Title: Sense and Sensibility Presented By: St Luke’s Theatre Society Genre: Classic Drama / Romantic Comedy (adapted from Jane Austen) Synopsis: Jane Austen’s Sense and Sensibility follows the Dashwood sisters, Elinor and Marianne, as they navigate love, heartbreak, and society after the loss of their father. This lively ensemble adaptation captures Austen’s wit, romance, and charm while exploring the contrast between reason and emotion. Audition Date: Monday 1 September 2025 Audition Time: 6:30pm – 8:00pm Audition Location and Address: St Luke’s Anglican Church193 Ekibin Rd, Tarragindi Audition Requirements: Prepare a 2-minute monologue (comedic or dramatic). Be ready for readings from the script on the night. Audition Registration: To register your interest, email Director June Balfour at: juneabalfour@gmail.com Performance Dates: Friday 21 November, 28 November, 5 December at 7:30pm Saturday 22 November, 29 November, 6 December at 2:00pm & 7:30pm Performance Location: St Luke’s Anglican Church, 193 Ekibin Rd, Tarragindi Rehearsal Dates: From September 2025 Rehearsal Times: Monday evenings Wednesday evenings Sunday afternoons Production Website: St Luke’s Theatre – Auditions Other Information: With the exception of Elinor and Marianne Dashwood, all roles will be played by the ensemble. Cast members will perform multiple roles. Full commitment to rehearsals is required. Available Roles/Character Breakdown: Elinor Dashwood – eldest Dashwood sister; sensible Marianne Dashwood – middle Dashwood sister; sensitive Margaret Dashwood – youngest Dashwood sister Mrs Dashwood – mother to the Dashwood sisters John Dashwood – half-brother to the Dashwood sisters Edward Ferrars – a gentleman; a bachelor Fanny (Ferrars) Dashwood – wife to John Dashwood; nasty Colonel Brandon – an older bachelor John Willoughby – an unusually handsome young man Sir John Middleton – a country gentleman; distant relation Mrs Jennings – boisterous, good-natured woman Lady Middleton – a lady of society Lucy Steele – a young girl from no fortune Anne Steele – Lucy’s sister; indiscreet Robert Ferrars – Edward Ferrars’ younger brother Gossips 1–5 – high society chorus Servants (including Thomas) Doctor

Title: The Virgin-Mobile Presented By: Passion Productions Genre: Contemporary Comedy / New Australian Work Synopsis: Fresh, razor-sharp, and dripping with twenty-something chaos — The Virgin-Mobile dives into a night of friendship, fractured relationships, and questionable decisions. When Vienna hosts a party to finally confront her long-term situationship with Mark, cracks in the group begin to show. Secrets spill, tempers flare, and awkward confessions unfold — culminating in a booze-fuelled trip home in her beat-up car, now christened the “Virgin-Mobile.” Written by Amiel Simpson and directed by Jack Winrow, this premiere production is as honest as it is hilarious. Audition Date: Saturday 30 August 2025 Audition Time: By appointment (individual auditions) Audition Location and Address: Building Z9, QUT Kelvin Grove Campus Audition Requirements: Prepare a monologue that best showcases your performance style (from plays, films, TV, or other sources) Creative interpretations and bold choices encouraged Be prepared for possible cold reads on the day Wear comfortable clothing suitable for movement Arrive 10 minutes early for your scheduled time Audition Registration: Book your slot here Audition Pack: Download Here Performance Dates: Season runs Saturdays & Sundays from 15–30 November 2025 (6 shows total) Performance Location: Venue TBA (Brisbane) Rehearsal Dates & Times: Rehearsals start 9 September 2025 Tuesdays 5:00pm–8:00pm Sundays 10:00am–4:00pm Possible additional evenings closer to opening Warnings: Mature themes, coarse language, alcohol references Creative Team: Playwright: Amiel Simpson Director: Jack Winrow Production Website: Passion Productions Other Information: No production fees; unpaid community theatre Optional Passion Productions membership Cast must promote the production on social media and be script off-book by 14 October Available Roles/Character Breakdown: Vienna – University graduate-to-be, people-pleaser, reluctant host trying to fix everyone’s problems Mark – Easy-going but blunt, Vienna’s situationship, distracted by matchmaking attempts Morgan – Music student, overtly honest, recovering from a messy breakup with Shoe Shoe (Harrison) – Prideful, confident, and a self-styled womaniser with a messy history Asaiah – Vienna’s church friend, awkwardly set up with Kake, battling insecurity Kake (Kate) – Sharp-witted newcomer to the group, skilled baker with a trail of messy exes

