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Title: Maria the Musical Presented By: Introspect Theatre Company Inc. Genre: Musical Theatre (Original Australian musical in development) Synopsis: Maria the Musical is an original Australian work inspired by the true story of Maria, a Chilean immigrant whose journey is marked by resilience, hope, and determination. Through music and storytelling, the show explores immigration, family, survival, and identity, set against a strong Latin American cultural backdrop. Audition Dates: February 8th & 15th, 2026 Audition Times: 9AM – 11AM (15-minute individual slots) Audition Location and Address: Gate 5, Drama Room, Northpine Christian College, 29 Hughes Road East, Dakabin QLD 4503 Audition Self-Tape: Video auditions accepted via online submission here Audition Requirements: One musical theatre song (with character/emotion) One short monologue (maximum 1 minute) Movement or dance may be requested for ensemble roles Audition Registration: Via Humanitix Audition Pack: Details provided through Humanitix registration and correspondence with Introspect Theatre Company Performance Dates: May 24th, 2026 Performance Times: 5:30 pm Performance Location: Redcliffe Entertainment Centre, QLD (Anywhere Festival 2026) Rehearsal Dates: March – May 2026 Virtual rehearsals in March In-person rehearsals April–May Tech week 16–23 May 2026 Rehearsal Times: Sundays 12:00 pm – 4:00 pm Wednesdays 6:00 pm – 9:00 pm Rehearsal Location: Venues advised by Introspect Theatre Company Warnings: Themes include domestic violence, trauma, and immigration challenges Performer Age: Principals: 20–35 Supporting roles: 40–60s Ensemble: 16+ Creative Team: Producer & Librettist – Cindy Sykes Composer & Lyricist – Matthew Rabbas Orchestrator & Musical Arranger – Dr Daniel Rojas Production Website: Introspect Theatre Co - Maria the Musical Other Information: Bilingual performers (Spanish/English) encouraged Latin dance or movement skills beneficial Public liability insurance or company membership required Available Roles/Character Breakdown: Maria – Female lead, strong actor and singer Marcos – Male lead, emotionally complex Sergio – Male supporting role, warm and paternal Latin Ensemble – Various ages and genders Australian Ensemble – Various ages and genders

Title: Come From Away Presented By: Spotlight Theatre Genre: Musical Theatre Synopsis: Come From Away tells the true story of the small town of Gander, Newfoundland, and the extraordinary kindness shown to thousands of stranded airline passengers when U.S. airspace was shut down on September 11, 2001. Told through an ensemble cast playing multiple roles, the musical celebrates humanity, compassion, and community. Audition Date: First Round - January 5th - 6th, 2026 Dance Call/Callbacks - January 8th, 2026 Audition Time: Individual times Audition Location and Address: Johnson Street Studio, 4/50 Johnston Street, Southport Audition Requirements: 60 - 90 second monologue from a published play or musical 60 - 90 second song. Please email backing track ahead of time or bought in on personal device. Audition material should reflect the character you are auditioning for Audition Registration: Please email spotlightoncomefromaway@gmail.com with your availability to book your individual 15 minute audition timeslot Audition Pack: Spotlight Theatre - Come From Away Audition Pack Performance Dates: April 30th - May 23rd, 2026 Performance Location: Spotlight Theatre, Benowa QLD Rehearsal Dates: Mondays, Wednesdays and Sundays from January 19th, 2026 onwards Rehearsal Location: Spotlight Theatre, Benowa QLD Warnings: Themes related to September 11, 2001 Performer Age: 18+ Production Website: Spotlight Theatre - Come From Away Other information: This is an ensemble-driven musical where performers play multiple roles. Strong acting, vocal blend, accent work and storytelling skills are essential. Available Roles/Character Breakdown: Claude and others 50 – 60s Baritone (top G4) - This character is based on real-life Mayor of Gander, Claude Elliott. The gregarious character opens the show and steers the ship when the crisis takes hold. Oz and others 30s – 50s Tenor (top G4) - This character is based on Oz Fudge, real-life constable of Gander. Ever the quirky, small-town cop, he is always close by to lend a hand. Nick and others 40s – 60s Baritone (top E4) - Inspired by a real-life person, Nick is a stuffy, British oil executive, flying to Texas on