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Join us for auditions for the exciting lineup of one-act plays presented by Javeenbah Theatre Co. This is your chance to be part of captivating stories and showcase your talent on stage. Here's everything you need to know: Audition Details: Date: 19 May 2024 Time: 2:00 pm Location: Javeenbah Theatre Co., Cnr Stevens Street and Ferry Street, Nerang QLD 4211 Audition Pack: Download Here Register for Audition: Audition Registration Form Plays and Characters: Mothers’ Group: Uncorked Emma Barton (35, Female Presenting) Jennifer Meadows (45, Female Presenting) Amanda Wayne (51, Female Presenting) Crystal Pegg (23, Female Presenting) Ashley Brighton (31, Female Presenting) To Be a Superhero Jon/Superstar (Male presenting, 20-40) Lexi (Female presenting, 20-40) Grove (Male presenting/undefined gender identity, 20-30) Ensemble (Any Gender identity, any age) Radio Waves Frankie (20-30, Male Presenting) Eddie (25-35, Male Presenting) Drag Queen (Any Age, Any Gender) Man (20-60, Male Presenting) Battle of the Boyfriends Harry (20-30, Male Presenting) Mouse (20-30, Male Presenting) Amy (20-30, Female Presenting) Logan (18-early 20s, Male OR Female Presenting) Gordon (40-60, Male Presenting) Don’t Do Drugs (Unless They’re Free) Greg (20-30s, Male Presenting) Molly (20-30s, Female Presenting) What to Prepare for Audition: Group cold read of the script (approx. 30 minutes) Prepare for the audition by reviewing the audition pack and familiarising yourself with the characters and scenes. Rehearsal and Production Details: Rehearsals will be scheduled based on the cast's availability, with compulsory rehearsals on specified dates. Production dates: 12-14 July 2024 (4 shows, including 2 on Saturday) Membership Requirement: All cast and crew members will need to become Javeenbah Members ($10 annual membership). For any questions or inquiries about the production, please contact artisticdirector@javeenbah.org.au. We look forward to seeing you at auditions and bringing these captivating stories to life on stage! Let your talent shine in our upcoming one-act wonders.

We invite you to audition for our production of Godspell, a captivating musical theatre experience featuring beloved songs by Stephen Schwartz. This uplifting show tells the story of Jesus Christ through a variety of parables, using a mix of games, storytelling, and vibrant musical numbers. Audition Dates & Locations: Group & Acting Call: Sunday, April 21 at Spring Hill Hall, 10:00 AM - 4:00 PM Vocal Calls: April 22-23 at Footlights Studio (Evenings) Callbacks: Wednesday, April 24 at Backbone/Seven Hills Hub, 7:00 PM - 9:30 PM Audition Requirements: Vocal: Prepare a musical theatre song (approximately 1 minute) and a song of your choice to showcase your style and personality (approximately 1 minute). Familiarise yourself with songs from the show if called back. Dance: Learn choreography on the day and perform in small groups. More challenging choreography is optional. Acting: Participate in group acting exercises, improv, and cold reads. Show your ability to bring characters to life. Roles: In our production of Godspell, each actor will use their own name, embodying specific character archetypes while letting their unique personalities shine through. JESUS: Male presenting, must be the most charismatic individual in the cast. High energy, charming, funny, gentle yet strong. Others instinctively follow him. Please be familiar with “Save the People” and “Finale.” JOHN THE BAPTIST/JUDAS: Charismatic in an overt revolutionary way. Usually played by someone handsome and masculine with an undertone of sexuality. Must be serious and intellectual yet possess a good sense of physical comedy. Please be familiar with “On the Willows.” “We Beseech Thee”: Characterised by very high energy, impishness, and playfulness. “All Good Gifts”: Sweet and innocent, though not the brightest. Must be a very strong singer. “Light of the World”: The comedian and class clown who can do various voices and imitations. “Day by Day”: A bit of a tomboy, open, and sweet. Potentially the youngest of the group. “Bless the Lord”: Confident and show-off, often volunteering without fully understanding the situation. “By My Side”: Shy and sometimes slow to grasp things, but committed once she does. Radiates an “earth mother” warmth. “Turn Back, O Man”: Sassy and slightly cynical, exuding a put-on sexiness reminiscent of Mae West or Madonna. “Learn Your Lesson Well”: Female equivalent of the class clown, characterised by goofiness and humour. Casting Notes: We are committed to diversity and inclusion. LGBTQ+ actors, BIPOC actors, and actors with disabilities are strongly encouraged to audition. Actors of any faith or background are welcome. About The Show: Godspell, the first major musical by Stephen Schwartz (Wicked, Pippin, Children of Eden), features beloved songs such as “Prepare