Queensland Academy of Excellence in Musical Theatre (QAEMT) Third Year Cohort, QLD Conservatorium Griffith University Queensland Conservatorium Theatre – Directed by Alister Smith, Choreography by Dan Venz, Musical Direction by Nigel Ubrihien There are some shows you can see over and over again and still leave breathless. A Chorus Line  is one of those for me.  QAEMT’s third-year cohort at Queensland Conservatorium Theatre cemented it yet again as a highlight of 2025’s already stacked season.   This production, directed by Alister Smith, was much more than just another student showcase. It was a perfect marriage of material and performers – a show about young artists baring their souls, performed by emerging triple-threats who were, in many ways, telling their own truths too. With the Conservatorium celebrating its 50th year, QAEMT its 15th, and A Chorus Line  turning 50 itself, the production felt like a milestone moment of synchronicity.   A Chorus Line  is unique in its DNA. Set on the bare stage of a Broadway theatre, the musical follows seventeen Broadway dancers auditioning for eights spots in a chorus line. It was built from real-life interviews with dancers. It gave voice to the anonymous chorus… no fictional characters, but working-class performers of New York City telling their stories. At its core, it celebrates resilience, desire, and the dream of being seen. And what better vehicle for a graduating cohort to step into than this? The opening number exploded with energy as the entire cast (with small and welcome appearances from the first and second year students) leapt into Dan Venz’s demanding choreography. It wasn’t quite the choreography I was expecting, but it was every bit as precise, exhausting, and impressive. As the line was taped across the bare stage and the spotlights lowered, the audition truly began. Penny Challen’s design – mirrors and a line, just like a rehearsal studio – gave the performers nowhere to hide, a perfect metaphor for reflection and exposure. Steve Thornely’s sound design was highly effective, letting the music of Nigel Ubrihien’s orchestra soar without drowning out the voices.   One of the joys of A Chorus Line  is meeting each character through their stories and numbers, and this cast delivered them with colour, humour, and heartbreak. Croft Phillips as Mike bounded through “I Can Do That” with splits and leaps, already impressive so soon after the frenetic opener. Chloe Flanagan brought delightful chaotic energy as Judy, while Kate Hudson-James (Bebe) and Charlie Preston (Maggie) joined Brydie Faith Hall’s pitch-perfect Sheila in a hauntingly beautiful “At the Ballet,” a number that captures the pain of the past and the salvation of the stage. Their voices blended with sweet vulnerability, enhanced by ballet lifts from Mateja Sardelis (Diana) and Ella Rose Harding (Cassie). Brydie embodied Sheila’s alluring attitude perfectly: confident yet uncertain about exposing her soul.   Cooper Swain (Bobby) had the audience in stitches with his monologue, his sharp delivery balancing comedy with honesty. Christina Keen was charming as the delightfully tone-deaf Kristine, her comedic “Sing!” duet with Saul Kavenagh’s standout Al landing perfectly. Watching Christina screech off-key with such control (never easy to do as a trained singer!) was fantastic, while Saul’s charisma and smooth vocals marked him as a highlight among the men. Max Baldock led the cheeky “Hello Twelve, Hello Thirteen, Hello Love” – the TMI anthem of puberty – with outstanding choreography and an ensemble that leaned into every awkward moment brought on by adolescence.   Mateja Sardelis’s Diana shone in “Nothing,” her effortless belt and charisma making the number unforgettable. Niamh Cadoo-Dagley (Richie) tore up the stage with vocal runs so high and effortless it was almost dizzying. Ned Kelly (Greg) and Olivia Horne (Val) milked every laugh in their saucier moments. Olivia’s “Dance Ten, Looks Three” was particularly striking, switching seamlessly between belt and falsetto before topping it off with a knockout opt-up.   