Agatha Christie's 'Murder on the Nile', directed by Sharon White and performed at Nash Theatre, is a gripping and unexpectedly funny dive into love, betrayal, and murder. Set aboard an opulent riverboat, the production sweeps you into a world of class, chaos, and conspiracy. It's a theatrical voyage that'll have you gripping the edge of your seat and laughing at the absurdity along the way.
The set, designed by Sharon White and constructed by Phil Carney, is a standout element, recreating the saloon of a luxury Nile riverboat with remarkable detail. From the elegant couch and wicker chairs to the decorative tassel pillows and beautifully painted backdrops by Philippa Dwyer and Helen Barrett, every piece invites you into the lavish yet claustrophobic setting. It’s the perfect stage for this deadly drama.
The cast brings their A-game, nailing accents (British, French, and German) and immersing the audience in the riverboat journey. Samantha Herde plays Kay Mostyn with poise and grace, kind of like Rose from Titanic with her classy accent, aristocratic air, and nerves that could snap at any moment. Playing her beleaguered hubby Simon, Matthew Hobbs is a man trapped in a web of his own making. You can really feel his frustration with Philippa Dwyer as Jacqueline de Saverac—his dangerously unhinged ex-fiancée—as she begins coming apart at the seams. Hobbs perfectly captures Simon’s stress and panic as his carefully managed world starts falling apart.
Philippa Dwyer’s performance as Jacqueline de Saverac is magnetic. She plays the jilted lover with a mix of heartbreak and threat that's just riveting; from her cheeky grin when she first struts on stage to the drunken tirade that leaves everyone holding their breath. You just can't help but be drawn in by her wild-eyed determination and calculated actions.
The supporting characters add humour and intrigue to the drama. Linda Morgan as Miss ffoliot-ffoulkes is wonderfully self-absorbed, delivering melodramatic moments that land perfectly. Jonathan Knox as William Smith is the comic relief we all crave. His comedic timing is spot-on, and his awkward attempts to woo Madelyn Scott as sweet and demure Christina Grant are a fun break from the murder mystery.
John Mann as Canon Pennyfather is a natural fit. His charmingly straightforward demeanour and expressive way of speaking perfectly captures the character who unwittingly becomes the confidant and detective. Cheney Hossack, portraying Louise the maid, brings an additional layer of intrigue with her authentic French accent and an air of knowing something we don't. Meanwhile, Thomas Bean as the steward maintains a quiet but notable presence, always lurking, observing and subtly grabbing attention when it counts.
Phil Carney’s lighting and sound design are minimal but effective, keeping the focus on the cast's performances and the script. The sound effects—such as the startling gunshots and atmospheric riverboat sounds—add subtle layers of authenticity to the production. Director Sharon White has done a fantastic job balancing the suspense and humour. The pacing is excellent, ensuring that each scene lands its emotional or dramatic impact.
As the play unravels, it’s a joy to piece together the clues alongside the characters. The layers of drama, gossip, and romance woven throughout the investigation keep you guessing until the final, breathtaking revelation. As someone who had never read the book or seen the film adaptations, the experience of playing detective in real time added a personal thrill to the evening. With its polished performances, stunning set, and intriguing storyline, Nash Theatre’s 'Murder on the Nile' is an enthralling journey into the mind of Agatha Christie. Fans of classic murder mysteries, suspenseful drama, or even sharp comedic moments will find much to love here. Step aboard this spellbinding production before it sails away!
Now playing until 7th December 2024
Tickets available here
Â
Comments