Ye the Way of the Lord,” “Learn Your Lessons Well,” and “All Good Gifts.” A small group of people help Jesus tell parables using storytelling techniques and a blend of musical styles ranging from pop to vaudeville. Production Team: Director: Isaac Brown Music Director: Benjamin Richards Choreographer: Isabelle Quayle Production Schedule: Rehearsals will be held on Mondays, Wednesdays, and Fridays from 7:00 PM - 10:00 PM, and Sundays from 12:00 PM - 5:00 PM at the Footlights rehearsal space in Cannon Hill until Show Week. Cast members must be available for all rehearsals as dictated in the Rehearsal Schedule. Key Dates: Sunday-Tuesday, April 21-23: First Round Auditions Wednesday, April 24: Callbacks Sunday, April 28: First Rehearsal Sunday, June 30: Production Week AUDITION PACK: Download Here AUDITION FORM: Fill Out Here

Get ready to embrace your inner villain this Halloween with Salad Bowl Collective and Mira Ball Productions' "A Night With The Villains"! Join us for a spellbinding cabaret featuring talented local performers, as we take you on a journey through the most sinister musical and pop hits. Expressions of Interest Now Open! Requirements: Submit a 1-2 minute video showcasing your most villainous song, monologue, dance, or comedy routine. Include a headshot, current CV, and availability for September and October. Complete the audition submission form. Key Dates: Rehearsals begin in early September (once a week on Sunday evenings). Performances run from October 29th to October 31st at the Ron Hurley Theatre (with potential extension to Nov 1st-2nd). Remuneration:This is an independent production operating on a commission-based, profit-share model. About the Show:"A Night With The Villains" premiered in 2023 to sold-out audiences. Now, it's back to celebrate the spookiest season with our community. Embrace your dark side and embody iconic villains from musical theatre! Submit Your EOI: Apply now at villainsnight.com and let us know which villain you'd love to become this Halloween! We can't wait to see your wicked talents come to life on stage. Join us for a Halloween to remember!

Join us for auditions for our upcoming production of "Panic in Pipton" at Act1 Theatre, Old Shire Hall, 238 Gympie Rd, Strathpine AUDITIONS: Saturday, April 27th from 11:00 am to 3:00 pm Sunday, April 28th from 10:00 am to 1:00 pm PERFORMANCE SEASON: 13th - 28th September, 2024 Director: Deb Hossack Musical Director: Andrew Munslow Interested in a character role? Private message the Director Deb Hossack with your name, current email address, and the role you're interested in, and we'll send you an audition song in the style of what you'll perform. Auditions will include cold script readings and vocal assessments. CHARACTERS: Lindsay and Jane Couple at odds with each other Age: 25+ Roles include solos, duets, and chorus Ted Works at Pipton Hotel Age: 30+ Roles include solos, duets, and chorus The Vicar Church figure struggling with faith Age: 30+ Show-stopping solo and chorus Sam Drifter prone to daydreaming Age: 25-45 3 Songs and 2 duets Lily Spirited owner of Pipton Hotel Age: 40+ 1 Song, 1 duet, plus chorus Radio Announcers Broadcasting segments of "War of the Worlds" Roles vary based on interest and ability

AUDITION DATE: Monday, 13th May at 6:45 pm for a 7:00 pm start - Tugun Theatre, 414 Coolangatta Rd, Tugun QLD "The Cemetery Club" is a delightful comedy that explores love, loss, and friendship with heart and humour. Set in New York, the play follows a group of quirky characters navigating life after the death of a spouse. Characters: Ida: She is a nurturing and sweet person – but she delivers her share of wisecracks. Ida is ready to move on to find male companionship again. Lucille: Lucille is the feisty girl with the big personality, who just wants to have fun. She hides her heartache with humour. Doris: Doris is conservative and judgemental. She still lives for her husband, though he’s been dead for four years. She disapproves of her friends who are trying to find love again - but values their friendship and shared bonds. Sam: Sam, the butcher, is a widower. He is an easy-going, thoroughly nice person – a people pleaser. He loved his wife but he is lonely and wants to find female companionship again. He’s sweet on Ida. Mildred: Mildred is trying to get her hooks into Sam. She is wriggling her way into his life, whether he likes it or not. Requirements: American accent (not Southern), but we can assist with perfecting it. All characters have a stage age of 50s to 60s. 4 females and 1 male required Rehearsal Schedule: Monday and Thursday nights leading up to the show. Performances run from 15th to 31st August (Thursday, Friday, Saturday evenings) with matinees on 17th and 24th August. Please ensure availability on these dates. For more information or to express interest, contact Director Judy Neumann at director.tuguntheatre@outlook.com.

