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4 – 13 September QPAC Lyric Theatre Presented by Brisbane Festival and Opera Queensland in association with QPAC Brisbane Festival has sprung to life with the first blush of spring, but inside QPAC’s Lyric Theatre it is very much winter. Delicate flakes of snow drift across the stage, dusting a frosted glasshouse where shadowy silhouettes of our bohemians flicker in candlelight. As the audience settles into their seats, children and townsfolk bustle past, their laughter sparkling with Christmas Eve spirit. In this moment, Brisbane has vanished and everyone ready to be swept into another world. It’s as if 1920s Paris itself has been bottled and set to shimmer in front of us.   Opera Queensland’s new co-production with West Australian Opera proves the story is just as poignant as ever with Matt Reuben James Ward directing and Umberto Clerici leading the orchestra. For more than a century, Puccini’s La bohème  has held audiences spellbound, and it’s no wonder. It has everything: passionate romance, cheeky comedy, and gut-punching tragedy, and music so beautiful it could thaw even the iciest Brisbane winter night, all wrapped up in themes of love, youth, friendship, and fragility that still feel achingly familiar today.   The set, designed by Charles Davis, spins on a revolving stage, transforming from the bohemians’ shabby residence to the bustling Christmas markets to a glowing café. There’s even a crackling fireplace, complete with smoke and flame effects, where poet Rodolfo (Valerio Borgioni) burns his manuscripts for warmth while his friends banter, dream, and tease each other. Whether Samuel Dundas (Marcello), Jeremy Kleeman (Schaunard), and Luke Stoker (Colline) are squabbling like brothers, lamenting love, or finding levity in poverty, their chemistry anchors the opera’s more playful scenes.   It’s in this glasshouse that Mimì (Elena Perroni) arrives, feigning the need to light her lamp on a moonless night. Her not-so-chance encounter with Rodolfo blooms into one of opera’s most iconic romances. “In my happy poverty, I feast on love songs like I’m a prince” — Borgioni’s aria is breathtaking, his tone as rich and golden as the firelight, while Perroni’s soaring high notes tingle in my ears and bounce around every curve of the Lyric Theatre. Together, their voices fuse in a duet that feels both inevitable and intoxicating.   The Queensland Symphony Orchestra under Clerici’s baton delivers a lush, perfectly balanced soundscape. There are no microphones here of course; just raw, unamplified human voices soaring over Puccini’s score. Even for first-time opera-goers, surtitles in English ensure nothing is lost in the Italian lyrics (except perhaps in those delightfully chaotic group overlaps).   Act 2 bursts open with Christmas Eve at the markets: a riot of colour and community. The Opera Queensland Chorus and Children’s Chorus fill the stage, alongside elegantly dressed ladies, vendors, and even Santa. The café scene glows with life as Rodolfo and his friends dine with Mimì, setting up some excellent hijinks that remind us these are young adults, still brimming with energy and mischief despite their circumstances.   Enter Musetta (Nina Korbe), who immediately steals the spotlight. Sassy, stylish, and utterly self-assured, her number is the Italian forebear to Rent ’s “Take Me or Leave Me,” and it is fabulous. She toys with men, dazzles her ex Marcello, and parades about in costumes so divine I want to applaud the wardrobe department separately. Korbe and Dundas share a chemistry that crackles with passion, their fiery dynamic a thrilling counterpoint to the tender tether of Rodolfo and Mimì. By Act 3, we’re treated to one of the most powerful moments of the opera: a double duet as one couple splits in anger, the other in sorrow, while the revolving stage shifts our perspective like a cinematic lens. It’s stunning storytelling by director Matt Reuben James Ward, layered with vocal brilliance and underscored by the relentless fall of snow. And yet, even amidst poverty, illness, and heartbreak, there are flashes of joy. The bohemians muck about in the snow, playing pretend at a banquet, laughing at their own misfortune… la vie bohème indeed. It’s these moments of their resilience that make our trials and tribulations of today seem small.   By Act 4, the tone shifts. Even knowing the ending (and most of us do), Mimì’s illness still cuts like glass. Perroni’s portrayal is devastatingly tender and fragile, yet vocally radiant even as she lies prone onstage. It feels almost cruel, how unfair life can be to the most gentle and kind. As Rodolfo crumples, I sat in stunned silence, grieving alongside him.   