business. While the world is upended by the events in NYC, Nick’s is turned upside down when he falls for a warm and sociable Texan woman, named Diane. Bob and others 20s - 40s Baritone - A hardened New Yorker, Bob starts out jaded and suspicious but soon falls under spell of the charming people, and the whiskey, that he finds in Gander. This role must be played by a POC performer. Kevin J and others 30s – 40s Tenor or Baritone - Inspired by a real-line person, Kevin J is diverted to gander while flying with his partner, Kevin T. He is most disgruntled with the situation, which manifests as sarcasm. This role doubles as a middle-eastern character. Kevin T and others 30s – 40s Tenor (top G4) - This character is based on the real-life person who wrote the original story that the show is based upon. While Kevin T’s partner struggles to cope with the situation, he could not be happier or more grateful to have found himself in Gander and to meet the Newfoundlanders. Beverley and others 50s Mezzo (top C5) - This character is based on real-life Captain Beverly Bass, the first female captain for American Airline and trailblazer for women in aviation. She needs to be gutsy and since. This role also plays the contrasting, excitable Gander primary school teacher, Annette. Hannah and others 40s – 60s Contemporary Soprano (top E5) - A native New Yorker, Hannah spends her time in Gander desperately awaiting news of her fire-fighter son. While trying not to imagine the worst, she finds a friend in Beulah. This role must be played by a POC performer. Diane and others 40s – 60s Contemporary Soprano (top D5) - A warm and sociable Texan woman, who, when she finds herself diverted to Gander, and finally learns that her family are safe, unveils her carefree side and finds herself falling for the stuffy, British oil exec, Nick. Janice and others 20s – 30s Contemporary Soprano (top E5) - This character is an amalgamation of several real-life Gander residents. An eager, local TV reporter, she is thrown in the deep end on her first day. Initially naive, she must not only face the pain and confusion around her, but report on it to people all around the world. Bonnie and others 30s – 40s Mezzo (top B4) - This bold and feisty character is based on the real-life Bonnie Harris, who blatantly defies FAA orders not to enter the planes’ cargo holds, in order to ensure the safety of countless animals. Beulah and others 40s – 60s Mezzo (top B4) - This character is an amalgamation of real-life Gander locals. As head of the Gander Academy, in many ways Buelah is the glue that holds the town together. Her nononsense, matriarchal approach to managing the crisis ensures that Gander is ready to almost double its population in an instant, and house feed and clothe the “come from aways.” SWINGS – to ensure the smooth running of the production, the creative team strive to cast 2-4 actors to act as swings for multiple roles. The distribution of these roles will depend on the casting of the swings. While, the swings will not be guaranteed a show, they will become our vocal booth singers so they are available as emergencies during each performance, should they be required. This will be a challenging, but great fun undertaking for these performers!

Title: Joseph and the Amazing Technicolor Dreamcoat Presented By: Lockyer Regional Performing Arts Inc Genre: Musical Theatre Synopsis: The biblical saga of Joseph and his coat of many colours comes to vibrant life in this delightful musical parable. After being sold into slavery by his jealous brothers, Joseph endures a series of adventures and ultimately rises to prominence in Egypt, leading his family to reconciliation and triumph, all set to a lively mix of musical styles including pop, rock, country-western, and calypso. Audition Date: Saturday 24th January 2026 Audition Times: 10:00am–12:00pm – Main & Supporting Character Auditions 1:00pm–3:00pm – Group Sing & Dance Call (all participants must attend) 3:30pm–5:30pm – Main & Supporting Character Auditions Additional session times available on request on Sun 25 Jan Audition Location and Address: Gatton Shire Hall, Gatton QLD, Australia Audition Requirements: Prepare two contrasting songs (~1 minute each) showing vocal strength Main & supporting character auditions include singing and may include a short storytelling or read-aloud component Group sing & dance call mandatory for all auditionees Audition Registration: Email your name, phone, email, and