Can you share a bit about your background and journey into the world of theatre? Tony: I discovered theatre through film. I grew up watching a lot of silent movies with comedians like Charlie Chaplin who had their beginnings in music hall and vaudeville. This led to a love for musical theatre, and a fascination with the relationship between Broadway and Hollywood, particularly during the golden age where most movie musicals were adapted from the New York stage. Eventually, I became inspired by the magic of the theatre. I was lucky that my Grandmother noticed this interest and during my teenage years, I was taken to everything; plays, ballet, opera, symphony. It was the ultimate education. From here, I was very fortunate to attend a local school of excellence program in the performing arts. They are a little more commonplace now, but it was an enriching experience to spend half my day in senior school studying dance, music and drama! This gave me an excellent grounding where I have strived to build my life around this singular passion for theatre, both as an actor and director. What kind of informal or formal training did you undergo? How has this shaped your approach to your work? Tony: I studied Drama at QUT and later completed postgraduate studies in guidance and counselling. On reflection, I could not have asked for a better place to complete my undergraduate studies. The Drama degree had such variety, from studies in acting to the entrepreneurial aspects of the creative industries. I experienced having my thinking challenged by academics who opened up a world of possibilities about what performance could look like. At the time, I found this disruptive approach quite daunting but ultimately it strengthened my perspective. My postgraduate studies taught me about the importance of building relationships and communication within the arts. I learnt never to underestimate the impact of supporting and empowering other creatives. Couldn't agree more, because it is precisely what Stage Buzz is all about too! Do you have a particularly memorable project from your theatre career so far? Tony: Soon after I first graduated, I was invited to work as assistant director for the late, great Bille Brown, AM. From time to time, we are all touched by little pieces of magic. Working with Bille brought an incredible new focus into my creative life. His discipline and sense of structure was inspirational. Learning from Bille was an unrivalled masterclass. He exposed me to a directing style that struck the balance between explicit instruction and instilling a sense of discovery in his actors. Sounds like a great opportunity for a post-graduate! Speaking of directing, can you share any strategies or techniques you use to maintain a positive and productive rehearsal environment? Tony: I always promote the importance of effective planning throughout the production process. I believe it is essential to utilise the precious commodity of time within rehearsals. In conjunction with the entire creative team, I strive to develop a rehearsal and production schedule that compartmentalises the show to ensure a variety of activities are occurring, and every cast member is active within every rehearsal session. Importantly, this places the work at the heart of the entire experience. As well, I encourage all company members to engage fully as viewers, when they are not performing, during the initial runs. I consider this an important shared experience amongst the entire cast. This effective planning, coupled with a motivated and energised cast, fosters a positive and rewarding creative experience. As the late, great Broadway artist Ann Reinking once said, “the joy is in the work”. Can you share any upcoming projects or productions you’re excited about, and what we can expect from them? Tony: I am very excited to have launched my own business. I am an advocate for the transformative power of the arts. I recognise and value its ability to elevate all aspects of life. With this vision in mind, I have created ‘The Ovation Program’. This short course is an 8-week experience that offers a safe, inclusive, and productive environment, encouraging risk-taking and skill development. It has been tailored for those who are seeking to refine their