This La bohème  is set in 1920s Paris rather than the original 1830s, which gives us glorious costuming, flapper glamour, and period detail without losing the timelessness of the story. Christine Felmingham’s lighting design wraps it all in warmth and shadow, while hair and makeup evoke the glamour of the Jazz Age. And while the opera itself is over a century old, its themes remain relevant: love and loss, youth and poverty, joy and despair, the brief sparkle of life itself.   Opera Queensland’s La bohème  is both a triumph for seasoned opera lovers and an ideal entry point for the uninitiated. If you’ve only known its similar counterparts (like Rent  and Moulin Rouge ), here is the source: the original bohemian tragedy, delivered with wit, beauty, and heartbreaking humanity. On opening night, as the final silent curtain fall gave way to a thunderous standing ovation, it felt as though everyone in the Lyric Theatre knew they had been part of something special and fleeting.   Photography by Murray Summerville

Presented by Caper & Crow, Brisbane Festival, Blackbird Brisbane and Twelfth Night Theatre Playing 2 – 28 September, 2025   This year marks 100 years since F. Scott Fitzgerald first introduced us to Jay Gatsby, and what better way to celebrate than with a party Gatsby himself would throw?   For Brisbane Festival 2025, the Twelfth Night Theatre has been reborn. Forget the venue you thought you knew, the theatre has been reimagined as The Green Light , a sultry, shimmering cabaret club where Gatsby swans through the haze with a glass of champagne in hand.   The party begins before you even step inside. The foyer gleams with a full Gatsby glow-up: a sleek gin bar, glamorous photo spots, and a whiff of decadence in every corner. I arrive in my one and only flapper dress, somehow managing to both blend in and stand out. Once ushered into the transformed theatre, the immersion is instant. Haze curls over cabaret tables, waiters balance trays of cocktails, flashing you a smile that make you feel like the guest of honour, before suddenly breaking into epic choreography (talk about multitasking!). The waitstaff truly serve while serving , with Jacob McPherson, Jaimie Nirvana, Maddi Xuereb, and Mariia Borysiak leading the charge, alongside their equally magnetic ensemble (sorry if you are not mentioned by name! I'm going off the BrisFest website). Whether dazzling as dancers or soaring as aerialists, they are all exquisite, weaving precision, stamina, and heat into every corner of the theatre.   Director Craig Ilott and set designers Renier Jansen van Vuuren and Stuart Couzens have transformed the Twelfth Night into a decadent playground. The staging is ingenious: a double-level structure with Gatsby himself (Spencer Craig) surveying his guests from on high, and a bar so lavishly stocked with every spirit imaginable that it becomes a glittering centrepiece rather than just a backdrop. Lighting designer Matt Marshall bathes the room (and the shelves of that bar) in shifting neon and golden spotlights. Under Kim Moyes’ music direction, the soundtrack swings from 1920s riffs to thumping modern beats; one moment Fitzgerald’s world, the next a club floor in the Valley. The sound doesn’t just play at  us, it surrounds and engulfs, an electric mix of swing, pop, and remixed anthems that pulses through the whole space. One laughter-heavy track did grate on my ears, but the accompanying act helped distract. Costumes by Mason Browne and Rose Jurd swing between era-accurate glamour and daring modern reveals, always leaving us teetering on the edge of imagination… until they don’t. Hair and makeup were flawless, glittering under the lights. The acts come thick and fast. Choreographer Lucas Newland ensures every inch of staircases, aisles, balconies, and bar is claimed by dazzling movement. Oscar Kaufmann redefines “sexy” by entwining himself around a coat/hat stand in an aerial routine I didn’t know I needed in my life. Daniela Del Mar had jaws on the floor with her hair suspension act (yes, suspended by her hair — ouch!). Caitlin Marion Tomson-Moylan and Craig pair as Gatsby and Daisy in a sensuous aerial hoop routine floating somewhere between tragedy and ecstasy; and Tommy J. Egan taps up a storm to a jazz-infused remix of “Uptown Funk.”   One moment Florian Vandemeulebroucke is balancing glasses, the next he is dazzling us with a glow-in-the-dark juggling act. Bettie Bombshell brings cheeky comedy and fire twirling (literally), to her burlesque act, shouting “Happy Father’s Day!” to us with feral joy. Singer Georgia Sallybanks (aka Odette) stuns each time she opens her mouth; sultry vocals cutting clean through the chaos to ground the spectacle in a pulse of raw talent. What I really adore is how every corner of the theatre is fair game. Dancers slip into the aisles, pull audience members onto their feet, strip off layers to “Mr Saxobeat,” and blur the line between cast and crowd. At one point I found myself screaming with delight as Gatsby strode past me… he ignored me, of course, but what’s a girl to do when he only has eyes for Daisy?   