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Title: Charlie and the Chocolate Factory Jr. Presented By: Beenleigh Theatre Group Genre: Family / Musical Theatre Synopsis: The world-famous chocolatier Willy Wonka opens his mysterious factory to five lucky golden ticket winners. Charlie Bucket and the other children embark on a magical journey through a world of pure imagination, encountering Oompa-Loompas, chocolate inventions, and life-changing lessons along the way. Audition Date: April 18th - 19th, 2026 Audition Time: 3PM - 7PM Saturday 10AM - 4PM Sunday Audition Location and Address: Crete Street Theatre, Cnr Crete & Kent St, Beenleigh QLD 4207 Audition Requirements: Prepare 60-90 seconds of a song (musical theatre style, age-appropriate) Please bring your backing track on a device with aux plug or USB Prepare a side relevant to your preferred character (sides available HERE ) Be prepared for movement/dance components Audition Registration: Book your audition slot HERE Audition Pack: Charlie and the Chocolate Factory Audition Pack Performance Dates: July 10th - 12th, 2026 Performance Times: July 10th - 12PM July 11th - 12PM, 3PM & 7:30PM July 12th - 12PM Performance Location: Crete Street Theatre, Cnr Crete & Kent St, Beenleigh QLD 4207 Rehearsal Dates: Intensive Weekend - May 23rd - 24th, 2026 Intensive Week 1 - June 29th – July 3rd, 2026 Intensive Week 2 - July 6th - 10th, 2026 Rehearsal Times: Intensive Weeks - 9AM – 4:30PM Supervision provided - 8:30AM – 5PM Performance Location:  Crete Street Theatre, Cnr Crete & Kent St, Beenleigh QLD 4207 Warnings: Mild themes suitable for family audiences Performer Age: 8 - 18 years Creative Team: Director - Tianna Paget Vocal Director - Lauren Bull Choreographer - Holly Leeson Production Website: Beenleigh Theatre Group - Charlie and the Chocolate Factory Other Information: Youth production Open to performers of all experience levels Inclusive casting encouraged Available Roles / Character Breakdown: Willy Wonka Willy Wonka is a mysterious and playful figure. He leads the most famous chocolate factory in the world and is ready to pass the candy-making baton on to someone else. He is a bit odd and definitely quirky, but wants the best for his factory and believes in the power of chocolate. Charlie Bucket Charlie Bucket is a good kid from a poor family who loves, loves, loves Wonka candy. His excitement gives Willy the idea to stage the contest. Charlie is wide-eyed and open-hearted, with a positive attitude despite his humble circumstances. Grandpa Joe Grandpa Joe dreams big – after all, Charlie had to get it from somewhere. He admires Willy Wonka and teaches Charlie that Wonka is the best chocolatier in the world. Mrs Green Mrs. Green is a carnival-barker-style vegetable salesperson who trades her cart of “pre-owned vegetables” for Wonka candy once the town goes candy-crazy. Mrs Bucket Mrs. Bucket takes care of the whole family. She’s supportive of Charlie’s studies, and although she doesn’t see a future for him as a candy inventor, she believes in him and wants the best for him. Josephine Josephine is one of Charlie’s grandparents. She is the whimsical one. Georgina Georgina is one of Charlie’s grandparents. George George is one of Charlie’s grandparents. He is the grumpiest of them all. Jerry Jubilee Jerry Jubilee is a news anchor who is covering the golden ticket story closely. Cherry Sundae Cherry Sundae is a news anchor on the same team as Jerry Jubilee. Just like Jerry, Cherry is on the spot with the golden ticket news as soon as she can be. Mrs. Gloop Mrs. Gloop, like Augustus, takes food very seriously. In her eyes, her son can do no wrong, although to the rest of the world his manners leave something to be desired. Augustus Gloop Augustus Gloop is the regional bratwurst-eating champion. Augustus and his mother, Mrs. Gloop, are always on the lookout for their next culinary experience. Mr Salt Mr. Salt is Veruca’s father. He’s a wealthy businessman who is used to buying his way through life and will give Veruca anything she wants so long as she’s not throwing a fit. Veruca Salt Veruca Salt is spoiled as can be. She is used to getting her own way and is not afraid to get loud when she doesn’t. Mr Beauregarde Mr. Beauregarde is Violet’s father. He cares about her gum-chewing career just as much as she does. Violet Beauregarde Violet Beauregarde has created a brand around chewing gum, and she’s not going to be stopped. Mike Teavee Mike Teavee is screen-obsessed. He’s constantly connected, whether it’s internet, television, or capturing his own content, and his manners aren’t great as a result. Mrs Teavee Mrs. Teavee loves her son Mike very much – so much that she pretty much lets him do whatever he wants. Ensemble The ensemble is the life of the show. These members will have multiple roles such as squirrels, reporters, crowd members and Oompa Loompas, so we are looking for big energy and great character work.