roles you are interested in to auditions.lrpa@gmail.com Audition Pack: LRPA - Joseph and the Amazing Technicolor Dreamcoat Performance Dates: 14th - 16th May, 2026 Performance Times: Thu & Fri - 7PM Sat - 1PM & 7PM Performance Location: Gatton Shire Hall, Gatton QLD, Australia Rehearsal Dates: Rehearsals commence Saturday 31 January 2026, then weekly on Saturdays through April. Rehearsal Times: 9:30am–5:30pm on Saturdays (schedule subject to final confirmation) Rehearsal Location: Lockyer District High School, Gatton QLD Warnings: LRPA is committed to health & safety; do not attend if unwell. Adult content in Joseph  may require cast awareness (e.g., innuendo portrayed by some characters) Performer Age: All ages welcome - roles for ages 4+ (minimum age 4 for ensemble), with recommended age guidelines for leads and supporting roles Creative Team: Director:  Tammy Sarah Linde Music Director:  Danika Colquhoun Director:  Luke O’Hagan Production Website: LRPA Other Information: Main character roles require stronger vocal skills; ensemble is open to all experience levels. Weekly parent briefings during rehearsals for younger performers. Available Roles / Character Breakdown: Joseph - Tenor. A strong singer with warmth and charisma. Joseph narrates much of the story through song and carries the emotional arc of the show. Narrator -Strong female or male vocalist (often soprano/mezzo). Acts as storyteller, guiding the audience and driving the action vocally. Jacob - Baritone. Joseph’s father. Warm, dignified presence. Joseph’s Brothers (11 roles) - Various voice types. Includes Reuben, Simeon, Levi, Judah, Naphtali, Issachar, Asher, Dan, Zebulun, Gad, and Benjamin. Require strong ensemble singing and characterisation. Potiphar - Baritone. Egyptian official. Confident and comedic. Mrs Potiphar - Mezzo-soprano or alto. Strong character role with comedic and seductive elements. Pharaoh - Baritone/Tenor. Elvis-style rock-and-roll character with strong stage presence. Butler - Tenor. Comic role; featured in “Go, Go, Go Joseph”. Baker - Baritone. Comic role alongside the Butler. Ensemble / Chorus - All ages (minimum age 4). Includes Israelites, Egyptians, Canaanites, and storytellers. Strong movement and ensemble singing required. Children’s Chorus - Younger performers featured throughout the show, integrated into ensemble numbers.

Title:  Amigos Presented By:  Mercury Theatre Genre:  Theatre / Comedy   Synopsis:   In a moment of glory at the 1968 Olympics, an Australian rowing team known as ‘The Four Amigos’ won bronze. It was lifetime bonding material - or so it seemed. Thirty-five years later only two of the amigos keep in touch. Jim is a wealthy banker with a young, beautiful wife and seems to have it all. His friend Dick, a heart surgeon, has something that Jim covets: a sterling reputation. When the two mates meet up in Port Douglas with their wives, they have competing personal agendas. Then Steven, a third Amigo, turns up, ready to expose the past. A savagely funny play that hinges on the subtle aggression and unacknowledged dependencies of male friendship – and the angst and irritation of those on the sidelines.   Audition Date:  Saturday December 20th, 2026 Audition Time:   1:30 - 3:30PM Audition Location and Address:    Wynnum Library, 145 Florence Street, Wynnum Audition Requirements:    Pre-register for audition by December 19th, 2026 No walk-ins accepted Please arrive 15 minutes prior to your audition time Please bring your email confirmation, audition registration form and headhsot with you Audition Registration:  Register via email to - rosemary.thwaites@mercurytheatrewynnum.com.au   Audition Pack:    Amigos - Audition Application   Performance Dates:  13th - 29th March, 2026 Performance Times:  Friday & Saturday evenings and Sunday matinees Performance Location:   Manly-Lota RSL, 184 Melville Terrace, Manly     Rehearsal Dates:   Table reads - 8th & 12th January, 2026  Monday and Thursday evenings from January 15th onwards Occasional Sunday afternoon rehearsals if required Rehearsal Times:  7 - 9PM Rehearsal Location:   Manly-Lota RSL, 184 Melville Terrace, Manly   Performer Age:   18+ Production Website:   Mercury Theatre - Amigos   Available Roles/Character Breakdown: Jim: Male, aged 50-65 - Jim is an exceptionally ambitious person, motivated by a desire for influence and respect. He envies his friend Dick’s accomplishments—especially his OAE—which represents the kind of success Jim hopes to