Sage Del Carmen’s Paul gave the show its most poignant moment. With a chocolaty vocal tone, natural delivery, and exquisite storytelling ability, their monologue held the room in utter stillness. Meanwhile, Samuel Henderson’s Zach boomed from behind us, the unseen yet omnipresent director commanding the stage even in absence. Ella Rose Harding’s Cassie was luminous: a true triple threat. Her monologue-duologue with Zach was electrifying: a tense exchange about ambition, dreams, and past love. Her performance of “The Music and the Mirror” was a complete tour de force; a blend of lyrical arms, bouncy jazz choreography, and dazzling vocal power. She pulled off a back-bend to die for, some mesmerising mirror moments, and still managed to sing with crystal clarity. Her long lines, her bouncy curls, her hypnotic presence… she was impossible to look away from. The orchestra, made up of Conservatorium musicians under Nigel Ubrihien’s baton, went wild for this number. And honestly, so did I.   The ensemble impressed me endlessly, working as a tight unit then always returning to their “character pose.” They never broke from character, sustaining excellent dialect work that reflected dancers from every corner of the U.S. Of course, the emotional core of A Chorus Line  lies in its existential questions: what happens when the dream ends? What do you do when you can’t dance anymore? “Dreams don’t pay the rent. Bodies don’t last forever, ” Zach reminds them, as starkly as only a director can. And then that line: “Am I copping out? Am I growing up?”  – the character considering teaching as a backup plan. I felt that one in my bones...  As the cast sang “What I Did for Love,” I was riveted. It remains one of my favourite ensemble numbers in all of musical theatre, and this group delivered it with aching sincerity. And like Greg says, sometimes it’s about taking it one day at a time, enjoying your youth while you have it.   The finale was everything you want it to be: gold sparkles, full-power vocals, impossibly tight choreography, and the famous kickline that seemed to stretch on forever. Seeing the orchestra revealed upstage only heightened the thrill of the final image: a unified, dazzling company of performers, each one a star in their own right, coming together as “One.”   This production of A Chorus Line  was the perfect vehicle to showcase the depth, range, and resilience of QAEMT’s graduating class. Each student bared not just their character’s story, but a glimpse of their own artistry and future. Under Alister Smith’s direction, Dan Venz’s choreography, and Nigel Ubrihien’s meticulous musical direction, it became a masterclass in commitment and passion. With design by Penny Challen, and the polish of Keith Clark’s lighting and Steve Thornely’s sound, the show was as technically strong as it was emotionally resonant. With passion pouring out of every beat, it was clear: these dancers, singers, and storytellers have something vital to say and a long line of stages ahead of them.

Title: Agatha Christie's The Mousetrap Presented By: Nash Theatre Genre: Mystery / Crime Thriller Synopsis: In Agatha Christie’s legendary murder mystery, a group of strangers are stranded at Monkswell Manor during a snowstorm — and one of them is a murderer. As tensions rise, secrets unravel, and suspicions threaten to destroy relationships, a relentless detective races to unmask the killer before another victim falls. This timeless classic has been keeping audiences guessing for over 70 years, with a twist ending that’s famously kept secret. Audition Date: Sunday 7 September 2025 Audition Location: Nash Theatre New Farm Audition Requirements: Cold read from the script (provided on the day) Contact director Sharon White to register: sharon_white_@hotmail.com Performance Dates: Preview: 14 November 2025 Opening Night: 15 November 2025 Evenings: 21, 22, 28, 29 November; 5, 6 December 2025 (Fridays & Saturdays) Matinees: 22 & 29 November 2025 Performance Location: Nash Theatre New Farm Creative Team: Director: Sharon White Production Website: Nash Theatre Auditions Available Roles / Character Breakdown: Mollie Ralston – Female, 30s; Young owner of Monkswell Manor, recently married to Giles. Giles Ralston – Male, 30s; Mollie’s husband, attractive, arrogant. Christopher Wren – Male, 30s; Flighty, neurotic, guest at the Manor. Mrs. Boyle – Female, 50s; Stern, bad-tempered guest who complains constantly. Major Metcalf – Male, 60s; Retired British military officer. Miss Casewell – Female, 30s; Masculine demeanour, aloof and mysterious guest. Mr. Paravicini – Male, 50–60s; Foreign gentleman stranded by the snowstorm, eccentric. Detective Sergeant Trotter – Male, late 30s; Arrives on skis to investigate a prior murder’s connection to the guests.