Title:  Drowning Ophelia Presented By:  Centenary Theatre Group Genre:  Dark Comedy Synopsis: Jane doesn’t know what to do with the literary character who has taken up residence in her bathtub. Ophelia delights in singing songs about death and valentines, interrupting Jane’s carefully planned fantasy dates with an actor named Edmund, and bringing up memories of a brother Jane would rather forget. As Jane’s past intrudes dangerously on her present, it becomes clear that Ophelia is not simply a character from Hamlet , but a long-forgotten messenger with a question from Jane’s own troubled mind: How do you move on when reconciliation is not an option? A dark comedy from new writer Rachel Strayer (USA, 2023). Audition Date:  Sunday April 12th, 2026 Audition Time:  From 10AM Audition Location and Address:  Chelmer Community Centre, 15 Queenscroft Street, Chelmer Audition Requirements:  Cold reads from the script plus a prepared reading of a Shakespearean sonnet Audition Registration:  Contact director for enquiries Performance Dates:  11 July – 2 August 2026 Performance Times:  Friday and Saturday evenings, with matinees on some Saturday and Sunday afternoons Performance Location and Address:  Chelmer Community Centre, 15 Queenscroft Street, Chelmer Warnings:  Themes of mental health, grief, and dark humour Performer Age:  18+ Creative Team:   Director - Rhyll Bucknell Production Website:   Centenary Theatre Group - Drowning Ophelia Other Information:   Opportunity available for a Stage Manager (experience welcome; training provided). Enquiries: enquiry@centenarytheatre.com.au  or via Facebook Messenger. Please do not audition if you cannot commit to the performance dates. Available Roles/Character Breakdown: Ophelia - Straight out of Hamlet ; childlike and purposeful; sings a cappella Jane - Female, 30–40; obsessive and emotionally on edge Adam - Jane’s elder brother; devastatingly likeable Edmund - Actor; equal parts charm and awkwardness Electronic voice & female nurse voice

Giselle – Brisbane Ballet Conservatorium Theatre, Brisbane Choreography:  Emrys Goldsworthy (original by Jean Coralli, Jules Perrot, Marius Petipa) Dramaturgy:  Tahlia Goldsworthy Music:  Adolphe Adam, Friedrich Burgmüller Set Design:  Paul Jones Costume Design:  Emrys Goldsworthy & Nethini Gomes Photography : Alisa Poturaeva   I love getting to experience a ballet I have never seen before. Thanks to my incredible seat (shoutout to Emrys!), I got an amazing view of everything in Brisbane Ballet's Giselle . Every reaction, every flicker of emotion, every slightly panicked moment in Act 2 stamina… all of it right there. And in a story built on love, lies, and a full emotional breakdown, that kind of proximity makes a huge difference. Picture this: a sunny village where Giselle, our delightful peasant girl with a love for dance, falls head over heels for Loys. He’s got the charm, the romance... basically the whole boyfriend starter pack. Unfortunately, he is also lying. Loys is actually Albrecht, a nobleman in disguise, and already involved with another woman. When the truth comes out, Giselle’s heartbreak sends her into madness and ultimately, death. In Act 2, she returns as a Wili, one of the ghostly spirits of jilted brides who died before their wedding day. These spirits haunt the forest, condemning men to dance until they drop. So when Albrecht finds Giselle’s grave… he becomes their next target.   Act 1 opens in a soft wash of cream, peach, and baby pink dresses, with fluttering skirts and a gentle, springtime feel. The set is minimal, just a simple house structure grounding the upstage and letting the dancers do the storytelling. There’s a lightness to everything here. Playful, airy, deceptively simple. The featured dancers in the cream-coloured dresses bring moments of real beauty, grace, and athleticism, and the corps move cleanly and uniformly throughout. I especially loved how often the solos, duos, and trios are performed directly to us . It creates a real sense of inclusion. We’re not just watching the village, we’re part of it. Rafaela Morel is exactly what you want Giselle to be. A perfect demure smile, a long swan neck, effortless grace. Dressed in sky blue, she stands out immediately, not just visually, but in presence. There’s an innocence to her that feels completely genuine. As the narrative shifts, so too does her performance. Her spiral into madness is genuinely mesmerising. Up close, the detail in Rafaela's anguish captures Giselle’s psychological disintegration. She pulls at her hair, disassociating as drifts in and out of reality, dancing as if someone is still there. Reaching, turning, responding to nothing. And the most striking part is her deliberate loss of refinement in her movement that disrupts the classical aesthetic. Her technique is still there, but the control slips enough to become dangerous. The moment that stayed with me is that unpredictability, the audience (and even the dancers holding their breath), unsure what she’ll do next. Then there are the men, and the messes they create. Ivan Tarakanov as Albrecht really leans into the charm, which makes the deception all the more frustrating to watch unfold. The early pas de deux has that unmistakable sense of seduction, and you can already tell this is not going to end well. Ivan’s face is almost as entertaining as his dancing, his reactions are constantly alive, giving you little moments to watch even when he’s not the focus.   Peter Harris as Hilarion goes all in emotionally, fully committing to that “I pine, I perish” energy of his unrequited love. By Act 2, he is absolutely not holding back, dancing himself into complete exhaustion. It’s relentless, physical, and just a bit brutal to watch. Matthew Maxwell is one to keep an eye on. Leading man energy, clean execution, and beautifully controlled stillness. Act 2 is a complete tonal shift. The backdrop drops into black, and a grave marked by a glowing neon cross cuts through the fog. The palette cools instantly into blues and shadow, with golden lighting from the wings adding depth. The costumes shift to white bridal silhouettes, and the world becomes something else entirely. The Wilis are ethereal, and they no longer perform to us. We don’t exist to them. The audience disappears, and we become observers rather than participants. Imogen Walters performs as Myrtha, taking clear command of Act 2. She leads the Wilis with authority, guiding Giselle into their world while maintaining an undercurrent of menace when confronting the men who cross their path. Her presence is poised and controlled, creating a compelling balance between beauty and threat. She did seem a little fatigued on this particular performance (I hope she’s okay), but the strength of her portrayal still came shining through. The choreography (Emrys Goldsworthy)  sits firmly in classical language, but with a strong sensitivity to musicality. It feels like it’s actually listening to the score rather than just sitting on top of it. You can see the attention to shifts in tempo and tone, and the phrasing has a natural breath to it. The choreography is demanding and unrelenting. Continuous jumps, constant traveling. Ivan’s entrechats just keep going, one after the other, like he was bouncing on a trampoline. I could only imagine how much his legs were burning!   Rafaela’s ghost Giselle is beautifully restrained. She circles Albrecht, dances toward him, but rarely looks directly at him, creating an intentional and quietly devastating emotional distance. Peter and Ivan fully commit to the “dance until death” fate, and it’s clear this production takes that concept seriously across the board. Lighting is beautiful, shifting from warm daylight tones in Act 1 to deep blues, gold, and fog in Act 2. Costumes support the storytelling well overall, though Bathilde’s red dress could benefit from a quick steam. If possible, real flowers would make a difference in those quieter moments where the plastic sound is noticeable. And if the grave structure is hollo, it would be lovely to see Giselle disappear through it on her exit, creating a more ethereal transition than the current bourrée into the wings.   By the end, it’s not the spectacle you remember. It’s the details. The breath between movements, the way Giselle holds or avoids one's gaze, and the sheer stamina of it all. It’s romantic. It’s tragic. And suddenly you’re emotionally invested in whether this man deserves forgiveness. For the record, I’m not convinced.

