Title: You Can’t Tell Anyone Presented By: Vena Cava Productions Genre: Philosophical Thriller Synopsis: Written by Canberra-based artist Joanna Richards, You Can’t Tell Anyone is a philosophical thriller examining how teenagers survive the loss of meaning, structure and identity that comes with the end of adolescence. The work explores identity, uncertainty and the destabilising transition into adulthood. Audition Application Due: February 28th, 2026 Audition Dates (by invitation): March 2nd - 4th, 2026 Audition Time: Times allocated upon selection Audition Location and Address: To be provided to selected applicants Audition Requirements: Prepare a 2–3 minute monologue that showcases your skills or something you are personally drawn to. Be prepared to take direction in the room. You may be asked to perform a cold read from the script. Audition Registration: Application required prior to audition. Complete Registration form HERE. Selected applicants will be contacted shortly after applications close on Saturday 28 February 2026 with an audition time. Performance Dates: April 10th - 12th, 2026 Performance Times: TBC Performance Location: TBC Rehearsal Dates: Beginning early March 2026 Rehearsal Times: TBC (adequate availability required throughout rehearsal period) Warnings: Themes relating to adolescence, identity loss, and existential distress. Creative Team: Playwright - Joanna Richards Produced by Vena Cava Productions Production Website: Vena Cava Productions Other information: Full availability is required for all performance dates (10–12 April 2026) and strong availability throughout rehearsals. If you have concerns regarding availability, please contact the production team at venacavaproductionsqut@gmail.com Available Roles/Character Breakdown: Character breakdown to be provided upon application or audition invitation.

Title: Macbeth Presented By: Backbone Youth Arts in collaboration with Zen Zen Zo Physical Theatre Genre: Youth Shakespeare / Theatre Production Synopsis: A fresh and modernised take on Shakespeare’s haunting tragedy Macbeth, created collaboratively by young artists alongside industry professionals. The production explores ambition, power, consequence and the supernatural through dynamic physical theatre and ensemble work. Audition Date: Monday March 30th, 2026 Audition Time: 4:30PM - 6PM Audition Location and Address: Backbone Youth Arts, 28 Tallowwood Street, Seven Hills, QLD 4170 Audition Requirements: We will make this as fun and chill as possible! Participants will be asked to bring along a 1 min monologue (Shakespearean or Contemporary) and participate in some group drama activities. See you there! Audition Registration: Please complete the application form HERE to secure an audition. Applications close March 25th, 2026. Performance Dates: Performances will take place during Backbone Festival 2026, likely on the first weekend of October (exact dates confirmed by festival scheduling). Performance Times: To be confirmed alongside final festival schedule. Performance Location: Backbone Festival, Seven Hills Hub, 28 Tallowwood Street, Seven Hills Rehearsal Dates: Wednesdays Term 2 (April 22nd - June 24th 2026) Wednesdays Term 3 (July 15th - September 16th 2026) School holiday intensive (28th - 30th September) Rehearsal Times: Wednesdays, 4:30PM - 7PM Rehearsal Location: Backbone Youth Arts, Seven Hills Hub, 28 Tallowwood Street, Seven Hills, QLD 4170. Performer Age: Students in Years 9–12 Creative Team: Indiah Morris (Artistic Director, Zen Zen Zo Physical Theatre) Stephen Quinn (Executive Director, Backbone Youth Arts) Production Website: Backbone Youth Arts - Macbeth Other Information: Backbone’s Young Creator Productions gives selected young artists the opportunity to create and perform a major work at Queensland’s largest youth arts festival — Backbone Festival — with professional support and skills development throughout the process. Participation requires term-based commitment through weekly workshops and intensives. Applicants should be available for the outlined rehearsal schedule. Available Roles / Character Breakdown: Specific roles for Macbeth aren’t published in advance; casting is ensemble-based, involving young actors selected to collaborate on the production. Final character assignments are typically determined following auditions.