Spencer Craig’s Gatsby looms throughout, less a man than a phantom host. His rope act to “Dancing On My Own” cut through the glitter with an ache that felt very Fitzgerald indeed. That thread of melancholy gives the night surprising depth: among all the excess and abandon, you can’t escape the reminder that Gatsby’s world was built on longing. The crowd was loud and gleeful (especially impressive for a Sunday night) and by the time we were showered in Gatsby-branded hundred-dollar bills and the giant champagne glass made its appearance, any restraint had definitely dissolved. Gatsby at the Green Light  is less a show you watch and more a party you tumble into. Around 80 minutes of aerial artistry, burlesque, circus, and dance, served with a martini and a wink. The pace never lags, and the freedom to duck out if you wish gives it a relaxed, club-like feel. Do heed the warnings though: there’s haze, strobe, partial nudity, adult themes, and plenty of front-row interaction. I did notice a man with a cane struggling on the stairs, so here’s hoping there is an accessible entrance to the theatre.   As part of Brisbane Festival , this feels pitch-perfect: bold, immersive, devilishly fun, and utterly alive. It’s exactly the kind of show that makes a festival feel like a citywide celebration, not just another night at the theatre. Pro tip: If you can, splash out for the VIP cabaret tables. The food and cocktails elevate the whole evening, and being right in the thick of the action makes the experience even more immersive (and steamy). Perfect for a date, a group outing, or anyone who wants to be swept into the reckless joy of Gatsby’s world. Photography by Morgan Roberts and Daniel Boud and Prudence Upton

Title:  RENT Presented By:  Javeenbah Theatre Company Genre:  Rock Opera / Musical Synopsis: Set in the East Village of New York City in the 1990s, RENT  follows a group of young bohemians struggling with poverty, love, loss, addiction, and the HIV/AIDS epidemic. Through rock music and raw storytelling, the show explores friendship, chosen family, and the pursuit of art in the face of adversity. Audition Date:  Saturday 18 October 2025 Audition Time:  By booked 10-minute slot (via email) Audition Location and Address:  Javeenbah Theatre, Nerang QLD Audition Requirements: Prepare one song not from RENT, no longer than 3 minutes, that demonstrates vocal ability, range, and storytelling. Backing track must be on USB or device compatible with Bluetooth speaker. Be familiar with the entire show prior to auditioning. Callbacks: Monday 20 October 2025 at 7pm. Callback materials (song excerpts + script) will be provided if invited. Must be comfortable with mature themes, sexual language, references to drug use, trauma, HIV/AIDS, and physical intimacy. Email RENT.javeenbah@gmail.com Audition Pack:   Download Here Register Here:   Audition Registration Form Performance Dates:  7 – 21 March 2026 Performance Location:  Javeenbah Theatre, Nerang QLD Rehearsal Dates:  Begin 13 November 2025, with a break from 22 Dec 2025 – 5 Jan 2026 Rehearsal Times:  Full schedule available on request (Tuesdays, Thursdays, Sundays expected) Warnings:  Mature content including explicit language, drug use, trauma, suicide, and references to HIV/AIDS. Same-sex intimacy and drag performance involved. Performer Age:  18+ Creative Team: Director: Kaela Gray Musical Director: Rachel Love Production Website:   Javeenbah Auditions Other information: Successful auditionees must become financial members of Javeenbah Theatre Company ($10). Cast members expected to assist with front of house duties during the previous production’s season. Available Roles/Character Breakdown: (Playing ages approximate – actors outside ranges may still audition if able to convincingly portray the role) Mark Cohen  – Male, mid 20s–30s. Quirky filmmaker and narrator. Vocal range A2–G4. Roger Davis  – Male, mid 20s–30s. Struggling musician, HIV+. Vocal range F2–A4. Mimi Marquez  – Female, 19. Dancer, HIV+, struggles with addiction. Vocal range Eb3–E5. Tom Collins  – Male, early 30s–40s. Gay professor, HIV+. Vocal range F#2–A4. Angel Dumont Schunard  – Non-binary/Trans/Male, early 20s–30s. Drag queen, HIV+, generous and flamboyant. Vocal range C3–A4. Maureen Johnson  – Female, mid 20s–30s. Bisexual performance artist, confident diva. Vocal range C4–F5. Joanne Jefferson  – Female, late 20s–30s. Lawyer, activist, lesbian, Maureen’s partner. Vocal range G3–E5. Benjamin “Benny” Coffin III  – Male, mid 20s–30s. Landlord, former friend, married into wealth. Vocal range Bb2–F#4. Ensemble  – All genders and identities, all ages, vocal ranges. Plays multiple supporting roles.