Title: Daffodil Presented By: Ipswich Little Theatre Genre: Psychological Drama Synopsis: According to John, Cecilia is unwell. She needs rest, she needs air, she needs to be less of – herself. Plagued with what is perceived to be hysterics and “temporary nervous depression”, they retreat to a summer house on the New England coast in hopes of allowing her to find the peace needed to get better (be a better wife, mother, citizen). What she finds instead is a small room with deceitfully foul yellow wallpaper and a story told far too many times. Audition Date: Monday April 20th, 2026 Audition Time: from 7:30PM Audition Location and Address: Ipswich Little Theatre, Burley Griffin Drive, Ipswich QLD 4305 Audition Requirements: Auditionees will be asked to familiarise themselves with three sides from the script. Full memorisation is not required, but performers should have a strong understanding of the text and its emotional context. Auditions will involve reading from the provided sides, both individually and with other performers. Chemistry reads will also be conducted to explore relationships between characters. Audition Registration: Please complete the audition form HERE Audition Pack: Audition sides available HERE Performance Dates: Preview (ILT) - July 2026 Beenleigh - July 31st – August 2nd 2026 Ipswich - August 7th - 9th, 2026 Toowoomba - August 22nd - 23rd, 2026 KSP - August 28th - 30th, 2026 Nanango - September 4th - 6th, 2026 Performance Times: To be confirmed closer to festival dates Performance Location: Multiple venues as part of the South East QLD Drama Festival Circuit, including Ipswich Little Theatre. Warnings: Depictions of mental illness and psychiatric malpractice, grief, suggestion of domestic abuse, brief violence Performer Age: 18+ Creative Team: Director - Kate Hoepner Assistant Director - Brittany Evans Production Website: Ipswich Little Theatre - Daffodil Other information: The play is set in the late 1800s and requires performers to use a stage English (RP) accent. Accuracy is not expected at audition stage, but a willingness to develop the accent is essential. This is an emotionally intense and psychologically heavy work exploring themes of isolation, control, and mental health. Performers should approach the process with care, maturity, and emotional depth. For further information or full scripts, contact the director at kate.hoepner@gmail.com . Available Roles/Character Breakdown: Cecilia – A woman experiencing psychological distress, intelligent and introspective, central to the narrative. Requires strong emotional range and stamina. John – Cecilia’s husband, a physician whose authoritative and controlling nature contrasts with his belief that he is acting in her best interest. Narrator – A guiding presence within the story, offering perspective and shaping the audience’s understanding of Cecilia’s experience.

Title:  She Loves Me Presented By:  Phoenix Ensemble  Genre:  Musical Theatre   Synopsis:   The sweetest love story they never saw coming. Amalia Balash and Georg Nowack are constantly at odds by day, trading sharp words across the shop counter of Maraczek’s. Yet after hours, each pours their heart into anonymous letters to a cherished pen pal, never suspecting they’ve already met. As romance blossoms on paper and misunderstandings grow in person, the two must navigate pride, vulnerability, and the risk of truly being seen. From the beloved songwriting team of Jerry Bock and Sheldon Harnick, She Loves Me is a witty, warm, and elegant musical comedy based on the play Parfumerie. With soaring songs, heartfelt humour, and old-world charm, this intimate gem invites audiences to believe in the magic of connection, and the possibility that love may be closer than we think.   Audition Dates:  April 17th & 18th (Callbacks on April 19th if required) Audition Time:   Friday from 6PM Saturday from 10AM Sunday from 7PM (Invitation only if required)  Audition Location and Address:   Beenleigh Show Grounds, James St, Beenleigh QLD 4207 Audition Self-Tape Due: If you are unable to attend our auditions in person, video submissions will be accepted. Please email auditions@phoenixensemble.com.au for information regarding video submission requirements.     Audition Requirements:   All auditionees are required to complete an individual audition, where the creative team will see all singing, acting and dancing components of your audition. Music - Please prepare two contrasting musical theatre songs in the style of the show. Each selection should be approximately one minute in length. We recommend that at least one piece be in a legit style, however, we are not committed to a purely classical vocal approach for this production. To keep the audition process open and inclusive of all voice types, we encourage you to audition whether or not you have formal classical training. When choosing your material, please consider contrast not only musically (such as range, genre, and vocal style) but also emotionally and dramatically. For example, you might pair a ballad with an up-tempo number, or a comedic piece with something more heartfelt or dramatic. Acting - Please prepare and memorise one monologue from the document linked HERE . Use your own accent but be prepared to deliver one with a Modern RP/Standard Southern British accent as well. Be ‘familiar’ with the other monologues as you may be asked to cold read one of them. Dance - The dance component of your audition will also be presented in the individual auditions. Choreography video will be made available on the 3rd of April HERE . Audition Registration:   Please visit www.phoenixensemble.com.au and click the AUDITION tab at the top. This will take you to the interface to book your audition, either for the group call or an individual audition. If you have any issues please email: auditions@phoenixensemble.com.au and we will gladly help you through the process. Audition Pack:   She Loves Me Audition Pack    Performance Dates:  August 7th - 29th, 2026 Performance Times:  Friday evenings Saturday matinee & evenings  Performance Location:  Phoneix Ensemble, Beenleigh Show Grounds, James St, Beenleigh QLD   Rehearsal Dates: Monday, Wednesday & Sunday commencing May 3rd. Rehearsal Times:  Monday & Wednesday - 7AM - 10PM Sunday - 1PM - 6PM  Rehearsal Location:  Phoneix Ensemble, Beenleigh Show Grounds, James St, Beenleigh QLD   Performer Age:  18+ Creative Team:   Director - Sherryl-Lee Secomb Musical Director - Emma Erdis Choreographer - Jamie O'Donoghue Production Website:  Phoenix Ensemble - She Loves Me   Other Information: Your commitment to the rehearsal process is a commitment to everyone involved in the production and is imperative for its success. We expect all cast, crew, and creative members to: Attend all call times and rehearsals with ample time. Rehearsals will start promptly; arrive a few minutes early to be ready. If you are running late and the production team is not already