craft, as well as those who are intrigued by the idea of stepping into a creative space. As well as learning about character building and voice and movement, the course also serves as a platform to finesse soft skills such as communication, collaboration, and self-motivation. I have structured the program with a clear beginning, middle and end with supportive instruction, guidance and feedback every step of the way. The course concludes with the presentation of short scripted scene learnt throughout the sessions. (Register to participate in The Ovation Program: www.tonycampbell.net.au or email: ovation@tonycampbell.net.au) Congratulations on your business launch! Without giving too much away from the program, what advice do you have for individuals aspiring to pursue a career on the stage or behind the scenes? Tony: I think Dame Julie Andrews said it best in her recent memoir, “Home Work”: “You just don’t know in life. Life knocks you about and pushes you over boundaries. But be ready. Do your homework; that’s all I can say”. I think there’s something profound in this view. Never underestimate the power of real preparation. What do you love most about working in the theatre industry, and what keeps you motivated and passionate about your role? Tony: In my opinion, it all comes down to sharing meaningful stories. We are all story-tellers who can take advantage of the opportunity to use the existing resources of local theatre or student theatre to amplify and enrich our community. I am also inspired by our rich history of artists, academics, technicians and musicians who make up the creative tapestry of our industry. But most importantly, it’s the unsung heroes, those who maintain our theatre spaces from front of house to backstage. These pieces of infrastructure allow us to practice our craft.  It is their quiet love for this artform that keeps us rolling along. You're so right. Lastly, can you share any memorable or inspiring moments that have reaffirmed your love for theatre and the arts? Tony: I recently attended the closing night of the Broadway musical, “Some Like It Hot” at the Shubert Theatre in New York City. YouTube has taught us that Broadway closing nights are very sacred events where audience members are particularly excited. There are many beautiful ‘fourth wall breaking’ moments where the actors have no choice but to quietly acknowledge the audience in order to keep the show moving. It is the ultimate shared experience of celebrating artistry. What I didn’t anticipate was the number of Broadway luminaries in attendance! Songwriters Marc Shaiman and Scott Wittman, Director Casey Nicholaw along with Aaron Tveit and Patti LuPone. Sitting metres away from these legends was like watching two shows at once. However, what I found very striking was their humble, everyday nature as they applauded their colleagues and engaged in enthusiastic interval discussion about the show. They were just like anyone else I know having an incredible night at the theatre. It made me realise we are so similarly connected by this artform, with a deep love for the work and the craft.

Audition & Submission Process: Audition Date: Sunday, 21st April 2024 Callbacks: Wednesday, 24th April 2024 (if required) Registration Deadline: 5:00 pm Friday, 19th April Auditions will take place on the Gold Coast. Self-tape auditions available upon request. Show Details: Season Dates: 19th July - 17th August 2024 Venue: Halpin Auditorium, Spotlight Theatre Complex, 185-187 Ashmore Road, Benowa QLD 4217 About the Show: "Ghost the Musical" is adapted from the romantic film by Bruce Joel Rubin, telling the heart-wrenching story of Sam and Molly. Sam, murdered tragically, refuses to leave Molly after discovering she's in grave danger. With the help of Oda Mae Brown, a spirited psychic, they embark on a supernatural journey defying life and death. Creative Team: Director/Choreographer: Clay English Musical Director: Shari Willner Associate Choreographer: Laura English Rehearsal Period: Nine-week rehearsal period starting Monday, 19th May 2024. Rehearsals on Sundays, Tuesdays, and Thursdays with additional calls for filming and photoshoots. Character Breakdown: Sam Wheat (25-35): Charismatic banker, strong actor/vocalist Molly Jensen (25-35): Vibrant