Title: Frozen JR. Presented By: Brisbane Junior Theatre Genre: Youth Musical Theatre / Family Musical Synopsis: Journey to the magical land of Arendelle in this stage adaptation of Disney’s beloved story of courage, self-discovery and sisterhood. Featuring unforgettable songs and heartwarming characters, Frozen JR. celebrates the powerful bond of love and acceptance between sisters Anna and Elsa. Audition Date: Saturday March 21st, 2026 Audition Time: 1PM - 4PM Audition Location and Address: Emerge Church, 1 Coorparoo Road, Warner, QLD 4500 Audition Requirements: Memorise a monologue with characterisation and any required accents (younger children may use a short sentence). Learn the audition song linked in the monologue pack and be prepared to dance (choreography taught on the day). Everyone who auditions is guaranteed a part, and BJT double casts performances. Performers must be registered and pay the production fee on audition day. Audition Registration: Book an audition time via SMS to Debbie on 0438 896 436. Complete and submit the Production Registration Form to brisbanejuniortheatre@gmail.com. Audition Pack: Frozen JR Audition Pack Performance Dates and Times: Friday April 10th, 2026 - 6PM & 8PM Saturday April 11th, 2026 - 12PM & 2PM Performance Location: Emerge Church, 1 Coorparoo Road, Warner, QLD 4500 Rehearsal Dates: April 6th - 10th, 2026 Rehearsal Times: 8:30AM - 5PM Daily Rehearsal Location: Emerge Church, 1 Coorparoo Road, Warner, QLD 4500 Warnings: Participants must register and pay fees to audition (no audition without payment). Singing, dancing, and monologue required (levels adjusted for age). Performer Age: School-aged children & teens (BJT typically includes all youth up to senior school years). Other information: Production fee: $425 (covers costumes, rights, scripts, insurance, creative staff, sets/props, venue hire, plus a Friday pizza dinner). Every auditioning performer receives a role; double casting for some parts. Available Roles/Character Breakdown: Anna - Filled with a tremendous amount of light, energy, and love, Anna is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. Each version of this warm and determined princess requires a strong singer with great comic timing. Young Anna Gender: Female Vocal range top: D5 Vocal range bottom: A3 Anna Gender: Female Vocal range top: D5 Vocal range bottom: G3 Elsa - The elder Princess of Arendelle at different ages. Next in line for the throne, Elsa has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers which she masterfully uses to manipulate the Snow Chorus. Young Elsa Gender: Female Vocal range top: C#5 Vocal range bottom: A3 Elsa Gender: Female Vocal range top: D5 Vocal range bottom: F#3 King Agnarr - The warm-hearted ruler of Arendelle is committed to protecting both his family and the Townspeople from his eldest daughter's powers. He has one singing solo and must be able to play this father figure convincingly. Gender: Male Queen Iduna - The queen possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, this queen has the ability to communicate with the Hidden Folk of the mountains and so understands Elsa's powers deeply; must be able to portray this sense of compassion. Gender: Female Pabbie and Bulda - The mystical leaders of the Hidden Folk who have a soft spot for "strays." Ever-benevolent, these parental figures want what's best for Kristoff, even if they are a bit misguided in their efforts. Gender: Any Bishop (Speaking Only) - The bishop officiates the coronation and passing of the crown to Elsa. This spiritual supervisor must communicate to the Townspeople of Arendelle in a serious and formal manner. Gender: Any Kristoff - Kristoff is a hardworking ice harvester. Kristoff has a sarcastic veneer and a rough around-the-edges exterior that hides a big heart. Taken in by the Hidden Folk when he was young, he loves Pabbie and Bulda dearly, but is a bit of a loner with a reindeer for a best friend- until he meets Anna. Must be able to balance a cynical sense of humor with charming banter. Gender: Male Vocal range top: A3 Vocal range bottom: G2 Sven (Speaking/Dancing Only) - Sven is a reindeer of few words, fiercely loyal pal to Kristoff, and loves giving the ice harvester a hard time. Must have good comic timing and terrific physical acting skills who can devise a strong movement vocabulary to bring this furry charmer to life. Gender: Any Snow Chorus (Dance Only) - A group of dancers that play the “snow” in this rendition of Frozen. Must be able to dance well and move with passion as Elsa’s powers come to life throughout the play. Hans - The ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. Hans constantly strives to find a way to make good and stand out. He boasts an exceedingly charming facade that fools everyone - including Anna and, ideally, the audience! - into believing he's Prince Charming, when really, he's just a jerk. Must be able to play both sides of this two-faced prince with relish as well as confidently sing the moments of harmony in "Love Is an Open Door." Gender: Male Vocal range top: B3 Vocal range bottom: G2 Weselton (Speaking Only) - A visiting duke who possesses a huge inferiority complex. A bombastic, overbearing sycophant, Weselton's sole purpose is to hobnob with influencers and royalty. Gender: Any Olaf - The magical snowman created by Anna and Elsa when they were young. Olaf is endearingly delighted by everything - especially the idea of summer. Goofy and sweet, Olaf should possess a childlike innocence and excellent comic timing. Gender: Any Vocal range top: D4 Vocal range bottom: F#2 Oaken - An exceedingly cheerful and convivial wandering salesperson and ardent devotee to all things cozy and comfortable. Oaken's "Hygge" is a showstopper. Must be able to portray the peppy peddler's infectious warmth with flair and good humor. Gender: Any Ensemble - Includes the following roles: Townspeople, Hidden Folk, Castle Staff, Housekeeper, Butler, Handmaiden, Cook, Steward, Guards, Summer Chorus, Oaken's Family Gender: Any