aware, please contact us using the designated contact provided at the start of rehearsals. Keep up to date with the rehearsal schedule. Your presence at called rehearsals shows respect for your fellow cast and production members. Provide all known scheduling conflicts at the time of auditioning. Accepting a role indicates your availability for all rehearsal days and times provided, except for previously declared conflicts. Committing to another role or production after accepting ours may breach this commitment and affect your continued involvement. Notify the production team promptly of any last-minute absences due to emergencies or illness. This allows the team to adjust the schedule. Uncommunicated absences are not acceptable and will be addressed directly. Come to rehearsals with required materials, in appropriate clothing and footwear, and with a positive attitude. A professional, focused, and collaborative rehearsal environment is key to the success of the production. Support and encourage those around you to help create a positive and enjoyable experience for everyone. Upon accepting a role, you will be required to become a financial member of Phoenix Ensemble on or before the first rehearsal. All members must hold or be willing to obtain a valid Blue Card. Further information will be provided upon acceptance. Phoenix Ensemble is dedicated to providing a positive, valuable, and nurturing experience for everyone. This commitment is supported by these guidelines, our Respectful Workplace Policy, and our Code of Conduct.   Available Roles/Character Breakdown: Amalia Balish - The eager new employee at Maraczek's Parfumerie. Bright, charming, and energetic but can be exasperating. Intelligent, loves literature and art. Kind and a romantic at heart, searching for a man who shares her interests. Can be competitive, which may blind her in romantic relationships. Presenting Gender: Female | Playing Age: 25–35 | Vocal Range: Soprano C4–B5 | Dance Requirements: Light Mover Georg Nowack (pronounced Novach) - Employee at Maraczek's Parfumerie. Assertive, kind, intelligent, and a hopeless romantic who enjoys literature and art. Seeks a kind woman to share his interests. His interactions with Amalia exasperate him. Presenting Gender: Male | Playing Age: 30–40 | Vocal Range: Baritone B2–F4 | Dance Requirements: Light Mover Ilona Ritter - Employee at Maraczek's Parfumerie. Experienced in life and love, world-weary, and tired of relationships with men she knows are wrong for her. Ready for something more in love. Intelligent, sure of her sexuality, strong woman seeking change. Presenting Gender: Female | Playing Age: 30–50 | Vocal Range: Mezzo-Soprano F#3–E5 | Dance Requirements: Moderate–Strong Dancer Steven Kodaly (pronounced Kodie) - Employee at Maraczek's Parfumerie. Stylish but shallow, totally self-absorbed. Annoyingly likeable, which makes him attractive to women—and he knows it. Presenting Gender: Male | Playing Age: 30–50 | Vocal Range: High Baritone/Tenor B2–A4 | Dance Requirements: Moderate–Strong Dancer Mr. Maraczek (pronounced Maracheck) - Owner of Maraczek's Parfumerie. Has a commanding presence, dedicated to his business. Quick-tempered but kind and fair. Presenting Gender: Male | Playing Age: 50+ | Vocal Range: Baritone B2–C4 | Dance Requirements: Basic Mover Ladislav Sipos (pronounced Seeposs) - Employee at Maraczek's Parfumerie. Lovable family man, always afraid of losing his job. Very agreeable to everyone, believes himself to be insignificant in the world. Totally likeable; the sort of person you want to comfort and encourage. Presenting Gender: Male | Playing Age: 40+ | Vocal Range: Baritone A2–E4 | Dance Requirements: Basic Mover Arpad Laszlo - Delivery boy at Maraczek's Parfumerie. A clear joy for life with infectious exuberance and commitment to his job. Ambitious and adorable. Presenting Gender: Male | Playing Age: 18–25 | Vocal Range: B♭2–E4 | Dance Requirements: Light–Moderate Mover Ensemble (Playing Multiple Roles) - A small group of male and female performers arranged by the score’s vocal requirements. All ensemble members must sing. Presenting Genders: Mixed | Playing Ages: Mixed | Vocal Ranges: Mixed | Dance Requirements: Moderate–Strong Dancers Ensemble Roles Include: Head Waiter – eccentric and over-zealous restaurant manager Mr. Keller – private investigator Customers of Maraczek’s Parfumerie Restaurant Patrons Christmas Carolers

Title:  Pygmalion Presented By:  Introspect Theatre Company Genre:  Drama / Modern Adaptation Synopsis: A modern reworking of Shaw’s classic tale, the phoneticist Henry Higgins is the Pygmalion figure who believes he can transform Eliza Doolittle, a down-on-her-luck flower girl, into a duchess at ease in polite society. The one thing he overlooks is that his "creation" has a mind of her own. Audition Date:  Saturday April 18th, 2026 Audition Time:  10AM - 4PM Audition Location and Address:  QUT Kelvin Grove Campus Audition Requirements: Prepare a monologue that best showcases you as a performer (plays, films, TV, etc.). Creative interpretations are welcome; the director may redirect in the room. Wear comfortable clothing suitable for movement. Audition Registration:  Register to audition via the Pygmalion Audition Form Audition Pack:   Pygmalion Audition Pack Performance Dates:  July 4th - 5th, 2026 Performance Times:  Matinee and evening on Saturday, evening on Sunday Performance Location:  QUT Kelvin Grove Campus Rehearsal Dates:  Tuesdays, Thursdays & Sundays from May 3rd onwards Rehearsal Times:   Tuesdays & Thursdays 6PM - 9PM Sundays 10AM – 4PM Rehearsal Location:  QUT Kelvin Grove Campus Performer Age:  No restrictions; roles open to any age where appropriate Creative Team: Director - Jack Winrow Producer - Szonja Meszaros Stage Manager - Kat Coomber Production Website:   Introspect Theatre Co - Pygmalion Other Information: Cast members must become a Paying Member ($60) for t-shirts and production costs. Active promotion via social media expected (at least once weekly). Scripts must be learned by 4 June. Diverse and inclusive casting; performers of all gender expressions, cultural backgrounds, ages, and abilities encouraged to audition. Available Roles / Character Breakdown: Eliza Doolittle - Down-on-her-luck flower girl with newfound opportunities; independent-minded. Henry Higgins - Phoneticist; confident and arrogant; takes on the challenge of transforming Eliza. Colonel Pickering - Higgins’ friend; kind and supportive; cares for Eliza. Mrs Higgins - Henry’s mother; socially prominent; influences Eliza’s training. Freddy - Son of Mrs Eynsford-Hill; infatuated with Eliza. Clara - Daughter of Mrs Eynsford-Hill; socially ambitious; interested in Higgins. Mrs Eynsford-Hill - Mother of Clara and Freddy; evaluates Eliza’s social position. Doolittle - Eliza’s father; opportunistic; reacts to money and experiences from Higgins. Mrs Pearce - Housekeeper; motherly role to Eliza; assists Higgins and Pickering.