Title: Anastasia: Youth Edition Presented By: Brisbane Junior Theatre Genre: Youth Musical Theatre Synopsis: Step into a world of mystery and adventure in Anastasia: The Musical. This dazzling production follows Anya, a brave young woman determined to uncover the truth of her past. Set against the fall of the Russian Empire and the vibrant streets of 1920s Paris, she teams up with a charming con man and a warm-hearted ex-aristocrat, all while being pursued by a relentless Soviet officer. Anastasia is a heartwarming story of identity, courage, and belonging — a journey to find home, love, and family. Audition Intensive: Date: Saturday 6 September 2025 Time: 12:00pm–3:00pm Location: Emerge Church Upstairs Studio, 1 Coorparoo Road, Warner QLD 4500 Cost: $50 Details: This workshop will prepare actors for auditioning — covering monologue delivery, characterisation, physicality, projection, accents, and style, plus acting while singing and telling a story through song. Each participant will receive individual feedback from the directors. Audition Date: Saturday 13 September 2025 Audition Time: 1:00pm–5:00pm Audition Location and Address: Emerge Church, 1 Coorparoo Road, Warner QLD 4500 Audition Self-Tape Due: Contact BJT if unable to attend in person Audition Requirements: Open to all young performers — everyone who auditions will be cast Auditions required for lead roles, minor roles, featured dancers, or soloists Prepare and memorise the required monologue (younger children may do a shorter excerpt) Prepare the required song to perform, with characterisation and acting while singing Dance component included Audition materials available here: Audition Pack Audition Registration: Register Here Rehearsal Dates: Monday 22 – Friday 26 September 2025, 8:30am–5:00pm daily Rehearsal Location: Emerge Church, 1 Coorparoo Road, Warner QLD Performance Dates & Times: Friday 26 September 2025 – 6:00pm & 8:00pm Saturday 27 September 2025 – 12:00pm & 2:00pm Performance Location: Emerge Church, 1 Coorparoo Road, Warner QLD 4500 Production Website: Brisbane Junior Theatre

Title: Dare to Dream Jr. Presented By: Loic Valmy Broadway Academy Genre: Youth Musical Revue Synopsis: Dare to Dream Jr. is a 60-minute musical revue that follows an eager group of trainees on their first day at a fictional Walt Disney Imagineering Studio. As they help each other discover their dreams, they explore how imagination can unite, inspire, and make anything possible. Featuring songs from The Princess and the Frog, Coco, Encanto, Frozen II and more, this dazzling revue blends contemporary hits, timeless classics, and brand-new medleys into a theatrical celebration of Disney magic. Audition Dates: Wednesday 3 September & Saturday 6 September 2025 Audition Location and Address: Loic Valmy Broadway Academy, 127 Sandgate Rd, Albion QLD 4030 Audition Requirements: Ages 7–18 Prepare to sing, dance, and act as part of a short workshop audition No prior experience necessary Wear comfortable movement clothing and closed shoes Bring water bottle and any audition materials provided after registration Audition Registration: Register Here Performance Dates: Friday 26 September 2025 – 5:00pm & 7:00pm Performance Location: Hope Centre Theatre, Bowen Hills QLD Rehearsal Dates & Location: Monday 22 – Friday 26 September 2025, 9:00am–4:00pm daily Rehearsals at Alchemy Studios, 127 Sandgate Rd, Albion QLD Participation Fee: Early Bird: $395 (limited to first 10 bookings) Standard: $420 Includes full rehearsal week, professional theatre experience, light dinner on show day Optional Extras: Cast T-shirt $40, Photo/Video package $40, Souvenir Program $10 Warnings: Family friendly Performer Age: 7–18 years Production Website: LVBA Holiday Workshop Other Information: Maximum 50 participants – expected to sell out early Costumes and meals (except light dinner on performance day) not provided