Title: Tootsie the Musical Presented By: Beenleigh Theatre Group Genre: Musical Theatre Synopsis: Based on the iconic comedy film, Tootsie follows out-of-work actor Michael Dorsey, who disguises himself as actress Dorothy Michaels to land a role — leading to uproarious comedic situations, heartfelt relationships, and a newfound perspective on identity and empathy. The musical features music and lyrics by Tony Award-winner David Yazbek and a book by Robert Horn. Audition Date: Dance Call - March 7th, 2026 Individual Auditions - March 8th, 2026 Callbacks - March 9th, 2026 Audition Time: March 7th - 10AM March 8th - from 9AM March 9th - from 7PM Audition Location and Address: Crete Street Theatre, Corner of Kent and Crete Streets, Beenleigh Audition Self-Tape Due: Friday March 6th, 12PM. Audition Requirements: All auditionees prepare a side read based on the character(s) they feel most drawn to. Please select a scene or excerpt that resonates with you and showcases your abilities. Sides available on the BTG website. Please prepare two contrasting song excerpts in the style of the show. Songs from the show are permitted as one choice only. The excerpts should be a verse and a chorus approximately 90 seconds a song. All songs should be performed with backing track accompaniment. Please bring a device with your backing tracks cued and ready. Audition Registration: Complete the registration form HERE to book your Tootsie audition. Audition Pack: Tootsie Audition Pack Performance Dates: June 5th - 21st, 2026 Performance Location: Crete Street Theatre, Cnr Crete & Kent Streets, Beenleigh QLD 4207 AU Rehearsal Dates: Beginning 15th March on Tuesday & Thursday evenings and Sunday afternoons. Rehearsal Times: Tues & Thurs - 7PM - 10PM Sun - 4PM - 9PM Warnings: Availability for rehearsals and performances is required; performers will need to commit to scheduled calls once cast. Performer Age: 18 years + Creative Team: Director - Nicholas Joy Vocal Direction - Jade Enright Choreography - Nikki Bovey Production Manager - Tianna Paget Production Website: Beenleigh Theatre Group - Tootsie Other information: Beenleigh Theatre Group is a volunteer community theatre; casts and crew are typically required to be members of the group and support front-of-house and backstage duties as needed. Available Roles/Character Breakdown: Michael Dorsey/Dorothy Michaels (40-45, Male) | Vocal Range Top: D5 | Vocal Range Bottom: A2 Character Description: Michael is an actor’s actor. A focused perfectionist, outspoken, stubborn, abrasive and frustrated at where his career hasn’t taken him. Highly intelligent and desperate to do the one thing he loves more than life itself… act. Dorothy Michaels is strong-willed, understanding, and humorous. Slightly coy, slightly vain and completely lovable. *Audition Requirements: 1 of the 2 songs required need to show the Dorothy voice in the style of ‘I won’t let you down’. Auditonees may use this song, or choose another. Julie Nichols (30-40, Female) | Vocal Range Top: G5 | Vocal Range Bottom: E3 Character Description: An actor at a crossroad in her life. Focused, self-aware and self-assured. She masks her pain and longs to connect. Sandy Lester (30-40, Female) | Vocal Range Top: E5 | Vocal Range Bottom: G#3 Character Description: Michael's ex-girlfriend, now a friend. She’s neurotic, pessimistic, self-deprecating, childish, and easily flummoxed. She makes her anxieties known incredibly loudly and really just wants to be happy. Max Van Horn (25-35, Male) | Vocal Range Top: G4 | Vocal Range Bottom: Not stated Character Description: A self-obsessed actor with a limited wit. A firm believer in his own hype who can’t imagine anyone not being attracted to him. Jeff Slater (30-45, Male) | Vocal Range Top: D5 | Vocal Range Bottom: B2 Character Description: Michael's roommate. A sardonic realist who lacks the ambition and drive to live up to his potential. The voice of reason that swirls just outside the eye of Michael's chaos. Jeff sees the humor of situations and has no reluctance to point out people’s flaws - even his own. Rita Marshall (50-65, Female) | Vocal Range Top: B4 | Vocal Range Bottom: F3 Character Description: A levelheaded producer. Experienced and the voice of sanity and reason in a swirling pool of crazy. She is always a beat ahead of everyone and is very New York. Stan Fields (No age specified, Male) | Vocal Range: Not Stated Character Description: Michael’s overworked agent. Always to the point, he plays the game, but hates it. Ron Carlisle (40-55, Male) | Vocal Range Top: B4 | Vocal Range Bottom: F#2 Character Description: An incredibly successful director. He demands respect and is often disrespectful in return. Stuart (No age specified, Male) | Vocal Range Top: G4 | Vocal Range Bottom: Eb3 Character Description: The composer of Juliet's Curse. Suzie (No age specified, Female) | Vocal Range Top: Bb4 | Vocal Range Bottom: Bb3 Character Description: The lyricist of Juliet's Curse. Additional Ensemble Characters (No age specified, Males & Females) Vocal Range: Varies depending on the role Character Description: Array