Presented By: Arise Theatricals Genre: Variety / Circus / Dance / Musical Theatre Synopsis: Arise Theatricals is creating a new variety show to showcase Queensland’s incredible youth talent. From circus artistry and dance to vocals and musical theatre, this performance is an opportunity for young artists to share their skills on stage. This is a community project (unpaid) but a valuable chance to perform alongside other talented youth and be part of a professionally supported showcase. Audition Date: Submissions due by Thursday 25 September 2025 Audition Requirements: Performers must be 12+ years old Must have stage experience, confidence, and strong audience engagement Based in Brisbane or surrounding areas Looking for versatile acts in: Circus (acrobatics, hand balancing, tumbling, contortion, hula hoops, acro-dance) Dance (tap, jazz, contemporary, MT) Vocals (solo or group singing) Musical Theatre For Ground Acts: Submit via email/DM with: Your age A CV (if available) A recent headshot (if available) A video of your act, recorded within the last 12 months Audition Registration: DM via Instagram @arisetheatricals  or email arisetheatricals@gmail.com Performance Dates: 9–10 January 2026 Performance Times: Two performances across the weekend (possible extension if demand is high) Performance Location: Brisbane’s southern suburbs (exact venue TBA) Rehearsal Dates: To be confirmed with successful auditionees Performer Age: 12+ Production Website: Instagram: @arisetheatricals Other information: A platform to highlight youth talent from across Queensland Collaborative performance experience Community project designed to celebrate and encourage young performers

Title: GLOW Cabaret: Once Upon A Time Presented By: Phoenix Ensemble – GLOW Cabaret Series Genre: Cabaret / Musical Theatre / Disney Revue Synopsis: Step into the magical world of Disney! GLOW: Once Upon A Time celebrates over 100 years of Disney’s timeless music, featuring beloved classics and modern favourites performed cabaret-style by a cast of diverse, passionate artists. From heartwarming ballads to show-stopping ensemble numbers, this cabaret promises an enchanting evening of nostalgia, magic, and music. Audition Self-Tape Due (if applicable): Submit a video link with your application form Audition Requirements: Complete the performer application form with your details. Submit two Disney song choices (title & show). Upload a headshot for marketing purposes. Provide a video link of you singing (may be one of your submitted songs or previous performance/showreel). Availability for sound check prior to the performance is required. Audition Registration: Apply Here Performance Date: Saturday 27 September 2025 Performance Times: 6:00pm Performance Location: Phoenix Ensemble, Beenleigh Showgrounds, 60 James St, Beenleigh QLD Warnings: Family-friendly performance (Disney catalogue) Performer Age: Open to adults (18+) Other information: Tickets are already on sale: Phoenix Ensemble Limited performance slots available, early application is encouraged. Variety cabaret – soloists, duets, small groups. Songs selected from across the Disney catalogue (classics to modern).

