebrates the next generation of Broadway stars, giving young performers the chance to share their voice and passion in front of a live audience. Auditions Close:  Monday, 17 February 2025 Audition Registration: Audition Registration Form Audition Requirements: Step 1: Record Your Audition Video Perform two contrasting musical theatre songs that best showcase your voice and style. These must be the exact songs you plan to perform at the open mic. Recording Tips: A smartphone works great—just ensure clear audio and lighting. No special effects—just your voice and performance! Find a quiet, well-lit space with minimal background noise. Step 2: Upload Your Video Upload your audition video to a platform with a shareable link (Google Drive, YouTube, Vimeo, etc.). Videos do not need to be public—as long as the link is shareable. Step 3: Submit Your Audition Complete the online audition form and include your video links. Performance Date: Sunday 2nd March, 2025 at 1:00pm Performance Location: Sit Down Comedy Club, Paddington Required Age:  17 and under

Title : Joseph and the Amazing Technicolor Dreamcoat Presented By:  Spotlight Theatrical Company Genre : Musical Synopsis : A vibrant, family-friendly musical by Andrew Lloyd Webber and Tim Rice, Joseph and the Amazing Technicolor Dreamcoat retells the biblical story of Joseph, his “coat of many colors,” and his journey from betrayal to triumph. Featuring an eclectic mix of musical styles—including country-western, calypso, rock ‘n’ roll, and pop—this beloved production brings ancient Egypt to life through iconic songs like Any Dream Will Do and Close Every Door. With humour, heart, and dazzling spectacle, Joseph is a timeless tale of perseverance, forgiveness, and the power of dreams! Audition Details: Audition Dates: Saturday, 8 February 2025 (10:00 AM - 5:00 PM) Sunday, 9 February 2025 (10:00 AM - 5:00 PM / Callbacks) Audition Registration Deadline:  Monday, 3 February 2025 (Midnight) Audition Pack: Available here Audition Registration: Audition Registration Form Audition Contact:   joseph.spotlight.25@gmail.com Audition Requirements: Adults (16+) Dance Call (Mandatory for all, except Jacob) – Saturday, 8 February (10:00 AM - 12:00 PM) Singing Auditions  – Saturday afternoon / Sunday, 9 February (You will be assigned a time) Callbacks  – Sunday, 9 February (Afternoon) (If needed, please note availability issues in your registration form) Song Preparation: Prepare one song (max 2 minutes) in the style of the show. Bring a backing track on a phone or tablet (no a cappella). Additional song requirements apply for Joseph, Narrator, Pharaoh, and selected roles (Details in the audition pack). Bring a performance CV or a document outlining experience. Children’s Choir (Ages 8-14) Video auditions only (Due by Midnight, Monday 3rd February). Must learn provided choreography and submit a recording. Must be available for rehearsals and performances. Costumes to be provided by cast members (white sneakers, blue jeans, assigned solid-colour top). Available Roles: Narrator  – Mezzo-Soprano (belt up to E). Must have strong comedic timing and stage presence. Joseph  – Baritone/Tenor. Charismatic, charming, strong vocal lead. Pharaoh  – Charismatic, comedic, Elvis-style performance. Jacob/Potiphar  – Mature male, able to sing. The Brothers (11 roles)  – Strong singers, various vocal styles. The Wives (8 roles)  – Strong dancers & singers. Mrs. Potiphar  – Tall, sultry, confident. Apache Dancer  – Strong in partner work (adagio). Performance Dates: 8 May - 31 May 2025 Performance Location: Halpin Auditorium, Spotlight Theatre, Gold Coast Rehearsal Dates: Rehearsals Begin: Tuesday, 18 February 2025 Rehearsal Days: Tuesdays, Thursdays, Sundays (Schedule subject to change) Warnings: This production contains stage combat, comedic elements, and high-energy choreography. Required Age:  8+ (for children’s roles) Creative Team: Director & Vocal Director: David Valks Choreographers: Jackson Kook & Lucy Martin Creative Producer: Joshua McCann-Thomson Stage Manager: Jacqui Goodliffe Production Website:   Spotlight Theatre Auditions Other Information: All cast & crew must purchase a Spotlight membership. Full rehearsal attendance required. (Three undisclosed absences may result in removal from the production.)

Title : Andrew Lloyd Webber On Stage Presented By : Paterson Productions Genre:  Concert / Musical Theatre Synopsis : Step into the world of Andrew Lloyd Webber in this spectacular concert event, celebrating one of musical theatre’s most iconic composers. Featuring a powerful cast of singers and a live orchestra, this unforgettable performance brings to life timeless classics from The Phantom of the Opera, Cats, Evita, Jesus Christ Superstar, Joseph and the Amazing Technicolor Dreamcoat, and more. Whether it’s the haunting strains of "Music of the Night" or the uplifting "Any Dream Will Do," this concert is a journey through Webber’s legendary musicals. Audition Details: Audition Date : Saturday, 1 February 2025 Audition Registration Deadline:  Friday, 31 January 2025 (9:00 PM) Audition Registration: Audition Registration Form Audition Location and Address: Twelfth Night Theatre, 4 Cintra Rd, Bowen Hills, QLD Audition Contact :  info@patersonproductions.com Audition Requirements: Prepare two contrasting excerpts of Andrew Lloyd Webber songs (max 90 seconds each). Songs should showcase different vocal styles and character interpretations. Use a backing track, cued to the correct start point (Bluetooth available). Note : In-person auditions only. If unavailable on 1 February, email info@patersonproductions.com  to discuss alternative options. Available Roles: Principal Soloist:  Strong vocalists/actors for solos and duets. Ensemble Performers:  Strong singers who can harmonise and perform in group numbers. Children’s Ensemble (Ages 7-18):  Young performers who can sing and move well. Other Information: Performance Dates: 9th - 11th May 2025 Performance Location :Twelfth Night Theatre, Bowen Hills Rehearsal Dates: April - May 2025 (Weeknights & Weekends based on availability) Tech & Dress Rehearsals: Week of Monday, 5 May (Mandatory) Children’s Ensemble rehearsals may occur during school holidays. Required Age:  7+ Creative Team: Director:  Samantha Paterson Musical Director/Conductor:  Michael Keen Production Website:   Paterson Productions This is a non-remunerated production.