Title: La Cage Aux Folles Presented By: Gold Coast Little Theatre Genre: Musical Theatre Synopsis: In the shimmering heart of Saint-Tropez, Georges, the owner of a drag nightclub, and his partner Albin must face new social pressures when Georges’ son introduces his fiancé’s conservative parents. The show blends big musical-comedy spectacle with warmth and genuine emotional depth, celebrating identity, love, and family. Audition Date: Video submissions due Wednesday March 18th, 2026 Recalls held on Saturday March 21st, 2026 Audition Time: Video submission close EOD March 18th Recalls from 2PM onwards on March 21st Audition Location and Address: Location sent through to auditionees successful in receiving a recall. Audition Requirements: Prepare two musical theatre song excerpts (approx. 32 bars / ~1–1.5 minutes each). One must not be from the La Cage Aux Folles score; the other may be from the show or another musical. Video submissions should be uploaded to a hosting platform (e.g., YouTube, Vimeo, Google Drive) and shared via link. Audition Registration: Complete the registration form linked within the audition pack and upload your video submission by the deadline. Audition Pack: La Cage Aux Folles Audition Pack Performance Dates: June 26th - July 18th, 2026 Performance Times: Thurs & Fri - 7:30PM Sat - 2PM & 7:30PM Performance Location: Gold Coast Little Theatre, 21a Scarborough Street, Southport QLD Rehearsal Dates & Times: Beginning April 14th, 2026 Tuesday and Thursday - 7PM - 10PM Sunday - 10AM - 6PM Rehearsal Location: Gold Coast Little Theatre rehearsal spaces and designated call venues in Southport. Warnings: Participants should disclose all availability conflicts before rehearsals begin. Wear comfortable clothing for movement/dance assessments if attending calls. Performer Age: Open to suitable age ranges per roles (details in audition pack). Creative Team: Director - Joshua McCann-Thomson Musical Director - Steve Days Choreographers - Jackson Kook & Lucy Martin Production Website: Gold Coast Little Theatre - La Cage Aux Folles Available Roles/Character Breakdown: Georges (40–55; Baritone) Albin / Zaza (40–55; Baritone/Tenor; strong drag performance) Jean-Michel (20–30; Baritone/Tenor) Anne Dindon (20–30; Soprano) Jacob (20–35; Tenor) Edouard Dindon (45–60; Baritone) Marie Dindon (40–60; Mezzo-soprano) Jacqueline (35–55; Mezzo-soprano) Francis (30–50; Baritone) Les Cagelles / Ensemble (20–40; various ranges) Additional ensemble and character details in audition pack.

Title: Junior IMPACT Ensemble 2026 Presented By: Empire Youth Arts Genre: Youth Theatre / Performance Program Synopsis: Since 2011, The Empire Youth Arts’ IMPACT Ensembles have been challenging the assumptions made about young people and their crucial role in our changing world and its future through storytelling and performance. Junior IMPACT offers young creatives aged 10-14 and based in the Toowoomba Region*, the opportunity to share a story which speaks authentically and powerfully with the voice of young people. Audition Date: March 9th & 12th, 2026 Audition Time: 3:30PM - 6PM (individual timeslots assigned after application submission) Audition Location and Address: The Empire Theatre, 54–56 Neil Street, Toowoomba QLD 4350 Audition Self-Tape Due: Not applicable - in-person auditions only Audition Requirements: Prepare the scene from the audition pack (Nerry or Ed) to perform for the audition panel. Memorisation is highly encouraged. Prepare and tell a short story (maximum 90 seconds) about a time or place you really felt you belonged. Audition Registration: Submit completed application form via email to youtharts@empiretheatre.com.au or in person at the Empire Theatre Ticketing Office. Deadline: 3:00pm, March 5th, 2026. Audition Pack: Junior Impact Ensemble Audition Pack Performance Dates: July 1st - 3rd, 2026 Performance Times: Wednesday Preview - 6PM Thurs & Fri - 6:30PM Performance Location: Armitage Centre, Empire Theatre Precinct, Toowoomba QLD Rehearsal Dates: Weekly rehearsals from March through June 2026, including April school holiday intensives. Rehearsal Location: Empire Theatre rehearsal spaces, Toowoomba Warnings: This is an intensive rehearsal and performance process requiring strong attendance commitment. Performer Age: 10–14 years Creative Team: Director - Grace Sankey (Youth Arts Lead) Production Website: Empire Theatre - Empire Youth Arts Other Information: Participation fee - $495 (payable upon successful offer). Payment plans may be available. Available Roles/Character Breakdown: Junior IMPACT Ensemble – 10 ensemble performers aged 10–14. This is a devised ensemble production with no pre-assigned named characters.