Title:  74 Redland Grove Presented By:  Sunnybank Theatre Group Genre:  Musical   Synopsis:   74 Redland Grove is a heartfelt musical set in 1970s Nottingham that follows the lively, chaotic Coningsby family and the magic they find in everyday life. Inspired by writer Mark’s real childhood and conversations with his mother before her passing, the show blends memory and imagination, using humour, music, and puppetry to bring family life to the stage. More than a true story, it’s a nostalgic love letter about resilience, memory, and how family connections help us heal.   Audition Date: Sunday March 29th, 2026 (Callbacks March 30th if required) Audition Time:  10AM - 6PM  Audition Location and Address:   Sunnybank Theatre Group Inc, 14 Mains Road, Sunnybank QLD 4109 Audition Self-Tape Due:  March 29th, 2026   Audition Requirements:   You’ll present a 15-minute audition showcasing acting, singing, and dancing in any order. Prepare a scene using a provided character (not required to be fully memorised), two short contrasting songs (about 1 minute each), and learn a choreography piece. On the day, you’ll perform your scene twice (once with direction), sing with your own backing track, complete a brief vocal range check, and perform the dance after a quick refresher. The panel is assessing your suitability for the roles across acting, vocal ability, and movement. Audition Registration:  Register for your audition by completing the online form HERE . Audition Pack:    74 Redland Grove Audition Pack   Performance Dates:  July 3rd - 18th, 2026 Performance Times:    Wednesdays - TBC Fridays - 7:30PM Saturdays - 2PM & 7:30PM Sunday (12th July) - 2PM Performance Location:   Sunnybank Theatre Group Inc, 14 Mains Road, Sunnybank QLD 4109   Rehearsal Dates:  April 3rd -July 1st, 2026 Rehearsal Times:  Mondays & Wednesdays - 7PM - 9:30PM Sundays - 12PM - 6PM Rehearsal Location:   Sunnybank Theatre Group Inc, 14 Mains Road, Sunnybank QLD 4109   Performer Age:   Performer age is not important. Actors must be confident playing the character’s listed stage-age Creative Team: Book, music, lyrics - Mark Westby Co directors - Tammy Sarah Linde & Chris O'Leary Assistant Director - Luke O'Hagan Choreographer - Jackson Poole Production Website:   Sunnybank Theatre Grove - 74 Redland Grove Other information:   . Puppetry experience is not essential as training will be provided but have the stamina and dexterity to operate and carry a puppet for extended periods. Actors should be confident learning and performing a Nottingham accent; dialect coaching will be provided.   Available Roles/Character Breakdown:  NARRATOR (H) - Human, male presenting, playing age 54 The Narrator is the anchor character of the show. He is the adult Riffs, guiding the audience through his world as a child. Human, playing age 4 RIFFS (H) - Riffs is the child at the centre of the show. Being the youngest of the children, he finds it difficult to communicate with those he doesn't have a close connection with, hence the world of puppets that he imagines. Above all, Riffs is a child, so the gender of the performer is not important, but the ability to play a child is. MARINA CONNINGSBY (H), YOUNG MC (P) - Human, female presenting, playing age 38 MC is the matriarc of the family. She is firm but fair with the children, however the daily struggles of 8 kids and an absent husband can be wearing. She has heart but doesn't always like to show it. She starts the show as a puppet but is transformed to a human actor after a diplay of true maternal love with Riffs 14 (P) / SONIA (H) / INSPECTOR (H)/ OFFICER FLIRT (P) - Human, female presenting, playing age young / puppet age 18 Vocal style: blues 14 is the second oldest sister. She provides a fair portion of the comedy of the show with her sarcastic wit. Comedic timing is important. Sonia - maternity nurse at the birth of Riffs Inspector - the police inspector in search of the missing Riffs at the Colwick Races Officer Flirt - a police office, flirt by name, flirt by nature. Often falls flat. 12 (P) / FIREMAN 2 (H) / SNOOKER PLAYER (H) - Human, male presenting, playing age open / puppet age 16 Vocal Style: proto punk 12 is the 3rd eldest sibling. He has been a troublesome child, often in trouble with the authorities, and has entered a rebellious punk phase. He doesn't want to be bothered with family, but is there when needed. Fireman 2 - primarily a dance role with some part singing Snooker Player - Jonathan's opponent during the Rachel Racks scene. Some dance. 11 (P) / FIREMAN 3 (H) - Human, male presenting, playing age open / puppet age 15 Vocal Style: country 11 is the 4th eldest sibling. He would rather stand back and watch it all happen than get involved. He and 7 are close because they like to play tricks on the others. Fireman 3 - primarily a dance role with some part singing. 7 (H) / DR THORNTON (H) - Human, male presenting, playing age 11 / Dr Thornton any age Vocal Style: rock 7 is the eldest of the younger four children. He wants to be part of the older crowd and often plays tricks on Riffs. He is confident and a prankster,. Actor will need to play a child of 11. Dr Thornton - Marina's psychiatrist. Very doctorly in a Freudian sense. 6 (H) / NURSE PET (H) / OPERA SMACK (P) - Human, female presenting, playing age 10 Vocal Style: soul 6 is the only girl of the younger siblings. She is best described as a pollyanna - wanting to be a 'good girl'. She has a close relationship with Riffs. Nurse Pet - maternity nurse at the birth of Riffs Opera Smack - the hairbrush that is used as a punishment on the children. 5 (H) / SUDSY (P) - Human, male presenting, playing age 10 Vocal Style: folk 5 is the next sibling up from Riffs. He used to be the favoured youngest child but has been replaced. He has become Riffs nemesis, often trying to get Riffs into trouble and generally making his life difficult. Sudsy - the washing machine that shares a song with Riffs before catching him in the mangle. DRAG ASH LIL (P) / EDGAR (H) / FIREMAN 1 (H) / RACHEL RACKS (P) / OPERA SMACK (P) / 16 (P) - Human playing age 30 + Vocal Styles: burlesque (Rachel Racks), opera (16), others spoken word Drag Ash Lil is a well-meaning but ultimate busy-body neighbour. Always with hair in curlers and a cigarette hanging from her mouth doling out snippets of wisdom with a snarky tone. Edgar - a paedophile that Riffs encounters on his journey home one day and the trigger for MC's change. Fireman 1 - dancer Rachel Racks - sings a burlesque number as Jonathan's 'mistress'. Sexy and sultry 16 - eldest sister, likes to think she knows all and is in charge when MC is not around. JONATHAN (P) / TOM (P) / UNCLE PETE (H) / MESTER WILSON (P) - Human, male presenting, playing age 30 + Vocal Styles: blues (Uncle Pete), ballad (others) Jonathan - MC's husband who is playing snooker down at the club when he isn't home. A helicopter husband. Tom - MC's affair, sexy and happy to serve Uncle Pete - chief fireman - one song and dance number Mester Wilson - neighbour who saves riffs from the mangle and pushes MC to get some help. MC OLD (P) Female presenting, playing age 80 + Vocal Styles: ballad Playing MC as an elderly woman on her death bed and in the coffin at the funeral. Has a duet with her younger self.