attain. However, his strong focus on status occasionally gives him a somewhat pretentious air. Sophie: Female, aged 20-30 - Sophie is Jim’s second and notably younger wife, a contrast that leaves Hilary—Dick’s older spouse—feeling somewhat unsettled by her presence. Like Jim, Sophie is keenly aware of status and eager to climb the social ladder. She isn’t above using those around her, Jim included, to enhance her own standing. Dick: Male, aged 50-65 - Dick, a respected heart surgeon, has the social standing Jim desperately wants. He’s compassionate and well-liked, an undeniably good guy—though even good guys can take pleasure in watching a dishonest friend get what’s coming to them. Hilary: Female, aged 50-65 - Hilary is Dick’s wife. She has a strong sense of justice, a dry, tongue-in-cheek sense of humour, and an exceptional intelligence that is often underestimated by those around her. Stephen: Male, aged 50-65 - Stephen has been out of contact with Jim and Dick for years due to a past disagreement. He has endured significant hardship—truly going through “hell and back.” Although he was once vulnerable, he has returned now with his own sense of justice. Backstage/Crew roles available

Title: The Little Mermaid Jr (Camp Neverland 2026) Presented By: Valmy Academy Genre: Musical Theatre Theatre Education / Holiday Camp Synopsis: Camp Neverland immerses children aged 7–17 in professional musical theatre training and adventure, culminating in a full-scale production of The Little Mermaid Jr.  Campers rehearse and perform under industry professionals while building confidence, teamwork, and lifelong memories. Audition Self-Tape Due: Friday 19th December, 2025 Audition Requirements: Please prepare a 1 -2 minute musical theatre song with backing track (not from the show) Please prepare and film a short piece of choreography ( tutorial here ) Record and submit audition tape, following all required details Please see Audition Brief for further details Workshop Registration: The Little Mermaid Jr - Valmy Academy Audition Registration: Audition - The Little Mermaid Jr Performance Dates:  17th January, 2026 Performance Times:  11AM & 2:30PM Performance Location:   Hope Centre, 35 Thompson St, Bowen Hills QLD 4006   Workshop Dates:  10th - 17th January, 2026 Workshop Times:  2PM - 9PM Monday - Friday Workshop Location: Alchemy Studios, 127 Sandgate Rd, Albion QLD 4010, Australia Performer Age: Ages 10 - 17 Production Website: Valmy Academy - The Little Mermaid Jr

Title:  Pinocchio - the Disco Funk Musical Presented By:  BeXD Genre:  Musical Theatre / Holiday Workshop   Synopsis:   Once upon a time, a curious wooden boy set out to become something more, someone more. In this new Musical adaptation of a classic story, Pinocchio journey isn’t just through cobblestone streets - it’s through a world of grunge, groove, and growing up. BeXD's Pinocchio the Disco Funk Musical reimagines a classic tale with a high-energy soundtrack, larger-than-life characters, and a whole lot of heart. This is a story about courage, creativity, and what it really means to be real. Pinocchio is part of BeXD's Musical in a Week Holiday prorgram, This isn’t just a holiday activity - it’s six extraordinary days of connection, creativity, and confidence-building coming together to bring a full musical to life.   Audition Self-Tape Due:   Sunday 4 January, 2026   Audition Requirements:    Ages 6 - 16 years (all experience levels welcome) To submit a self-tape, you must be registered for the BeXD Holiday workshop Please read the FAQ's on the BeXD website ( here ) regarding casting Audition Registration:   BeXD - Pinocchio Holiday Workshop Registration Audition Pack:    Pinocchio Audition Brief   Performance Date:  17th January, 2026 Performance Times:  9AM - 6:30PM Performance Location:   Riverside Conference Centre - 12 Glenwood Street, Chelmer QLD   Workshop Dates:  12 - 16th January, 2026  Workshop Times:  9AM - 4PM, Monday - Friday Rehearsal Location:  Riverside Conference Centre - 12 Glenwood Street, Chelmer QLD   Performer Age:  6 - 16 years  Production Website:   BeXD Creative - Musical in a Week Other information:    BeXD is an educational organisation and we will not cast the same student in the lead role every time. Even the most experienced students are in ensemble sometimes and brand new students can get cast as leads. We balance putting on a high quality show with making sure everyone has equal opportunity to learn and shine.