The Boor Presented by Springboard Opera at Brisbane City Hall Music by: Dominick Argento Libretto by: Jon Olon-Scrymgeours Director: Emma Nightingale Conductor: Guillaume Lemay-Yates Pianist: John Woods Cast The Widow: Luisa Tarnawski The Servant: Liam Jackson The Boor: Dallas Tippet I could not think of a better way to spend a sunny Tuesday morning in Brisbane than sitting in the Lord Mayor’s City Hall Free Concert watching three opera singers verbally spar through song. Springboard Opera’s production of The Boor provided a thoroughly entertaining hour of wit, vocal fire, and theatrical charm. Dominick Argento’s comedic opera, based on Anton Chekhov’s one-act play The Bear, is compact and fast moving. It centres on a young widow who has locked herself away in mourning for her late husband, much to the frustration of her loyal but increasingly exasperated servant. Her self-imposed exile is shattered by the arrival of an irritable neighbour demanding repayment of a debt left behind by her husband. What follows is less a polite discussion and more a glorious battle of ego, pride and stubbornness, eventually escalating into a duel and something far more unexpected... Presented in the grandeur of City Hall, the performance felt perfectly suited to the space. The natural acoustics of the hall were wonderful. Even when a microphone malfunctioned early on, it hardly mattered because Luisa Tarnawski’s voice soared so effortlessly through the space that amplification felt unnecessary. Tarnawski brought both vocal power and emotional volatility to the Widow. Every mention of her late husband triggered another wave of operatic lament, and she delivered these moments with rich tone and dramatic flair. Yet beneath the exaggerated grief there was always a sense that this woman was itching for life again. Her transformation over the course of the opera was both believable and very funny to watch. Opposite her, Dallas Tippet’s Boor arrived like a thunderstorm. Blunt, smug and thoroughly unimpressed by the Widow’s dramatic mourning, he asked for his money with growing frustration, balancing comedy and bluster beautifully. His character was annoying, passionate, oddly loveable and completely convinced of his own superiority, particularly when it came to his views on women. At one point he even managed a casual vocal trill while yawning, which perfectly captured the irreverent humour of the piece. The two launched into a fierce war of words that became the driving force of the opera. Their insults flew with gleeful abandon as they debated the eternal question of who behaves worse in relationships, men or women? What began as fury slowly softened into something closer to admiration. Their arguments were less about the debt and more about two stubborn personalities discovering they might actually understand each other. Liam Jackson provided an excellent counterbalance as the long suffering servant. His character hovered between dutiful employee and reluctant therapist, attempting to snap his mistress out of her theatrical grief while also trying to manage the chaos unfolding in the drawing room. Vocally, his smooth legato phrases contrasted nicely with the Boor’s increasingly rapid outbursts. In the trio passages the contrast between all three voices became especially satisfying, with each character’s musical style reflecting their personality. By the end of the opera he looked thoroughly exhausted by the emotional rollercoaster, which made his final moments almost as funny as they were sympathetic. Director Emma Nightingale kept the staging simple and effective. The set consisted of a chaise, a piano, a windowsill, a drinks table and the looming framed portrait of the Widow’s deceased husband watching over everything. It was just enough to evoke the faded grandeur of a country manor. The surtitles were clear and bright, occasionally a fraction behind the singers but never enough to disrupt the storytelling. Since the opera was sung in English, they functioned more as helpful reinforcement than a necessity, making it easy for the audience to catch every layer of humour and emotional shift. Musically, the score moves quickly between drama and comedy. John Woods’ piano accompaniment was strong and expressive, supporting the singers without overwhelming them. Argento’s writing allowed moments of playful vocal ornamentation as well. One of the most beautiful moments arrived with the Widow and Boor duet, where the combative energy finally softened into genuine vulnerability, allowing both singers to show the warmth beneath their earlier hostility. Of course, this newfound tenderness did not arrive quietly. Their flirtation was still wrapped in insults, threats and the occasional promise to shoot one another, as any respectable operatic romance should be. “Words and tears are worthless on a man. I’ll use a language they understand. Shoot first!” It summed up the opera’s delightfully ridiculous spirit. Yet somewhere in the middle of all the shouting, insults and threats of violence, something began to soften. The lighting eased, the characters hesitated, and suddenly the furious duel started to look suspiciously like flirting. The Boor fell in love with breathtaking speed and absolutely no self control, while the Widow pushed him away even as she begged him to stay. When she shouts “Get away from me!” it becomes increasingly clear that what she really means is “kiss me, you big brute!” Springboard Opera’s production showcased the remarkable talent emerging from Queensland’s operatic community. With only three performers, a piano and a handful of props, the team created a performance that was witty, musically impressive and delightfully theatrical. In the world of opera, threatening to shoot each other can be a surprisingly effective first date.