Title: One Act Plays Presented By:  Mousetrap Theatre Company Inc. Genre:  Comedy / Classical Theatre Synopsis: Mousetrap Theatre presents a season of one-act plays featuring two contrasting works. “Still Here Love” Written and directed by Dee Heath. Synopsis Still Here Love is a play about a group of female friends meeting up for coffee, their adventures on the way and their shared experiences of aging in a society obsessed with female youth and beauty. The play examines the weight of societal expectations on women and the shifting mindsets of women of a ‘certain age’. This original script is comedic, dramatic at times and heartfelt. We are seeking strong character actors who can embody a range of emotions and would like to be part of something different and original at this year’s One Act Festival. “Rambles On Radio” Written by Robert Scott Directed by Chris Packman. Synopsis Christopher Rambles is delighted to be performing his play on the radio with his daughter in a starring role, but others are less content with the casting. Worse still, there’s more drama behind the microphone than is going out over the air. Audition Date:  Friday, March 27th, 2026 Audition Time:  From 6PM Audition Location and Address:  Mousetrap Theatre, 157 Sutton Street, Redcliffe, Queensland, Australia Audition Requirements: No preparation required Actors will read from the script with others at the audition May audition for one or both plays Audition Registration: Email to register and receive audition pack ( Still Here Love ) - deeheath438@gmail.com Enquiries for Rambles On Radio - 0403 886 458 Audition Pack: Provided upon registration ( Still Here Love ) Full script available online for Rambles On Radio Performance Dates: May 29 - 31st, 2026 September 18th - 20th, 2026 Performance Times: May Friday & Saturday - 7:30PM May Sunday - 2:30PM September TBC Performance Location: Mousetrap Theatre, Redcliffe Murrumba Drama Festival and other SEQ festival venues Warnings: Themes relating to aging, relationships, and interpersonal conflict Performer Age: Teens to 70+ depending on role Creative Team: Still Here Love: Writer/Director – Dee Heath Rambles On Radio: Writer – Robert Scott; Director – Chris Packman Production Website: Mousetrap Theatre - One Act Plays Other Information: Productions will tour the South East Queensland drama festival circuit Casts may participate in multiple festival performances Available Roles / Character Breakdown: Still Here Love Sandra - 70s Fabulous and vibrant woman. (Already cast) Karen 40–55 Confident, sarcastic, and warm, navigating menopause with humour. Marnie Early 40s–50s Apologetic and people-pleasing, ready for personal change. Danielle 40s–50s Intelligent and appearance-focused, resisting aging. Beautician 20s Bright and overly positive, promoting unrealistic beauty standards. Male Waiter Teen–early 20s Uninterested and gormless; strong comedic timing. Security Guard Any age Irritable, bored, and power-hungry. Young Flirty Customer Teen–early 20s Non-speaking role; present throughout. Teenage Daughter Teen Typical disengaged teenager, glued to phone. Rambles On Radio Christopher Male, 40+ Pompous radio host. Georgina Female, 20+ His nervous, stage-frightened daughter. Charlie Any gender , 30+ In charge of sound effects. Louise Female, 30+ Nit-picking and deceptive. Martin Male, 30+ Louise’s husband, unaware of her secret. Harry Male, 30+ Unexpectedly becomes a star.

Title:  After the End Presented By:  Griffith University (Student Production) Genre:  Psychological Drama Synopsis: After the End by Dennis Kelly is a tense psychological drama exploring power, control, and perception in extreme circumstances. When two colleagues find themselves isolated in a bunker after a catastrophic event, their relationship shifts in unsettling ways, revealing deep insecurities, manipulation, and conflicting versions of reality. Audition Date:  Friday 20 March Audition Time: From 12:30PM Audition Location and Address:  Room G07 Theatre, Griffith University Gold Coast Audition Requirements: Prepare one of the provided monologues Be familiar with the Louise and Mark excerpt May be asked to read an additional monologue at the director’s discretion Audition Registration: No booking required (first in, best dressed) Audition Pack: After the End Audition Pack Performance Dates:  TBC Performance Times:  TBC Performance Location:  Griffith University Gold Coast Rehearsal Dates:  April - June (Fridays) Rehearsal Times:  8AM - 3PM Rehearsal Location:  Griffith University Gold Coast Warnings: Contains mature themes, including psychological manipulation and distressing situations Performer Age: Must be 18 years or older Other Information: This is a student production Actors must be available for all scheduled Friday rehearsals Available Roles / Character Breakdown: Mark Age Range: 20s - Mark is a socially awkward office worker who has spent years feeling invisible and undervalued. Beneath his quiet exterior lies deep insecurity and resentment toward the social structures that exclude him. When given control, he attempts to rewrite the narrative and position himself as the hero. Socially awkward and insecure Obsessive and resentful Controlling and manipulative when empowered Louise Age Range: 20s - Louise is confident, intelligent, and socially adept, used to respect and admiration. In a deeply unsettling situation, her confidence shifts into strategic thinking as she works to understand and survive. Her strength lies in emotional intelligence and perceptiveness. Confident and socially capable Intelligent and perceptive Resilient and strategic under pressure