Title: Red Riding Hood: A Pantomime Presented By : North Brisbane Theatre Company Genre: Pantomime / Musical Comedy / Family Synopsis: The Big Bad Wolf is hungry, and he’s out to eat up Red Riding Hood. This time, he’s coerced the Three Little Pigs into helping him — but they’ll have to get through Jack and Jill first, along with Red’s mother, Dame Hood. Can the Fairy rally the Woodcutter and his son Billy to save Red and end the Wolf’s shenanigans? Or will the Wolf huff, puff, and get away with it all? This family-friendly pantomime is full of laughs, music, dance, and fairy-tale mischief. Audition Date: Saturday 13 September 2025 Audition Time: From 10:00am Audition Location and Address: Burpengary State Secondary College, Burpengary, QLD Audition Self-Tape Due (if applicable): Video auditions due by Thursday 11 September 2025 Submit to: dakotafthomson@gmail.com Audition Requirements: Prepare the song listed for your chosen character(s) (see breakdown below). Karaoke backing track required. A short comedic monologue. Learn a dance to The Edge of Glory (Lady Gaga). Cold reads may be requested. Some improvisation may be required, especially for Dame Hood and Wolf. Three Little Pigs must perform a short tap dance and act with a passable German accent. All auditions will be filmed. Audition Registration: Register Here Songs to Prepare by Character: Red Riding Hood: Share Your Address – Ben Platt Dame Robyn Hood: Paper Rings – Taylor Swift Jack: I’ll Be There For You – The Rembrandts Jill: I’ll Be There For You – The Rembrandts Wolf: Do You Want to Play – StarKid Pigs: Happy – Pharrell Williams Woodcutter: Paper Rings – Taylor Swift Billy: Somethin’ Stupid – Frank & Nancy Sinatra Granny: I’m Still Standing – Elton John Ensemble/All other characters: The Edge of Glory – Lady Gaga Performance Dates: Saturday 13 December 2025 (Matinee & Evening) Sunday 14 December 2025 (Matinee) Friday 19 December 2025 (Evening) Saturday 20 December 2025 (Matinee & Evening) Sunday 21 December 2025 (Matinee) Performance Location: Burpengary State Secondary College Rehearsal Dates: Commence Tuesday 7 October 2025 Rehearsal Times: Tuesdays: 6:30pm – 9:00pm Thursdays: 6:30pm – 9:00pm Sundays: 1:00pm – 4:00pm Performer Age: All roles are open and gender-neutral unless otherwise noted. Creative Team: Director – Dakota Thomson Available Roles/Character Breakdown: Red Riding Hood – Young girl, our brave protagonist. Dame Robyn Hood – Red’s widowed mother. Male only (traditional Dame role). Jack – Young boy, Red’s friend, Jill’s brother. Jill – Young girl, Red’s friend, Jack’s sister. The Big Bad Wolf – Hungry beast, witty and mischievous antagonist. Fairy – Mythical spellcaster, sworn enemy of the Wolf. Laurence, Llewellyn & Bowen – The Three Little Pigs. Comic trio, one clever, one middle child, one dim. Require tap and German accent. Woodcutter – Father to Billy, Dame’s love interest. Billy – Son of the Woodcutter, Red’s love interest. Granny – Red’s adventurous grandmother. Ensemble – Villagers and Students.

Title : Red Riding Hood: Hood vs Hood Presented By: Sunnybank Theatre Group Genre: Pantomime / Family Comedy Synopsis: Get ready for another thrilling adventure in Storybook Land as Red Riding Hood and her friends return for part three of this exciting saga! Red is preparing for her big birthday celebration, but trouble is brewing in the clouds. The mysterious giant in the sky has his own plans, and things get even more complicated when the dashing Robin Hood arrives to challenge Red for the title of Storybook Land’s greatest hero. With returning favourites such as the Evil Queen, the Woodcutter, Granny, Snow White, Prince Charming, the Candy Witch, the Big Bad Wolf, and Detective Bribe — plus new characters — this magical tale is jam-packed with comedy, music, and adventure! Audition Date: Saturday 30 August 2025 Audition Time: 11:00am – 12:30pm: Wolf 1:00pm – 2:00pm: Children Audition Location and Address: Sunnybank Theatre, 14 Mains Rd, Sunnybank QLD Audition Requirements: Prepare from the sides provided in the audition pack. You may have the script in hand for your audition. Group singing and simple movement required for all characters. Please email a headshot and resume (including previous theatre experience and the role you are auditioning for) to: Ashley@redventureproductions.com Audition Registration : Register Here Audition Pack: Download Audition Pack (PDF) Performance Dates: Friday 7 November – 6:30pm (Opening Night) Saturday 8 November – 1:00pm & 6:30pm Sunday 9 November – 1:00pm (possible extra show) Friday 14 November – 6:30pm (possible extra show) Saturday 15 November – 1:00pm & 6:30pm Sunday 16 November – 1:00pm Friday 21 November – 6:30pm Saturday 22 November – 1:00pm & 6:30pm (Closing Day) Performance Location: Sunnybank Theatre, 14 Mains Rd, Sunnybank QLD Rehearsal Dates: Read Through: Sunday 7 September Rehearsals Commence: Monday 8 September Key Dates: Sunday 12 Oct – Photo/Promo Day Sunday 2 Nov – Dress Rehearsals (11am–6pm) Monday 4 Nov – Dress Rehearsal (6:30pm) Wednesday 5 Nov – Preview Night (6:30pm) Wednesday 12 Nov & 19 Nov – Midweek rehearsals Rehearsal Times: Sundays: 10:00am – 3:00pm Mondays: 7:00pm – 9:30pm Wednesdays: 7:00pm – 9:30pm Performer Ages: Wolf: 25+ Children (1 & 2): 14–20 Jack: 12–18 Creative Team: Written & Directed by Ashley Worsman Production Website: Sunnybank Theatre Auditions Other information: This is the third installment in the popular Red Riding Hood saga. All other roles are already cast. Costume measurements will be taken at audition. Videos of previous productions available on YouTube: Red Venture Productions . Available Roles/Character Breakdown: The Big Bad Wolf  (Male, 25+) Dramatic, witty, sarcastic, both comedic villain and vulnerable outsider. No solos, but group singing/movement required. Child 1  (Any gender, 14–20) Sarcastic, cynical, guarded but slowly warms to storytelling. Works closely with Child 2. Child 2  (Any gender, 14–20) Older sibling-type, dismissive at first but becomes actively involved. Narrates alongside Child 1. Jack  (Male, 12–18) Cheerful lad trapped in the clouds after the beanstalk fell. Small role, appears in group songs and a short scene with Red & Robin.