Title: Rock of Ages: Youth Edition Presented By: Second Star Youth Theatre Genre: Musical Theatre Synopsis: Rock of Ages: Youth Edition is a high-energy, rebellious, whirlwind musical set in the world of 1980s rock ‘n’ roll. At its heart, it’s a story about chasing dreams, finding love, fighting for what you believe in, and discovering that success isn’t always easy — but it’s always worth it. Packed with big personalities, iconic rock vibes, and heartfelt moments, this youth adaptation keeps the spirit of the original while making it suitable for young performers. Audition Date: Saturday 21 March and/or Sunday 22 March (afternoon) Audition Time: Afternoon sessions (exact times provided upon registration) Audition Location and Address: Faith Works Uniting Church, 177 Bennetts Road, Norman Park Audition Self-Tape Due: Video auditions accepted for those unavailable on audition weekend (instructions provided after registration). Audition Requirements: Auditions are run as a workshop using the iTheatrics method. No preparation is required. Participants will learn an ensemble song during the workshop and perform for the creative team. The process assesses singing, acting, movement, connection, and responsiveness to direction. All young performers aged 10–18 (as at 18 April 2026) are invited to audition, and all who audition will be cast. Audition Registration: Please complete the registration form HERE. There is no registration fee; however, the participation fee ($360) must be paid in full prior to audition day. After registering, participants will receive an invoice. Audition Pack: Rock of Ages Audition Pack Performance Dates: Saturday April 18th, 2026 Performance Times: 3PM and 6PM Performance Location: Marjorie Godfrey Theatre, Cavendish Road State High School, Cnr Cavendish Rd & Holland Rd, Holland Park Rehearsal Dates: April 13th - 17th, 2026 Rehearsal Times: 9AM – 4PM Rehearsal Location: Faith Works Uniting Church, 177 Bennetts Road, Norman Park Warnings: Rock of Ages: Youth Edition is a PG-rated adaptation of a typically M-rated show. While explicit references have been removed, the show remains set in the world of 1980s rock culture. Performer Age: 10–18 years (as at 18 April 2026) Creative Team: Director/Music Director – Lauren McNamara Choreographer – Isabella Maric Production Contact: Email - secondstaryouththeatre@outlook.com Instagram - @secondstaryouththeatre Other Information: Participation Fee - $360 per participant (inc. GST). Fees contribute to rights, royalties, creative and technical professionals, venue hire, sets, props, costumes, marketing and more. Each participant receives a script, production t-shirt, dinner on performance day, an audition workshop, and a full intensive rehearsal week. Some costume items will be sourced from performers’ existing wardrobes. Child safety is prioritised (QLD Blue Card compliance). Refunds are only offered in extreme circumstances. Casting is at the discretion of the creative team and may include swings, understudies, double casting, or captains. An inclusive, anti-bullying environment is maintained. Available Roles / Character Breakdown: Lonny Barnett – Male | Range: Ab2–Eb4 The show’s hilarious narrator. Charming, confident, with strong comic timing and vocals. Justice Charlier – Female | Range: Ab2–Eb4 Owner of the Venus-A-Go-Go Dance Club. Warm, strong, soulful powerhouse vocalist. Dennis Dupree – Male | Range: Gb2–E4 Owner of The Dupree Room. Loyal, funny, seasoned rocker with heart. Drew Boley – Male | Range: G2–Eb4 Dreaming rock star. Romantic lead with strong tenor rock voice. Sherrie Christian – Female | Range: G3–Eb5 Small-town girl chasing her dreams. Warm, sincere, strong singer/actor. Stacee Jaxx – Male | Range: G2–B3 Over-the-top rock star. Charismatic with comic flair. Father – Male | Range: A2–E4 Sherrie’s traditional, disapproving father. Mother – Female | Range: G3–F#4 Warm, supportive, nurturing presence. Mayor – Any Gender | Range: D3–A3 Confident politician selling out the Sunset Strip. Regina – Female | Range: G3–Eb5 Passionate activist determined to save the Strip. Hilda Klinemann – Female | Range: G3–Db5 Bold, powerful German developer. Franz Klinemann – Male | Range: Db3–E4 Sweet, quirky son with a gentle voice and big dreams. Ensemble - Featured throughout as waitresses, protesters, band members, fans, agents, publicists, reporters and more. Note: Genders listed reflect the characters as originally performed; performers of all genders may be considered for all roles.

Title: Charlie and the Chocolate Factory Presented By: BG Performing Arts Genre: Family Musical / Youth Theatre Synopsis: This youth production of Charlie and the Chocolate Factory follows the world-famous Willy Wonka as he opens the gates to his mysterious factory for a handful of golden ticket winners. Together with Charlie Bucket and an army of curious Oompa-Loompas, audiences will experience chocolate waterfalls, nutty squirrels and magical adventures. Audition Date: Sunday 15th March 2026 Audition Time: Ages 6–13: 2:30 pm – 5:30 pm Ages 14–18: 9:00 am – 2:00 pm Additional 14–18 callback (if required): 4:30 pm – 5:30 pm Audition Location and Address: 12 Jamieson Street, Bowen Hills Studio, Bowen Hills QLD 4006 Audition Self-Tape Due (if applicable): Online video auditions available for those unable to attend in person (email via info@bgperformingarts.com). Audition Requirements: Participants will take part in vocal, acting and dance sessions so the creative team can assess best placement in the show. Music and dance material will be taught on the day; off-book singing and prepared material encouraged. Wear comfortable movement-friendly clothing and enclosed shoes. Bring water and anything else you may need. Audition Registration: Register via the link on the BG Performing Arts HERE Audition Pack: Available from Sunday 15th February (materials for singing/acting provided after registration). Performance Dates: Saturday April 18th, 2026 Performance Times: 2PM & 6:30PM Performance Location: The Star Theatre, Wynnum State High School, 5 Peel Street, Manly QLD 4178 Rehearsal Dates: 13th - 18th April, 2026 Rehearsal Times: Mon–Thu: 9AM – 5:PM Fri: 9AM – 8:30PM (Younger students may finish early) Sat: 9AM – 9PM Rehearsal Location: Mon–Thu: Bowen Hills Studio, 12 Jamieson Street, Bowen Hills QLD 4006 Fri–Sat: The Star Theatre, 5 Peel Street, Manly QLD 4178 Warnings: Participants must be able to move and dance comfortably; suitable clothing and enclosed shoes are required. Students should be available for all rehearsals during the workshop week. A workshop cost of $400 applies Performer Age: Participants aged 6–18 years (must be at least 6 by performance date). Creative Team: BG Performing Arts Creative Team Production Website: BG Performing Arts - Charlie and the Chocolate Factory Other information: Workshop style production designed to develop performance skills, boost confidence and provide a nurturing environment. Participants will work with professional theatre makers. Additional costume hire fees may apply. Available Roles/Character Breakdown: Featured speaking roles available; auditions for speaking/featured roles are optional - all participants involved in singing, acting and dancing assessments. Creative team will discuss placement during auditions.