artist, strong actor/vocalist Carl Bruner (25-35): Suave antagonist, strong actor with stage combat skills Oda Mae Brown (25-50): Larger-than-life psychic, comedic timing, strong actor Ensemble Roles: Various characters including Willie Lopez, Subway Ghost, Hospital Ghost, Clara, Louise, and dancers. What to Prepare: Ensemble/Dance Auditionees: Sing 32 bars/90 seconds of a musical theatre song. Lead Auditionees: Prepare a 90-second musical theatre piece and a character piece from the show. Only those auditioning for a dance/ensemble role will be required to attend a dance call. Notes: This is an unpaid, amateur production. Performers must be local or available on the Gold Coast during the engagement. All cast members must become financial members of the Spotlight Theatrical Company. All genders, communities, identities, backgrounds, sizes, and races are encouraged to audition. Age specifications refer to playing age; actors outside the specified range can still audition if suitable for the role. Contact for Enquiries: Email: ghostmusicalspotlight@gmail.com Audition Form Audition Pack

I had the pleasure of attending a jam-packed performance of “Mel Brook’s Young Frankenstein” by Millennial Productions on April 6th at the Ron Hurley Theatre. This hilarious stage adaptation of Mel Brooks' classic comedy film follows the story of neurosurgeon Dr. Frederick Frankenstein (Victor's grandson). Despite his initial reluctance to embrace his family's mad scientist legacy, Frederick embarks on a madcap journey to bring a corpse to life, accompanied by Igor, his faithful hunchbacked sidekick; Inga, his lovely lab assistant; and Frau Blücher, the mysterious housekeeper. As a first-timer at a Millennial Productions show, I quickly understood why they're renowned for high-class entertainment. From the moment the curtain rose, the ensemble's energy was electric! The cast exuded the confidence of seasoned professionals, with the ensemble effortlessly juggling multiple roles and infusing the stage (and the stairs) with irresistible enthusiasm. Director Taylor Andrews has crafted a lively and impeccably rehearsed production that felt both fresh and uninhibited. Andrews's vision was apparent in every detail, from audience interaction to immersive storytelling techniques. The set design ingeniously maximised the small stage, creating a close-up environment, enhanced by high-quality tech elements. Zach Price as Dr. Frederick Frankenstein delivered a standout performance. He tackled rapid-fire lyrics with the precision of a neurosurgeon and convincingly delivered Frederick's descent into madness with hilarious flair. Sam Sherrin as Elizabeth showcased a crystal-clear voice and comedic prowess in her number "Please Don't Touch Me,” setting the show’s tone from the get-go. Damien Quick as Igor and Emily Rohweder as Frau Blücher stole every scene they were in. Igor had the audience in stitches, and Rohweder's Frau Blücher had an impeccable transformation into the eccentric but loveable character. Amelie Clarke's entrance as Inga was iconic, featuring outstanding vocals and yodeling skills to boot, she had the audience cackling during "Roll in the Hay." Plus, the accent work was spot-on! Now, let's talk about Dale Shearman as The Monster. This guy was a showstopper! With phenomenal makeup and a talent for physical comedy, he brought The Monster to life (pun intended) with hilarious facial expressions, sound effects, and yes, even dancing! The ensemble was a force to be reckoned with, shining in numbers like "Hang the Doctor" and "Transylvania Mania," using every inch of the stage to their advantage. And don't get me started on "Puttin' on the Ritz"—you just have to see it! Jaime O'Donoghue's choreography was top-notch, perfectly complementing the physical comedy and lively performances of the cast. If you're looking for a laugh-out-loud experience and monstrously good entertainment, do yourself a favour and catch this show before it wraps up on April 13th at the Ron Hurley Theatre. Content Warning: Hold on to your miniature top hats, because this production features everything from strobe lighting to adult-oriented humour, cheeky sexual references, comic violence, and just a dash of mild coarse language to keep things spicy.