Title: Spring Remixed – Double Bill: Fame and Mean Girls Presented By: Fame Performing Arts Genre: Youth Musical Theatre Synopsis: Spring into your next show with Spring Remixed — an original Fame Performing Arts production featuring hit songs from Fame and Mean Girls. Over five high-energy days, senior performers will sharpen their singing, acting, and dancing skills, working with industry professionals to deliver an unforgettable end-of-week showcase. Audition Date: Saturday 6 September 2025 at 11am - 1pm Audition Location and Address: Fame Studios, Bowen Hills QLD Audition Requirements: Ages 13–18 (at time of workshop) Lead role auditions held on audition day Ensemble participation does not require audition but attendance is encouraged All audition materials provided on the day Audition Registration: Register Here Performance Date: Friday 3 October 2025 (in-studio showcase) Rehearsal/Workshop Dates: Monday 29 September – Friday 3 October 2025, 9:00am–3:00pm Performance and Rehearsal Location: Fame Studios, Bowen Hills QLD Participation Fee: $495 (includes audition day, costumes, and pizza party) Warnings: Family friendly Performer Age: 13–18 years Production Website: Fame Performing Arts

Title: Charlie & the Chocolate Factory Presented By: Fame Performing Arts Genre: Youth Musical Theatre Synopsis: This could be your golden ticket! Join Fame Performing Arts this spring school holidays for an original stage adaptation of Charlie & the Chocolate Factory. Over five days, young performers will develop their singing, acting, and dancing skills while bringing Roald Dahl’s magical world to life, complete with Oompa-Loompas, golden tickets, and pure imagination. Audition Date: Saturday 6 September 2025 at 9am-11am Audition Location and Address: Fame Studios, Bowen Hills QLD Audition Requirements: Ages 6–13 (at time of workshop) Lead role auditions held on audition day Ensemble participation does not require audition but attendance is encouraged All audition materials provided on the day Audition Registration: Register Here Performance Date: Friday 26 September 2025 (in-studio showcase) Rehearsal/Workshop Dates: Monday 22 – Friday 26 September 2025, 9:00am–3:00pm Performance and Rehearsal Location: Fame Studios, Bowen Hills QLD Participation Fee: $495 (includes audition day, costumes, and pizza party) Optional after-hours supervision 3:00–5:00pm: $10/day Warnings: Family friendly Performer Age: 6–13 years Production Website: Fame Performing Arts

Title: Frozen Jr. Presented By: BG Performing Arts Genre: Youth Musical Theatre Synopsis: Based on the hit Disney film, Frozen Jr. tells the story of sisters Anna and Elsa as they discover the meaning of true love and acceptance. When Elsa’s magical powers plunge Arendelle into an eternal winter, Anna embarks on a dangerous journey alongside Kristoff, Sven, and Olaf to save the kingdom. Packed with beloved songs including Let It Go, Do You Want to Build a Snowman?, and For the First Time in Forever, this magical musical celebrates the bond of sisterhood, courage, and self-discovery. Audition Date: Sunday 31 August 2025 Audition Time: 12:30pm–5:30pm Audition Location and Address: BGPA Bowen Hills Studio, 12 Jamieson Street, Bowen Hills QLD 4006 Audition Self-Tape Due: If unable to attend, email info@bgperformingarts.com for video submission instructions. Audition Requirements: Ages 13–18 (must be at least 13 by performance date) Required for lead, minor role, featured dancer, or soloist consideration (ensemble roles do not require audition but attendance is encouraged) All music, dance, and acting components taught on the day; materials sent via Dropbox after registration Bring lyrics/monologues, water, snacks (no nuts), sweat towel, and appropriate footwear Wear comfortable movement clothes and enclosed shoes (jazz shoes recommended) Audition Registration: Click Here to Register Audition Pack: Download Here Performance Dates: Saturday 4 October 2025 – 