Title: 24 Hour Musical Project Presented By: The 24HMP Foundation Ltd Genre: Musical Theatre / Community Production Synopsis: A unique community fundraising event where performers, producers, and technicians come together to mount a full-scale musical production with only 24 hours of rehearsal. The show title and roles are revealed just before the rehearsals begin. Audition Date:Saturday 7 March & Sunday 8 March 2026 Audition Time: 10AM – 9PM Saturday 9AM – 5PM Sunday Audition Location and Address: Spring Hill (venue details sent after registration) Audition Self-Tape Due: Please find information for Self-Tape Auditions HERE Audition Requirements: Must be an experienced performer, aged 18+ and available for the entire 24-hour rehearsal period. Prepare two contrasting musical theatre song excerpts (~32 bars each). Participate in audition activities including vocal performance, cold-read scripts, part-singing, and dance call teaching. Audition Registration: Register to audition HERE Audition Pack: Provided upon registration - includes scene reads, audition format, and dance routine. Performance Dates: April 11th - 12th, 2026 (24-hour rehearsal + performance weekend) Performance Times: Full 24-hour cycle culminating with performance on Sunday evening. Performance Location: Event location provided post-casting. Rehearsal Dates: April 11th - 12th, 2026 Rehearsal Times: From 5:00pm Saturday to 11:00pm Sunday (intensive 24-hour period). Rehearsal Location: Spring Hill (venue confirmed after registration). Warnings: Extremely intense rehearsal schedule with limited rest — performers should be fit and prepared. $80 production fee applies upon casting to assist with catering and logistics. Performer Age: 18+ only. Creative Team: Project team will be revealed with casting details Production Website: The 24 Hour Musical Project Other information: Meals are provided during the 24-hour rehearsal, $80 production fee applies. Documentary coverage by Yellow Ball Productions will film throughout the event. Available Roles/Character Breakdown: Roles and show details are not revealed prior to audition - casting outcomes are announced immediately before the 24-hour rehearsal begins.

Title: Sister Act Presented By: Savoyards Musical Comedy Society Inc. Genre: Musical Theatre Synopsis: An uplifting musical comedy based on the hit 1992 film Sister Act. When disco diva Deloris Van Cartier witnesses a crime, she’s placed into protective custody in a convent - where her extraordinary voice transforms the struggling choir and brings joy, spirit, and groove to the community. Audition Dates : March 20th - 23rd, 2026 Audition Times: Friday 20th (PRINCIPAL), 7 - 10PM Saturday 21st (PRINCIPAL), 9 - 11:30AM Saturday 21st (ENSEMBLE), 12:30 - 5PM Sunday 22nd (PRINCIPAL), 9 - 5PM March 23rd (CALLBACKS), 7 - 10PM Audition Location and Address: Savoyards Hall, Ferguson Street, Manly (Principal) Wynnum State High School, Peel Street, Manly (Group/Ensemble & Callbacks) Audition Requirements: Prepare 2 × 60-second song excerpts showcasing vocal strength and versatility. Script sides are provided after registration - familiarise in advance; memorisation encouraged. Group auditions include taught movement and song. Bring completed audition form and colour headshot. On the day of your audition, bring your audition form, completed in full and listing ALL clashes with the show calendar and a colour headshot (minimum size 10cm X 15 cm). This is non-returnable. It is also important that you are honest in your unavailability as this helps with scheduling! Audition Registration: Email: auditions@savoyards.com.au with name, role(s) auditioning for, and accompanist needs. A confirmation with timeslot will be sent. Audition Pack: Sister Act Audition Pack Performance Dates: June 26th - July 11th, 2026 Performance Times: Fridays - 7:30PM Saturdays - 1:30PM & 7:30PM Sundays - 1:30PM Performance Location: Iona Performing Arts Complex, 85 North Road, Wynnum West Rehearsal Dates: From Sunday 29th March Rehearsal Times: 7 - 10PM Mondays & Wednesdays 12 - 5PM Sundays Rehearsal Location: Wynnum West State School, School Road, Wynnum West. Performer Age: Minimum age for this production is 18 years. Creative Team: Director – Andrew Cockroft-Penman Musical Director – Sally Faint Choreographer – Natalie Lennox Assistant Director – Adelle O’Connell Assistant Choreographer – Wallis Nersesian Production Website: Savoyards - Sister Act Other Information: On the day of your audition, bring your audition form, completed in full and listing ALL clashes with the show calendar and a colour headshot (minimum size 10cm X 15 cm). This is non-returnable. It is also important that you are honest in your unavailability as this helps with scheduling! This is an amateur production; performers will be expected to assist backstage and in theatre duties as part of participation. Available Roles/Character Breakdown: Deloris Van Cartier - An aspiring performer searching for recognition, self-determination, and community. For the role of Deloris in particular — a character written as a Black woman — we especially encourage performers who identify as Black, First Nations Australian, or part of the African diaspora to audition. Gender: female presenting Age: 21 to 40 Vocal range: F3 - F5 Mother Superior - The head of the convent. Highly principled, guarded, and deeply committed to protecting the sisters from external influence. This role can be played by a person of any ethnicity. Gender: female presenting Age: 50 to 70 Vocal range: D3 - D5 Sister Mary Robert - A postulant who was abandoned as a baby and raised at the convent. Reserved and introspective, she struggles with self-confidence and visibility. This role can be played by a person of any ethnicity. Gender: female presenting Age: 18 to 25 Vocal range: F#3 - G5 Sister Mary Patrick - A nun of the convent whose outward energy and enthusiasm are constant. Joyful, impulsive, and wholehearted, she approaches convent life—and music—with uninhibited commitment and delight. This role can be played by a person of any ethnicity. Gender: female presenting Age: 35 to 50 Vocal range: G3 – E6 Sister Mary Lazarus - A long-standing nun and the head of the choir. This role can be played by a person of any ethnicity. Gender: female presenting Age: 50 to 70 Vocal range: E3 – C5 Monsignor O’Hara - One of the senior leaders of the convent. Pragmatic and focused on financial sustainability, he is often concerned with public perception and fundraising. Despite this, he proves surprisingly open to the positive impact of the choir’s musical evolution. This role can be played by a person of any ethnicity. Gender: male presenting Age: 45 to 60 Vocal range: F3 - G4 Curtis - A nightclub owner and organised crime figure, as well as Deloris’ romantic partner. Image-conscious, controlling, and volatile, he uses charm as a means of exerting power and intimidation. This role can be played by a person of any ethnicity. Gender: male presenting Age: 30 to 40 Vocal range: A2 - Ab4 Eddie Souther - A desk officer at the Philadelphia police station and a former high school classmate of Deloris. Earnest, anxious under pressure, and deeply idealistic, Eddie longs to prove his worth—both professionally and personally. His affection for Deloris fuels his desire to be courageous and heroic. This role can be played by a person of any ethnicity. Gender: male presenting Age: 21 to 40 Vocal range: Ab2 - B4 TJ - Curtis’ nephew and one of his associates. Self-assured and highly aware of his own appeal, he moves through the world with confidence and a lack of self-reflection, rarely questioning consequences. This role can be played by a person of any ethnicity. Gender: male presenting Age: 18 to 30 Vocal range: Db3 - Eb5 Joey - One of Curtis’ associates. Outwardly smooth and performative, he is invested in projecting confidence and desirability, particularly in his interactions with women. This role can be played by a person of any ethnicity. Gender: male presenting Age: 30 to 40 Vocal range: Bb2 - Eb5 Pablo - One of Curtis’ associates. Quietly observant and loyal, he often follows the lead of others. He primarily communicates in Spanish, which adds texture and rhythm to group dynamics. This role requires speaking in Spanish, either fluently or with strong proficiency. Performers with lived experience of Spanish-speaking culture are strongly encouraged to audition. Gender: male presenting Age: 25 to 40 Vocal range top: C4 - F5 Sister Mary Martin-of-Tours - A nun of the convent who appears detached from her surroundings. This role can be played by a person of any ethnicity. Gender: female presenting Age: 40 to 60 Sister Mary Theresa - The eldest nun of the convent. Physically frail in appearance but mentally sharp and resilient, she frequently subverts expectations with her toughness and resolve. This role can be played by a person of any ethnicity. Gender: female presenting Age: 60 to 70 Ensemble (10 Female and 3 male roles) Ensemble members will typically portray multiple roles across different settings and may also serve as covers where indicated. Ensemble tracks are subject to adjustment based on casting, staging, and production needs. These roles can be played by a performer of any ethnicity.

Title: The Magic Toyshop – BCYB 2026 Winter Season Presented By: Brisbane City Youth Ballet Genre: Ballet / Dance Synopsis: A season of joy, colour and magic brought to life through classical ballet and storytelling, presented as part of BCYB’s Winter Season. Performers will be part of an ensemble bringing to stage a family-friendly classic with strong choreography and theatrical flair. Audition Date: February 15th, 2026 Audition Location and Address: BCYB Studios, Millway St, Kedron QLD 4031, Australia Audition Requirements: Register via the Typeform audition form. Prepare classical ballet technique appropriate to level (barre, centre, allegro). Attend in person or submit a video link through the form by the closing date. Audition Registration: BCYB Registration Form Performance Dates: July 10th, 2026 - January 12th, 2027 Performance Location: Brisbane Powerhouse, 119 Lamington Street, New Farm, Queensland Rehearsal Dates: Main Company: July 4 - July 12 Junior Company: July 6 - July 12 Petite Company: July 6 - July 12 Rehearsal Location: BCYB Studios, Millway St, Kedron QLD Performer Age: Seeking dancers aged 7+ Creative Team: BCYB Artistic and ballet masters team, including Janine McGrath (Artistic Director & Founder) and others Production Website: Brisbane City Youth Ballet - The Magic Toyshop Auditions Other information: COSTS Main Company - $1300 Junior Company - $1100 Petite Company - $770 A non-refundable 50% deposit of your assigned Company Level (above) is due by FEBRUARY 23 to secure your position. The remaining non-refundable 50% is due by APRIL 6. A compulsory media fee of $220/family and compulsory uniform requirements will be collected through an online payment link also by APRIL 6. External additional costs include shoes, undergarments, makeup, show tickets, show programs, and merchandise. All fees include GST.