Date of Attendance: 6th April 2024 Catch Me If You Can - The Musical, presented by the Beenleigh Theatre Group was an absolute treat from start to finish, showcasing remarkable local talent, engaging storytelling, and vibrant energy that transported the audience to the glamorous world of the 1960s. Based on the true story of Frank Abagnale Jr., this musical follows the journey of a young con artist who successfully poses as an airline pilot, doctor, and lawyer while eluding the FBI. The musical is a high-energy tale of deception, charm, and ultimately, redemption. One of the remarkable aspects of this production is its ability to stand alone as a joyous theatrical experience, regardless of prior knowledge of the true events or having seen the acclaimed film adaptation. Right from the moment of arrival, the immersive experience began with airport-style announcements signalling the imminent start of the show. Once inside, the cast, already in character, interacted with the audience, including stewardesses performing a safety demonstration. The costumes were a standout feature, capturing the essence of the era beautifully. The set and props, extending to the painted floor design, complemented the performances well, while the authentic New York accents added an extra layer of immersion. This attention to detail set a lively and engaging tone from the outset. The soundtrack, composed by the talent behind Hairspray, delighted me with highly catchy tunes that captured the spirit of the decade. The opening number, "Live in Living Colour," set the stage ablaze with energy, showcasing the full talent of the cast. The dancers left a lasting impression too, especially in the mesmerising "Pinstripes”, the upbeat "Someone Else's Skin”, the joyous “Family Tree”, and my personal favourite “Jet Set,” which showcased the stewardesses' infectious energy and Barbie-style grins. James Bird's portrayal of Frank Abagnale Jr was stellar. With powerful vocals, undeniable charm, and a professional-worthy stage presence, he embodied the youthful yet cunning persona of Frank Jr convincingly. Samantha O'Hare, as Paula Abagnale, brought her character to life with a captivating French accent and a perfect jazzy voice, showcased beautifully in her song "Don't Be a Stranger." Jeremy Hendrick's portrayal of Frank Sr was remarkably natural, complete with the perfect accent and attitude. The standout for me was Carl Hanratty, the FBI agent played by Michael Mills, who offered a fresh interpretation of the role with likeable charm. The supporting characters, including the comedic FBI agents and Brenda's adorable parents, added charm to the production in their roles. The direction by Nicholas Joy was exemplary, ensuring that the audience's attention was captivated throughout both acts. Transitions between scenes were fast-paced and seamless, keeping the energy high without any stagnant moments. The abundance of duets in the show was a delight, with standout performances including the intoxicated and humorous "Be a Man" between Frank Sr. and Carl, the catchy “Butter Into Cream” between Franks Jr. and Sr., and the touching "Seven Wonders" duet by Brenda and Frank Jr. Leah Harford's performance as Brenda shone with powerful emotions, crystal-clear vocals, and terrific belting capabilities in her solo "Fly, Fly Away." But the standout number for me was, “Don't Break the Rules,” because it was enhanced with lighting used as helicopter searchlights and impeccable choreography. The final solo "Goodbye" was delivered by James Bird with impressive vocal prowess, while the closing duet "Stuck Together" between Carl and Frank Jr. provided a very satisfying conclusion to the show. I personally believe that this high-class production delivers on all fronts—superb performances, captivating choreography, and an unforgettable soundtrack. It's a must-see for anyone seeking a thoroughly enjoyable theatrical experience. The cast and crew have created something truly special, and I left the theatre wishing I could be part this remarkably fun production too!

Date of Attendance: 5th April 2024 8pm Cast: The Treacle Cast I had the pleasure of attending the performance of ‘Mary Poppins Junior’ presented by Brisbane Junior Theatre, and I must say, it was a delightful experience filled with youthful talent and captivating energy. The young performers were nothing short of charming and talented. Young Mary, Young Bert, and Young Miss Andrews were simply adorable, with Young Mary demonstrating a perfect accent and a stunning voice for her age. Mr. Banks was portrayed excellently by the lively Scott Tamblyn, who captured the firm yet endearing nature of the character. Mrs. Banks, portrayed by Charlotte Westaway, with her bell-like voice and graceful acting, effortlessly embodied the role of the mother. Jane and Michael, played by Scarlett Clyburn and Elijah Clyburn, were a standout duo. Their sibling dynamic added an authentic touch to their performances. Jane's sass and acting prowess were commendable, while Michael, adorned in the most adorable suit, delivered his lines brilliantly. Jacqui