Title: DEADLINE Presented By: BATS Theatre Company Inc. Genre: Comedy / Murder Mystery / Contemporary Play Synopsis: Eight mystery writers arrive at a fog-shrouded island mansion believing they’re there for the legendary “Deadline Challenge” — twenty-four peaceful hours to work on their next novel. But the challenge is anything but peaceful. In reality, the writers have been assembled to solve a murder that hasn’t happened yet — because the killer hasn’t struck. If any writer can mastermind and execute the perfect murder without being caught, they’ll win a million dollars (a life-changing amount for any writer!) As tensions rise, alliances shift and suspicion grows, the line between fiction and reality blurs. Who will live? Who will die? Who will survive Deadline ? Audition Date: 16 December 2025 and 18 December 2025 Audition Time: 7:30pm Audition Location and Address: Buderim War Memorial Hall, Corner of Main and Church Streets, Buderim Audition Requirements: Relaxed, friendly group audition process No monologue required Expect cold reads and direction on the night All experience levels welcome Audition Registration: No formal registration required — walk in. For queries: call Director Alex Meloni at 0403 771 641 Performance Dates: March 2026 Performance Location: BATS Theatre Company Inc. Buderim War Memorial Hall Rehearsal Dates: Commences Tuesday 6 January 2026 Rehearsals every: Tuesday — 7:30pm | Thursday — 7:30pm At Buderim War Memorial Hall Production Website: https://batstheatre.com/auditions Other information: If cast, performers must become BATS members (small fee). Available Roles / Character Breakdown: THE STAFF Dellacroix  – Dapper host Bella  – Barista Meyers  – Elderly boat captain Morris  – Completer of odd jobs, loud Morris  – Completer of even jobs, irritated ( May be double-cast ) THE WRITERS Penelope Bain  – 20s; social media celebrity; first-time author Deborah Haskins  – 30s–40s; half of the husband-wife writing duo Gregory Haskins  – 30s–40s; her husband, well-meaning doofus Carswell Chalmers  – 60s–70s; retired pulp noir novelist Vampetta  – Any age; gothic queen of murder mysteries Brenda  – 20s–30s; an enigma Zak  – Early 20s; student of a famous novelist, classic bro Jennifer Milam  – Any age; self-published cozy-mystery author

Title: Snow White Presented By: Ballet Theatre Queensland (BTQ) Genre: Classical Ballet / Family Production Synopsis: Ballet Theatre Queensland invites passionate young dancers to audition for the 2026 season of Snow White . This annual company program offers dancers the chance to experience a professional rehearsal and performance environment, collaborate with industry creatives, and perform across two major venues — The Star Theatre (Gold Coast) and the Concert Hall, QPAC.Applicants will be placed in audition classes based on age and training level, with opportunities to be considered for alternate or higher levels depending on ability. Audition Date: Sunday 8 February 2026 Audition Time: Dancers must be available 9:00am–5:00pm Audition Location and Address: BTQ Studios, 12A Windorah Street, Stafford QLD Audition Self-Tape Due (if applicable): Video submissions due 5pm, 1 February 2026 (Late submissions will not be considered.) Audition Requirements: Dancers aged 8–22 Audition fee: $50 Applicants assessed on technique, artistry, and training level Intermediate dancers require minimum 1 year pointe training Senior dancers require minimum 2 years pointe training Dancers may be moved to a higher level audition class if recommended Mandatory attendance for full 2026 rehearsal and performance calendar Applicants may be featured on BTQ social media unless opted out via email Audition Registration: Register via the BTQ website: https://www.btq.com.au/events/snow-white-2026-auditions Performance Dates: Two performance weeks in July 2026 Performance Location: The Star Theatre, Gold Coast and Concert Hall, QPAC Rehearsal Dates: Mandatory attendance, including: September holiday week, January rehearsal weeks. Performer Age: 8–22 Production Website: https://www.btq.com.au/events/snow-white-2026-auditions Other information: Offers will be issued within one week of the audition. Some dancers may be placed on a waiting list.