2:30pm & 7:30pm Performance Location: Everton Park SHS Performing Arts Centre, 668 Stafford Rd, Everton Park QLD 4053 Rehearsal Dates & Locations: Mon 29 Sept – Thu 2 Oct: 9:00am–5:00pm, BGPA Bowen Hills Studio Fri 3 Oct: 9:00am–8:30pm, Everton Park SHS Sat 4 Oct (Performance Day): 10:00am–9:30pm, Everton Park SHS Participation Fee: $395 (covers rights, royalties, insurances, staff, set, props, venue hire) Costume hire fee may apply Warnings: Family friendly Performer Age: 13–18 years old Creative Team: Director & Choreographer - Bella Gordon Musical Director - Kate Baxter Production Website: BGPA Audition Info Available Roles / Character Breakdown: Anna – spirited princess of Arendelle (portrayed by Young, Middle, and Adult Anna) Elsa – magical princess and later queen (portrayed by Young, Middle, and Adult Elsa) King Agnarr & Queen Iduna – caring rulers and parents Pabbie & Bulda – mystical leaders of the Hidden Folk Bishop – officiates Elsa’s coronation Kristoff – rugged ice harvester Sven – Kristoff’s loyal reindeer friend Hans – charming but ambitious prince Weselton – officious duke from a neighbouring kingdom Olaf – lovable magical snowman Oaken – cheerful shop owner and advocate for hygge Ensemble – townspeople, snow chorus, hidden folk, castle staff, summer chorus, Oaken’s family, guards

Title: Abigail’s Party Presented By: Spotlight Theatrical Company Genre: Comedy of Manners Synopsis: It’s the 1970s: a time of cheese-and-pineapple sticks, paisley prints, and Demis Roussos. Beverly and her husband Laurence are hosting a drinks party for their new neighbours, Tony and Angela, along with divorced neighbour Susan — whose teenage daughter, Abigail, is holding a party of her own nearby. As drinks flow and tensions rise, Beverly flirts, Laurence sulks, and bickering escalates into drunken dancing. The night ends in a way no one expects. Mike Leigh’s Abigail’s Party is a biting satire of British middle-class aspirations — hilarious, cringe-worthy, and unexpectedly moving. Audition Date: Sunday 17 August 2025 Audition Time: 11:00am Audition Location and Address: Spotlight Studios, 4/50 Johnston Street, Southport QLD Audition Requirements: All roles open; no pre-casting British accents required (Essex/London for four roles; Queen’s English for Sue) Read audition pack and sides before attending Ages listed are suggestions — actors welcome to audition for older/younger roles if suitable Email completed application form prior to auditions to dawn.china@bigpond.com Bring printed audition form on the day Audition Pack: Download Here Audition Registration Form: Download Here Audition Sides: View Here Performance Dates: Thu 20 Nov 2025 – 7:30pm (Preview) Fri 21 Nov – 7:30pm Sat 22 Nov – 7:30pm Sun 23 Nov – 2:00pm Thu 27 Nov – 7:30pm Fri 28 Nov – 7:30pm Sat 29 Nov – 7:30pm Sun 30 Nov – 2:00pm Thu 4 Dec – 7:30pm Fri 5 Dec – 7:30pm (TBC) Sat 6 Dec – 7:30pm(Bump-out: Sun 7 Dec) Performance Location: Halpin Auditorium, Spotlight Theatre, Southport QLD Rehearsal Dates: Mondays & Wednesdays, 7:00pm Sundays, 10:00am Read-through: Wed 20 Aug 2025 First rehearsal: Sun 24 Aug 2025 Warnings: Adult themes, smoking/drinking depicted on stage Creative Team: Playwright: Mike Leigh Director: Dawn China Production Website: spotlighttheatre.com.au/audition-status.shtml Available Roles / Character Breakdown: Beverley Moss – Female, ~35; glamorous, overbearing hostess with “sophisticated” tastes, masking vulnerability. Essex/London accent. Laurence Moss – Male, ~35; Beverley’s uptight estate agent husband, often at odds with her. Essex/London accent. Tony Cooper – Male, ~35; former pro footballer, terse and aggressive, especially with his wife. Essex/London accent. Angela Cooper – Female, ~35; Tony’s childlike, tactless nurse wife, unexpectedly practical. Essex/London accent. Susan Lawson – Female, 45–50; reserved, conventional, middle-class neighbour, mother of Abigail. Queen’s English.