Title: The Trail to Oregon! Presented By: Footlights Theatrical Genre: Musical Comedy / Parody / Interactive Synopsis: The Trail to Oregon! is a wild, irreverent, and interactive musical comedy inspired by the classic Oregon Trail video game. A dysfunctional American family journeys westward in search of a better life, facing bandits, dysentery, starvation, snakes, and their own terrible choices. With the audience deciding key plot points — including the characters’ names and who ultimately dies — no two shows are ever the same! Full of outrageous comedy, improvisation, catchy songs, and over-the-top characters, this is a high-energy ensemble piece for bold, versatile performers. Audition Date: Sunday 7 September 2025 Audition Time: 10:00am – 3:00pm Audition Location and Address: Spring Hill Studio, 10 Love St, Spring Hill QLD Audition Requirements: Prepare one comedic musical theatre song and one contrasting song of your choice (backing tracks only, no live accompaniment). Cold read from the script. Roles are gender-inclusive, with opportunities for doubling. Strong comedy, improv, and character versatility are essential. Dance call will be held at 2:00pm – please bring appropriate footwear and clothing. Audition Registration: Register Here Audition Pack: Download Audition Pack Performance Dates: Friday 28 November 2025 – 2:00pm & 7:00pm Saturday 29 November 2025 – 2:00pm Performance Location: Ron Hurley Theatre, 28 Tallowwood St, Seven Hills QLD Rehearsal Dates: From 14 September 2025 Rehearsal Times: Tuesdays & Thursdays: 6:30pm – 9:30pm (St Peter Claver College, Riverview) Sundays: 1:00pm – 5:00pm (83 Roseneath Parade, Wynnum) Warnings: Contains mature themes and language Performer Age: 18+ Creative Team: Director – Jason Nash Vocal Director – Rhea Basha Choreographer – Meg Bennett Production Website: Footlights Theatrical Auditions Available Roles/Character Breakdown: Father  (35–55) Clueless patriarch who insists he can lead the wagon. Enthusiastic, self-important, but loving. Vocal Range: Baritone/Tenor Mother  (35–50) The practical, witty backbone of the family who tries to keep everyone alive. Vocal Range: Mezzo-Soprano/Alto Daughter  (15–25) Rebellious, sarcastic, smart teen yearning for more. Vocal Range: Mezzo-Soprano Son  (10–16, often played by female performer) Sweet, excitable, dim-witted but sincere. Vocal Range: Tenor (unchanged/light voice acceptable) McDoon / The Bandit King (and others) (25–50) Shape-shifting villain; actor doubles multiple flamboyant, outrageous roles. Vocal Range: Baritone/Tenor Cletus Jones / Slippery Snake (and others) (25–60) Versatile comedic track with eccentric frontier characters and shopkeepers. Vocal Range: Baritone/Tenor

Title: Shrek The Musical Jr. Presented By: BeXD Create Genre: Musical Theatre / Holiday Workshop Production Synopsis: Once upon a time there was a little Ogre… and now the hilarious, family-favourite Shrek JR.  comes to life in a six-day holiday workshop! Featuring beloved characters like Shrek, Fiona, Donkey, and Lord Farquaad, this musical is full of laughs, heart, and lessons about friendship and self-acceptance. Students will rehearse and perform a fully staged production complete with lights, sound, sets, and costumes — all in just one week. Audition Date: Self-tape due Sunday 7th September 2025 Audition Requirements: Slate (Intro): Introduce yourself, the character(s) you’re auditioning for, experience, and a fun fact. Song: Choice of a pop, musical theatre, or Disney song OR a song from Shrek the Musical.  