Title: The Narcissist Presented By: Gold Coast Little Theatre (GCLT) Genre: Contemporary Comedy Synopsis: Xavier Playfair is a sharp-tongued, self-absorbed urban professional staring down the barrel of middle age in inner-city Brisbane. His best friend Bronwyn, a bold and boozy co-conspirator, challenges him to a outrageous bet: six weeks to “bag a man” — no ifs, no buts, no limits, no boundaries, no rules.What follows is a riotous and politically incorrect comedy of manners, as Xavier, Bronwyn and their circle tumble through hookups, games, ego battles and emotional landmines. The Narcissist  skewers vanity, desire and midlife crisis with razor wit, big personalities and plenty of alcohol-fuelled honesty, all set in a self-consciously contemporary Brisbane apartment. Audition Date: Sunday 18 January 2026 Audition Time: From 10:00am Audition Location and Address: Gold Coast Little Theatre, 21a Scarborough Street, Southport Audition Self-Tape Due (if applicable): Video auditions accepted – email a link to narcissist@gclt.com.au  by Saturday 17 January 2026, 5:00pm . Audition Requirements: Read the audition pack and select your preferred role(s). Prepare the short monologue and scene for each character you’re auditioning for (no need to memorise). Be prepared to cold read or workshop scenes with others on the day. All auditionees must be 18+. You may be asked to read for multiple characters if you’re comfortable. Audition Registration: Complete the online registration form by Friday 16 January 2026, 5:00pm: https://gclt.com.au/ninja-forms/454hhr/ Audition Pack: Download at: https://gclt.com.au/wp-content/uploads/2025/12/Audition-Pack-The-Narcissist-GCLT.pdf Performance Dates: Season: Friday 17 April – Saturday 9 May 2026 Performance Location: Gold Coast Little Theatre, 21a Scarborough Street, Southport Rehearsal Dates: Rehearsal period: 14 January – 27 March 2026 (approx. 11 weeks) First read-through: Tuesday 20 January, 6:00pm Rehearsal Times: Tuesdays – 6:00pm | Thursdays – 6:00pm | Sunday mornings – time negotiated with cast/creative team A full schedule will be issued after the first table read. Note any rehearsal unavailability on your audition form. Warnings: Adult themes, strong language, alcohol use, sexual references, mature relationship content. Performer Age: 18+ only Creative Team: Director – Kate Learmonth Production Website: https://gclt.com.au/auditions/ Other information: If cast, you must become a financial member of GCLT (approx. $20). GCLT encourages auditions from performers of all backgrounds and identities. If you can assist with backstage, set building, painting, costumes or tech, note this on your form and/or email narcissist@gclt.com.au . Available Roles / Character Breakdown: Xavier Playfair Playing age: 30–45 A sharp, self-absorbed, razor-witted urbanite facing a looming midlife crisis. Charming, cynical, and obsessed with his own image, but riddled with insecurity underneath. Bronwyn Moyet Playing age: 30–45 Xavier’s best friend and verbal sparring partner. Bold, boozy, and unapologetically chaotic, with a love of confrontation and biting humour that masks deeper disillusionment. Satchel Strongbow Playing age: 25–35 “The City’s Most Eligible Barista.” Flamboyant, metrosexual, fashion-forward and theatrical, Satchel is the life of the party and an astute observer of everyone else’s mess. Jesse Jardine Playing age: 30–45 Smooth, sexy and self-assured; appears to have it all together until cracks appear. Magnetic and charismatic, with ambiguous motives. Loves women… and men. Y’landa Scrivener Playing age: 25–35 Smart, stylish, and fiercely independent. Y’landa knows her worth and isn’t afraid to call out hypocrisy. Adds her own ambitions and desires to the swirling chaos of Xavier’s world.