Title:  Rope Presented By:  St Luke’s Theatre Society Genre:  Psychological Thriller Synopsis: Rope is a tense psychological thriller in which Wyndham Brandon convinces his impressionable friend Charles Granillo to commit murder purely for the thrill of it. They conceal the body in a chest and host a dinner party around it, inviting guests including the victim’s father. As the evening unfolds, suspicion grows—particularly from the perceptive Rupert Cadell—and the strain of their crime begins to unravel the pair. The play, which predates the famous film adaptation by Alfred Hitchcock, presents a gripping exploration of morality, arrogance, and psychological pressure. Audition Date:  Saturday March 21st, 2026 Audition Time:  10AM Audition Location and Address:  St Luke’s Theatre, 193 Ekibin Road East, Tarragindi, Brisbane, Queensland Audition Requirements: Prepare a 2-minute monologue (preferably from a 20th-century drama; no comedy) Be prepared to read excerpts from the script (provided at audition) Audition Registration: Email interest or enquiries to the director, Nigel Munro-Wallis on nigelmunrowallis@gmail.com Audition Pack: Script excerpts provided at the audition Performance Dates:  June 5th - 20th, 2026 Performance Location and Address: St Luke’s Theatre, 193 Ekibin Road East, Tarragindi, Brisbane, Queensland Warnings: Themes of murder and psychological tension Performer Age: All performers must be adults (18+) Creative Team: Director - Nigel Munro-Wallis Production Website: St Luke's Theatre Society - Rope Other Information: For questions or to register interest, email: nigelmunrowallis@gmail.com Script readings will be part of the audition process Available Roles / Character Breakdown: Wyndham Brandon Male, Early–Mid 20s A confident and intellectual student who masterminds the murder for the thrill of it. Charles Granillo Male, Early–Mid 20s A nervous and impressionable student who is drawn into Wyndham’s plan. European background. Kenneth Raglan Male, Early–Mid 20s A fellow student and guest at the dinner party. Leila Arden Female, 20s–30s A sharp and socially aware young woman. Mrs Debenham Female, 40s–60s A formidable and strong-willed woman. Sir Johnstone Kentley Male, 35–60 A thoughtful, bookish man and father of the victim. Rupert Cadell Male, Late 20s–30s A perceptive and probing would-be poet who begins to suspect the truth. Sabot Any gender, any age A servant present throughout the dinner gathering.

Title:  The Monologue Show - Sports Presented By:  Things That Happen Genre:  Monologues/ Theatre   Synopsis:  What is it? A 3 minute monologue about 'Sports' written by you. Things That Happen is seeking a talented cast of 6 to perform in their upcoming shows.   Audition Date:  March 22nd, 2026 Audition Time:  10AM - 12PM Audition Location and Address:  Salisbury, QLD   Audition Requirements:  Write and perform an original 3 minute monologue to the theme of sports that incorporates the words Balls, Sock & 7/11. Audition Registration: Email thingsthathappen.ct@gmail.com and include the following information; Full name Headshot Preferred audition timeslot (10AM, 11AM or 12PM) CV General availability   Performance Dates:  April 17th & 24th, 2026 Performance Location:  Reload Espresso Bar, 9 Chrome St, Salisbury QLD 4107   Production Website:   Things That Happen - The Monologue Show

Title:  Cats (Youth Edition) Presented By:  ROAR Academy Genre:  Musical Theatre Synopsis: Based on Old Possum’s Book of Practical Cats , Cats  is a high-energy musical by Andrew Lloyd Webber. On one special night of the year, the Jellicle cats gather for the Jellicle Ball, where their leader Old Deuteronomy chooses one cat to journey to the Heaviside Layer and be reborn. Blending music, dance, and storytelling, the show celebrates individuality, transformation, and community. Audition Date:  Sunday March 22nd, 2026 Audition Time:  10AM - 1PM Audition Location and Address:  Theatre 102, 102 Anzac Avenue, Redcliffe, Queensland, Australia Audition Requirements: You do not need to prepare anything in advance unless you wish to be considered for a lead character ALL auditionees will learn as a group a small section from Mr Mistoffelees and we will ask everyone to sing this for us either solo or in a small group. All auditionees will learn a short choreo routine and perform this is small groups for the audition panel. If you wish to be considered for a lead then we would like you to also sing at least a 1min cut from any one of the following songs; Jellicle Cats, Memory, Magical Mr Mistoffelees or Macavity: The Mystery Cat. Or you can sing a cut from the song relevant to the character you wish to audition for e.g., Skimbleshanks the Railway Cat or The Rum Tum Tugger or Mungojerrie and Rumpleteazer Audition Registration: Register via ROAR Academy website prior to audition HERE Audition Pack: Roar Academy - Cats Audition Pack Performance Dates:  April 18th & 19th, 2026 Performance Times:   Saturday - 11AM & 7PM Sunday - 2PM & 6PM Performance Location:  Theatre 102, 102 Anzac Avenue, Redcliffe, Queensland, Australia Rehearsal Dates:  April 12th - 17th, 2026 Rehearsal Times:   9AM - 5PM April 12th - 16th 11AM - 8PM April 17th Rehearsal Location:  Theatre 102, 102 Anzac Avenue, Redcliffe, Queensland, Australia Warnings: Physically demanding choreography Use of theatrical makeup and costumes Ensemble-heavy production requiring commitment and stamina Performer Age: Open to young performers (approximately ages 5–18) Creative Team: Youth Leader Director / Producer – Zahlee Brackstone RMT Director / Producer – Madeleine Johns RMT YOUTH Choreographers – Sienna Randall, Kayla Pehi RMT Choreographers – Mike Lapot, Meredith Johns, Jill Rowlands Technical Director Youth – Angus Pitman RMT Staging Director – Jonathan Johns Production Website: Roar Academy - Cats Other Information: ROAR Academy productions focus on training and performance experience for young performers Participation fee applies (covers training, costumes, and production elements) Full rehearsal schedule provided after casting Available Roles / Character Breakdown: Asparagus a.k.a. Gus: The Theatre Cat – An elderly cat whose paws tremble from old age; he spends his time reminiscing about his past exploits when he used to be a famous theatre actor. Sings – “Gus The Theatre Cat” and is in the Cats Chorus Bustopher Jones – A fat upper-class cat who is respected by all. He is described as "the Brummell of cats" due to his immaculate pelt, which resembles a tuxedo and spats. May double as Gus. This Cat will also sing in the Cats Chorus Bombalurina – A flirty