Trappett's portrayal of Mary was a highlight of the evening. Her voice, with its classical soprano sound and impeccable diction, gave me goosebumps multiple times. Her acting, capturing Mary's lines with charm and cheek, was equally impressive. Bert, portrayed by Alex Townsley, was outstanding. His perfect cockney accent and controlled voice truly embodied the character. This was my first experience with the Junior version of ‘Mary Poppins’ and with Brisbane Junior Theatre productions, and I was thoroughly impressed. The production maintained a fast-paced rhythm while retaining all the beloved classic songs and capturing all essential elements of the story. The set design was truly impressive and immersive. The 3-dimensional setting, combined with projections, London landscapes, movable set pieces, and curtains filled with colour-changing 'stars,' effectively transported us into the enchanting world of the London skyline. The choreography was well-executed, making optimal use of the stage for lively dance numbers, particularly during 'Step in Time’, which showcased the dancers, including acro and tapping! The technical aspects of the production were also top-notch. The clear sound from the microphones, effective use of lighting, and wonderful costumes enhanced the overall experience. The talent displayed by these young performers was exceptional. It's remarkable how well-rehearsed they were, considering they had only 4.5 days to prepare during the holiday workshop. Not a single mistake was noticeable throughout the show. The ensemble was utilised brilliantly, especially in numbers like 'Spoonful of Sugar’, 'Anything Can Happen,' and the harmonious 'Let's Go Fly a Kite’, showcasing the power of united voices. 'Supercalifragilisticexpialidocious' was a true showstopper, complete with original choreography and infectious energy. Special mentions go to Ciarna Thorn as the bird lady, whose beautiful presence and voice did justice to my favourite song, 'Feed the Birds,' and Gabby Ayoub as Mrs. Corry, demonstrating stellar dramatic acting skills. Imogen Heath's portrayal of Miss Andrews was excellent for capturing the character's terrifying demeanour perfectly, with impeccable control over her vocals. I see a future actress in Imogen! The enthusiasm of the 140 young performers (so I am told) was palpable, with each one giving 100% energy! This production was resounding success, thanks to the exceptional talent, meticulous preparation, and infectious energy of the entire cast and crew. They truly brought the magic of ‘Mary Poppins’ to life, leaving the audience tapping their feet and grinning from ear to ear. I look forward to more outstanding performances from this talented group in the future.

Crucible Productions presents an enchanting opportunity for aspiring actors! Join us for auditions of "School for Fairy Godmothers" written by Lorraine Halse & Michelle Worthington. Audition Date: Sunday, April 21st, 4pm Location: Donald Simpson Community Centre, 172 Bloomfield Street, Cleveland Ages: From 14 years old to adults, no prior experience necessary! Contact for Details: Email us at producer@crucibleproductions.com.au for more information.

For this years Senior IMPACT Ensemble, we’re looking for a powerhouse collective of approx. 8-13 young creatives (ages 15-20) who together will work collaboratively across 6 months to develop an original production for a two show performance season at The Empire’s Armitage Centre. We are devising a new Australian work for young people, in response to Shakespeare’s Romeo and Juliet, titled 'Not Another R&J.' Senior IMPACT Ensemble Details: Entry based on audition Ensemble works across each half of the year towards a public performance Participants collaborate to develop original productions Fee: $550 (covers tuition, materials, and workshops) Payment plan available; bursary applications accepted for financial hardship Auditions: April 22nd & 23rd, 4pm - 7:30pm at The Empire Theatre, Toowoomba Audition Tasks: Perform a self-devised or published monologue related to themes of Romeo and Juliet in a modern context Present a self-devised piece on the topic of forbidden love, ancient feud, or youthful rebellion Audition Pack Application Process: Application deadline: April 8th, 2024 Submit application form via email or in person to The Empire Ticketing Office Ticketing Office: 54-56 Neil St, Toowoomba Contact Information: Email: youtharts@empiretheatre.com.au About IMPACT Ensemble: Since 2011, The Empire Youth Arts’ IMPACT Ensembles have been empowering young artists to tell their stories with the same quality and care as professional theatre productions. These ensembles challenge assumptions about young people and their roles in shaping the world's future. Past productions have toured nationally and been published, with former members pursuing arts studies at leading institutions across Australia. Join the IMPACT Ensemble and be part of a creative community dedicated to making a difference through storytelling and theatre. Apply now to showcase your talent and share your voice on stage!