Pick something in your range that shows vocal skill. Audition Side: Choose a script (side) from the provided [Google Folder] for your character, or any side if your character doesn’t have one listed. Dance: A short dance section is required (taught in tutorial video). Combine all sections into one video. Upload as an unlisted YouTube link or cloud link (Google Drive, Dropbox, etc.). Email video link to admin@BeXDcreate.com Audition Registration: You must be registered for the workshop before submitting an audition. Register Here Audition Pack: Audition Information & FAQ Performance Dates: Saturday 4th October, 2025 – 2:00pm & 5:00pm Performance Times: Matinee: 2:00pm Evening: 5:00–6:00pm Performance Location: Riverside Conference Centre, 12 Glenwood Street, Chelmer QLD 4068 Rehearsal Dates: Monday 29th September – Friday 3rd October 2025 Rehearsal Times: Weekdays: 9:00am – 4:00pm daily Show Day (Sat 4th Oct): 9:00am – 6:30pm Performer Age: Ages 6–16 (all experience levels welcome) Production Website: www.bexdcreate.com Other information: Cost: $792 (payment plan available – 6 x $132 instalments). Pizza dinner and activities provided between shows on Saturday. Students BYO meals/snacks throughout the week. Auditions are optional – all participants will be actively involved, regardless of role. Available Roles/Character Breakdown: Lead Roles: Shrek Fiona (Young Fiona, Teen Fiona also featured) Donkey Lord Farquaad Dragon Pinocchio Featured Roles: Gingy Mama Ogre Papa Ogre Little Ogre The Three Little Pigs Ugly Duckling The Three Bears Wicked Witch Big Bad Wolf Peter Pan Storytellers Captain of the Guard Singing Knights Dwarf (Mr. Farquaad) Ensemble Roles: Townsfolk, Fairytale Creatures, Guards, and Storytellers

Title: Kinky Boots the Musical Presented By: Swich Up Productions Genre: Musical Theatre / Comedy / Drama Synopsis: This Tony Award-winning musical tells the true story of Charlie Price, who inherits his father’s struggling shoe factory and finds an unexpected partner in Lola, a fabulous drag queen with a wildly exciting idea. Together, they transform the business and discover that sometimes the best way to fit in… is to stand out. With an uplifting score by pop icon Cyndi Lauper, Kinky Boots  is a heartwarming celebration of acceptance, friendship, and being unapologetically yourself. Audition Date: October 2025 (exact date provided upon registration) Audition Location and Address: Ipswich, QLD (exact venue provided upon registration) Audition Requirements: Prepare material as outlined in the audition pack (sent upon registration). Readings, singing, and/or choreography as per role requirements. Drag performance experience encouraged but not required. All roles are voluntary and unpaid (community theatre). Audition Registration: Register your interest here Audition Pack: Sent upon registration Performance Dates: Friday 27 March – Sunday 29 March, 2026 Performance Location: Ipswich Civic Centre, Ipswich QLD Rehearsal Dates: Late 2025 – Early 2026 (schedule to be provided to successful cast) Warnings: Roles include drag performance elements. Adult themes and language (PG-13 audience). Performer Age : Open age (young children’s roles of Charlie and Lola not included in this production) Production Website: Swich Up Productions Available Roles/Character Breakdown: Charlie Price  – Factory owner, passionate, conflicted, must sing tenor. Lola/Simon  – Fabulous drag queen with powerhouse vocals and presence. Nicola  – Charlie’s ambitious fiancée. Lauren  – Factory worker, quirky and comedic. Don  – Factory worker, hyper-masculine, comic relief. Pat  – Factory worker, sharp and outspoken. George  – Factory manager, loyal and practical. Angels  – 7 drag performers (dance, vocals, charisma required). Ensemble (20)  – Factory family, townsfolk, supporting roles.