Title: Boeing Boeing Presented By: Tugun Theatre Company Genre: Comedy / Farce Synopsis:This 1960s French farce, written by Marc Camoletti and translated by Beverley Cross and Francis Evans, follows Parisian bachelor Bernard, who juggles three airline fiancées — Italian, German, and American — each with frequent “layovers.” By carefully managing their flight schedules, he ensures the women never meet… until unexpected changes bring all three to his apartment at the same time. With rapid-fire dialogue, mistaken identities, and physical comedy, Boeing Boeing whisks audiences back to the swinging ‘60s in a cheeky, high-energy romp. Audition Date: Sunday 10 August 2025 Audition Time: 6:30pm Audition Location and Address: Tugun Village Community Centre, 414 Coolangatta Rd, Tugun QLD Audition Requirements: Must be able to attempt required accents for the role(s) (French, English, American, Italian, German) Visit tuguntheatre.org/audition to apply and access 40 pages of the script, character notes, and audition pieces Audition Registration: Register Here Performance Dates: Fri 7, 14, 21, 28 Nov – 7:30pm Sat 8, 15, 22 Nov – 2:00pm & 7:30pm Thu 27 Nov – 7:30pm Sat 29 Nov – 7:30pm Performance Location: Tugun Village Community Centre, Tugun QLD Rehearsal Dates: Mondays & Thursdays, 7:00pm start (finishing 9:30–10:00pm) at Tugun Village Community Centre Warnings: Contains kissing and some 1960s-era lingerie costumes (handled with comfort and respect) Creative Team: Writer: Marc Camoletti Translators: Beverley Cross & Francis Evans Director: Nathan Schulz Production Website: tuguntheatre.org Available Roles / Character Breakdown: The Men Bernard – Male, 30s–40s; Parisian bachelor, charming yet sly (French accent) Robert – Male, 30s–40s; shy, small-town friend of Bernard (French or English accent) The Help Bertha – Female, 40s–60s; Bernard’s sarcastic, long-suffering housekeeper (English accent) The Hostesses (All aged 25–35) Gloria – American; clever, confident, outspoken (American accent) Gabriella – Italian; lively, smart, independent (Italian accent; 1960s lingerie required) Gretchen – German; passionate, intense yet lovable (German accent; kissing & 1960s lingerie required)

Title: Alice in Wonderland Presented By: Outdoor Theatre Community Genre: Fantasy / Dark Reimagining Synopsis: Step through the looking glass into a darker, reimagined Wonderland. Opening on Halloween, this outdoor theatre adaptation of Lewis Carroll’s classic tale is packed with beloved characters — the Mad Hatter, White Rabbit, Cheshire Cat, and more — but with a mysterious twist. Join Alice on a strange and shadowy adventure where the whimsy is tinged with danger, and nothing is quite as it seems. Audition Date: Saturday 23 August 2025 Audition Time: 9:00am – 11:00am Audition Location and Address: Dragonfly Park, Warner QLD Audition Requirements: Prepare a monologue that captures the personality of the character(s) you are auditioning for Open to all performers interested in outdoor, immersive theatre Multiple roles available; actors may audition for more than one character Bring water and dress for movement outdoors Audition Registration: Register Here Performance Dates: Fri 31 Oct 2025 – 7:30pm Sat 1 Nov 2025 – 7:30pm Sun 2 Nov 2025 – 6:30pm Fri 7 Nov 2025 – 7:30pm Sat 8 Nov 2025 – 7:30pm Sun 9 Nov 2025 – 6:30pm Performance Location: Dragonfly Park, Warner QLD Rehearsal Dates: Mondays & Tuesdays, 7:00–9:00pm Note: Tuesday rehearsals will move to Wednesdays in the second half of September Possible Sunday rehearsals, 1:00–4:00pm Warnings: Outdoor performance – weather dependent Production Contact: Email: otc.generalenquiry@gmail.com Phone: 0423 588 833 Available Roles: Lewis Carroll Alice Red Queen White Queen White Rabbit Humpty Dumpty Gryphon Mock Turtle Mad Hatter March Hare Dormouse Frog Footman Duchess Cheshire Cat King of Hearts Queen of Hearts Knave of Hearts Caterpillar Two of Spades Five of Spades Seven of Spades