Title : Amadeus Presented By : Beenleigh Theatre Group Genre: Drama / Period Biography Synopsis: Set in 18th-century Vienna, Amadeus dives into the fierce, private war waged by court composer Antonio Salieri against both God and the musical genius of Wolfgang Amadeus Mozart. Outwardly dignified and devout, Salieri is consumed by envy as he recognises that Mozart’s childish, chaotic exterior hides a once-in-a-century brilliance he can never match.Through intrigue, manipulation and confession, the play explores jealousy, ambition, mediocrity, faith, injustice and the unbearable weight of knowing you are “good” while standing beside true genius. Mozart’s music underscores the drama, heightening the psychological and spiritual stakes in one of modern theatre’s most gripping works. Audition Date: Sunday 14 December 2025 Audition Time : From 10:00am onwards (individual times allocated via booking) Audition Location and Address: Crete Street TheatreCrete Street, Beenleigh QLD 4207 Audition Self-Tape Due (if applicable) : Video auditions accepted until Friday 19 Dec, 6:00pm Audition Requirements: Register and book an individual audition slot (1-on-1 with the panel). Bring a clear photo of yourself for identification. Prepare a side (scene/excerpt) for the character(s) you feel most drawn to (sides available on BTG website audition page). Be prepared for possible additional side reads or cold reads. Accent requirements: Most characters: general Christian/British accent (early Georgian period). Mozart: general American accent. Salieri: Italian accent not required, but encouraged. Minimum expected standard: strong text work and readiness for a dialogue-heavy, classical-style play. Audition Registration: https://www.trybooking.com/events/landing/1509861 Audition Pack: : https://beenleightheatregroup.com/wp-content/uploads/2025/12/Amadeus-Audition-Pack-FINAL.pdf Performance Dates: Preview: Monday 16 March 2026 – 7:30pm Friday 20 March 2026 – 7:30pm Saturday 21 March 2026 – 2:00pm & 7:30pm Friday 27 March 2026 – 7:30pm Saturday 28 March 2026 – 2:00pm & 7:30pm Sunday 29 March 2026 – Mandatory (likely bump-out / final commitments) Performance Location: Crete Street Theatre, Beenleigh QLD 4207 Rehearsal Dates: First Rehearsal: Sunday 4 January 2026 Ongoing Rehearsal Period: January–March 2026 (through to show week) Rehearsal Times: Mondays – 7:00pm to 10:00pm Wednesdays – 7:00pm to 10:00pm Sundays – 10:00am to 4:00pm Warnings: Mature themes including jealousy, religious conflict, manipulation, illness and death. Some characters may have intense emotional and psychological content and intimate scenes. Performer Age : 18+ Creative Team : Director – Sean Wilson | Assistant Director – Matthew Malachite | Consultant Director – Leo Bradley Production Website: https://beenleightheatregroup.com/get-involved/audition/ Other information: BTG is committed to diverse, inclusive casting, welcoming auditionees of all races, ages, genders, national origins, and lived experiences of disability, within the bounds of the text. Where a character is explicitly BIPOC, LGBTQIA+ or living with disability, BTG prioritises artists with those lived experiences. Successful auditionees must become financial members of BTG ($10 per calendar year), payable before first rehearsal. Applicants are expected to uphold inclusive and respectful language and behaviour at all times. Available Roles/Character Breakdown: Antonio Salieri Playing age: 30–70, Male Court composer and narrator. Intelligent, disciplined, respected, but consumed by envy of Mozart’s genius. Wages a private war against Mozart and the God he feels has betrayed him. Heavy dialogue load; requires strong text work and stamina. Italian pronunciation knowledge beneficial. Wolfgang Amadeus Mozart Playing age: 20–35, Male A brilliant, volatile young composer. Childish, chaotic, energetic, and emotionally raw, yet musically transcendent. Physically and emotionally demanding role with substantial text. Requires American accent. Includes intimacy scenes with Constanze. Constanze Weber Playing age: 20–35, Female Mozart’s wife: spirited, practical, humorous and deeply devoted. Protective of Mozart while also exasperated by him. Needs warmth, strength, and emotional honesty. Includes intimacy scenes with Mozart. Emperor Joseph II Playing age: 30–60, Male Well-meaning but somewhat oblivious Emperor. Polite, agreeable, easily influenced. Provides comic touches while maintaining regal authority. Count Orsini-Rosenberg Playing age: 30–60, Male Senior court official overseeing musical affairs. Traditional, conservative, and resistant to Mozart’s innovation. Polished, political, often in conflict with Mozart’s new ideas. Baron Van Swieten Playing age: 30–60, Male Cultured, intellectual court figure. Wry, philosophical, and