Title : Sense and Sensibility Presented By: St Luke’s Theatre Society Genre: Classic Drama / Romantic Comedy (adapted from Jane Austen) Synopsis: Jane Austen’s Sense and Sensibility  follows the Dashwood sisters, Elinor and Marianne, as they navigate love, heartbreak, and society after the loss of their father. This lively ensemble adaptation captures Austen’s wit, romance, and charm while exploring the contrast between reason and emotion. Audition Date: Monday 1 September 2025 Audition Time: 6:30pm – 8:00pm Audition Location and Address: St Luke’s Anglican Church193 Ekibin Rd, Tarragindi Audition Requirements: Prepare a 2-minute monologue (comedic or dramatic). Be ready for readings from the script on the night. Audition Registration: To register your interest, email Director June Balfour at: juneabalfour@gmail.com Performance Dates: Friday 21 November, 28 November, 5 December at 7:30pm Saturday 22 November, 29 November, 6 December at 2:00pm & 7:30pm Performance Location: St Luke’s Anglican Church, 193 Ekibin Rd, Tarragindi Rehearsal Dates: From September 2025 Rehearsal Times: Monday evenings Wednesday evenings Sunday afternoons Production Website: St Luke’s Theatre – Auditions Other Information: With the exception of Elinor and Marianne Dashwood, all roles will be played by the ensemble. Cast members will perform multiple roles. Full commitment to rehearsals is required. Available Roles/Character Breakdown: Elinor Dashwood – eldest Dashwood sister; sensible Marianne Dashwood – middle Dashwood sister; sensitive Margaret Dashwood – youngest Dashwood sister Mrs Dashwood – mother to the Dashwood sisters John Dashwood – half-brother to the Dashwood sisters Edward Ferrars – a gentleman; a bachelor Fanny (Ferrars) Dashwood – wife to John Dashwood; nasty Colonel Brandon – an older bachelor John Willoughby – an unusually handsome young man Sir John Middleton – a country gentleman; distant relation Mrs Jennings – boisterous, good-natured woman Lady Middleton – a lady of society Lucy Steele – a young girl from no fortune Anne Steele – Lucy’s sister; indiscreet Robert Ferrars – Edward Ferrars’ younger brother Gossips 1–5 – high society chorus Servants (including Thomas) Doctor

Title:  Santa & the 7 Christmas Fairies Presented By:  BPAC – Brisbane Performing Arts Challenge Genre:  Christmas Pantomime (Pro-Am) Synopsis: A fully interactive Christmas Pantomime packed with fun, festive songs, and hilarious characters. Santa & the 7 Christmas Fairies  brings to life a magical story about teamwork, kindness, and overcoming adversity — set to classic tunes like Rudolph the Red-Nosed Reindeer , Rockin’ Around the Christmas Tree , and Santa Claus is Coming to Town . Featuring both professional and emerging performers, this sparkling holiday show offers plenty of laughs, audience participation, and Christmas cheer. Audition Date:  Online submissions from Monday 7 July 2025 1:00 AM - Friday 19 September 2025 Audition Requirements: Prepare and submit a video audition via TryBooking Follow all instructions provided in the info pack Age categories: 10–11 yrs for Elf roles 12–13 yrs for Reindeer roles 14+ yrs for all other roles Audition Registration:   Register here Audition Pack: Download here Performance Dates: Fri 19 Dec 2025 – 11:00am – Brisbane SHS PAC, South Brisbane Sat 20 Dec 2025 – 11:00am – Bribie Island Rec Hall, Bribie Island Sun 21 Dec 2025 – 11:00am – Lind Lane Theatre, Nambour Rehearsal Dates: Mon 8 Dec – Fri 12 Dec, 4:00pm–7:00pm (at BSHS PAC) Sun 14 Dec – Thu 18 Dec, 10:00am–3:00pm (at BSHS PAC) Performer Age:  10 - 19 years Creative Team: Director: Filled (Professional performer) Choreographer: Marnie Vuksan Book: Rhonda Binnie Production Website:   BPAC Other Information: Participation fee: $440 (includes 2 weeks of workshops with industry professionals, costumes, headpieces, 1 adult ticket, cast T-shirt) Performers must provide own shoes Audition fee: $22 Opportunities also available for juniors 12+ to assist in backstage and technical roles Available Roles/Character Breakdown: Dazzle (Red Fairy)  – Organised, leader type; based on Doc Twinkle (Black Fairy)  – Quick-witted complainer; based on Grumpy Shy-ni (Silver Fairy)  – Quiet helper; based on Bashful Sparkle (Gold Fairy)  – Clumsy, sneezy; based on Sneezy Spangle (Green Fairy)  – Sleepy and slow; based on Sleepy Tarnish (Old Gold Fairy)  – Underdog who proves themselves; based on Dopey Narrator  – Strong clear voice, comedic potential Rudolf  – Confident singer/actor, petite 12–14 yrs, tap/instrument skills a plus Reindeer x9  – Singing, dancing, acting (petite 12–14 yrs, triple threat) Elves  – Singing, dancing, acting (ages 10–11, comic scene in Act 2)