and confident red queen; she is best friends with Demeter and the two share an intense hatred for Macavity. Sings "The Old Gumbie Cat" "The Rum Tum Tugger" "Grizabella: The Glamour Cat“ “Macavity” This role is a dancing cat. Demeter – A troubled and skittish queen; she is best friends with Bombalurina and the two share an intense hatred for Macavity. Sings – "The Old Gumbie Cat" "The Rum Tum Tugger" "Grizabella: The Glamour Cat“ “Macavity” This role is a dancing cat. Jellylorum – A queen who watches out for the kittens and takes care of Gus. Named after T. S. Eliot's own cat. Sings "The Old Gumbie Cat" "Bustopher Jones: The Cat About Town” "Grizabella: The Glamour Cat" (Reprise) "Gus: The Theatre Cat" This role is a dancing cat. Jennyanydots – a.k.a. the Old Gumbie Cat – She sits around all day and is seemingly very lazy, but at night, she becomes very active as she rules the mice and cockroaches, forcing them to undertake helpful functions and creative projects to curb their naturally destructive habits. Sings – "The Old Gumbie Cat“ "Bustopher Jones: The Cat About Town”. This role is a partial dancing cat. Needs to move well and will also sing in the Cats Chorus Jemima – The youngest kitten. Sweet and compassionate, she becomes the first cat to accept Grizabella when she sings alongside her in "Memory (reprise)" Sings "Grizabella: The Glamour Cat" (Reprise) "Memory". This role is a dancing cat. Victoria – a.k.a. the White Cat – A naive and shy white kitten who is known for her beauty and poise. She is a featured dancer, opening with a dance solo after "The Naming of the Cats" and is the first character to touch Grizabella. She sings in the ensemble. This role is a dancing cat. Grizabella – A former "glamour cat", ostracised by the Jellicles, who has lost her sparkle and now only wants to be accepted. An iconic role requiring a strong actress and vocalist. Sings “Memory (Prelude)” "Grizabella: The Glamour Cat“ “Memory” This role is a partial moving cat - will be expected to sing in the Cats Chorus, although mostly hidden. Mister Mistoffelees (Quaxo) – A troubled and skittish queen; she is best friends with Bombalurina and the two share an intense hatred for Macavity. Highlighted – “Mister Mistoffelees”. This role is a dancing cat. Rum Tum Tugger – A flashy and unappeasable cat who loves to be the centre of attention. A bit of a diva and a show off. His temperament ranges from clownish to serious. This is one ‘cool’ cat! Sings “The Rum Tum Tugger” “Old Deuteronomy” “Mister Mistoffelees” This role is a dancing cat. Skimbleshanks – a.k.a. the Railway Cat – An upbeat and active orange tabby cat, who lives on the mail trains and acts as an unofficial chaperone to such an extent he is considered rather indispensable to the train and station employees. Quirky, require a good character actor. Sings – “Skimbleshanks – the Railway Cat” This role is a dancing cat. Old Deuteronomy – The wise and benevolent elderly Jellicle leader who is beloved by his tribe. He tries to get the other cats to accept Grizabella all through the show. ] Sings - “Old Deuteronomy”“The Ad-Dressing of Cats” This role is a performing but not dancing cat. This Cat will also sing in the Cats Chorus. Munkustrap – A grey tabby tomcat who is the storyteller and protector of the Jellicle tribe. He is Old Deuteronomy's second-in-command and the show's main narrator Sings – “The Naming of Cats” “Invitation to the Jellicle Ball” “Old Deuteronomy” This is a dancing cat. Mungojerrie – A mischievous troublemaker, he is one-half of a notorious duo of cat burglars along with Rumpleteazer Sings “Mungojerrie and Rumpleteazer” This role is a dancing cat. Rumpleteazer – A mischievous troublemaker, she is one half of a notorious duo of cat burglars along with Mungojerrie Sings – “Mungojerrie and Rumpleteazer” This role is a dancing cat. Cassandra – A brown pointed Queen. Glamourous and snooty with a stand offish air - often partnered with Alonzo. Dancing cat and sings in ensemble. Exotica – A dark, sleek brown and cream female, similar to Cassandra in appearance. Dancing cat and sings in ensemble. Bill Bailey – A brown-and-white tom kitten. He is a playful young kitten, often performing acrobatics as well as being a strong dancer. His costume is patchy browns on a white base, suggesting he is a Bi-colour tabby and white. Carbucketty – A brown-and-white tom kitten. The name "Carbucketty" was created by T. S. Eliot for a "knockabout cat". A dancing cat and sings in ensemble. Electra – A quiet and reserved kitten. She is a young orange and black tabby female who is close to Etcetera as well as being a fan of the Rum Tum Tugger. She is a dancing cat and sings in the ensemble. Etcetera – A happy, energetic and excitable kitten who is a big fan of the Rum Tum Tugger. She is a dancing cat and sings in ensemble. Macavity – The show's only real villain and a literary allusion to the Sherlock Holmes character Professor Moriarty. He goes out of his way to terrorise the Jellicles, including seemingly employing some form of hypnosis. This part will probably be doubled – he is a dancing cat. Tantomile – Female twin of Coricopat. Both of them are perceived as intuitive or even psychic as they are the first among the tribe to sense the presence of strangers. A dancing cat who sings in the ensemble. Coricopat – Male twin of Tantomile. Both of them are intuitive or even psychic, perfectly synchronised in their movements and nearly identical in appearance. A dancing cat who sings in the ensemble. Asparagus - An elegant black and white tom often considered the "second-in command" after Munkustrap. He flirts a lot, but can still be serious, loyal and brave. Ensemble. Alonzo – A black-and-white/black-and-gold tom. Sometimes considered the third in seniority after Munkustrap as he also fights. Macavity – an ensemble character. Pouncival – A chorus character – a skittish and naughty kitten. An ensemble character. Victor - A tomcat, not alpha. Could double as Gus. Plato - is a cat mentioned in "The Naming of Cats". An ensemble character. Admetus - is an ensemble character - can be doubled with Plato.