dryly witty. Appreciates depth and refinement; an observer with quiet influence. Count Johann Kilian von Strack Playing age: 30–60, Male Rule-bound, courteous member of the Emperor’s circle. Voice of caution and protocol. Helps frame the hierarchical, bureaucratic world of court. The Venticelli (2 roles) Playing age: 20–35, Any gender Fast-talking informants and gossips of the court; function almost like a Greek chorus. Deliver rumour, exposition and “whispers” of Vienna with speed, precision and strong ensemble awareness. Non-Speaking / Doubling Roles (can be doubled with speaking roles): Salieri’s Valet Salieri’s Cook Teresa Salieri (Salieri’s wife) Katherina Cavalieri (Salieri’s pupil) Guiseppe Bonno Servants and Citizens of Vienna

Title: The Taming of the Shrew  — 1950s Italian Mafia Comedy Adaptation Presented By: Coolum Players Theatre Genre: Shakespearean Comedy / Mafia Comedy / Period Reimagining Synopsis: This lively new adaptation of Shakespeare’s The Taming of the Shrew  relocates the story to post-war 1950s Verona, where Italian mafia families rule the streets and loyalty, love and chaos collide.With a focus on bold characters, heightened comedy, and a playful ensemble spirit, this version leans into the stylised glamour and grit of the era — fast-talking mafiosi, smoky bars, sharp suits, and dangerous romance.Actors will explore Shakespeare’s original text through a fun, relaxed, collaborative audition process designed to encourage creativity and spontaneity. Audition Date: 15 December 2025 - 17 December 2025 Audition Time: 6:30pm Audition Location and Address: Coolum Theatre Players Audition Requirements: No monologue required. Auditions will begin with group warm-ups and drama exercises. Actors will participate in a dry read of selected scenes from the original Shakespeare text. Bring curiosity, energy, and readiness to play. All experience levels welcome. Rehearsal Dates: Rehearsals commence late January 2026. Performances Dates: March 2026 Warnings: Contains Shakespearean themes, comedic violence, and stylised mafia content Performer Age: N 18+ Creative Team: Director – Harvey Wolfe Production Website: https://coolumtheatre.com.au/

Keep Yourself Alive: My Life With Queen Toucan Club Festival, PIP Theatre Written by Liam Donnelly Presented by Abadon Productions   Abadon Productions' burlesque show Keep Yourself Alive: My Life With Queen  follows a young lad who first falls in love with the band as a kid, grows up through the halls of QUT, and eventually faces the emotional shift of Freddie Mercury leaving this life. It’s all told through diary narration and a playlist of beloved and lesser-loved Queen tracks, which I absolutely adored — especially Scandal , I Want It All , I Want to Break Free , Another One Bites the Dust , Killer Queen , and The Show Must Go On .   The cast — Eddie Ecstasy, Lacey Mclune, Peaches Velour, Tegan Kelsey, Emma Pruss, and vocalist Natalie Wyld — throw themselves into the material with real commitment. Wyld takes on three songs with confidence and flair, though it is an interesting shift hearing a female voice have a go at Freddie. The dancers are a brave and committed bunch, especially considering this is an amateur burlesque troupe tackling some pretty demanding choreography. There is so much floor work that my knees hurt just watching, plus plenty of hairography, chairography, and full-body commitment — you’ve got to admire their stamina.   The heels look fabulous under the lights, even if the carpeted stage makes them quite wobbly at times. I really love the darker lighting moments where bursts of colour pulse through the space; those scenes are the most atmospheric, giving the choreography a gorgeous silhouette effect.   Choreographically, there are flashes of brilliance… and flashes of “wait, what comes next?” When the cast remembers the steps, it genuinely looks great. But there are sections, especially the big finale Somebody to Love , where timing drifts apart and the energy gets a bit fuzzy. To be fair, the small audience on the night I attended gave the whole evening a dress-rehearsal vibe. A little extra polish and they’ll be in a solid groove for the remaining shows.   The semi-nudity is handled well, with the occasional bit of shock value, but never too risqué. The cast’s willingness to throw themselves into it deserves full admiration and honestly, I can’t fault anyone on that stage. It takes courage to perform burlesque, let alone in heels on carpet, and they’re all doing things most of us would not have the guts to try.   If you’re keen to support emerging burlesque performers and want a new spin on Queen’s music, head along to the remaining Toucan Club festival dates. Bring a friend, fill the room, and give this team the lively crowd they deserve.